Going totally John Carpenter on this one, in collaboration with Dan (aka DJ Yoda). Arturia Analog Lab V for the synths (CS80, SEM, Prophet 5) and Mellotron, then mainly stock Ableton Live 10 instruments and kits.

Might have got a bit too muddy at the end, but let's pretend it's recorded onto an old cassette tape ;)

Escape From 80s City

Escape From 80s City (feat. DJ Yoda)

Fleeing from an autonomous city of programs and their awakening army on a light cycle. 


Released on @Sthwst Vol. 4!

Catch the whole release here:

http://sthwstcollective.bandcamp.com/album/v402

Also check the sound cloud

https://soundcloud.com/sthwst/v402



BANDCAMP

SECRET LEVEL

This is a fan OST for Terminator 3 Skynet if it went in the direction of Judgement Day still happening on August 29th, 1997. CEO and the board of Cyberdyne took interest in the recovery of the T800 Endo Skelton parts like the Arm and The Chip and also Miles Dysons work from when he first started all the way until his final days. They saw the potential and did a failsafe and backed everything up from the T800 remains and everything Miles had done. After the demise of Miles Dyson, Cyberdyne brought in the best scientists to work on rebuilding the AI Skynet from the data that had been backed up. Robert Brewster has been put in charge of the project. Not going to spoil any further this is a little summary on what I have envisioned I may write a fan book and how all this would happen and how all this will play out in the future but until then this one of the scenes I have envisioned in my mind is the song I would use called Hope For The Future which has two elements from the soundtracks of The Terminator and Terminator 2 I recreated Terminator 2 Desert Suite but reworked it to fit that eery but hopeful future and the heartbeat of Terminator Arrival from The Terminator to foreshadow The Terminator getting sent back in the future to 1984 which would be the last and final of the 2nd set of trilogy so 4, 5 and 6 to cover the future war from start to finish. Terminator 3 will be set roughly one or more days before judgement day and a time traveller will be sent back in time to get John to safety from Judgement Day which again will be done in my fan book and will end the first trilogy of T1, T2JD and T3Skynet. The title of the song is basically about John's survival, which gives hope to the future of the human race. anyway, I hope you enjoy this OST.

Terminator 3 Skynet OST

Hope For The Future

Hope For The Future (Desert Suite & Terminator Arrival)

check the game out:
https://store.steampowered.com/app/2773280/ANEURISM_IV/

ripped from this vid: https://www.youtube.com/watch?v=OPvoQjZ1gnA

ANEURISM IV Soundtrack - Marked For Limitation

Dive headfirst into the abyss with Jeff Bone's Zero Future, a sonic landscape that is both futuristic and unsettling, depicting a world consumed by unchecked technological advancements. The track conjures a palpable sense of unease and dread, with glitches and distorted sounds accentuating the disarray and instability of this dystopian vision. Overall, Jeff Bone’s Zero Future (Terminal Drive Mix) is a high-energy tech-house track that fuses driving synths, heavy bass, and intricate percussion to create an electrifying atmosphere, embodying a dark, exploratory journey into the future.
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Music Video: https://www.youtube.com/watch?v=0pg_fYPLZW4
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Written and Produced by Jeffrey LeClair
Programming, Keyboards, Drums by Jeff Bone at JL Recording Studios
© 2025 Jeffrey LeClair
All Rights Reserved. Unauthorized Duplication Prohibited

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Follow Jeff Bone on Social Media!

OFFICIAL: www.jlstudios.ca/jeffbone
FACEBOOK: www.facebook.com/jlstudiosrecording/
INSTAGRAM: www.instagram.com/jeffbonemusic/
TWITTER: www.twitter.com/jeffbonemusic
MIXCLOUD: www.mixcloud.com/JeffBone/

FREE DOWNLOAD (320)

Jeff Bone ‘ Zero Future' - Terminal Drive Mix (Tech-House)

Syd Sapien. Kind of a podcast, kind of an audio book, kinda weird. All aboard the hype train! We're on a collision course with the banter bus and I hear they've not got seatbelts.

Music & Words by Jack Evans

Syd Sapien - TEASER - May 2015

Claustrophobic techno fraught with tension and dread, conjured from the far-off dystopian future that Randstad inhabits.

'COMMONTHREAD07' is out November 10th.

Pre-order: bit.ly/2y8ea8i

@0110001101110100
@thomasbakk

Premiere: Randstad – Ultra [Common Thread]

Subscribe to my Youtube for more Remixes
https://youtu.be/uHkbjNAoH1c

Dragon Ball Super OST - Dystopian Future (HQ Recreation Hip Hop Remix)

Not my own. This is from Dragon Ball Super series.

Dragon Ball Super OST - Dystopian Future

[Verse 1]
The wind has gone, the invisible come
Your memories are being run
The mountain scarred by invisible bars
The stillness is on guard

[Chorus]
Oh-oh, the wind will come
Blow, answer echo's answer

[Verse 2]
The mountain mine from invisible time
I am next in line
The message sent was of discontent
From incline to incline

[Chorus]
Oh-oh, the wind will come
Blow, answer echo's answer

[Verse 3]
The wind is near, the invisible hear
Come my thoughts away from fear

[Outro]
Oh-oh, the wind has come
Blow, answer all these echoes

Echo's Answer (Broadcast Remix)

Hello, Macko here welcoming you all to my soundcloud where I'll be uploading my music on for people to listen to anytime they want to. 

I'll be working on remakes, remasters, remixes and more so please keep an eye out for future uploads and check out my current uploads.

also leave a like on my videos and share them on all platforms please!

Thank you for reading my bio!

Manchester based whimsy anarchist. Proud part of the Quippodrome. We do comedy.

Subscribe to my Youtube and request a remix
www.youtube.com/riftibeats

Spotify
https://open.spotify.com/artist/2fcn14wWIwWrnXAv89ovBk?si=1RpRLyt7SYWUOtNrHA-sDA

Canada has long been a hot bed of Electronic Dance Music, showcasing producers in all their glory from every corner of the land. Jeff Bone is one of those DJ/Producers that continues to add to the rich vibrancy of Canadian dance floor culture. He is celebrated as an artist that understands the foundation blocks required to take people on a musical journey. He crafts delicious soundscapes of extraordinary music designed to entice and inspire listeners to get down and dance in the moment. 
Jeff Bone’s music has been heard by millions across the airwaves as his tracks have been featured on high rotation around the globe, and his DJ skills have been witnessed as far afield as Mexico and the USA.
Hailing from Toronto and overseeing the outstanding recording facility, JL Recording Studios, Jeff understands the sonic nuances required to take music to the next level. Like many that really start to make a mark as a producer, he has plied his trade for over three decades, and since 2017 has really hit a purple patch with his production releases.
DJing from the age of 16 at Toronto’s fabled Nuts and Bolts venue and musically trained as a guitarist, Jeff is able to bring that learned legacy to his releases with an outstanding array of musical engineering skills. 
Multi-dimensional and befitting a producer of his experience, he is able to navigate the waters of melodic, infectious House grooves, tinged with his eclectic influences gained over a lifetime of dedication to the art. Away from the House Music arena, he started his journey by listening to artists such as Queen, David Bowie, George Clinton, Morris Day, Kraftwerk, Tangerine Dream, Depeche Mode and Gary Numan.
As the pop sensibilities gave way to a love of pure dance music and House; Frankie Knuckles, Jellybean Benitez, Giorgio Moroder, David Morales, and Bob Sinclar came to the fore. Those integral building blocks of the masters are clearly evident as he enters the most prolific period of his career to date. 
Remixes are the cornerstone of how a producer becomes a fully-rounded artist and Jeff Bone’s catalogue of work shows a complete understanding of how to update and recast classic tracks for a new generation of listeners. His emergence on to the big stage started in 2017 with his version of ‘Digital Kitty’ out on Slammin Media. Since then, he has been releasing remixes underpinned by meticulous class which have reached audiences far and wide.
He has produced reimaginings of classic tracks such as Janet Jackson’s ‘Control’, Halsey’s ‘I'm Not Mad’, Aerosmith’s ‘Sweet Emotion’ and Jennifer Holliday’s ‘No Frills Love’. To date these tracks have featured in heavy rotation on 34 radio stations across the planet, reaching over a million listeners. 
This is the springboard that will see him delivering more remixes in 2021 but more specifically, a rolling wave of original work which is bound to send his audiences to the far reaches of dance floor heaven. Imbued with extraordinary synth work, textured backdrops, moving baselines, and expressive vocals, Jeff Bone is set to add to his enormous pedigree that has seen him work alongside artists such as Nico Sykes and the legendary Manchester DJ, Paul Walker.
"For me, it's all about mood and an uplifting, infectious groove... playing those tracks to get you tapping your feet and nodding your head without you realizing it, regardless of style, genre, tempo, or release date.”
As the world emerges from the dawn of a new age of dance floor experiences, Jeff Bone’s star is set to shine, making music that will reach an ever-expanding legion of House Music fans.

Kraftkabel is the artist name of Philip I. Buckland. I am a musical scientist in a parallel universe living in a studio flat orbiting Jupiter. My keyboards are suspended in gravity nets, and my mixer is controlled by the power of the mind. My cosmic sequencing software masters through the power of emotion, and my keyboards are simultaneously both retro and new.
My music originates from the point of divergence of these universes - the mid-late 1980's, but is spliced by genre splicing interludes. I use a time machine and dimensional portal to get to work.
For the other nerds out there:
Hardware synths: 
Moog Subsequent 37; Roland Jupiter X, JD-Xi, VR-09, S-1; Korg Prologue, NTS-1, Monotron Duo; Sequential Take5; Yamaha DX7; Akai PRO MiniAK; Novation Mininova; Arturia MiniFreak; Modal SkulptsynthSE; Teenage Engineering PO-20.
Main software: Ableton, Arturia Analog Pro, InSidious, random free stuff from the interweb and Dexed to program the DX7. Audacity. All played through Arturia Keylab and Keystep (which has a better arpreggiator).
Plus some guitars that I can't really play very well. And an mbira, tin whistle and an alien head-shaped ukulele.

Tapping into the most vital

@noodsradio 3-4pm BST every 2nd Friday of the month

Popular tracks tagged #dystopian future