This song is a deeply introspective and poetic exploration of the human experience, touching on themes of existence, identity, and the search for meaning. The lyrics weave together vivid imagery and philosophical musings, creating a tapestry of thoughts and emotions that reflect both personal and universal struggles.

The song begins by painting a picture of timelessness and the struggle to find peace within one's thoughts. The narrator describes themselves as an outcast, trying to navigate their inner world without judgment. There is a sense of searching and longing, with references to the vastness of the universe and the duality of human nature.

The lyrics highlight the tension between the dreamer and the dream, suggesting that to be human is to feel separated from the whole. The use of metaphors such as a "tonal fortress" and "Galactical courses" evokes a sense of cosmic exploration and introspection. The mention of the James Webb telescope symbolizes a quest for understanding and self-realization, acknowledging the presence of both good and evil within oneself.

The song also delves into the desire for freedom and the pain of feeling unseen. The narrator expresses a deep longing for connection and recognition, conveying a sense of urgency and vulnerability. There is a reflection on the rapid pace of life and the struggle to grasp its lessons, with references to art, math, and the creative process as means of interpretation and expression.

As the song progresses, it emphasizes the importance of remembering one's true self and purpose. The narrator questions their role and identity, contemplating the interplay between being the creator and the created. The lyrics suggest a longing for spiritual and existential clarity, seeking guidance through mental distortions and recognizing the outer world as a mirror.

The latter part of the song addresses the disconnection from nature and the impact of modern life on our well-being. It calls for a return to simplicity, the appreciation of nature, and the rejection of societal pressures and distractions. The narrator expresses a desire to reconnect with the natural world and the inherent beauty and wisdom it holds.

Overall, the song is a profound meditation on self-discovery, the search for meaning, and the yearning for freedom and connection. It blends philosophical reflections with evocative imagery, creating a lyrical journey that resonates with the listener on both an intellectual and emotional level.

Separated from THE ONE - TQC, Hip Hop

Ghostface (Reprise)

Ghostface

Gravity (Extended Version)

This rap and hip-hop track flows through the loneliness, disillusionment and emptiness that often define today's reality. With sharp beats and cold bars, it captures the raw essence of a world where meaning is fleeting and the search for purpose feels endless. This track is for those of you who have ever questioned it all.

nihilism?

(Verse 1)
ささやきが響く、絡み合った森を抜けて、
私だけが知っている隠し道。
上空の星が私の導き手となり、
打ち明けたこの秘密の場所へ。

(Chorus)
隠れられる場所…
[Hideaway!]
現代の外側にある空間。

一人でいられる場所…
[On my own]
一人になれる場所。

奥深くに隠された場所…
[Deep inside]
這って隠れられる場所

消えてもいい場所…
[Disappear]
ここからとても遠い場所。

Hide - Uh - Waaaaay!

(Verse 2)
過去の思い出の影に覆われたホールを通って、
私は目を閉じます。世界は急速に消えていきます。
A paper moon lights my escape,
To a hidden world where dreams take shape.

(Chorus)
隠れられる場所…
[Hideaway!]
現代の外側にある空間。

一人でいられる場所…
[On my own]
一人になれる場所。

奥深くに隠された場所…
[Deep inside]
這って隠れられる場所

消えてもいい場所…
[Disappear]
ここからとても遠い場所。

Hide - Uh - Waaaaay!

(Bridge)
In my castle of quilts up in the sky,
Where all the clouds drift slowly by.
星は地図、月は私のガイド、
私の住むこの聖域へ。

Each breath a whisper, each step a leap,
Through galaxies where silence sleeps.
恐怖も痛みも言葉もいらない
星と鳥が歌うただの子守唄。

(Chorus)
A place where I can hide away…
[Hideaway!]
A space that lies outside of today.

A place where I can be on my own…
[On my own]
A place where I can be all alone.

A place hidden deep inside…
[Deep inside]
A place where I can crawl in and hide.

A place where I can disappear…
[Disappear]
A place so far away from here.

Hide - Uh - Waaaaay! Way -- Aye -- aaaaaay!

Sayuka LALA - 隠れ家 (Hideaway)

At first, being alone at the end of time doesn’t seem so bad—no job, no traffic, no rules. But as the sky turns red, the air turns to sand, and time itself starts to collapse, the reality kicks in. The world is literally burning down, and there’s only one thing left to do… pour a drink and watch it all go to hell.

With 80s metal energy, dark humor, and a relentless ride into the apocalypse, this track is a thrash-fueled anthem for the last man alive.

🎧 No lines, no rules, no future. Hit play and count down the seconds.

I Woke Up At The End Of Time

This collaboration merges human creativity with AI assistance. The original instrumental concept and rhythm patterns are mine, with AI helping to expand the lyrical themes and vocal melodies while maintaining the essence of my vision. The result is a unique fusion of human emotion and technological precision, mirroring the song's exploration of finding harmony within complexity.

Lyrics:

Desert wind whispers ancient tales
Cosmic dust settles in our veins
Questions bloom
Mysteries wrapped in midnight skies
Grandeur that blinds mortal eyes
Truth eludes

We're walking through veils of knowing
Glimpses of light, shadows growing
Children of stars, searching for signs
In rhythm divine, in sacred time

Immensity calls from beyond
Reverence falls, then rises strong
Hearts attune
Enchantment dwells in broken things
Beauty that chaos somehow brings
Souls commune

Between the noise and the silence
Between the evil and grace
Between the patterns and chaos
We search for a familiar face

Cacophony of endless doubt
Whispered prayers finding route
Through the night
Blindness peeling layer by layer
Brothers appearing everywhere
In new light

We're walking through veils of knowing
Glimpses of light, shadows growing
Children of stars, finding our signs
In rhythm divine, in sacred time
When stars above shine serene
And peace flows like a stream
The veils will fall
And we'll see all
We are, we were, we'll be

Listen to Original composition here:
[https://soundcloud.com/otoniel-rojas/web-loop?si=3045177a30524c3b812d0d7718f9ea8a&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing]

Veils of Knowing

Born Twice" is a conscious rap journey into spiritual rebirth, duality, and the meaning of existence. Blending soulful East Coast boom bap with orchestral hip hop elements, this track delivers introspective, poetic storytelling. Over soulful strings, gospel undertones, and ambient textures, "Born Twice" captures the transformation of life, death, and awakening. Perfect for fans of lyrical rap, storytelling hip hop, and deep, philosophical beats. Stream now and experience a new kind of spiritual anthem.

Born Twice

🖤 The Miracle Syndicate — Low Signal Shore 

I know this path —
The bend where the reeds lean wrong,
The bench where the boy was crying last year,
Or maybe it was me.

I walk it the same every time,
But the trees grow in closer now,
And the lights don’t blink from the far shore anymore.

There’s a voice behind me
That uses my name like it knows me.
But when I turn —
Nothing — just wind,
And that ache
Where the name used to fit.

You don’t get lost
Unless you want to.
You don’t hear things
Unless something’s listening.
This water remembers
More than I do.
And the shoreline keeps moving
When I blink.

Something rustles
But won’t look at me.
A shape in the trees
With my old coat.

I left it there — didn’t I?
When I swore I’d never come back.

Now every step feels
Like walking through a thought
I haven’t had yet.

And I swear the lake
Just said my name.
But quieter this time.

You don’t get lost
Unless you want to.
You don’t hear things
Unless something’s listening.
This water remembers
More than I do.
And the shoreline keeps moving
When I blink.

I pass a man who looks like my father,
But younger, and ashamed.
He asks for the time —
I say it’s gone.

Low signal.
No bars.
The cold hand of the wind
Scrolls my back.

The house is ahead,
But the lights aren’t for me.

And the rain keeps taking me back
To where I used to be.

The path leads to a dead-end road…
Where the water knows my name.

Credits:

Lead Vox: Nayeli Astra
Piano: Nayeli Astra
Backing Vox: Elena Morgenstern & Brad Astra
Flute & Synth Pads: Elena Morgenstern
Mellotron: Nayeli Astra
Guitars: Brad Astra
Production & Arrangement: The Miracle Syndicate
Mixed & Mastered by: Brad Astra at Painful Records
Cover Concept & Direction: Brad Astra

Low Signal Shore

“Sapiens” tells the story of humanity's fate in a not-so-distant future. With Earth rendered uninhabitable, the last survivors are condemned to an endless odyssey through space — drifting between stars, haunted by what was lost, and searching for a new beginning.

Sapiens (Premix)

"Hymne" is a nostalgic reflection on youth and escapism. The song tells the story of a lonely, dream-filled teenager who takes refuge in a world of fantasy — guided by an imaginary bard who sings of heroines, dragons, and distant adventures. Through these tales, he tries to escape the grayness and emptiness of reality. But beneath the magic lies a quiet yearning: for connection, for courage, and for meaning in a world that often feels cold and indifferent.

Hymn (Premix)

"Signal" is a haunting reflection on the return of a son from war, seen through the eyes of a grieving father. Though the world calls him a hero, the father sees only a hollow shell — a soul lost to violence and trauma. Trying to reach him, he compares his presence to a fading radio signal from the depths. The song mourns not just the cost of war, but the illusions that sustain it, and pleads for peace, intimacy, and a shared dream of something better.

Signal (Premix)

🎮 No quiero jugar más es una canción existencial nacida desde la vulnerabilidad.

Una mezcla de emociones, fantasía y anhelo por escapar de este “videojuego llamado vida.”

Letra escrita y dirigida por Seiker Isekai.
Melodía generada con IA bajo dirección creativa.

⚡ Esta canción no busca ser perfecta, solo honesta.

✨ Si te toca el alma, házmelo saber.

No quiero jugar más

[CHORUS]
“Brave soul,” says the radio
“Beauty,” says the radio
“It had to be like this,” says the radio
“Difficult,” says the radio
“Now you’re 44 years old?” says the radio
“That’s right. 44 years old,” says the radio

[Verse 1]
It’s going to hurt
You know this
So you drink tea in the morning instead
of an entire carafe of coffee
Like a vampire, your skin cells burn
on their first sip of the sun
The ringing taste of green tea or whatever
the fuck kind of tea this is

[Verse 2]
Describe to me in detail this so-called purification ritual
I can’t
I’ve never done it before
My cells are exploding into a wasting lament
This is the last time you will ever write
yourself through this
On the other side of this swamp of dark water, a plane will crash
The lone survivor will speak on the radio
as you drive down Highway 27

[BRIDGE]
In the middle of Florida in the middle of the night after you
step off the plane you see the swamps morph
into the mountains of your childhood
They raise their heads like giants
The Sierras stare; do not go there

[CHORUS]
“Brave soul,” says the radio
“Beauty,” says the radio
“It had to be like this,” says the radio
“Difficult,” says the radio
“Now you’re 44 years old?” says the radio
“That’s right. 44 years old,” says the radio

Continue to drive through hornets and testicular small towns
Some flags raised
Some flags down
The god of the underworld has let you go from his hand
into the empire Floridian
He says you have a pure heart
so pure he cannot destroy it
Some people look pure but they are not

He says he cannot see you destroy yourself so he has let you go
and he will protect you with his anger and melancholy

It will hurt
You know this
It will hurt
You know this

[GUITAR SOLO]

All the substances have got to go
Substances don’t flow from your body
They leave with the violence
of an exorcism
Spicer says once a ghost leaves your body
it never returns

“Horrendous,” your sister texts
“I’ve been vomiting all night,” she texts
“Maybe it will be a Christmas baby,” you say
Something with no substance surrounds you

It will hurt
You know this

This Is Going To Hurt

A haunting, poetic journey through time, emotion, and the inner self, The Prism and the Pulse explores the dual themes of longing and peace through the metaphor of light refracted into color. This song blends spacious, atmospheric guitar work with industrial textures and ambient synths. Lyrically rich and introspective, it asks what it means to be human, a beam of light passing through the prism of time, each emotion a color in the full spectrum of being.

Prism and the Pulse

Important Notice for Inquiries:
If you’re reaching out regarding music collaborations, promotions, or record label opportunities, please include verifiable identity links. I do not respond to unsolicited messages from Gmail accounts, especially from those claiming to be record executives or industry professionals. Thank you for understanding. You can contact me directly at riven.waters.infinite.story@gmail.com.
About My Music:
I create original, genre-blending music that fuses rock, classical, easy listening, and experimental styles. Each song is crafted with deep emotional honesty, often inspired by my own poetry, journal reflections, or personal stories. Whether instrumental or vocal, my focus is to uplift, inspire, and resonate with listeners on a real, human level.
I don’t settle for “good enough.” Every track goes through hundreds of iterations, shaped by a balance of intuition and precision. I use advanced AI music tools to explore sound and emotional tone, then refine everything in Logic Pro for professional production quality. It's a fusion of heart and technology, and through it, I aim to connect, heal, and inspire—one song at a time.

We don’t always get to stay in the places we feel whole… but the miracle is, you carry that wholeness now. It never left you. It just sleeps under the surface. Like old radio static waiting for a signal.
—The Miracle Syndicate

The wound is where the light enters.  —Rumí

 🖤✨

Produced by The Miracle Syndicate
Published by Painful Records Ltd.

What is not yours cannot be lost.

email address
1rosukiyo@gmail.com

Rising star rewriting all music history.　rosu
artist link
applemusic
https://music.apple.com/jp/artist/rosu/1729955406

Spotify
https://open.spotify.com/intl-ja/artist/2faJBc6tGVkPQuZU8jOTM4?si=CLhhktpiQ9yEZ6bMOKFtPQ

patreon
patreon.com/rosu419
audiomack
https://audiomack.com/1rosukiyo

Bandcamp
https://rosu1.bandcamp.com/music

親愛なる夢想家と宇宙旅行者の皆様、

海が空であり、宇宙の精霊が踊るこの世界で、あなたも私と一緒に旅しましょう。私の歌は宇宙のささやきであり、心の奥底に響く憧れの響きです。私たちは一緒に、宇宙の広大さと私たちの感情の親密な流れとの関係を探求します。

それぞれの音符は波であり、それぞれの歌詞は星座であり、希望と憂鬱の感情を通してあなたを導きます。スペクトルクラゲの穏やかな輝きと空中を飛ぶタコの優雅な動きの中に、私たちは儚さと未知の中に美しさを見出します。私の音楽は、私たちの前に来た人々の物語と、これから続く人々の夢に語りかけます。

憧れの気持ちや目的の探求を抱いているのはあなただけではないことを知っていただきたいのです。たとえそれがどんなに遠くに見えても、自分の夢を抱きしめて、それをあなたの導きの星にしてください。迷ったときは、最も暗い夜でさえ、最も明るい夜明けに道を譲ることができることを思い出してください。

一緒に、私たちの憧れを善の力に変え、私たち自身をはるかに超えて広がるポジティブな波紋を生み出しましょう。地上と天上のすべての存在の相互のつながりを祝いながら、私たちがこの素晴らしい人生の旅をナビゲートするとき、あなたの魂も私の魂とともに舞い上がりましょう。

私の音楽と夢をあなたと共有することを許可してくれてありがとう。一緒に明るい未来への道を照らしていきましょう。

愛と宇宙の光を込めて、
さゆかララ

Dear Dreamers and Cosmic Travelers,

In this world where the sea is our sky and the spirits of the cosmos dance among us, I invite you to journey with me. My songs are whispers of the universe, echoes of longing that resonate with the depths of our hearts. Together, we explore the connection between the vastness of the cosmos and the intimate currents of our emotions.

Each note is a wave, each lyric a constellation, guiding you through feelings of hope and melancholy. In the gentle glow of spectral jellyfish and the graceful movements of airborne octopi, we find beauty in the transient and the unknown. My music speaks to the stories of those who came before us and the dreams of those who will follow.

I want you to know that you are not alone in your feelings of yearning or your quest for purpose. Embrace your dreams, however distant they may seem, and let them be your guiding stars. In moments of doubt, remember that even the darkest nights can give way to the brightest dawns.

Together, let’s transform our longing into a force for good, creating ripples of positivity that extend far beyond ourselves. Let your spirit soar alongside mine, as we navigate this incredible journey through life, celebrating the interconnectedness of all beings—both earthly and celestial.

Thank you for allowing me to share my music and dreams with you. Together, we can illuminate the path to a brighter future.

With love and cosmic light,
Sayuka Lala

 2014 - 2024, Ayano Ishi, Sayuka LALA

https://www.youtube.com/@SayukaLala
https://www.dailymotion.com/sayuka_lala

AudioKraftBerlin stand for powerful, narrative indie pop with orchestral intensity and emotional depth. Their songs weave driving guitar riffs, powerful synth layers and memorable melodies into an electrifying soundtrack full of unexpected twists.
Each track tells its own story – with energy, detail and a touch of wit – and comes to life on stage with a presence that is both dynamic and sincere.

- Part Pianist, part composer, part poet, part IT technologies technician/programmer, 100% musician. -

Otoniel Rojas is a Dominican pianist and composer celebrated for his unique fusion of classical music with the rich rhythms of his homeland. Born in Santo Domingo, Dominican Republic, he was immersed in a vibrant musical environment from an early age. His father, an accomplished musician, served as the principal flutist and later as the piccolo player in the National Symphony Orchestra of the Dominican Republic, instilling in him a profound appreciation for music.

At just seven years old, Rojas began his formal music education at the National Conservatory of Music, initially focusing on the violin. Simultaneously, he nurtured a passion for the piano, teaching himself to play and developing exceptional sight-reading abilities. His prodigious talent quickly became evident as he accompanied his father in numerous public performances, church services, and television appearances across his native country.

Determined to refine his pianistic skills, Rojas pursued formal piano instruction, excelling in performance, counterpoint, music theory, and solfège at the conservatory. Despite his musical successes, he briefly explored an engineering career at the Universidad Autónoma de Santo Domingo (UASD). However, his unwavering dedication to music led him to resume his artistic journey.

Seeking broader horizons, Otoniel relocated to the United States to study at Brooklyn College of the City University of New York—a hub for international students and a springboard to esteemed institutions like Juilliard. Under the mentorship of acclaimed pianist Agustin Anievas, a celebrated American classical pianist known for his recordings of Chopin and Rachmaninoff. Under Anievas' tutelage, Rojas flourished, graduating with a Bachelor's degree in Piano Performance, earning the distinction of Cum Laude. His exceptional musicianship was recognized when he won the conservatory's piano competition, performing Beethoven's Piano Concerto No. 3 with the college orchestra.

Deeply involved in the college's musical community, Rojas participated in chamber music ensembles, served as a piano accompanist, and sang in both the specialized chamber choir and the conservatory choir. He expanded his compositional skills under the guidance of Robert Starer, an Austrian-born American composer known for his contributions to contemporary classical music. His collaboration with the university's ballet program led to his composition "A Passing of Time" being incorporated into the ballet's repertoire, which was performed internationally by the university ballet in Prague.

To further diversify his expertise, Rojas studied conducting with Karoly Kope, chamber music with Stoddard Lincoln and Marion Feldman—a distinguished cellist and professor at New York University—and delved into music history under H. Wiley Hitchcock, a leading authority on American music.

Upon returning to the Dominican Republic, Rojas continued to compose and perform. He was commissioned by the Sinfónica del Cibao to create "Mozartina," an orchestral piece that masterfully intertwines traditional merengue rhythms with themes from Mozart's "Jupiter" Symphony. The work features the tambora, a traditional Dominican percussion instrument, symbolizing a fusion of his classical training and cultural roots. "Mozartina" premiered with the Sinfónica del Cibao and was later performed in a revised version by the National Symphony Orchestra in Santo Domingo under the baton of Caonex Peguero, a prominent Dominican violinist/conductor/composer.

Today, Rojas continues to share his music with audiences worldwide. Through platforms like SoundCloud and published sheet music, he brings a unique blend of classical and Dominican musical traditions to listeners and performers alike. His journey reflects a lifelong dedication to music and a commitment to bridging cultures through his art.

Music Studio, covering any genre, any kind of artist.

🎮 Amante de los JRPG, el synthwave y las emociones que despiertan los mundos paralelos.
🧠 Artista neurodivergente de la nueva era, fusionando sensibilidad e inteligencia artificial para crear música como un mago canaliza su poder.
🌍 Hacedor de mundos, explorando dimensiones sonoras para inspirar a otros, abrir puertas internas y recordar que no estamos solos.
♒ En esta era de Acuario, creo que el arte auténtico, la tecnología y el alma pueden unirse para sanar, despertar y reconectar.

✨ Si alguna vez una canción logra llevarte a otro plano… ya cumplió su propósito.
📲 Encuéntrame también en Instagram como Seiker Isekai.

🔥 DIRK SLASHER – METAL, MAYHEM, AND MADNESS 🔥
🚧 It Started with a Collapse. Then Came the Music. 🚧

In March 2024, the Francis Scott Key Bridge collapsed, shutting down the Port of Baltimore and leaving thousands of workers—including me—out of work for months. With time on my hands and chaos in the world, I did the only thing that made sense...That’s when Dirk Slasher decided to make an album.I started experimenting with Suno, crafting music by combining raw ideas, lyrics, and concepts into something massive. From there, I took those tracks into Logic Pro, still learning, still innovating, pushing every song to hit harder, sound bigger, and bring stories to life in ways I never imagined.
🎭 Story-Driven Metal with No Boundaries
Dirk Slasher isn’t about whining or self-pity—it’s about fighting monsters, facing the apocalypse, and laughing in the face of doom. Every song tells a story, from battling chupacabras with a pointy stick to Dirk himself taking on Moby Dick.The music itself? A brutal mix of thrash, industrial, and horror-fueled chaos. Some tracks punch like old-school Sabbath, others hit like Ministry on a warpath. One moment, you’re in an 80s British Steel throwback, the next, it’s a full-speed hair metal anthem straight out of a neon-drenched, leather-clad fever dream. No two songs sound the same, because where’s the fun in that?And if you think that’s it—Dirk Slasher is also a gamer. I stream Call of Duty Zombies, Zombie Army 4, horror shooters, and anything that lets me cause mayhem on my YouTube channel. Expect wild commentary, over-the-top action, and some of the dirtiest tricks in the book. And yeah, all my music is on my channel too.
🔥 Join the Madness – Follow & Listen 🔥
This is independent, underground metal with no limits. No label, no corporate nonsense—just raw, unfiltered mayhem. Follow for metal that’s brutal, ridiculous, and 100% unstoppable.🎧 Find me here on SoundCloud, and catch me on YouTube for even more madness.
📺 YouTube Channel: Dirk Slasher💀 Dirk Slasher was here.

New tracks tagged #existential,