"Forth" is Fury's fourth footwork full-length.

Loosely imagined as a modern follow-up to Mark Fisher's Capitalist Realism in musical form, Forth is an explicitly socialist exploration of the alienation caused by capitalism that focuses on the immediacy of its present harms over an abstract aesthetic of "futurism". Sonically, the album draws from a diverse set of influences, blending emo, metal, and chiptune into a unique and melodic vision of club music.

Forth

Dead On Arrival

The Singularity Isn't Real, Socialism Is

Grindset Failure \ Getting Meta

Timmy Is A Buster <Accelerationist Defanger Mix>

Burned Out

Meltdown

Exploited (Marxist Hyperstition Pt. 5)

Cannibalizm

Objectified (Marxist Hyperstition Pt. 2)

Before You Get Started

Kodak Fellow

Infector

They Can't Win They can't Win They Can't Win

Let's breeaaak it down......
To the groove nice and slow

D-Jaaay

diary entry 7: pretty as the stars in the sky

bang bang.  I need out this romper room nightmare

preparing to leave that freaky bitch from the romperrooms spell.. almost out tha room series pt 1

the sample for this is the Intro to the Locust Star (live) by Neurosis off the Ozzfest 99' Live album  

Locust moon

Piotr Kalinski and Daniel Szlajnda are artists who hold a special place in the Polish independent music scene. Their solo achievements date back to the first decade of the 2000s, providing an important foundation in the development of the local music scene.

Daniel Szlajnda is associated by many Polish listeners with aliases such as DJ Taśmy and @danieldrumz, as well as his series of eclectic funk-hip-hop mixes “Electric Relaxation.” The culmination of these achievements is the album “Untold Stories,” released in 2015, on which, as Daniel Drumz, he showcases multiple takes on club music. However, it was the later two albums “Komorebi” and “Order in Chaos” that opened a new chapter in the producer's work by shifting his sonic explorations towards modular ambient - released already under his own name, i.e. Daniel Szlajnda.

The solo beginnings of Piotr Kaliński, known mainly as @httvtt, fall on the period of dynamic development of the dubstep scene in Poland, and his productions maintained in this style, were among the first Polish releases published abroad. He has 4 solo albums and also contributes to such projects as the ambient instrumental Hinode Tapes, Nanook Of The North (with Stefan Wesolowski) and @j_a_n_k_a, which is the result of a collaboration with Daniel Szlajnda.

The JANKA project combines both producers' love of dub, modern electronica, Japan and a good dose of humor, which can be found in the twisted titles of each track. Their music has been released on labels such as U Know Me Records, The Moth Club, Yuku and Newdubhall.

Released in guides EP “YAMANOTE” is a complete set, on which there are clear (in the musical, title and visual layers) inspirations of Japan, being for both artists and guides label owner Pawel Dunajko an extremely important point of reference. Both producers, in their work, often take this Far Eastern direction, and they regularly visit Japan, both solo and with JANKA concerts. In 2024, the Yuku label released JANKA's twelve-inch, recorded with Japanese minimalist footwork icon @crzkny. Similar to the cassette “YAMANOTE,” the vinyl for Yuku combines a fascination with experimental footwork and dub-techno aesthetics.

“YAMANOTE” EP features six tracks, each offering a completely different variation for footwork aesthetics and 160 BPM tempo. The rich multi-layered ambient space is driven by a pulsating dub bass. Sometimes JANKA's music is reminiscent of the crystalline productions of Move D and Benjamin Brunn, with a difference that it is put through various kinds of noisy effects.

The entire album opens with the minimalistic track “Goodweather Dub,” a sort of tribute to Nagoya's Goodweather club and its owner Eri Ishii, who is an extremely important figure animating the independent music scene in Japan. The title track “Yamanote,” set to subtle and unobvious breaks, playfully winks at the popular Tokyo subway line. “Mono Dub,” is a classic sped-up dub footwork. “Ale To Ty Dzwonisz Dub” is built around the repetitive non-obvious sound of a ringing telephone. “Lolska Dub” is a languidly deep half-tempo, and the final “Mute Dub” is a perfect ambient close to the whole.

JANKA - YAMANOTE

complex structures | rhythmic grooves | minimalism
label owner @paide

AKA Fury AKA Morphologist

I make bass heavy music. You can download some of it for free.

I run Grime Archive at grimearchive.org and used to have a label called @bloodfrenzyrecs

Labels I've released on: Slit Jockey / Classical Trax / Car Crash Set / UK Trends

Just doing what ever, having fun, experimenting and stuff
Drawing influences from dubstep, weird bass, footwork, IDM, jungle, jersey club, hip-hop, metal, glitch, industrial, punk, abstract, deconstructed club,  and other stuff to create my personal sonic language. I make these sounds for me but I hope they speak to you also

THE ANSWER IS JUST A BISCUIT TOSS AWAY SOUND/PLASTIC ROBOT AWARENESS /DISJUNCT-STRUNG OUT TOASTER MASK VARIATIONS /SOLO PROJECT OF ROTUNDO STRECKER------ONE DAY WHEN I WAS OVERSIZE CONTAINER MIST, I OVERDOSED ON 50 PACKETS OF easy rise waffle mix  THEN I KNEW I WOULD NEED 9 OCTAGONAL ROOMS .  I have always been inspired by oleCramphorn Nantucket who used to play the saw - his glass eye always seemed to be staring at me constantly into another dimension-- as well as to the p funk nation multicolored dream-coat that I always wear. I f anyone has a multicolored dreamcoat I will wear it just give me time such as 7to 9 weeks for proper neurochemical/electrical stimuli to respond through several sodium gated channels that processes an  shadow statue with a creepy octagonal thumb that pulsates then releases syrup in rhythm with the saw of Nantucket .Because I seek agency in life and need to  understand my environment, i am starting a new age religion for a tax write off. It will center around the worship of a piece of plywood with seven rusty nails of various lengths. Eudora the dancer from Kafka's diary first chapter has a crooked nose that refracts at a strange rate when partially submerged in water. The light physics of the sacrificial fragment that is a part of her movements aura excess. This allows for plenty of family waterpark fun and satan worship for all...

Second account of @deva4_4

Posting additional music/special projects coming...
ENJOY

New tracks tagged #experimental footwork