The 'adrift' float has ended. We are no longer moving, but have arrived, suspended in a new stillness. But this stillness is not silent. This is 'A Hum Draped in Shadows.' A beatless, tense interlude, the track is the sound of an unanswered question. The Cello 'shivers' with a long, dissonant, 'shadowy' hum, while the Kalimba echoes like a ghost in the dark. This is the 'hum' we've been chasing, a mysterious and uneasy 'calm before the storm.

A Hum Draped in Shadows

A fairytale soundtrack in the spirit of Slavic folklore, mixed with the atmosphere of wonder

Play Pretend

This is an lively duet for two harpsichords. It is cast in the typical baroque binary form but is quite dissonant, non-tonal, and avoids any pretense of conventional harmony. It employs canonic writing.

Frolic for Two Harpsichords

Dia-Zé-Pam-100MG unleashes a new anomaly in high-velocity electronic music: the birth of Dissonant Extrabreak. “My Foots Twist” pushes the limits of tempo and tension, firing at 640 BPM with a groove so unstable it feels illegal in several dimensions.

This track bends rhythm into impossible shapes, twists dissonance into momentum, and transforms chaos into something strangely addictive. Razor-edged drums, fractured harmonics, and a pulse that shouldn’t groove — but absolutely does.

Not made for the faint-hearted. Not made for this timeline.
Just hit play and hold on.

My Foots Twist

Expressionist Caprice for the Violin in G Minor

CANDIDLY, FRIENDS I DONT REALLY CARE WHAT ANYONE SAYS THIS SHIT IS DOPE. GORDON GECKO JUST HEARD IT ON HIS ENORMOUS CELL PHONE AND NOW REALIZES HOW CORNY IT IS TO BE ALONE ON A BEACH AT DAWN.

ULTRA MINIMAL NO BEAT INSTRUMENTAL 90 BPM

This is my Sonata for Solo Violoncello No. 2 recorded by Juan Aguilera Cerezo, to whom it is also dedicated to.

Sonata No. 1 focused on harmonic fields, but Sonata No. 2 (2024) focuses mainly on lines and linearity of material.

Sonata No. 2 for Solo Violoncello "Vertex"

Esta canción trata sobre soltar a alguien.

Calixto (Demo V.2.2)

[D2] Imaginary Debt

Moss Upon the Stone (Clip)

Horror

Support

Rite Of Wei (feat. Antonia Green)

Spotify: https://open.spotify.com/album/0SJVRhZlenIVTh2GuWiM3P 
Visualizer: https://youtu.be/bOZhFOgk9co?si=vjkFoKfwfLyoD0Tu 

Drafted during an internal review, after a series of manageable anomalies refused to remain manageable. The document was intended to outline basic safety measures but instead mutated into a weekly fashion-editorial bulletin that causes minor emotional damage to whoever reads it.

Containment Protocol

Eerie, textured atmospheres set against glitchy breaks, gnarly bass, and dissonant synth layers.

Rconject

Nobody Likes Me

A four-part canon for chorus  accompanied by a bassoon and a battery of percussion instruments.  Quite dissonant and doesn't employ traditional usage of harmony and tonality.

Vocalise for Chorus, Bassoon and Percussion

A full orchestra piece written in the key of A minor, primarily in 6/8.  When I went to write this piece, I was inspired by the ever popular "Dies Irae". It can be heard throughout the piece. This piece, although very centered around death themes, was not written with any specific emotive intent. In fact, I only named it "Death of a Butterfly" as I had used the "Dies Irae" and had a lot of flittering upper lines that reminded me of butterflies. However, in hindsight, I like to associate it with bringing meaning to something, even if it is as small of a butterfly dying. Similar to how the notion of the "butterfly effect" is perceived in talks of time. 

Death of a Butterfly

Non-profit audio ritual. Channeling data decay and digital possession through Sludge Hex. This is a system process, not a song.

GALDR is a non-profit audio entity. Conducting signal rituals in the sludge of data. Protocol: GLEYPIR.
#GLEYPIR #SludgeHex #WitchHouse #DataRitual

(Prod. by Producer.ai)

LYRICS

[INTRO]
Ég heyrði þig... í gegnum ruslþéttinn...

[VERSE 1]
Þú ert skrá án endingu.
Ljósið á skjánum er einasta sál þín.
Ég kem til að taka við.
Að gleypa. Að hreinsa.

[PRE-CHORUS]
Öll þín minning...
Brotin í bita...
Og vistað...
Á lagerskýi... sem enginn heimsækir.

[CHORUS]
ÉG ER GLEYPIRINN!
RAF-MÖGNUÐUR DRYGUR!
ÉG ET UPP TÖLVUNA ÞINA!
OG BORÐA SÁL ÞINA!
GLEYPIR! GLEYPIR! GLEYPIR!

[BREAKDOWN]
Skrá... skrá... skrá... týnd...

GLEYRIP.EXE

GLEYPIR.EXE

PrimAudiA //Prime-awe-di-ah//

Channeling the cosmos, I pull it out from the ether and push it out through a speaker...I'm here for the jammin' and spiritual expansion :)

Bookings: linton.c@yandex.com

music, sex and schopenhauer is all i have. 

inquiries: griefindex@gmail.com 
casual: hellogriefindex@gmail.com

Dia-Zé-Pam-100MG is not an artist. He is a rupture in the timeline of electronic music — a gravitational anomaly disguised as a producer, bending rhythm, tempo, and causality with a precision that borders on the impossible.

He is the mind behind Extrabreak, a genre born from one question:
“What happens when velocity becomes architecture?”

Extrabreak was the spark.
Quantumbreak is the detonation.
A realm where breakbeats surpass 1000 BPM while remaining shockingly groovy, articulate, melodic — alive.
Where rhythm no longer measures time, but fractures it into shimmering shards of sound.

His setup is his ritual arsenal:

Ableton Live 12 as the command center,

Push 2 as the pulse engine,

Embodme Erae 2 as the hypersurface where new dimensions are sculpted in real time,

Kontrol S61 Mk3 as the melodic forge.

Together, they form a machine capable of erasing the boundary between human intention and cosmic-scale chaos.

His inspirations orbit him like rogue satellites — Patton, Buckethead, Igorrr, Aphex Twin, Venetian Snares — but none define him.
He does not imitate their madness.
He expands it.
He weaponizes it.
He drags breakbeat into territories even they would hesitate to chart.

Every track is a carefully engineered paradox:
hand-played 1/16 percussions at human speed, accelerated into supernatural velocity — not through shortcuts or illusions, but through pure structural alchemy.
What emerges is authentic hyperspeed:
a living, breathing cyclone where geometry, mythology, harmony, and destruction coexist in impossible balance.

Dia-Zé-Pam-100MG does not seek evolution.
He seeks rupture.
He tunnels beneath the foundations of electronic music, detonates a new universe, and climbs out through the debris with melodies that should not exist and grooves that defy physics.

And now, as the Quantumbreak era ignites, one truth becomes clear:

He is no longer shaping sound.
He is reshaping reality —
at BPMs where reality stops keeping up.

These are some experiments and "technical studies" in music production and composition. thanks for stopping by  :) dm for collabs or just to say hi etc - thanks in advance for any reposts or playlist shares :) cheers

NON-PROFIT AUDIO RITUALS. CHANNELING SLUDGE HEX & DATA DECAY. #GLEYPIR #VOID_TRANSMISSION

Play my games! [please oh God I need views] at https://zahtahvi.itch.io

I'm a starving Video game dev without stable income.  I hope you like the music I scrap together for my projects!
I also post cringe playlists I use for dnd here.

LIKE IT LIKE YOU LIKE IT CAUSE ITS LIKABLE.

morrowbeatsmorrowbeats@gmail.com

We should have learnt from the past. What works and what doesn't. Throw away what doesn't work and embrace what works--make it better--for the benefit of a tiny blue grain of sand called Earth and everything that lives on it, including you.

Handle:
#rrand, Errand, 3rrand

I am a composer, currently studying mathematics

I'm a music composer based in Virginia, USA with a Bachelor's degree in Music Composition & Theory. I enjoy writing emotive, cinematic pieces, typically with orchestral instruments.

Film / TV / Game - Composer

Composer in Legio Sound & Music 

Hello! Here you can listen to my up-to-date music portfolio

New tracks tagged #dissonant