Namárië

Enyalië

Broken Superficiality (2024) for Ensemble and Fixed Media

Taking influence/inspiration from the 50-year continuation and negative effects of Neo-Liberalism that was first trialled in Chile in 1973, and then widely adopted by the UK and US under Margaret Thatcher and Ronald Reagan (and the subsequent leaders), with a lot of other countries following suit. Moving increasingly towards a privatised, individualistic, and ultra-consumerist world with a lack of state-funded/public protected services/amenities, I find that gradually as a society we are losing ourselves, becoming broken and detached from community and instead are pursuing more superficial endeavours and objectives. Taking this into account, I have opted to use effects and timbres that were widely used in the 1970s and 80s as the core of the piece, pairing it with live instruments that sound ‘glitzy’ and techniques to that deviate/distort the instruments' pitch and timbre.

Performed by Ensemble Klang 
Performed at Cloud 9 in Tivoli Vredenburg, Utrecht as part of Gaudeamus Festival 2024
Recorded by Gaudeamus Festival
Mixed by Peter Bell

Image - 'Metropolis' by George Grosz (1917)


Broken Superficiality (2024)

"...Elle n'est qu'un paquet d'eau sonore" (2020) for flûte, clarinet, violin, cello, piano and percussions. 
Commissioned by Ensemble Hopper. 
Premiere : La tricoterie, Bruxelles (2021)
Recorded on Soond Label by Ensemble Hopper : François Deppe (dir), albane Tamagna (fl), Rudy Mathey (cl), Roxane Leuridan (vl), Ian-Elfinn Rosiu (cello), Sara Picavet (pn), Rémi Lafosse (pc).
https://open.spotify.com/intl-fr/track/4E4R9YrvYOwVFbLzXxOHTk?si=47513821a1f24146

...Elle n'est qu'un paquet d'eau sonore

"La lumière sale du matin" (2022) for large ensemble. 
Commissioned by Musiques Nouvelles. 
Premiere: Flagey, studio 4 - 2022
record : Jarek Frankowski
video : https://www.youtube.com/watch?v=T3oor4IQz64

image credit : Yves Moret

"La lumière sale du matin"

The text featured here is original:

מים ועד נהר אוהב אותך

From sea to river I will love you


Chapters 2 & 3

The text featured here is the second half of a translation of the traditional Finnish poem "En Minä Meryttä Kiitä" (I Don't Praise the Sea):

האבנים הנמצאות בים
כולן ראשי אדם.
המים הנמצאים בים
כולם דם.

What stones there are in the sea
are all human heads.
what water is in the sea
is all human blood.


Chapter 6

The text featured here is the first half of a translation of the traditional Finnish poem "En Minä Meryttä Kiitä" (I Don't Praise the Sea):

אין אני משבחת את הים
:או מאוהבת בחופים
.רבים האנשים אותם בלע הים
.רבים הילדים אותם שעל הים

I don't praise the sea
neither do I love the shores:
the sea's swallowed many a man.
the sea's borrowed many a child.

Chapter 4

Chapter 5

The text featured here is original:

מים ועד נהר אוהב אותך

From sea to river I will love you

Chapter 1

Indie Film Score Composer 
Orchestrator 
Instrumentalist 
Indie Rocker

Patrick Ellis (b. 1994, UK) is a composer, performer and curator based in London. His music has been described as being "focused, intense and unrelenting" (Gaudeamus Jury, 2024), with much of his work utilising limited musical materials, small developments and juxtapositions.

He has worked with many acclaimed ensembles including Terra Invisus (UK), Ensemble Klang (NL), collective lovemusic (FR), XTRO Percussion (NL), the Residentie Orkest (NL), Kluster 5 (NL), Orkest de Ereprijs (NL), The Tantrum Saxophone Quartet (NL), The Spaceship Ensemble (NL), Kirkos (IE) and 315 Ensemble (US/UK), and has collaborated with soloists such as Kathryn Williams (flute), Huw Morgan (organ), Alfian Emir Adytia (cello), Dauphine Van der Velphen (saxophone), Chris Cresswell (electric guitar) and Carson Cooman (organ).

Upcoming projects include a new multimedia work exploring burnout within the classical music industry for the ensemble Standard Issue, a new piece featuring accordion, string trio and fixed media for the Toronto-based group Freesound, an audiovisual piece for To Your Ear Collective, as well as a long-form collaboration with the French-Canadian cellists Laurence Gaudreau and Audréanne Filion.

Patrick's music has been presented at numerous festivals and concert series across the European, North American, Asia and Australasia, including, Gaudeamus Festival (NL), Festival Dag in de Branding (NL), November Music (NL), Rainy Days Festival (LU), Mittelfest and Mittelyoung Festival (IT), De Link Tilburg (NL), Lilium SoundArt (IT), Sundays at The Hugh Lane Gallery (IE), AżTak Festival (PL), New Music Now NL's Dag van de Componist (NL), Click Fest (US), Sounding Here (NL), Kirkos Ensemble's Biosphere Festival (IE), Union Musicale (IT), Mainly Slow Organ Music (UK), Kammer Klang (UK), the Frequency Series Chicago (US), Ideas of Noise Festival (UK) and the Harmos Plural Festival (PT).

In 2024, Patrick was nominated for the Gaudeamus Award and in 2022, he was the Artist in Residence for the AMPA Fontys/De Link Residency programme in Tilburg, The Netherlands. He has also been a part of the Psappha Composing For Piano Scheme in 2019-20, the 25th Edition of Orkest de Erepijs’ Young Composers Meeting and Kathryn Williams' innovative Coming Up for Air Project.

His music has been broadcast on Dutch radio stations, including NPO Radio 4, NPO Klassiek, Concertzender,and Stranded FM, as well as on the US station WCNY, and has been featured on releases from Birmingham Record Company and Huddersfield Contemporary Records.

Patrick is also the artistic director of Open Union, an electric guitar and modular synth duo with composer-performer colleague Peter Bell. Described by the treasured composer Howard Skempton as being 'sometimes subtle and unstable; sometimes rich and dense', the duo aims to build up strong collaborative relationships to create new works. Their current collaborators are Christine Cornwell, Wilson Leywantono, May Chi, Paolo Griffin and Seán Clancy. The duo have performed across the UK at events such as SAOM, Ealing Extranormal, AMOK, Don't Mind Control, Birmingham Modular Organisation and CODA Festival. In 2025, they co-hosted a portrait concert with saxophonist David Zucchi featuring music by Paolo Griffin at the Hundred Years Gallery; earlier in the year, they supported Passepartout Duo at Centrala Space, Birmingham as part of their UK Tour, and in 2023, undertook a mini tour of The Netherlands as part of the Sounding Here concert series, where they performed at Splendor in Amsterdam and Batavierhuis in Rotterdam.

Alongside composing and performing, Patrick works as the creative director of PRXLUDES, an online contemporary music magazine, platform, and resource dedicated to the promotion of the work of emerging and early-career composers. Together, with the artistic director Zygmund de Somogyi and a team of contributors, they have written about more than 125 composers, ensembles and music organisations from the UK and abroad. In 2025, they began hosting events, presenting Alex Groves' DANCE SUITE (performed by Zubin Kanga) as part of PRS Foundation New Music Biennial 2025. Recently, PRXLUDES have been awarded a multi-year partnership with The Hinrichsen Foundation in order to help platform emerging and early-career composers through a series of concerts, conversations, and commissions throughout the UK from 2025 to 2028. The first of these events, the PRX.LIVE Launch Party, will be taking place on the 5th of February 2026 at Folklore Hoxton in London, featuring a new commission by Millicent B. James and existing works by Rylan Gleave, Holly Gowland, Blasio Kavuma, Kian Ravaei and Aileen Sweeney, all performed by the London-based ensemble Standard Issue.

He holds a Masters degree in composition from the Koninklijk Conservatorium Den Haag (Royal Conservatoire of The Hague) and a Bachelor's degree from the Royal Birmingham Conservatoire. His principal tutors have included Martijn Padding, Guus Janssen, Andrew Hamilton, Seán Clancy, Ed Bennett, Howard Skempton and Michael Wolters.

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