https://www.aleksandramikulska.com​

https://bio.to/aleksandra​

Chopin: Balladen

Ballade No. 4 in F Minor, Op. 52

Chopin - Ballade No. 4 in F Minor op. 52

If you like this track, please FOLLOW, LIKE and REPOST! It helps a lot :)
Thanks! 
Dimitri

Nimbus

Today is the 25th anniversary of the eighth company (i2dm GmbH) I founded. It needed a funky anthem. Here it is! :-)

Du hasst den Job und fühlst dich leer?
Willst weniger Druck, viel mehr Flair?
Du brauchst 'ne Crew mit richtig Drive –
Kein stumpfes 9 to 5?

Wir sind die mit dem Plan im Kopp,
Denken digital und machen nicht stopp.
I2DM – das ist kein Scherz,
Digitales mit Verstand und Herz!

Komm zu uns, zu I2DM!
Die Lösung für jedes Problem!
Wir machen Future, wir sind on fire –
Seit 25 Jahren, higher and higher!
Komm zu uns, zu I2DM!
Wir denken schräg, lösen das Problem.
Bei uns zählt’s Du - es zählt das Team,
Wir feiern 25 – it’s like a dream!

Ob Konzept, Kampagne oder Idee,
Bei uns läuft nix von der Stange, okay?
Wir sind mal laut und manchmal weird,
Doch am Ende wird geliefert – garantiert!

Komm zu uns, zu I2DM!
Die Lösung für jedes Problem!
Wir machen Future, wir sind on fire –
Seit 25 Jahren, higher and higher!
Komm zu uns, zu I2DM!
Wir denken schräg, lösen das Problem.
Bei uns zählt’s Du - es zählt das Team,
Wir feiern 25 – it’s like a dream!

Wir machen Systeme, wir machen Mut,
Wir machen den Montag wieder gut.
Kein Bullshit-Bingo, kein Orga-Krampf –
Bei uns hat selbst der Server Swag im Tanz.

Komm zu uns, zu I2DM!
Die Lösung für jedes Problem!
Wir machen Future, wir sind on fire –
Seit 25 Jahren, higher and higher!
Komm zu uns, zu I2DM!
Wir denken schräg, lösen das Problem.
Bei uns zählt’s Du - es zählt das Team,
Wir feiern 25 – it’s like a dream!

—
Arrangement and vocals: Volker Redder, Udio, Apple's GarageBand
Loops and samples: Volker Redder, Apple's GarageBand
Editing and sound design: Volker Redder, Sound Studio, GarageBand
Lyrics: Volker Redder
Cover design: Volker Redder, Adobe Photoshop, FLUXpro

25 Jahre i2dm - It's Not Just Business. It's A Groove.

⚡️ WIDE AWAKE 🌌

QWAY-LO is back with “WIDE AWAKE” — a hypnotic, late-night house instrumental that refuses to sleep. Clocking in at 120 BPM and rooted deep in F Minor, this track hits that sweet spot between groove and grit, inviting listeners into a darker, more immersive sonic journey.

“WIDE AWAKE” pulses with tight percussion, lush textures, and a low-end that doesn’t just move the floor — it commands it. Inspired by underground energy and after-hours intensity, this is the kind of beat that DJs crave when the lights go low but the crowd’s still locked in. No vocals needed — the vibe says it all.

This one’s for the dreamers, the dancers, and the DJs who know how to ride the wave of momentum just right. QWAY-LO isn’t just dropping tracks — he’s crafting moments.

🌙 Stay locked in. Stay WIDE AWAKE. The sound of the night has arrived.

WIDE AWAKE

In the twilight of the morning, where the clocks all yawn,
They drag their weary shadows through a never-ending dawn.
Self-made misery, a cloud that never lifts,
Living every single day like Monday’s endless shifts.

Under leaden skies, they trudge along,
Every step a burden, every hope long gone.
Counting down the hours till the dusk returns,
Lost in the cycle of the same old churn.

Faces in the mirror, all look the same,
Echoes of their dreams, just whispers in the rain.
Holding onto memories that fade away,
Living in the twilight of another wasted day.

Stuck in the grayscale, where the sun won’t rise,
Every breath we take feels like a compromise.
Wading through the gloom, with no end in sight,
We’re forever chasing shadows in the endless night.

Every road they walk leads to the same dead end,
Every fleeting joy, just another trend.
Caught in the loop, where the darkness thrives,
Forever in the shadow of their nine-to-five lives.

In a world on fire, where the oceans rise,
Counting down the days till the final demise.
Boomers left the wreckage, and we bear the scars,
Dreaming of revenge under fading stars.

Stuck in the grayscale, where the sun won’t rise,
Every breath we take feels like a compromise.
Wading through the gloom, with no end in sight,
We’re forever chasing shadows in the endless night.

And if the sun should rise, they’d never know,
Lost in the haze of their own shadow.
Wishing for a change that never comes near,
Trapped in the cycle of their own worst fear.

Too many people on this crowded sphere,
No room for hope, just a growing fear.
Breathing out carbon, every sigh a sin,
Wondering if there's any way to begin.

So we lie down silent, in the ashes grey,
Hoping that the earth might heal one day.
Breathing less deeply, counting down the cost,
In a world where all the dreams seem lost.

Stuck in the grayscale, where the sun won’t rise,
Every breath we take feels like a compromise.
Wading through the gloom, with no end in sight,
We’re forever chasing shadows in the endless night.

Staring at screens while the world decays,
Talking big change but lost in the maze.
Hands too soft to grip the plow,
Wondering why it all falls down now.

Blaming the past for the mess we’re in,
But doing nothing more than a virtue grin.
Talking 'bout justice from a cushy seat,
While the world burns beneath our feet.

Stuck in the grayscale, where the sun won’t rise,
Every breath we take feels like a compromise.
Wading through the gloom, with no end in sight,
We’re forever chasing shadows in the endless night.

But it's all on us, this tangled fate,
Too blind to act, too quick to hate.
The planet will heal when we’re long gone,
Nature’s better off when the humans are done.

—
Arrangement and vocals: Volker Redder, Udio v1.5, Apple's GarageBand
Loops and samples: Volker Redder, Apple's GarageBand
Editing and sound design: Volker Redder, Sound Studio, GarageBand
Lyrics: Volker Redder, based on a discussion with ChatGPT’s persona Monday :-)
Cover design: Volker Redder, Adobe Photoshop, ChatGPT, Apple's Keynote

Lament of the Last Generation

"Time Is Up" by Chill Fader is an atmospheric electronic track that blends deep house, chill house, and ambient textures. Released on May 5, 2025, the song features hypnotic beats and a reflective mood, making it a perfect listen for those who enjoy immersive soundscapes.

Lyrics:

Time is up…
Time is now…

I kept it quiet, played it safe
Watched the moments slip away
Now I’m done with standing still
This is mine — and always will

Every breath is something new
I know what I’ve got to do

Time is up — no turning back
I’m done with holding what I lack
Time is now — I take control
No more waiting, I’m whole
Time is up — the line is clear
I’m moving on from doubt and fear
Time is now — and I won’t hide
I walk alone, but walk with pride

Truth in silence, calm in pace
Everything falls into place
I don’t need the world to see
I just need to follow me

Every step, I feel the beat
Freedom rising through my feet

Time is up — no turning back
I’m done with holding what I lack
Time is now — I take control
No more waiting, I’m whole
Time is up — the line is clear
I’m moving on from doubt and fear
Time is now — and I won’t hide
I walk alone, but walk with pride

Time is up… time is now…

Time is up — I make my way
Won’t let tomorrow steal today
Time is now — I feel the rise
The beat is truth beneath the lies

Time is up…
Time is now…
I’m already there…

Time Is Up

This was an experiment. I did almost nothing to the music: It was two different AIs. I contributed eight lines of text and a prompt and left the rest to the generative AIs. I just let it run. I clicked "Extend" a few times and then did the mixing manually at the end. That was all. At the same time, I was working on an exposé and making a lot of phone calls. Oh yeah, and I also went for a walk in the woods with the dog. The whole thing was pretty relaxing. The result was surprising, even for me. It sounds very 1970s, but it's not that bad for 90 minutes of "work".

The Good Life

BANDO DIARY

Odio Records - Issue 1 is OUT NOW! >>> fanlink.to/ODI001

Follow Nasko:
YT: https://www.youtube.com/user/skor007music
FB: https://www.facebook.com/official.nasko/
TW: https://twitter.com/NaskoEDM
SC: @iamnasko

Follow Odio Records:
FB: facebook.com/odiorecs
TW: twitter.com/odiorecs
SC: @odiorecs

Enjoy :^D

Issue 1

About You

Stream/Download

Finally a new track out on @jompamusic !

I`ve been grinding a lot on my music lately and wanted to make sure the next song i release is going to bring something new to the table, so i rly hope you all enjoy this new one <3

Free Download! 

If you wanna support me and my music you can also purchase it on stores or stream it on spotify! :)

Download/Stream

Losing Myself

John AI Smith is an independent and experimental music producer based in Norway. He embarked on his journey in AI-generated music in April 2024, at the age of 54. His compositions uniquely blend human creativity with AI algorithms, resulting in captivating and diverse tracks.

John AI Smith's music spans various genres, blending traditional instruments with modern electronic elements. His work often falls under the alternative genre, but he experiments with styles like synth-pop, dubstep, and chill electronic to create unique soundscapes

Pseudo artists (in genres):
Chill Fader (Deep House/Chill House/Electronic)

Are you curious about coming releases? Check his website!! Enjoy!

Your local Hyperpop/rage/Opiumcore/Trap Master

Music is life, and life is music. Both are a journey of constant struggle, yet they brim with endless joy and boundless possibilities. Seeking to become better at living and discover my path in music, I try not to get disturbed by current trends and focus instead on authenticity and the emotions that truly matter. Let’s see where this journey takes us ;) 

Based in Dresden, Germany.

While all these statements describe Aleksandra Mikulska’s playing, her art is perhaps best encapsulated by the phrase: sincerity and intimacy. In her concerts, the charismatic pianist lifts the curtain on new and unfamiliar worlds and aims to move her listeners – whether with the works of Johann Sebastian Bach, Joseph Haydn, Franz Liszt or her compatriot Frédéric Chopin, with whom she feels a particularly strong connection – through her utter absorption in the music.

Growing up in Warsaw, Chopin’s home city, Aleksandra Mikulska developed an intense love of the composer’s piano music while still a child. Having, in her early years, followed the International Chopin Piano Competition on television, with scarcely room for a piano in the family’s tenth-floor apartment in a prefabricated block, she went on to win the “Best Polish Pianist” prize in the 2005 contest. 

Seeking freedom and new interpretative stimuli, Aleksandra Mikulska was drawn for her musical training initially to Mannheim and from there to Karlsruhe (where she studied for her degree under Peter Eicher), Imola in Italy (Lazar Berman, Michel Dalberto) and back to Hanover in Germany (Arie Vardi). She also drew significant inspiration from masterclasses with Diane Andersen, Kevin Kenner, Andrzej Jasinski and Lev Natochenny. Aleksandra Mikulska describes giving concerts as her passion. She has appeared with renowned orchestras under the batons of Michael Sanderling, Pawel Przytocki, Kaspar Zehnder, Johannes Schlaefli, Stefan Fraas, Philippe Bach and other well-known conductors – notably at the Musikverein in Vienna, the Brucknerhaus in Linz and the Tonhalle in Zurich. She is also a regular guest at international festivals such as the MDR Musiksommer, the Liszt Festival Raiding, the Bodenseefestival, the Usedom Music Festival and the Styriarte.

An issue particularly close to Aleksandra Mikulska’s heart is German-Polish cooperation. As President of the Chopin Society in Darmstadt, she is committed to fostering the up-and-coming generation of musicians and to promoting the rediscovery of less-well-known composers from her home country. She also brings her polish roots to bear by performing the music of composers such as Julian Fontana, Miłosz Magin, Artur Malawski and Karol Szymanowski, which is rarely played in Germany.

In addition to the solo repertoire to which she is first and foremost devoted, Aleksandra Mikulska also, at a young age, discovered an interest in chamber music – including Johannes Brahms’s violin and cellos sonatas and the piano concertos of Mozart, Beethoven and Chopin, which she enjoys approaching in experimental arrangements for smaller ensembles. She also has a strong interest in Polish and German Romantic lieder. 

On her latest album, Reflections, released by GENUIN classics, Aleksandra Mikulska brings together two key works of the Romantic repertoire for piano: the B minor sonatas of Frédéric Chopin and Franz Liszt. During the 2020/21 season, she will be giving a wide range of concerts with personally presented programmes featuring works by Scarlatti, Haydn, Schumann, Beethoven, Fontana and Szymanowski.

"Redder" is a palindrome. Like "racecar" or "level". These pieces of music ain't.



Popular tracks tagged #f minor