I started this track as a 4ms exercise. Trying to suss chords out of the EnsOsc in a pleasant way. I was initially going for an ambient track. But as soon as I heard the Music Box samples go through the OAM Time Machine, I knew there was a trance-y track hiding beneath.

There’s a lot going on with this patch in just the EnsOsc part. Panning between 2 delays, granular treatment with dual Dradds, all being filtered through the Bizarre Jezabel Blossom. Modulation ahoy! We have loads of chaos, plus every output on both the 4ms Dual EnvVCA and the Shaped Dual EnvVCA. 

The Music Box samples are from the Disting SD Multisample algorithm being triggered by one of the < trigger outputs, which goes through the Time Machine and out to the mixer.

The kick drum is via pinging (ringing?) in the Frap Tools Cunsa. A Falistri envelope to the input, with an attenuated version of the same envelope to the FM. This filter is set in LPG mode. 

Hats are using white noise from Sapel to 1 of the Cunsa filters, also in LPG mode.

I found that in filter mode, the harmonics were just too much.

Everything is run through the Walrus Audio Slöer reverb.

Recordings

EnsOsc - Music Box - Frap Tools Jam

A rhythmic patch, driven by chaos. This chaos driven sequence is prone to drifting in very organic ways, but always falls back in line. It’s a beautiful dance of real life incursions into the everyday.

Everything in this patch from the gate sequence to the pitch sequence, and everything else, is derived from 4 chaos outputs from the Nonlinearcircuits The Hypster. They feed Let’s Splosh and Numberwang, and both control the entirety of the patch. All modulation is either direct from Let’s Splosh, or triggered by Numberwang, sometimes both.

4 Generate 3 outputs go to Natural Gate inputs, which are gated by Numberwang. The NG outputs are mixed to stereo en route to the stereo matrix mixer, and are sent to Time Machine and Dradd. The Dradd and Time Machine outputs are sent to Panharmonium, which uses the Bizarre Jezabel Mimosa as an insert. All outputs are mixed together and sent to the final mixer in AUM on the iPad.

The kick is a simple filter ping in CUNSA (with a FM envelope). Hi hats are high pass filtered white noise from Sapel, enveloped by a lightly decay modulated Schlappi Engineering Boundary.

Reverb is the always beautiful Vongon Ultrasheer.

New tracks tagged #dradd