Morceau extrait du spectacle Kern de la compagnie de danse Ngc25. Puisque bele dame m’eime, morceau baroque, fait partie du codex de Montpellier, écrit au 13e siècle. La partition chantée est interprétée par Anonymous4.

Piece taken from the show Kern by the Ngc25 dance company. Puisque bele dame m'eime, a Baroque piece, is part of the Montpellier Codex, written in the 13th century. The sung score is performed by Anonymous4.

Puisque bele dame m'eime

Ut Re Mi Fa Sol La
Alfonso Ferrabosco I (1543 - 1588)

The Italian composer Ferrabosco I lived and worked in England. His instrumental music was extensive - fantasias, pavans, galliards, In Nomines and passamezzos, all written for a variety of instrumental combinations including lutes and viols. This piece is based on the hexachord, the first six tones of the major scale, a common technique for this period.

This performance was part of Consort 8's concert, Voces Angelorum, which was held in the Santa Sabina Chapel Strathfield on Saturday April 12 2025.

Musicians:
Viols:   Sue Christie
             Jane Grimm
             Cathy Upex

Ut Re Mi Fa Sol La

Miserere
Robert Mallorie (16th Century)

There would appear to be no information about Robert Mallorie. The manuscript for the Miserere is in the Dow Partbooks, a collection of five partbooks compiled by the calligrapher Robert Dow in Oxford around 1581- 88. Miserere refers to Psalm 51 with its opening words "Miserere mei, Deus", (Have Mercy on me O God). The music of Mallorie’s Miserere soars and is anchored by the middle part which plays a syncopated pedal note throughout the piece.

This performance was part of Consort 8's concert, Voces Angelorum, which was held in the Santa Sabina Chapel Strathfield on Saturday April 12 2025.

Musicians:
Recorders:   Sue Christie
                      Susan Foulcher
                      Robert Small
                      Daniel Murphy
                      Bernie Williams

Miserere 16th C

Proporcions To The Minum
John Baldwin (1560 - 1615)

The complex proportions found within this music reflect the fascination with proportion that pervaded Elizabethan intellectual tradition. John Baldwin was fond of puzzles and proportional exercises. His Proporcions To The Minum (1603), is quite challenging for recorder players. The cantus firmus in the bass part is based on five pulses. The upper 3 parts use proportions of 2:3, 4:3, 8:3, and eventually 16:3; only the sustained bass keeps the original pulse. Despite the unsettling nature of the changing proportions, the effect is one of graceful fluidity.

This performance was part of Consort 8's concert, Voces Angelorum, which was held in the Santa Sabina Chapel Strathfield on Saturday April 12 2025.

Musicians:
Recorders:   Sue Christie
                      Susan Foulcher
                      Robert Small
                      Daniel Murphy

Proporcions to the Minum

Domenico Mazzocchi - Lagrime amare

Amandine Trenc : Soprano
Sarah van Oudenhove : Basse de viole
Etienne Floutier : Lirone
Louis Capeille : Harpe triple
Mathieu Valfré : Clavecin

Enregistré en Avril 2024 à Saint-Amant-de-Boixe

La Madalena ricorre alle lagrime. Lagrime amare__44k-16b

An antiphon to all saints from the XV-century "Neumarkter Cantionale" (the Cantionale from Środa Śląska) PL-WRk MS 58

Vox Imaginaria:
Piotr Gałek, Jacek Springer - voices

composition of the second voice: Ryszard Lubieniecki

recording/mix - Maurycy Kin

Sancti Dei omnes (medieval music)

Time is something we never have enough of or have too much of... depending on our situations and perspective. Sometimes we may even step out of its flow... Is time playing with us? Do we play with time? As musicians we certainly do! A gigue is an old dance form (think: 'jig')  - one of several used in baroque music.

TIME - Gigue

Demo audio of the Spanish Baroque aria “Aunque brame el huracán” by José Coll, Master of Chapel of the Prioral Church of the Port of Santa María (Cádiz), composed in honor of St. Peter the Apostle.

This dramatic piece, originally written in the 18th century, features a powerful soprano line accompanied by horns in F, violins, and basso continuo, evoking the intensity of a storm at sea. The aria is preceded by a recitative titled “Ya la nave ligera”.

This demo was produced as a playback from the modern edition score, arranged and engraved by Arturo Escorza, available at:

📘 Sheet music (full score + parts):
👉 https://payhip.com/b/4wfgk

🖋️ Edition and arrangement: Arturo Escorza
🎼 Composer: José Coll
🕯️ Genre: Spanish Baroque Sacred Music
📍 Cádiz, c.1740s

"Aunque brame el huracán" – José Coll | Spanish Baroque Aria (Demo Score Playback)

Listen to a short demo of “Ah, de las mazmorras”, a beautiful solo for alto composed anonymously for the Feast of St. Peter Nolasco in 1677, with lyrics by the great Sor Juana Inés de la Cruz — the Phoenix of Mexico and the Tenth Muse. Made famous by Ensemble Elyma, this piece is arranged for alto, violin, and continuo.

This is an audio demo for reference. The complete Sheet music PDF edition includes 49 measures across 3 cleanly engraved pages, perfect for study or performance.

📘 Full score available here: https://payhip.com/b/rOwlM
📧 For custom scores or other baroque editions, contact: classicalbackingtracks@gmail.com

Ah, de las mazmorras – Sor Juana Inés de la Cruz (DEMO)

on commence au Moyen Age 😉 avec les compositions de l'abbesse Hildegard Von Bingen, musique de l'ame, musique sacree, on retrouve Arvo Part, Don Cherry, Henry Purcell, Jordi Savall, viola de gamba, violons, violoncelles, flute, trompette avec Philip Glass, contrebasse extraordinaire avec Francois Rabbath, ballade urbaine musicale circulaire avec Steve Reich, et une composition pour un quatuor de cordes signe Cynthia Zaven, la pianiste et compositrice libanaise!

CHAMP SONORE DIM 6 JUL 2025

Je suis régisseur son pour le spectacle vivant. Pour élargir mon horizon, en collaboration avec des compagnies je crée des bandes son, essentiellement pour la danse. Mon travail peut aller du sound design jusqu’à la composition de musiques originales. 
Vous trouverez ici quelques exemples de créations.

I am a sound engineer for live shows. To broaden my abilities, in collaboration with companies I create soundtracks, mainly for dance. My work ranges from sound design to composing original music.
Here you will find some examples of my work.

Welcome! I'm Arturo de Aguirre-Escorza, a professional music producer and editor of historical scores, specializing in:

– Realistic and expressive backing tracks using premium orchestral libraries (Orchestral Tools, Berlin Series, etc.)
– Baroque, Classical, and Early Music carefully transcribed to modern notation
– Tracks for singers, choirs, instrumentalists, or educational and performance purposes

📩 Contact me for commissions or licensing:
📬 classicalbackingtracks@gmail.com
🛒 Explore my store with backing tracks and sheet music: https://payhip.com/ClassicalBackingTracks


#BackingTracks #BaroqueMusic #VirtualInstruments #EarlyMusicProduction #HistoricalPerformance #ChoirTracks #OperaBackingTracks

Créé en 2013 par François Cardey, l'Ensemble Agamemnon est composé de jeunes musiciens animés par le désir de redécouvrir le répertoire instrumental et vocal des XVIème et XVIIème siècles en Italie et dans le Saint Empire Romain Germanique.

Ryszard Lubieniecki – composer, musicologist, instrumentalist, and improviser from Poland. He studied composition (1st degree,  with prof. Bettina Skrzypczak) and accordion (1st and 2nd degree, with prof. Jerzy Kaszuba and dr Stanisław Miłek) at the Academy of Music in Bydgoszcz. In 2023, Ryszard defended his PhD thesis at the Institute of Musicology at the University of Wrocław, where he currently studies late medieval music and works as a lecturer. His recent research focuses on the memory craft and its relationship to musical and theoretical sources from the XV century. Besides the accordion, he plays medieval keyboard instruments (portative organ, hammered clavisimbalum).

His music was performed at Gaudeamus Muziekweek (Netherlands), ECCO 2020 Concert in Brussels, Musica Privata IV in Łódź, Słuchalnia in Toruń, Musica Polonica Nova and Musica Electronica Nova in Wrocław and Canti Spazializzati (Wrocław). He was an artist-in-residence for Musica Privata VI in 2018 in Łódź. On January 2021 his first monographic CD „Kompozycje izorytmiczne” was released by Nasze Nagrania.

In 2014, he founded the contemporary music ensemble Layers with Zofia Ilnicka (flute) and Jakub Wosik (violin). With the trio, he performed pieces by Alannah Marie Halay, Josue W. Amador, and Piotr Bednarczyk, among others. In 2021 this material was published on the CD „Grundgestein” (self-released).

In 2016, Lubieniecki started his first solo project focused on the amplification of the accordion. New pieces were dedicated to him, including compositions by Dominik Karski, Alannah Marie Halay, Gilberto Agostinho, and Mateusz Śmigasiewicz. In 2019, he recorded the accordion pieces on his first solo CD, "Seeds", released by Nasze Nagrania. In January 2023, his second solo CD, „Musikformen der Natur”, with new pieces for portative organ was released by EMA Vinci.

In the area of medieval music, he attended courses with Corina Marti, Christophe Deslignes, Marcel Pérès, Crawford Young, and participated in the projects of the Foundation de Royaumont (Chanter l’Ars Nova français with Tiago Simas Freire and David Chappuis, Chanter l’Ars Nova italien with Patrizia Bovi, and l’Academie de musiques transculturelles with Jocelyn Mienniel and Ashraf Sharif Khan in 2021, and Camel Zekri and Okba Sudani in 2022). In 2019 with the singer Julieta Gonzalez-Springer, he founded the early music ensemble Vox Imaginaria.

As an improviser (free improvisation), he is active in the music scene of Wrocław, playing in ensembles Vogellicht (Izquierdo/Lubieniecki), Lubieniecki/Rupniewski, Disquiet, and Widzicie.

contact: ryszardlub15[at]gmail.com

Composer:
Original Classical music for string orchestra, chamber ensembles and solo instruments (inc. piano). Original Folk music for various groups. Occasional forays into rock and jazz... renaissance and earlier…

Songwriter (singer / guitarist):
Songs of nature & myth (Celtic / Arthurian).

Artist & Designer:
Celtic Art and Design: Original designs, commissions, teaching and advice.
Original labyrinth designs and workshops.

To contact: follow links below...

New tracks tagged #early music