Rose in all its forms.  Perfume, chemistry, for food and worship of the gods.

Roses

dionysus

My piano rendition of Stolen Dance strips the song down to its emotional core — a slow, melancholic reflection on love, loss, and the quiet ache of moving on. Recorded during a breakup, each note carries the weight of memory and the hope of healing. It’s Milky Chance’s familiar melody, reimagined through solitude.

Stolen Dance (Piano Version)

A reimagined piano version of Eiffel 65’s Blue (Da Ba Dee) — transformed from its late-’90s energy into something deeply reflective and human. This interpretation slows the pulse, uncovering a quiet melancholy beneath the melody while still holding onto a fragile sense of hope.

Blue (Piano Version)

A faithful interpretation of Ludovico Einaudi’s Nuvole Bianche, performed with quiet restraint and emotional clarity. This version honors the original’s simplicity — each note breathing with the same sense of space, stillness, and hope that makes Einaudi’s work timeless.

Nuvole Bianche (Patrick Amunson Rendition)

A piano interpretation of A-ha’s Take On Me that blends the song’s timeless melody with a more introspective tone. Staying true to the original composition, this version slows the energy into something cinematic and fragile — a quiet echo of love, loss, and memory.

Take On Me (Piano Version)

Heart-Shaped Box has always carried both danger and devotion. This version slows it to a heartbeat — the space between obsession and surrender. A tribute to the beauty in distortion, reimagined through quiet keys and open air.

Heart-Shaped Box (Piano Version)

I wanted this version of Let Her Go to feel like closure — the kind that doesn’t hurt anymore. By slowing it down and letting the melody breathe, it becomes less about loss and more about gratitude. Sometimes letting go isn’t the end — it’s the start of something lighter.

Let Her Go (Piano Version)

Crossroads

She's tired of the same routine every day
She wants to take a break and get away
She wants to leave all her stress behind
And she hopes her family doesn't mind

So she packs her things and leaves right away
She says she'll return in thirteen days
She says goodbye to her kids and her man
She's going off to be a wild woman

In a Baccan frenzy
She does exactly what she'll please
Her stress is releasing
This is what she needs

She's gonna spend her days with Dionysis
Eating, drinking, dancing in the forest
She's gonna get love wherever she can
Cause right now she's a wild woman

In a Baccan frenzy
She does exactly what she'll please
Her stress is releasing
This is what she needs

Family and friends don't interfere
This is one thing that is quite clear
They know the price of interference
The wild women tear them to pieces

In a Baccan frenzy
She does exactly what she'll please
Her stress is releasing
This is what she needs

In a Baccan frenzy
She does exactly what she'll please
Her stress is releasing
This is what she needs

Wild Women 3.0

Patrick Jae Amunson is a musician, producer, and entrepreneur bridging artistry and innovation. Adopted from South Korea and raised in Wisconsin, he began piano at four, later studying Sound Engineering in Los Angeles and managing catalogs at Sony/ATV’s Extreme Music. He founded Amunson Audio and The CoLabs, Inc. to empower artists worldwide while creating under the alias Fireye, releasing music under his own name, and producing with his bands Counter Culture and Eleven11.

I'm a free-time composer and pianist. I'm passionate about music as an outlet for artistic expression. I compose piano instrumentals and EDM-inspired electronic tracks, in an effort to sculpt a piece of myself in each creation.

I am Cristian Bay, a creator who stopped listening to the world’s music to compose his own.
My songs are born from silence after the scream — from the echo of pain that still vibrates through the body.

I use AI not as a tool, but as a mirror of the soul:
a voice that helps me transmute pain into dance, loss into rhythm, memory into ritual.

Each track is an act of alchemy.
My lyrics don’t seek comfort — they seek movement.
They are hypnotic mantras, invocations where the body remembers what the mind tries to forget.

I’m not a singer.
I’m a medium of sound, an emotional alchemist who turns rhythm into language and art into offering.

I make music.  It's mostly rock, but there's other influences at play.

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