Ringing' is a powerful and relatable song that captures the emotions of a man who has reached the end of his relationship. With heartfelt lyrics and a captivating melody, this breakup anthem signifies his genuine disinterest and distaste for his former partner. It's a raw expression of moving on, letting go, and finding freedom from a love that no longer exists. Join us on this emotional journey as we explore the depths of heartbreak and the beginning of a new chapter.

Ringing (ft. AtMeLunar)

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Set Boundaries Against Emotional Manipulation

[Verse 1]  
She says,  
It helps with the lights out.  
Her rabid glow  
Is like braille to the night.

[Verse 1 – Shift]  
She swears  
I'm a slave to the details.  
But if your life is such a big joke,  
Why should I care?

[Chorus]  
The clock is set for nine,  
But you know you're gonna make it eight,  
So that you two can take some time—  
Teach each other to reciprocate.

[Verse 2]  
She feels that my sentimental side  
Should be held with kid gloves.  
But she doesn't know  
That I left my urge in the icebox.

[Verse 2 – Shift]  
She swears  
I'm just prey for the female.  
Well then hook me up and throw me, babycakes,  
'Cause I like to get hooked.

[Chorus – Variation]  
The clock is set for nine,  
But you know you're gonna make it eight.  
All the people that you've loved—  
They're all bound to leave some keepsakes.

[Chorus – Reprise] 
I've been swinging all the time.  
Think it's time I learned your way.  
I picture you and me together—  
In the jungle, it will be okay.

[Bridge]  
I'll bring you when my lifeboat  
Sails through the night—  
That is supposing that  
You don't sleep tonight.

[Verse 3]  
It's like learning a new language,  
Helps me catch up on my mind.  
If you don't bring up those lonely parts,  
This could be a good time.

[Verse 3 – Shift]  
It's like learning a new language—  
You come here to me.  
We'll collect those lonely parts  
And set them down.  
You come here to me.

[Outro]  
She says brief things,  
Her love's a pony,  
My love's subliminal.

She says brief things,  
Her love's a pony,  
My love's subliminal.

She says brief things,  
Her love's brief,  
My love's subliminal.

[Coda] 
She says brief things,  
Her light is brief,  
My darkness eternal.

———

A fractured post‑punk hymn to fleeting connection, ironic intimacy, and the ticking pulse of time.

“The Clock” is a jagged meditation on intimacy and irony, ticking through fractured verses and surreal confessions. With Interpol‑inspired guitar work and post‑punk detachment, it captures the ache of connection that never quite lands — a love that’s brief, subliminal, and always half a beat off.

———

Genre: Post-Punk Revival
Key: F Major
BPM: 150
Time Signature: 4/4

———

Inspired by the legendary band 'Interpol'.

———

Artist: Kareem Tyler 
https://www.instagram.com/tylercraftsart

© 2025 Kareem Tyler. All Rights Reserved.

The Clock

„Already Gone“ ist kein trauriges Liebeslied. Es ist ein Abgesang. Kalt, abgeklärt und so bitter ehrlich, dass es wehtut. Eine weibliche Stimme führt durch diese düstere Mischung aus Moody R&B, Alternative Pop, EDM und Dark Trap. Ohne Mitleid, ohne Erklärung. Sie klingt, als hätte sie das alles schon tausendmal gesagt. Jetzt ist sie durch. Emotional tot. Sarkastisch. Ausgebrannt.

Der Song beginnt mit einem Hauch von Beatbox-Rhythmus. Dann fällt ein kurzer, verhallter Satz wie das letzte Wort nach einem stillen Streit. Die erste Strophe setzt ein mit dunklem Trap-Beat, schweren 808s und melancholischen Synths. Die Stimme bleibt flach und distanziert. Keine Dramatik. Nur Leere.

Im Chorus wird der Sound größer, aber nicht wärmer. Die Instrumente bauen sich auf, Vocals schichten sich, der Rhythmus wird druckvoll. Doch alles bleibt kühl und kontrolliert. Keine Emotion. Nur Klarheit und Endgültigkeit.

Die zweite Strophe hält die Linie. Glitchige Synths und subtile Vocal-Effekte verstärken das Gefühl von Dissonanz. Keine Entwicklung, keine Hoffnung, nur der nächste Schritt im Rückzug.

Die Bridge zieht alles zurück. Minimalistisch, fast körperlos. Echo, Flüstern, ferne Harmonien. Als würde sie innerlich verschwinden.



"Already Gone" isn’t a sad love song. It’s a final statement. Cold, detached, and brutally honest. A female voice leads this dark blend of moody R&B, alternative pop, EDM and dark trap. No pity. No explanations. She sounds like she’s said it all a hundred times before. Now she’s done. Emotionally dead. Sarcastic. Burned out.

The track opens with a flicker of beatbox-style rhythm, followed by a short, reverbed phrase. It lands like the last sentence after a long silent fight. Then the first verse hits with slow, heavy 808s and moody synths. The vocal delivery stays flat and distant. No drama. Just emptiness.

The chorus builds up the sound without warming the mood. Layered vocals, strong rhythm, tight arrangement. But it stays cold and composed. No emotion, just clarity and finality.

Verse two holds the same weight. Glitchy synths and subtle vocal effects enhance the feeling of disconnection. No growth. No regret. Just another step toward silence.

The bridge pulls everything back. Minimal, echo-heavy, distant harmonies and whisper textures. It feels like she’s fading away from the inside.

The final chorus rises slowly but never softens. No warmth. No redemption. Just a cold, clean break. She’s already gone. And she’s not coming back.


Already Gone

Project KT (Knowledge Transfer) is the solo vision of Kareem Tyler—a multidimensional artist navigating the limits of the physical realm through immersive, genre-blending sound. Fusing progressive rock, symphonic fusion, post-punk ambience, and metallic catharsis, Project KT crafts cinematic soundscapes led by violin, orchestral depth, and raw poetic tension.

After a life-altering accident caused partial vocal cord paralysis and ended his ability to play piano, Kareem rebuilt his artistry through digital composition and visual design—transforming personal trauma into transcendent expression.

That rebirth came to life in Echoes of the Void (2025), a symphonic progressive metal epic charting entropy, solitude, and rebirth across expansive movements. Its companion, Beyond the Void, reimagined the work as a cinematic and orchestral odyssey, featuring Canadian singer-songwriter Valeria Rusnak, whose operatic vocals added radiant contrast to Kareem’s baritone foundation. Together, they forged a dialogue of shadow and light, entropy and grace.

Though Project KT remains firmly Kareem’s vision—writing, producing, and shaping every detail—he is actively seeking a female vocalist to further embody its still-untold emotional core. With an evolving presence on Instagram, BandLab, and SoundCloud, Project KT continues to weave cross-medium narratives that fuse sound, image, and meaning.

For listeners and collaborators drawn to gothic romanticism, cinematic drama, and genre-fluid experimentation, Project KT offers more than music—it is an echo unfolding into infinity.

"Please Prepare For Cataclysm" Out Now 🏠 https://distrokid.com/hyperfollow/kw1ll1s/please-prepare-for-cataclysm

New tracks tagged #emotionaldetachment