Immerse yourself in the soulful vibes of "Won't Be Long" by Feddi, a profound journey through the challenges of fame, relationships, and self-discovery. Produced by the talented Mercy Beatz, this track resonates with the raw authenticity of Atlanta's streets.

Feddi lays bare his experiences, from the scrutiny of public life to the complexities of personal relationships. The honesty in his lyrics is a testament to the struggles of balancing a life under constant surveillance. The beat, a creation of Mercy Beatz, sets the perfect tone for Feddi's introspective storytelling.

"Won't Be Long" is more than a song; it's a reflection on the cost of success, the strains on relationships, and the pursuit of self-improvement. Feddi's narrative unfolds with each verse, providing listeners with a glimpse into the highs and lows of his journey.

For inquiries, contact cairostreetrecords@gmail.com. Follow Feddi on all platforms now at https://linktr.ee/feddicairost.

Feddi - Wont Be Long

Wont Be Long

Aeryon Ashlie (Health & Wellness expert, CHN / CBT) - THE FULL 35 MIN CONVO

The glitz loses its shine when freedom's out of sight. "Golden Cage" by Nico Kat Cloud is a Dark Hip-Hop exploration of the dark side of fame.

Is the price of success worth a gilded cage? This song delves into the hidden costs of chasing the spotlight, where the diamonds cut deeper than they sparkle.

Unveil the truth behind the facade.

Golden Cage

Sasha Neboga (Knox Goes Away actress) - THE FULL 35 MIN CONVO

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Apache 207 - Miami

In this engaging conversation Zack Johnson explore the journey of a comedian, discussing the challenges and triumphs of building a comedy career. They delve into the importance of hard work, the impact of complacency, and the role of AI in comedy writing. 

The arrival of Lawrence Owens adds depth to the discussion, as they share insights on what defines a comedian and the lessons learned throughout their careers. In this engaging conversation, Lawrence Owens, Rhashad, and Zack Johnson delve into the complexities of the comedy industry, discussing themes of accountability, jealousy, and the importance of authenticity. They explore the struggles comedians face in gaining recognition, the pressure of performance, and the dynamics of power within the industry. 

The discussion also touches on personal growth, the balance between personal life and career, and the moral implications of fame. Throughout the conversation, the speakers emphasize the need for comedians to stay true to themselves while navigating the challenges of their profession.

00:00
Introduction and Comedy Background
02:27
Zachks Comedy Journey and Early Success
05:12
Transitioning to Producing Comedy Shows
07:43
Navigating the Comedy Scene and Personal Growth
10:08
Complacency in Comedy and Guest Introduction
12:49
Discussion on Comedians and Their Identity
19:05
The Impact of AI on Comedy Writing
22:25
The Power of Belief
22:57
The Role of Emotion in Comedy
24:59
AI and Comedy Writing
25:39
Ghostwriting vs. AI
27:41
The Evolution of a Comedian
29:11
Navigating the Comedy Scene
32:18
The Challenges of Greatness
34:10
Finding Your Voice
40:13
The Path to Ascension
47:43
Creating Content in Comedy
48:45
The Daily Conversations We Have with Ourselves
49:19
Confidence in Comedy: Facing the Competition
50:29
The Art of Stand-Up: Finding Your Unique Voice
52:02
Navigating the Comedy Scene: Pressure and Performance
53:55
Anxiety and Expectations in Comedy
56:41
The Price of Fame: Diddy and the Cost of Success
59:47
Power Dynamics: Money, Influence, and Morality
01:04:37
The Importance of Community and Support

Comedy Convoy B-Side Ep7

"Names We Remember" is a song that reflects on the impact of famous figures throughout history. From scientists and humanitarians to artists and leaders, the lyrics explore the diverse legacies of individuals like Einstein, Mandela, Shakespeare, and others. The song also acknowledges the complexities of fame, touching on controversial figures and the fleeting nature of celebrity. Ultimately, it's a call to remember those who have shaped our world in positive ways and to learn from both their triumphs and their mistakes.

Ghandis Reggea (Cover)

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Antichrist,, Censorship, Conspiracy, False Flag, federal, free speech, mental illness, MSM, NWO, fame, freedom, holywood, Birdbrains, brainwash, Censorship, end of days, prophesy, 
drugs, illuminati, love, money, sex,
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⭕ ⭑ JIGXZ - tOdDlEr sTaBbEd ⭑ LAZERS FOOLS GAME OVER

Feddi, born Demetrius Robbins, has a story to tell. It’s punctuated by pain, bound by betrayal, and has as much family drama as a Shakespearean play. But the setting isn’t some far-flung European city ruled by kings and nobility. Feddi is from Zone 1, Westside, Atlanta. An infamous neighborhood where life is a gamble, and even if you play your cards right, you can still lose it all. This is the hood that raised him, nurtured his love of music, and where he made his name in the streets. Feddi’s life story is worthy of a feature film–but his music has a documentary quality. And his story doesn’t just represent him. It also describes the voiceless people that grew up in neighborhoods like Zone 1 all over the world.
Tragedy struck Feddi’s family when he was just in second grade. In a story so gruesome that it was depicted on the TV show ATL Homicides, Feddi’s father was kidnapped, tortured, and ultimately murdered by his own cousins. “I stayed outta school for two years,” he recalls. “Like a whole two years, I didn’t go to school. APD sitting outside my house. Cause ain’t nobody locked up. Don’t nobody know what’s going on.”
Feddi’s dad, known affectionately as Deke the Freak from Cairo Street, was a well-known and respected figure in the neighborhood. So even though he was tragically killed, that respect and love extended to his son after his passing. “I had to live up to the name. But just being his son, it had me being taken care of. That led to me not ever having to worry about where I’m sleeping at. Where I’m gonna eat at. It wasn’t not one house in the neighborhood I couldn’t walk into. If I’m hungry, man, I’m finna to eat. It might be a different house every night,” he recalls.
Even having experienced something so heinous as a kid, Feddi never sought traditional therapy. Instead, he used music as an outlet to release his pain. “I cry the most when I’m making my songs. I might think of a line or something, and my voice might get to shaking while I’m trying to record. Cause I’m talking to myself as I’m going,” says the Atlanta native. “This is my outlet. I’m gonna probably do this for the rest of my life. Even if I’m not putting that out. Just so I can hear myself talk to myself.”
His earliest experience with music was born out of the ingenuity that comes from having to make do with whatever you have. “My friend down the street had a little radio boom box that you was able to press a button to record what you were saying,” remembers Feddi.” We had some instrumentals on the old, old, Xbox. Like the first Xbox ever made.We turned the TV up loud, played the instrumentals off the TV, and put the radio close to the TV so it could pick up the beat and pick up our voice.”
This was one of the first songs he ever made, and even though it wasn’t recorded in a professional studio, it was Feddi’s first clue that he had natural talent. He gained comfort performing in front of larger audiences at school talent shows. He was also surrounded by music in his own home, his mother was an accomplished singer, and his sister tried her hand at rap at a young age, too.
What further solidified the possibility of actually making his musical dreams come true was seeing someone else from his hood behind to make it big a few years later–1017 Records/ Famerica signee Ralo. “I knew it was real when I seen my brother Ralo actually get himself known to be a rapper,” says Feddi. “Me and him grew up together. That’s my brother. Both of us Muslim. And we from the same spot.”
That inspiration didn’t immediately lead to his own success, though. While more and more people began to recognize Feddi as an up-and-coming talent from Atlanta, he ran into
obstacles that kept his music from reaching a larger audience. “I’ve been lied to a million times. Supposed to have been signed a million times. And I turned down a couple offers too.”
Now he’s decided to take his future into his own hands. Along with his family, he started Cairo Street Records, a nod to the hood that raised him. “I’m doing all this shit with all these other folk. Helping them build their thing up. I’m like, let me go back to my own hood and start my own shit. I think I done learned enough and been through enough to know what to do now.”
And through it all, he’s still here. Still rapping. Still hustling. Still putting his pain into his music. Still speaking for those who can’t speak for themselves

English
Two genres dance in my heart, and this is where they come to life. Welcome to my musical world, a place where the romantic elegance of Baroque Pop meets the fiery passion of Latin rhythms. Each song is a labor of love, a piece of my soul I'm excited to share with you. Listen, enjoy, and join the journey.

Español
Dos géneros bailan en mi corazón, y aquí es donde cobran vida. Bienvenido a mi mundo musical, un lugar donde la elegancia romántica del Baroque Pop se encuentra con la pasión ardiente de los ritmos latinos. Cada canción es un trabajo de amor, un pedazo de mi alma que me emociona compartir contigo. Escucha, disfruta y únete a este viaje.

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