If you’re reading this congratulations on your buy.

DIRTY TV

Slow Motion Fall and Break

Wedding of Chibor Beetles

Desert Moon

Persian Cat

Cafe Bazaar

mAhArAjA

Slow driving, moody, reflective piano led instrumental

Sufjan

Demo featuring two patches (Metal and Glass, E-Bow Sprites) from the sound library Hacked Mythology for MYTH, available on patchpool.net

Christmas MYTH

procedure: Jeff and jo co-composed the lines that eventually made it into the lyrics. Jeff then selected and condensed those lines into a single poem and recorded a spoken version. jo added some modulation and instrumentation, mostly urban field recordings and vst (organ, cello, choir) in quite a gritty mix. Jeff created a mellotron track as well as a remodulation of the reading and jo added some delayed quitar and incorporated all of that into the mix.  Eventually, Jeff performed an amazing e-bow solo which jo aðded into the brew - asking his software to also magic up some time reversal and stretching .... ah, the hermetic arts of the mixing desk! image: copyright jo richter


lyrics / copyright Jeff gardiner and jo richter:

I dreamed of bees and she's ensconced 
lovingly covered in wax and honey
in her shock

Coy teenagers carry their mothers' frigid deferral
on their sleeves
enticing the junk yard louts -
creating silver bullets for the gentlemen of lore

The porter took the luggage through a doorway made of fog
- snake masters of the charming trades and the Gorgon in the lobby
offer terror as a benefit and hobby 

Fake slaughter of willing lambs
souls embalmed in resin prayers
heretics and fools
buying artificial artifacts from the vendors
in the palace lobby after hours

While towers in the distance seem to shimmer
in the brilliant heat of golden stars exploding
in the summer of his thoughts
while the unborn spawn of heavy metal Gibson psalms
is inspired by the razor wire, sharp and coiled
and singing in the wind

psalms - by jeff and jo

Composer, musician, producer, sounddesigner from Germany nowadays mainly working in the genres of orchestral and chamber music, film and theatre music, sound design, live-electronics and production music.

I'm using Soundcloud mainly as a backend for my websites patchpool.net and absynthsounds.com where I offer plenty of patches, samples and audio files for music and sound design production, so you will find thousands of demos here. To check out my music please visit my website and look for the MP3 link and/or have a listen to my production music on Audiosparx or take a sonic tour through my MP3 Store.

Australian in the Netherlands.
Alternative in style blending jangly guitars, mwah bass and spacey synth.
Actively writing and recording a series of solo EPs (latest #7 2024).

You look pretty when your bored.🍬 

Bubble grunge in Athens GA.

Is it time to make an authentic statement by supporting an artist? I am positive, it is. Now. 
Please consider obtaining 
https://stonerjazz.bandcamp.com/album/quintessential
If you do, you will even get to listen to a collaboration or two with yours truly.


POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery. After all, sound is one way my poems know to materialize - insolently shapeshifting, indelibly greening into the cultural real.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

New tracks tagged #eBow