Drifting Voices explores the deep connection between the human body and the ocean.

Life’s origins in the sea have left us with profound chemical affinities to the marine environment. This work reflects that connection by processing human voices and ocean sounds in almost chemical ways—analysing them into microscopic sonic particles and observing their interactions within the realm of microsound. Spectral textures are extracted, frozen, stretched, catalysed, and blended to explore their shared sonic characteristics.

The voice in the piece is that of Portia Lee, reading an original poem about the sea written by the composer. Vocal recordings were captured using both a condenser microphone and a throat-mounted hydrophone, producing a rich, intimate texture that allows for extended processing techniques.

Throughout the piece, the voice—symbolising the presence of the human body—is deconstructed into intricate sonic particles and textures, moving beyond linguistic meaning. As the piece unfolds, the transformation of vocal material traces the body’s dissolution and expansion into the ocean, gradually merging with abstracted ocean field recordings. Ultimately, the distinction between voice and water blurs as body and ocean dissolve into a single, unified sonic entity.

Drifting Voices (Stereo Reduction)

Recorded live at Studio DB for IRL's Sauna Social Club.

Berlin, the 22nd of April 2025.

Live at Studio DB

inpro_set_test01

lasturah

Elpidofos (Radio Edit) — a more focused cut of my debut single, created especially for radio and BBC Introducing.

The track captures the moment of leaving behind a safe but unfulfilling life to follow something more honest — the uncertain but true path of making music.
Written, performed, produced, mixed and mastered entirely by me, it blends ambient textures, organic electronic beats, progressive structure, and live trombone.

Elpidofos is a word I created inspired by Greek — meaning “the light of hope,” the quiet, persistent kind that rises when you finally choose yourself.
Thank you for listening and supporting this new chapter.

Elpidofos

Elpidofos-RADIO EDIT.wav

I hauled the carpet over the railing and beat it like it owed me something—dust flying off in filthy bursts, catching in the light like grit in a wound.

Houseplay

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.
➡️ More info, more music: www.refugeworldwide.com

Support us by becoming a member on Patreon for just 3€ a month: www.patreon.com/refugeworldwide

Concentric Records presents KISMET - Surface Detail - 28 Apr 2025

Ode Vadvetjakka.
Sound example for UVI Falcon soundset "Element Microsound" by Mikael Adle Leap Into The Void.
Single preset holding F1.
The preset contains two layers with individual amplitude envelopes and tuned filters for movement and feedback together with micro movements of timbre.

Ode Vadvetjakka

moments of almost humanity
relishing the ambience 
With @manichope 


Sound Unfolds • (Un)Foldings III w/ Ioannis Kotsonis (28.04.2025)

Cypriot-Scottish artist blending ambient, electronic, prog rock, classical and jazz.

All music written, performed and produced by me.
📩 georgekakas93@gmail.com

https://linktr.ee/georgekakas

Zhao Jiajing is a electroacoustic composer, sound designer, and interdisciplinary artist based in London.

Leap Into The Void Sound Design.
Eclectic sound sourcery and presets for VST and AU instruments.
Product preset demos.

"at her open door" is an electronic music producer and singer-songwriter from Japan. We began studio session in June 2009. And August, we started performing seriously at live music clubs around Shimokitazawa and Shibuya. Our sound is called "Acid dubstep". It's like the digital beat inspired by James Blake, Primal scream, portishead, justice, Detroit house, Dubstep and psychedelic music.

booking : info.atheropendoor@gmail.com

~ Refuge Worldwide is a community radio station based in Berlin, working in solidarity with grassroots and non-profit organisations.
~ Visit us at Weserstraße 166, 12045 Neukölln
~ refugeworldwide.com

documenting "progress" since 2020

new record out now; link below!

all tracks were living performances, usually with acoustic bass and electronics, sometimes other things like guitar, synthesizers, voice, piano, mixers, fx, field recordings; usually single takes, no overdubs.

please dm or email (asdbmusic@gmail.com) for collaborations, commissions, booking, compliments, complaints, etc. etc.

New tracks tagged #electroacoustic