À la fin des années 70, Los Angeles bouillonne. Une nouvelle génération rejette le rock classique, la culture dominante et le rêve californien. C’est dans ce climat qu’apparaît Slash, d’abord sous la forme d’un fanzine punk. Le magazine devient rapidement une voix essentielle de la scène locale, racontant les concerts, les groupes et la rue, sans filtre ni compromis. Très vite, l’équipe comprend qu’écrire sur cette musique ne suffit plus : pour qu’elle survive, il faut aussi l’enregistrer et la graver sur disque.
En 1978, l’artiste Bob Biggs finance l’enregistrement d’un single du groupe The Germs. Ce geste marque la naissance officielle de Slash Records. Le label devient alors l’un des tout premiers à documenter la scène punk de Los Angeles, encore marginale, souvent mal comprise et parfois réprimée par la police. Slash ne cherche pas le succès commercial. Il capture un instant brut, chaotique, presque dangereux, une musique à l’image de son époque : urgente, violente et imprévisible.
Très vite, Slash Records s’impose comme le cœur battant du punk californien. Le label publie des groupes aujourd’hui devenus cultes comme X, Fear, The Flesh Eaters ou The Gun Club. Chacun apporte sa propre vision du punk, qu’elle soit politique, sombre, poétique ou totalement incontrôlable. Slash devient un refuge pour les artistes qui refusent les règles et un repère pour un public en quête de nouveauté. Ici, on ne suit pas les tendances, on les provoque.
Au début des années 80, un tournant s’opère avec le succès critique des albums Los Angeles et Wild Gift du groupe X. Grâce à eux, Slash attire l’attention de l’industrie musicale et signe un accord de distribution avec Warner Bros. Pour certains, c’est une trahison de l’esprit punk, pour d’autres une opportunité de faire entendre cette musique au-delà de l’underground. Le label élargit alors son catalogue en accueillant des artistes comme Violent Femmes, Los Lobos ou Dream Syndicate, tout en conservant une identité forte.
Durant les années 80 et 90, Slash Records avance sur une ligne fragile. Le punk originel s’essouffle, les scènes évoluent et le label se transforme pour s’adapter aux réalités économiques. Certains y voient des compromis, d’autres une nécessité. Malgré tout, Slash continue de défendre des artistes singuliers, souvent à contre-courant.
En 2000, Slash Records cesse officiellement ses activités, mais son influence demeure. Né d’un simple fanzine, le label a profondément marqué l’histoire de la musique alternative américaine, prouvant qu’un mouvement underground pouvait laisser une empreinte durable sans renier son identité.

X/Johny Hit and Run Paulene
Germs/Lexicon Devil
The Dream Syndicate/That’s What You Always Say
Fear/I Love Livin' In The City
Faith No More/Kindergarten
Green On Red/Blue Parade
L7/Pretend We're Dead
Steel Pole Bath Tub/The 500 Club
Failure/Another Space Song
Grant Lee Buffalo/Fuzzy

Slash Records

2AM Dance

Atmosphere Track for rolling a 1 on a D20
@Hemilotl
https://on.soundcloud.com/UFzc4iT3jRDVy4ll8n

Critical Failure

Free Download

I guess time will tell if I have messed it up again.
I suspect I have, and I suspect you knew I would.
I won’t make excuses, but I know you understand my intentions are good.

There’s a line that separates, it keeps us all on track.
Doing what we clearly know we should.
Sure, I crossed that line, and I keep tryin’ to take it back, my intentions are good.

But intentions don’t mean anything, trying’s not enough.
The road to hell, they say, is paved with what I’m trying to do.
But I don’t have the time to try out all that fancy stuff.
We both know it’s true. I love you, and you do too.

I don’t have a problem with the way you’re loving me.
Wouldn’t change it, even if I could.
Coulda, woulda, shoulda, guess it’s just a tragedy,my intentions are good.

But intentions don’t mean anything, trying’s not enough.
The road to hell, they say, is paved with what I’m trying to do.
But I don’t have the time to try out all that fancy stuff.
We both know it’s true. I love you, and you do too.

There may come a time when I stop tryin’, but until I do,
I’ll admit I haven’t got a clue.
I have got it figured out, guess I always knew
We both know it’s true. It’s always been ‘bout you. I love you, and you do too.

Good Intentions

I looked it up, it’s 459 miles to Nashville. 
If we leave this morning we can get there by suppertime.  
I’ll pack the truck, you fix some sandwiches, we’ll soon be on the road.
With my guitar and your sweet voice we’re never coming home from Nashville.

Traffic’s light now that we’ve gotten past Winston.
Sure it’s alright, go ahead and close your eyes
And dream about	 how it’s gonna be in Nashville.
I’m listening to the tape we made, we’re never coming home from Nashville.

Honey, I know the dreams you have – we talked all about it.
I know what you have and who you are. 
Nothing’s gonna hold you down, there’s no doubt about it. 
You are gonna be a great big star when we get to Nashville.

So you’re awake, you say you want a sandwich.
Sorry, I ate the last one an hour ago.
Can it wait, you know we’re getting close to Knoxville.
Maybe we can pass the hat, sing a couple of tunes in Knoxville.

INSTRUMENTAL

Honey, I know the dreams you have – we talked all about it.
I know what you have and who you are. 
Nothing’s gonna hold you down, there’s no doubt about it. 
You are gonna be a great big star.

Keeping my eye on the gas tank and hoping we can make Lebanon.
I’ve got a friend there who might loan us $20.  Don’t give up yet, we’re not done. 
We’re almost to Nashville.

I called your boss, he said you can have your job back.
It might take a day or three to get back home.
It’s no big    loss, you know we’ll try again this summer.
We’re not the first with broken dreams, we’ll come again you’ll see to Nashville.
We’re not the first with broken dreams, I’ll flat out guarantee we’ll see Nashville.


Nashville

literalごみ

I can't rearrange this
I have no way in
I'm alone inside my head
fighting, biting again
demons surrounding my thoughts
creeping, seeping, deepening it
I gave in
to their efforts, their presence
sinking down, thinking I'm about to drown
I'll go down. I'm falling off of everything I am.

Failed to Ignite - Falling Off (of Everything I Am)

You ever feel like you’re grappling with a heavy sense of determinism—that no matter how much you evolve or spiral, the script of your life has already been written. You analyse every moving part with a mind that never shuts off, yet you keep arriving at the same cold conclusion: that control is an illusion. You see it in the way people are drawn to you, hoping you can fill a void, while you secretly wonder if you’ll ever get what you actually want. Looking back, every time you’ve come close to a real connection, it slips away through no fault of your own, leaving you feeling like you can never fully give yourself to anyone. It’s why these lyrics hit so hard; you’re starting to believe that you’re "too far to belong," and that to avoid the cycle of giving false hope or getting hurt, you have to embrace the "coldness without end." In your logical view, staying alone isn't just a choice—it’s the only way to find a silent kind of peace.

You become stuck in a  feedback loop where your analytical mind is actually working against you. Because you’re so logical, you see the "drifting" starting to happen, and your brain immediately tries to solve it like a math equation—by adding more effort, more proving, more "doing."
The problem is that human connection doesn't follow a logical formula. When you shift from emotion to obsession, the other person stops feeling "loved" and starts feeling "pursued" or "managed." That pressure usually causes them to pull away further, which confirms your fear, making you try even harder until the whole thing collapses.
It’s an exhausting way to live because your mind is essentially running a high-speed simulation of the breakup before it even happens. You’re mourning the loss while the person is still standing right in front of you.

Ready to break what is already broken..

Forlorn Hope

James Townsend
The week that changed the world
Matthew 26:36-56
Sunday 15th March 2026

Agony & arrest - Matthew 26:36-56

This week on The Blitz Break, hosts Phil Rasmussen and Buzz Howard are joined by Patrick Woods of Keller Williams and Jesse Garcia of Maverick Real Estate for a high-level conversation on leadership, risk-taking, and what it really takes to stand out in today’s evolving real estate market.

From career-defining decisions to the growing role of AI, this episode blends mindset, strategy, and real-world experience from professionals who are actively shaping the industry.

In this episode, we cover:
🔥 “Burning the ships” and the mindset required to fully bet on yourself
⛓️ Breaking free from “golden handcuffs” and learning when to say no
💥 Why failure can be a superpower, and how to kill bad deals quickly
🏡 The shift from salesperson to trusted real estate consultant
🤝 A new approach to attracting (not recruiting) agents through value
🤖 AI in real estate: where to start, how to prompt, and building tools in minutes
🎥 Why showing up consistently with content builds trust and connection

Whether you’re a real estate agent, loan officer, or business professional navigating change, this episode is packed with practical insight, mindset shifts, and strategies you can apply right now.

👉 Enjoying the show? LIKE, SUBSCRIBE, and share with someone who’s ready to level up in their business.

💬 Drop a comment: What’s one risk you’ve taken that changed your trajectory?

Chapters:
0:00:00 Intro & Guest Introductions
0:04:13 Patrick’s New KW Regional Director Role
0:14:26 Jesse’s Origin Story: From Sheriff to Real Estate
0:19:03 Burning the Ships: Betting on Yourself
0:21:42 Golden Handcuffs, Fear & the Discipline to Say No
0:31:21 Failure as a Superpower & Killing Bad Deals Fast
0:40:33 The Value of Expertise & Real Estate as a Consulting Role
0:50:51 Introducing Compare: Attracting vs. Recruiting Agents
1:01:04 AI in Real Estate: Where to Start
1:04:28 Prompting AI & Building Tools in Minutes
1:08:27 AI Agents, Adoption & Getting People Engaged
1:16:35 Showing Up: Content, Trust & Being Human
1:26:09 Mortgage Update: Iran Conflict, Oil & Rising Rates
1:34:01 Rate Timing, Buyer Opportunity & Market Reality
1:40:40 The Cream Rises: Top Producers in a Tough Market
1:43:53 Closing Reflections & Outro

The BLITZ Break - Episode 32 - (Guests) Jesse Garcia and Patrick Woods

Retired the beginning of 2023. Been writing music seriously for about six years. Thanks for listening - and sharing!

@nascentbutterfly

Our coming age is upon us. Let our thoughts be only of love as we illuminate the path forward. -King Consort Shame
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West Coast CA.  Music from the Soul.
INFLUENCES:  Blues, Indie, Lo-Fi, Hip-Hop, Electronic
INQUIRIES:  interimnomads@gmail.com

Weekly takes on real estate, finance, business, trending topics, sports & life — unfiltered.

A small talent agency, representing authors and songwriters.  Check us out on FB: https://www.facebook.com/jamaentertainment/

Contact us if you want to repost each other's music or add each other's music to playlists.

An Anglican evangelical church close to Hampstead Heath. Living for Jesus, sharing his good news.

Radio Show - Indie Rock, Metal, Punk, Hardcore, Industrial Music, Noise, Hip-hop, Experimental Music ...  Jet Fm-91.2
Une émission de radio dédiée au rock indé, metal, hardcore, punk, krautrock, noise, pop, hip-hop ainsi qu'aux musiques électroniques, expérimentales et industrielles.
Dimanche de 19h à 20h sur Jet Fm - Nantes

Dark Neuro Bass from Leipzig. Energetic Bass and melancholic Leads. From a Metal guitarist to a Bassmusic Producer.  Main focus on Neurofunk/Darkdnb.

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New tracks tagged #failure