As many of you know, in 2019 I ventured to Albania to take a workshop from visual artist Elena Dorfman. Elena and I have been friends for many years but had never crossed paths, so to speak, in the field. She had been venturing to Albania since the country opened up in the early 1990s and I knew she would provide me an opportunity to learn and explore. 

The workshop, my first in nearly twenty years, was eye-opening as well as educational and was my first real field foray in many years. After the class, we began discussing the idea of working together on an upcoming workshop. Then came C19 and the world took a moment to pause. 

However, as we learn more about the virus and how to take precautions we are, once again, planning our Albania venture. In addition, she and I have pitched an online class to the Santa Fe Workshops. (Stay tuned for more information on this.) 

Elena has had a very interesting career. She and I have a similar background in linear, reportage style photography, but she has gone on to adapt and evolve in many ways I did not. From this, we can all learn a thing or two. 

This is one of the best interviews I've done in regard to learning about how this industry works, how someone can and should adapt and evolve, and how one person has overcome the demands of the industry to blaze a personal path of singular vision.

Shifter: Dispatches Elena Dorfman

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Welcome back to the "Conversation Series" with this week's guest photojournalist David Butow. David and I met several decades ago and I've followed his career ever since. Photojournalism is a semi-misunderstood field but still serves as one of the most critical functions of photography, at least in my opinion. 

Working as a photojournalist involves training, a vetting process, and a serious responsibility. I've always viewed David as one of the "good guys" in this industry. His skill and commitment behind the camera are revealed by both his coverage and his awards. 

David worked in locations like Afghanistan, Myanmar, Iraq, Peru, and others. He covered stories on post 9/11 New York, the Palestine/Israeli Intifada, the 2003 US invasion of Iraq, the China earthquake in 2008, the funeral of Nelson Mandela, the Hong Kong protests of 2019, and spent the last five years covering politics in Washington. 

His list of awards includes World Press Photo, Pictures of the Year International, Photo District News, National Press Photographers Association, White House News Photographers' Association, Communication Arts, and more. 

David and I discuss his photographic origin story, his early training, his rise through the newspaper and magazine worlds, his work with US News and World Report Magazine, personal vs professional projects, the arrival and impact of the Internet and social media, and his incredible experience covering the events of January 6th, 2021. We also discuss his book "Brink," which details the entire arc of American politics from late 2015 to early 2021. 

As important as what we discussed is what we did not get to discuss due to time restraints. This is good news for all of you because it means there will be a second episode of my conversation with David. My goal with these talks is to introduce you to working photographers. Their life, their story, their training, their experience, and their understanding of what it means to dedicate your life to photography. In a world of influence, these are the folks that are actually rising at dawn to bake the bread. 

Photo: Roman Cho
https://www.davidbutow.com/

Shifter: Dispatches, David Butow

I know that many of you have led interesting, adventurous lives, so I know you will enjoy this interview with Monique Stauder. Monique is an old friend who inspires through her work and her lifestyle. There isn't a region in the world that Monique hasn't visited, and her projects and artistic undertakings are commendable. From journalism to fine art, from photographing female Tamil Tiger fighters to metalworking in Kinshasa, Monique has made the rounds and lived a  life that many of us can only dream of.

Shifter: Dispatches, Monique Stauder

A few moments with British photographer Allan Jenkins recorded during a "Blurb Dispatches" shoot. 

Dispatches: Allan Jenkins

The vaunted techno producer discusses the connections between visual art and music, balancing a full-time career as a fine artist and how he creates his signature sound.

There's a connection between visual art and dance music that's seldom explored on our channels. Mike Parker is well known in the underground techno scene for minimal, hypnotic and beautifully executed sound design that sits somewhere at the edges of club music. But he also received his master's degree in fine art and teaches drawing and painting at Daemon University in Buffalo, New York. Fans of Parker will recognise his visual trademark: monochromatic prints that adorn the covers of the records he puts out on his label, Geophone.

In this Exchange, Parker sits down with Chloe Lula to talk about how he balances his art- and music-making practices and how they inform each other. He also opens up about the long process of sticking to his sound and finding an audience rather than catering to the demands and suggestions of labels and distributors. His 2001 breakout album, Dispatches—which he reissued last year—is a meditation on the act of living far away from any listeners or immediate influences, and he discusses the ongoing drawbacks and rewards of balancing the Eurocentric pursuit of DJing with day-to-day work that's so geographically removed. He also opens up about his longtime collaboration with Donato Dozzy, his love of mid-20th-century sci-fi movies and how free-form radio shaped his approach to music and art. Listen to the episode in full.

EX.761 Mike Parker

The vaunted techno producer discusses the connections between visual art and music, balancing a full-time career as a fine artist and how he creates his signature sound.

There's a connection between visual art and dance music that's seldom explored on our channels. Mike Parker is well known in the underground techno scene for minimal, hypnotic and beautifully executed sound design that sits somewhere at the edges of club music. But he also received his master's degree in fine art and teaches drawing and painting at Daemon University in Buffalo, New York. Fans of Parker will recognise his visual trademark: monochromatic prints that adorn the covers of the records he puts out on his label, Geophone.

In this RA Exchange, Parker sits down with Chloe Lula to talk about how he balances his art- and music-making practices and how they inform each other. He also opens up about the long process of sticking to his sound and finding an audience rather than catering to the demands and suggestions of labels and distributors. His 2001 breakout album, Dispatches—which he reissued last year—is a meditation on the act of living far away from any listeners or immediate influences, and he discusses the ongoing drawbacks and rewards of balancing the Eurocentric pursuit of DJing with day-to-day work that's so geographically removed. He also opens up about his longtime collaboration with Donato Dozzy, his love of mid-20th-century sci-fi movies and how free-form radio shaped his approach to music and art. Listen to the episode in full.

Pete Souza, official photographer for both Ronald Reagan and Barack Obama, stops by the Blurb office for a chat about the life and duties of a White House photographer.

Shifter Dispatches Pete Souza

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Dispatches

Available here: https://backl.ink/dispatches

Back in 1996 Hidden Agenda put out their 4th and perhaps one of their most well known Metalheadz releases. 24 years on and we're proud to present the remastered release featuring the 2017 version of 'Dispatches #1' from the 'Bass Camp' compilation, and a brand new, never heard before remaster of 'Dispatches #2'. This is cutting edge drum and bass from a duo that played a big part in shaping the genre from the mid-90s onwards.

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Available here

Hidden Agenda - Dispatches #2 (2020 Remaster)

Demos and contact: info@metalheadz.co.uk

Upcoming events: www.metalheadz.co.uk/events

The Metalheadz back catalogue features almost every major figure in the history of drum and bass, and is one of the most innovative labels out there, consistently crossing boundaries with its releases since 1994. The labels output continues to showcase a maturing genre of music that displays influences from reggae, hip-hop, house and techno with highly-sophisticated and intricately-produced tracks, contrary to the image of the music that is typically presented by the mass media.

Releasing music from some of the biggest names out there whilst at the same time pushing and letting new talent break through are the reasons why Metalheadz continues to stay at the forefront of electronic music.

The Metalheadz label was also the driving force behind the seminal Sunday Session Club Nights, which achieved legendary status at London's Blue Note club. Today, Metalheadz club nights are often sell outs with the label also regularly hosting stages at some of the biggest festivals across the world.

Daniel Milnor is currently “Creative Evangelist” for Blurb, Inc. the world’s premiere print-on-demand publisher. He splits his time between the smog-choked arteries of Southern California and the spiritual landscape of New Mexico.

Milnor is a former newspaper, magazine and commercial photographer who now works primarily on long-term projects. His work has taken him from the rural corners of the United States to Africa, Asia, Europe and Latin America.

He has taught at Art Center College of Design, Academy of Art University, The Santa Fe Photographic Workshops, The Julia Dean Workshops and the Photo Experience Workshops.

An early adopter of select technologies such as print-on-demand books and magazines, Milnor has created and published over one hundred unique titles, including the recently released “Manifesto Magazine,” which showcases the world’s best documentary photography.

Milnor’s writing and photography has been featured in Camera Arts Magazine, Black and White Magazine, Life Magazine, Zone Zero, Flash Flood, Finite Photo, Resolve, Hasselblad Gallery as well as many others.

Additionally, Milnor is the author the blog Smogranch which allows him to speak his mind, post his mother’s poetry and bring together like-minded people around the globe.

He is currently working on a series of classic photo-essays which revolve around Blurb users who are living artistic, creative lives.
His work is in the collections of The Los Angeles County Museum of Art, The George Eastman House and The Santa Barbara Museum of Art.

The weekly RA Exchange is a series of conversations with artists, labels and promoters shaping the electronic music landscape.

4 piece indie band from Leicester. 

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