Credits:

Griffin Fisher- guitars, bass, drums, percussion, keys, feedback

Sam Skinner- hammond organ, musical confidant, advisor, gear guru extraordinaire

Recorded, mixed, and mastered at Big Nice Studio in Lincoln, RI

Engineered and mixed by Emma Newton

Mastered by Bradford Kreiger

Cover artwork by Anastasia Trusova

All songs written and arranged by Griffin Fisher.

©2024 Griffin Fisher Music. All rights reserved.

I'll Be Alright

Oparin

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Lost In the Wheels of Confusion

Dro)))ne

p e t u n i a

s o l i d

20 minute preview of "Oblivion". Full 60-minute track will be available on Sept 20th.

"Oblivion" marks Oscillotron's first release in eight years, following the albums "Eclipse" (2012) and "Cataclysm" (2016). This new album represents a bold evolution in Oscillotron’s sound, moving away from the cinematic textures of previous works and diving into the heavier, more visceral realms of drone metal.

Blending massive, down-tuned guitars with the raw power of Moog synthesizers, “Oblivion” is a single, 60-minute track that constructs a minimalistic yet crushing wall of sound. Uncompromising in its design, the album immerses the listener in an unrelenting sonic intensity.

"Oblivion" will be self-released by Oscillotron digitally across all major platforms on September 20th, 2024.

Oscillotron is the solo project of David Johansson, frontman of the Swedish doom metal band Kongh since 2004 and touring guitarist of the post-metal band Cult of Luna between 2013-2019.

Website: https://www.oscillotron.com
Bandcamp: https://oscillotron.bandcamp.com
Instagram: http://www.instagram.com/oscillotron_official
Facebook: https://www.facebook.com/oscillotron
Contact: oscillotronmusic@gmail.com

Oblivion (preview)

Oblivion (20-Minute Preview Edit)

somewhere
beyond the void
I see the light
fading away

time again
I cry for help
pray for a miracle
but no one came

I'm all alone 
with my thoughts 
trapped within 
my tainted mind 

chained down
by my despair
broken inside
shattered soul

let it grew
manifest
out the good
come the bad

nothing matters
there's no hope
for me to live
live like this

whatever comes
I'll take my place
and get what I
deserve

broken (Single)

Geo is an album of experimental drones and grooves. An ambient electronica journey with reversed guitars and chopped up beats. If you like the track please like and share.

eV - B

PRE SAVE

Eight balls

A drone metal project i started last winter break and decided to finish this winter break. It features 3 tracks of ambient, very slow bass tuned down to A standard. Each track has something unique. Pulsar features distorted strings, Martian Winds has dueling bass. It concludes with the title track which is a 12 minute epic.

Cosmic Strings

Pulsar

Martian Winds

Saraswati is female deity of creativity. She is venerated in both Hindu and Buddhist traditions. Artists, musicians, performers, composers, and singers across the Himalayan plateau worship her, invoke her magnetising powers, recite her resonating mantras, meditate on her all-attracting image, in seeking to awaken the creative processes within their subconscious and psychic platitudes that allow the creative artist or performer to tap into the pulse of social and natural transformation in harnessing the vibrational energies that will touch the hearts of audiences and inspired people to be in a sphere of peace. Sarswati is always depicted holding a sitar, the iconic South Asian stringed instrument  known for its penetrating  frequencies. In the Hindu tradition, Saraswati is the consort of Brahma, the God of Creation. In the Buddhist tradition she is the consort of Manjushuri, the Bodhisattva of Wisdom. She is the second of the Twenty-one Tara, a Dakini or feminine awakening spirit, and in a western conceptual context could be considered the original Muse. This album offers her Sadhana or ritual for visualization practice, and her mantra sung by Tibetan vocal artist Jiayang Lhamu to the all encompassing deep psych rock of London based sonic voyager Dann Gaymer. 

The track opens with a field recording of thunder echoing through the mountains of Fei Lai Si, Yunnan, during a tempest rolling over the Tibetan plateau, before giving way to swirling ethereal textures created from 90 second piece of chip tune music created on a vintage Nintendo Gameboy, slowed down 1000% and then fed through a modified tape machine to add glitchy time bending echos. From there we are led deeper into the cave by Tibetan vocalist Jiayang Lhamu, into the realms of epic guitars and sub drones before emerging into brightness at the other side.

Guiguisuisui 'Sarasvati Frequencies'

Walking Down the FInal Corridor

Im a bassist who loves metal. I like to release stuff on my own in a variety of genres. No I will not take down the low quality material, it is a part of my journey.

Fragments from the past

d r e a m u (Fran Sarró), is a Madrid-based experimental musician and producer, whose recordings are influenced by drone, shoegaze, ambient and noise.

Primarily using reel-to-reel machines and cassettes, his music is recorded with processed electric guitars and pianos, granular synthesis and field recordings.

Doomia, oomphia ja jottain.
https://soundcloud.com/leafhound
paypal me at hemohes_hessu@hotmail.com
instagram @snubnosedick
https://gunandarunner.blogspot.com/

Currently exploring sounds in the ambient atmospheric aisle.

BLOG

March 2025

Sonosphere is this month's release from the album GEO. A track full of tension with a lot of sonic manipulation.

Oct 2024

Industry is released in all its glory. An ambient dark atmospheric piece and probably my most coherent, unified sound to date. The atmospheric dub techno is definitely a style I will continue to revisit. 

The next album will be a more experimental collection with less emphasis on beats. The album will be called GEO and is themed on biogenesis. Check it out as each track is added.

June 2024
Industry and Distance

Sides three and four of the double album Industry have now been completed. Full album is released at the beginning of July. You can find the album now on Bandcamp. If anyone reads this and wants a copy let me know and I will send you a free download code.

New project already in the pipeline. I am developing the sound I created on the single Distance. I like releasing completed sides as often the tracks will flow into one another. Distance Ochr Un is due for release in August, but of course my Soundcloud fans get to listen now.

Thanks for your continued support. Please remember to pre save, like, and share.


May 2024
Industry

Industry Ochr Dau (side two) is released this month. Check it out on all the usual streaming platforms
April 2024

The second side of the album, Industry has just been finished. You can preview the release on the left. Please let me know what you think and, if you like it, hit the PRE SAVE button. The second side is due for release on May 10th.

March 2024
Industry

Working currently on an album that has a working title, Industry. Big reverbs and delays seem to be the theme with an ethereal dream quality. The album is being written with a double vinyl release in mind, so there will be 4 sections of around 15 minutes.

Check out Industry Ochr Un and Dau for the first two sides. I expect there to be a side released once per month with full issue in July.

Please PRE-SAVE, like and share as I need all the help I can get.

Sept 2023
Atmospherics

The latest album is called Atmospherics. It is inspired by Joachim Spieth's album Terrain. The album is built around atmospheric sounds such as thunder, rain, wind recorded on the west coast of Wales in 2023.

The idea of the album was to take these sounds and morph them with synthesised creations in the studio so that the boundary between the real and unreal becomes blurred. This was mainly achieved through the use of resonators to create floating harmonics.

The album is officially released on all streaming platforms from the 24th November. It is available to purchase right now on Bandcamp. If you have read this far then message me as I have a free download code for you.

EPiraten

scab(s) is a Solo Metal Band from Australia.

Heavy minimalism from Sweden. New drone doom metal album ”Oblivion” out on Sept 20th, 2024.

Guiguisuisui is a heavy psychedelic band which draws on Himilayan spirits to shake hearts and minds in order to awaken the senses. With its origins in Northeast China in 2012 the band has gone through numerous mythical manifestations, touring relentlessly in China, Taiwan, Thailand, South Korea, Japan, Indonesia, Singapore, Malaysia, Australia, New Zealand and Europe (UK, France,Belgium, The Netherlands, Germany, Austria, Poland), while exploring goth rock, blues, death punk, minimal wave, industrial, , ambient, avante garde opera, live painting, and performance art. The most recent manifestation blends stoner metal, doom drone, psych rock, dark ambience, and lofi beats to create a sonic tapestries inspired by Himalayan lore, where heroes and great cities are birthed and destroyed between each note, and fabled adventurers scale the swells and crescendos surrendering their worldly senses in order to seek greater truths from beyond this mortal plane.

The primary creative force behind Guiguisuisui is Dann Gaymer (The Slow Blade, Ravages, New Age of Decay, Peachy Carnehan, Round Eye, Guiguisuisui, Nekroma, Loooooongish Cat, Daftpop Sounds), a British born artist, educator, psychologist, and anthropology student who has spent 16 exploring underground music and indiengous  mythology around  the world, having played in over 20 countries including the far reaches of Mongolia and Greenland, and released dozens of albums and EPs.

New tracks tagged #dronemetal