Black Fractals

Oceanic

Concept
The Hunger is the moment the Abyss reveals its true face.
After being lured by familiar voices and memories, the protagonist finally sees the entity that has been stalking him since the moment he crossed the threshold.
It is not a creature of flesh or bone, but a vast, ancient intelligence made of shadow, instinct, and need.
It shapes itself from fear.
It learns from longing.
It feeds on broken hearts and the pieces of the self left unguarded.
“The Hunger” is not just something in the Abyss.
It is the Abyss.
The soundscape is suffocating, immense, and relentless — the embodiment of something that has waited ages for a soul to wander too far from the light.
Visual Concept
The cover art depicts a lone figure facing a colossal shadow-beast, its glowing eyes burning like coals through the darkness.
Volumetric blue lighting reveals only hints of its form:
curling tendrils, jagged silhouettes, a shape too large and too wrong to fully comprehend.
The man stands small, illuminated only by the faint glow around him — a spark of resistance against a world designed to consume him.
This is the instant where fear becomes revelation.
Place in the Album Narrative
At this point in THE ABYSS:
The protagonist has seen memories, ghosts, and illusions.
He has survived predators and temptations.
He has followed a voice he hoped was real.
Now he encounters the truth behind it all:
a being that hungers not for flesh, but for identity, longing, and hope.
This track is the turning point where survival becomes a question of will rather than escape.
For the Listener
Listen in the quiet between notes.
Feel the air tighten around each breath.
Let the weight of the dark press inward.
This is not just a monster.
This is the Abyss…
and it is hungry.

The Hunger

Two codes in one chest. They cut my name to make it fit.

This track is the sonic representation of a panic attack. It starts in the safety of Lofi Hip Hop—the mask I wore to look "fine." But the peace is fake.

When the switch hits 155 BPM, the mask comes off. The Trap Metal screams and Djent riffs are the anger I swallowed for years. The Nu Metal distortion is the sound of the "good kid" finally breaking.

I included Vietnamese lyrics (Tiếng Việt) because some pain can only be spoken in the tongue my father taught me. To the listeners in Vietnam: Thank you for hearing the real me. Cảm ơn các bạn.

Warning: The drop is heavy. The ending is silence. Don't call me a monster. I'm just learning to breathe.

The Moon XVII

I just recently received the beautiful Darkglass Anagram to model some crazy bass tones and I wanted to showcase and also test the efficacy of the pitch-shifting block. I was mostly curious about how accurately the block can track the different octaves and if there would be latency. No pitch shifter is perfect, but being in rock and metal/metalcore, you often need to change tunings, and sometimes on the fly. Especially if you have a really good set-up bass rig. 

I do lament having to tune between songs (the Anagram's tuner is incredible!). I have played in Metalcore cover bands, and some songs are sharp or flat. All hail the ever mighty Digitech! But I wanted to test the 6 cores in the Anagram, and see the viability (let's be honest, it was going to be impressive!). There is zero imperceptible latency, lest we keep this reasonable and within... reason...

Yeah the higher and lower you go passed the semitones I was trying, the more latent it can get.

The bass is tuned in Drop A however, the pitch shifter has us 3 half steps down, or semitones as the shifter has it labelled. It stays there mostly, but we tease a 6 semitone drop after the first "breakdown".
As we reach the outro, we shift up 3 semitones, followed by 0 or off for the pitch shifter and in our naked tuning of drop A, then back to our standard tuning, then down to 6 semitones again, followed by the brownest of notes at 9 semitones, and we cycle through the octaves on the last note back to A.

We knew DG was gonna deliver, but here I am still impressed. The guitars are running through a clean channel with the pitch shifter active for the same effect on the Anagram as well. Except I did some EQ'ing on the DI signal. The tone for the guitars comes through my DAW.




Pennies In My Pocket (P.I.M.P)

Facebook: https://www.facebook.com/Violetbandofficial
Original mix: https://www.youtube.com/watch?v=7zkYQgfLr0E



Violet - Secret Mixed by [TURN UP STUDIO]

Assault Protocol

skogsrå (instrumental)

skogsrå

slaughter low

Of course Soundcloud destroyed the mix quality

Malignant Wraith

The Final Seal

Quietus

Kald Og Alene

Midwest sound engineer & videographer.

I post mix tests and demos here to document my progress over time.

Guitar/engineering for Graveless
Bass for Death Throes

I am a singer/songwriter/guitarist/pianist/music producer living in the Dallas-Fort Worth area. I write and compose, and perform my music. Here I have reimagined my songs and have re-written some of them as well using AI. Currently, all tracks found here use SUNO AI to some extent, varying from 10% to as much as 70% on a few tracks. I reserve all rights to my tracks found here. Please listen, like, and download if there is a download link. Let me know what you think if you get the chance.  Please know that I am not looking to earn money off of this. I do it for myself and hopefully there are people out there who will enjoy listening to it, for free. I like to listen to other music creators as well, and I support both 100% music creators and also those who use AI. I like that almost anyone can create a semi-professional-sounding track now.  Welcome to the music AI revolution! Thanks again, and I will see you out there!!!!

Singer-songwriter and a primary writing force in Iscah.

I want to do covers, collaborate, or write for you. My voice is mostly suited for modern metal/progressive metal (djent). However, I love many differing styles of music and can work with whatever you have in mind. So don't let the pedigree deceive you. I am no producer, so almost everything I have here is a demo. I also love playing bass and writing grooves. My skill is not solely vocals if you wish. Metal bass is just one color in my palette. I can also be a consult and objective ear/suggestive mind for your writing. 

You can follow my band's links here:
https://linktr.ee/iscah_metal

SoundCloud:
@IamBean

Video Game Music Composer

著作権フリー音楽素材を販売しています。
https://prismatic-tone.com/

band: @ululou
project: @Harmonic-Reflection

contact : diadiadia2@gmail.com

NEW SONG “DARKNESS” OUT NOW!! 

I also produce beats!

Metal Alchemist . Viral in 2019 -> Ghosted the industry -> Back to settle the score.

My music is a form of Alchemy. I use the DAW to manifest my internal universe. Expect Metalcore riffs, Breakcore drums, and R&B melodies to bleed into each other.

THE TIMELINE (Listen in Order):

    89 (The Origin / The Viral Hit)

    SOVEREIGN (The Purge / The Chaos)

    THE WINTER ARC (The Mastery / The Offering)

...and if you find Velvet 111, you went too deep. Don't tell anyone.

New tracks tagged #djent