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a motorola duet

Feature-Reel here: www.instagram.com/reel/C9GOZJ_ABse/

There is a certain beauty in additive synthesis. I can compute it with my early-8-Bit-Synthesizer, powered by an 68000 Motorola.

Working from zero frequency, there is an early starting point, when the algorithm takes over the numbers, the frequencies and delivers a sonic representation of their calculations. 

To us, there seems to be life in this. Especially, when imagining, that this only sound, could be calculated one time.

So, I did the same as the Fairlight and took the first approach of my improvised playing. I reduced the takes to only 1 – no retakes, no overdubs, no midi.

A kind of a duet concerning both singular attempts and open outcomes.

Due to computing times of about 5 seconds in between the – nearly not hearable – changes of sound, I had to place 2 little cuts.

Why compute? Maybe because it opens an untold gate to a special resonance and understanding a little about ourselves.

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More on the 651st weekly Disquiet Junto project, Why Compute? — The Assignment: Respond to a prompt from George E. Lewis — at Disquiet Junto Project 0651: Why Compute? – Disquiet

New tracks tagged #fairlightcmi