✔️ Fuel our creativity and support us buying a coffee
✔️ Support here: http://support.jhaps.com 
 
The Sleep & Relax song of Hailey Fisher and "Etherial" is part of Sleep & Relax album named "Etherial" released on May 13, 2023 in the version "Radio Edit" by JHaps Records. Listen now to Sleep & Relax song: Hailey Fisher - Etherial .

Please Share, Like, comment your thoughts after you listen.
Thank you

Etherial

SUPPORT & BUY A COFEE

Hailey Fisher - Etherial [ Sleep & Relax Music]

vuota

Tried in Space

Alfred E. Neuman prod. daolim

▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄
𝘈𝘯𝘰𝘯, 𝘺𝘰𝘶’𝘳𝘦 𝘴𝘰 𝘦𝘥𝘨𝘺
▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄
lyrics
Go to hell
Let's raise it
Be my guest
We'll change it
Let's get reckless
Gimme that edge
Gimme that edge
Gimme that
Hey
Edgelord
Edgelord
You're so edgy

I'm not afraid of God
And I don't wanna be loved

Let's just say we're not on the same page
Edgelord
Edgelord
You're so edgy
Take a trip to hell with you for fun
Edgelord
Edgelord
You're so edgy
I'm an angel
I don't know why you run

Edgelord
Edgelord
You're so edgy
Edgelord
Edgelord
You're so edgy

I'm outta time
Outta sight
In the darkness of the night
So gimme that edge
Gimme that edge
Gimme that
Hey
Edgelord
Edgelord
You're so edgy

Kamisama wa inai
And I don't wanna be loved

Hitori kiri ja ikite ikenai
Edgelord
Edgelord
You're so edgy
I can't stay
I wanna go away
Edgelord
Edgelord
You're so edgy

I don't know
I don't know
I don't know

Edgelord
Edgelord
You're so edgy
Edgelord
Edgelord
You're so edgy

Edgelord

Lost in Place

"Change is an odd force to be reckoned with. When properly channelled, it is a marvellous resource for cities and communities. When left unleashed and unrestrained, it is an unforgiving power able to modify the world around it, making it unrecognisable."

"Change-fields are areas irradiated with Change on a (semi-)permanent basis. The extremity of the Change-field increases as you approach its centre, like a raging tempest. Nobody has ventured to the centre of a Change-field and returned."

This piece evokes hwot it's like tae travel through a "change-field" within the water-world of Cerulea, a planet from the works of Marco Piana, 'The Big Empty Blue' for which Ah'm the head linguist. Ah stretched the sound of an old piece o' piano improv. Ah did in 2016 or something and reverbed und chopped it tae heck, throwen it through the change fields tae see hwot happens, and added beats made by flipping through a phrasebook and drowning it in reverb echoes.

For more lore and info on his creation and D&D-compatible resources, check out https://bigemptyblue.carrd.co/

Change Fields

This track was done on my MacBook Air M1 with Cubase 14 and my KORG nanoKEY Studio MIDI controller.

I wanted to bring emotions to the track and went for some voice libraries. 90 BPM.

Plugins used:
Cherry Audio PS-3300
Waldorf Blofeld
Arturia Augumented Voices
Uhe Hive
Xfer Records Serum 2
Softube Heartbeat
Native Instruments Kontakt 8

Libraries:
Heavyocity Damage Machina
Heavyocity Vocalise 2
Heavyocity Mosaic Voices

Emotions

Etherial Drift

ABSOLUTISM

💎👑 Gooner extraordinaire. I specialize in  Vocaloid, DarkElectronic, IndustrialPop, GlitchPop, Cyberpunk, DarkEDM/Dance, AlternativeEDM, AtmosphericElectronic, Synthwave type music.— My versatility across genres sets me apart from most people, most artists can’t work with as many styles as I can.

 make sure you check out ALL my links 🖤

Brian L.H. Gunter is an experienced composer for media, and when in his element, Brian is blending classic scoring orchestras with modern synth and guitar. Approaching each score fresh with his own style while leaning into influences like Benjamin Wallfisch, Alan Silvestri, Nicholas Britel, Ludwig Göransson, or James Newton Howard, grounding each score with  his own twisted take on story immersive sound design.

A classically trained cellist and experienced multi-instrumentalist, Brian is proficient in guitar, bass, piano, and an assortment of other instruments and musical technology. He is an avid fan of both orchestral and popular music. Throughout college, Brian played in small ensembles, chamber groups, and symphonic orchestras, while also performing guitar and keyboards in top 40, rock, and metal bands.

Brian’s career took a significant leap with his first feature film score for "You Might Get Lost," directed by James Eaves and released in 2021 by Amber Pictures in the UK. This ambient hybrid score of synths and orchestra harkens back to Carpenter-esque genre classics, underpinning much of the film’s emotional current and gradually raising the intensity along with the protagonist's desperation. 

For Eaves' follow-up feature, "The Apocalypse Box," released in August 2024, Brian was tasked with creating a dramatically different score. Eaves requested a departure from the sparse ambience of "You Might Get Lost," aiming for a classic symphonic horror score. Drawing inspiration from Jerry Goldsmith’s "The Omen" (1976) and Fernando Velázquez’s score for "Devil" (2010), Brian crafted a
composition that is frenetic and bombastic at times yet somber and reflective at others, focusing on clear motifs that put the tension low in the viewer’s gut. All while maintaining his own flair and signature style.

In early 2024, Brian was brought on board by director Yvonne Williams of The UNcollective Productions to score her debut feature film, "White Vinegar." Yvonne chose Brian after bonding over their shared love and language for music and artists across the board. For "White Vinegar," Yvonne wanted Brian’s orchestral touch blended with elements of musical theater, inspired by Sondheim, and incorporating original songs Yvonne also wrote for the film. The blending of styles and interconnectedness of themes across Brian’s score and Yvonne’s songs created a cohesive and wildly distinctive sonic landscape. “White Vinegar” is slated for release in 2025. Just two months after wrapping “White Vinegar”, Yvonne enlisted Brian again to score a 10-minute proof of concept for her another scripts of Yvonne’s, “Rubber Room,” an intense thriller with a science fiction twist. And before Rubber Room begins production, Brian is joining Yvonne again for a third of her scripts, a holiday road-trip comedy that puts the trials of family relationships front and center.

Brian’s adaptability and creativity were put to the test with “Bloody Felt,” a horror/comedy/musical/Muppet parody by young filmmaker, Sam Torres. The project demanded a range of musical styles, from a classic children’s puppet show theme to EDM, Dubstep, and Argent Metal, alongside a classic horror score, and even a musical theater inspired piece. Brian managed to weave themes throughout each style to create chohesive musical support all within six minutes of screen time. After a public screening the film and music received overwhelmingly positive feedback, highlighting Brian’s ability to seamlessly blend disparate styles. 

While the goal is only ever to provide emotional support the film and characters demand as set by the filmmaker’s vision, Brian L.H. Gunter’s body of work exemplifies his ability to push musical boundaries and create unforgettable scores, cementing his reputation as a composer who brings a unique sonic identity to every project.

This is my 2nd channel 'cause I don't wanna get a premium account jus' yet, heh.
I'm just a casual, amateur composer at the moment but I have fun along my journey, I hope you enjoy.

JHAPS RECORDS, ( www.Jhaps.com )

> SEND YOUR DEMOS: demo@jhaps.com
> Remixing services: remix@jhaps.com
> other inquires: contact@jhaps.com

Make sure you don't cc the whole dance scene as we want exclusive material!
Give us a short introduction of yourself and include a Soundcloud link to your track. (or Sendspace, Zippyshare, WeTransfer, MegaUpload links, etc !) Don't send us 20 tracks, but just 1 or 2 of your best ones.
Please don't send Bootlegs, Mash-ups and remixes, just original material!
Unfortunately we are not able to respond to each of you. Good luck!

Rare Phantom is the alter ego of a Massachusetts native who began making music during the pandemic. A time when silence was loud, and escape became necessary. What started as a private form of therapy evolved into something far greater: a voice, a vision, and ultimately, a persona that now echoes across the alternative music scene. 
 The name Rare Phantom wasn’t born from fame or strategy, it emerged during late nights filled with reflection, pain, and creative fire. “Phantom” represents the parts of ourselves we often hide: the trauma, the rage, the passion, the sensitivity. And the “Rare” is the boldness to own it all publicly. It’s the idea that showing your shadow side isn’t weakness, it’s power. Rare Phantom became the armor and the amplifier.
 Adorned in old world mafia elegance and covered in ink that tells its own story, Rare Phantom immediately commands attention. But it’s the music, a blend of dark melody, haunting vocals, and gut punch honesty, that keeps listeners coming back. Each song is a doorway into the internal battles and emotional landscapes he’s lived through.
 Rare Phantom isn’t about perfection, it’s about presence. Through this persona, Rare Phantom invites fans to embrace their complexity and reject the idea that image defines worth. His art is a rebellion against the shallow, and a home for those who feel too much

Visit rarephantom.com for more exclusive info 🫀

New tracks tagged #etherial