A haunting, drone-like cello soundtrack with a tense, nervous, desperate mood

Solo

A dark soundtrack with a mysterious fantasy atmosphere, piano, synth, female vocals, cello

Mentalist

Couldn't record vocals just yet because my family is home and I plan to scream the lyrics really loud.

YOU"RE FAKE Instrumental

The beginning - (Orchestral Dubstep) [172bpm/Gm]

The 'adrift' float has ended. We are no longer moving, but have arrived, suspended in a new stillness. But this stillness is not silent. This is 'A Hum Draped in Shadows.' A beatless, tense interlude, the track is the sound of an unanswered question. The Cello 'shivers' with a long, dissonant, 'shadowy' hum, while the Kalimba echoes like a ghost in the dark. This is the 'hum' we've been chasing, a mysterious and uneasy 'calm before the storm.

A Hum Draped in Shadows

A fairytale soundtrack in the spirit of Slavic folklore, mixed with the atmosphere of wonder

Play Pretend

This is an lively duet for two harpsichords. It is cast in the typical baroque binary form but is quite dissonant, non-tonal, and avoids any pretense of conventional harmony. It employs canonic writing.

Frolic for Two Harpsichords

Dia-Zé-Pam-100MG unleashes a new anomaly in high-velocity electronic music: the birth of Dissonant Extrabreak. “My Foots Twist” pushes the limits of tempo and tension, firing at 640 BPM with a groove so unstable it feels illegal in several dimensions.

This track bends rhythm into impossible shapes, twists dissonance into momentum, and transforms chaos into something strangely addictive. Razor-edged drums, fractured harmonics, and a pulse that shouldn’t groove — but absolutely does.

Not made for the faint-hearted. Not made for this timeline.
Just hit play and hold on.

My Foots Twist

Expressionist Caprice for the Violin in G Minor

CANDIDLY, FRIENDS I DONT REALLY CARE WHAT ANYONE SAYS THIS SHIT IS DOPE. GORDON GECKO JUST HEARD IT ON HIS ENORMOUS CELL PHONE AND NOW REALIZES HOW CORNY IT IS TO BE ALONE ON A BEACH AT DAWN.

NO BASS MINIMAL MODEM HIP HOP INSTRUMENTAL BY MORROW

This is my Sonata for Solo Violoncello No. 2 recorded by Juan Aguilera Cerezo, to whom it is also dedicated to.

Sonata No. 1 focused on harmonic fields, but Sonata No. 2 (2024) focuses mainly on lines and linearity of material.

Sonata No. 2 for Solo Violoncello "Vertex"

Esta canción trata sobre soltar a alguien.

Calixto (Demo V.2.2)

[D2] Imaginary Debt

Moss Upon the Stone (Clip)

Horror

Sandefjord is a Norwegian/French music producer exploring the depths of electronic sound, where powerful rhythms meet immersive atmospheres.

Dia-Zé-Pam-100MG is not an artist. He is a rupture in the timeline of electronic music — a gravitational anomaly disguised as a producer, bending rhythm, tempo, and causality with a precision that borders on the impossible.

He is the mind behind Extrabreak, a genre born from one question:
“What happens when velocity becomes architecture?”

Extrabreak was the spark.
Quantumbreak is the detonation.
A realm where breakbeats surpass 1000 BPM while remaining shockingly groovy, articulate, melodic — alive.
Where rhythm no longer measures time, but fractures it into shimmering shards of sound.

His setup is his ritual arsenal:

Ableton Live 12 as the command center,

Push 2 as the pulse engine,

Embodme Erae 2 as the hypersurface where new dimensions are sculpted in real time,

Kontrol S61 Mk3 as the melodic forge.

Together, they form a machine capable of erasing the boundary between human intention and cosmic-scale chaos.

His inspirations orbit him like rogue satellites — Patton, Buckethead, Igorrr, Aphex Twin, Venetian Snares — but none define him.
He does not imitate their madness.
He expands it.
He weaponizes it.
He drags breakbeat into territories even they would hesitate to chart.

Every track is a carefully engineered paradox:
hand-played 1/16 percussions at human speed, accelerated into supernatural velocity — not through shortcuts or illusions, but through pure structural alchemy.
What emerges is authentic hyperspeed:
a living, breathing cyclone where geometry, mythology, harmony, and destruction coexist in impossible balance.

Dia-Zé-Pam-100MG does not seek evolution.
He seeks rupture.
He tunnels beneath the foundations of electronic music, detonates a new universe, and climbs out through the debris with melodies that should not exist and grooves that defy physics.

And now, as the Quantumbreak era ignites, one truth becomes clear:

He is no longer shaping sound.
He is reshaping reality —
at BPMs where reality stops keeping up.

Play my games! [please oh God I need views] at https://zahtahvi.itch.io

I'm a starving Video game dev without stable income.  I hope you like the music I scrap together for my projects!
I also post cringe playlists I use for dnd here.

LIKE IT LIKE YOU LIKE IT CAUSE ITS LIKABLE.

morrowbeatsmorrowbeats@gmail.com

Hi! My name is Falconn and I've been making music since middle school. Give it a listen! 

I am a composer, currently studying mathematics

Film / TV / Game - Composer

Composer in Legio Sound & Music 

Hello! Here you can listen to my up-to-date music portfolio

New tracks tagged #dissonant