latency

Olá, seja muito bem-vindo ao StandardsCast EP #337 A330. Neste episódio conversamos com Bruce Pena (Engenheiro de Operações A330) e Rafael Olmedo (Coordenador de Flight Standards A330) sobre Climb Derate. Abordamos o contexto para a campanha relacionada a redução de potência durante a subida e os impactos operacionais, financeiros e de manutenção dos motores da frota wide body.

Forms: https://forms.office.com/r/A23tSQXHuH

Em caso de dúvidas, críticas ou sugestões, envie um e-mail para standardscast@voeazul.com.br.

Este Podcast foi produzido pela Diretoria de Operações da Azul Linhas Aéreas. Em caso de divergência entre qualquer assunto técnico abordado e os documentos oficiais, os documentos prevalecerão. Todos os direitos reservados.

#337 [A330] Climb Derate

そのレンズを覗けば、世界は反転する。
退廃の帝都に鳴り響く、耳を劈くノイズと倒錯のセレナーデ。

Look through that lens, and the world inverts.
An ear-splitting noise and a twisted serenade resound through the decadent imperial capital.

This track was generated using Suno AI.
私はAI音楽を「人間のように上手く演奏・歌える」ことだけで評価していません。
そこに魂を宿すため、ノイズロック、シューゲイズ、グリッチノイズなど実験的なジャンルで試行錯誤を重ねています。たまに読み間違いがありますがご容赦ください。

I don’t value AI music solely for “playing or singing like a human.”
I explore the process of breathing soul into sound, through experimental genres like noise rock, shoegaze, and glitch noise.
I’m chasing the moment where AI and human sensibility truly intersect.

Lyrics (English translation)

[Verse 1]
In a back alley shop of the imperial city
A rust-covered Inversion Glass
Beyond the lens lies a darkroom
The scent of developer in the air
Heavy in my hands, it holds someone’s memories

[Pre-Chorus]
Gaslight turns to soot and falls
Stigma blooms on brick walls
The world slowly twists and spins
Vertigo filled with melancholy

[Chorus 1]
When I look through Nyx Chroma
The world turns upside down
White dissolves into black, a decadent monochrome
In joy’s shadow I see sorrow
Is this the world’s true shape? A melody of inversion

[Verse 2]
Laughing faces are crying
Flowers wither into beauty
The clock’s hands run backwards, carving yesterday
Rotten fruit smells sweet
From beyond the bars comes a cryptic song

[Pre-Chorus]
Who wished for this dystopia?
Mixing paints without shades
Endlessly repeating questions with no answers
Even my own outline fades

[Chorus 2]
I can’t take off Nyx Chroma
I’ve learned too much
On the back side of the light, I love the darkness
A monochrome symphony
All that is beautiful is ugly
Is this the world’s right form? A serenade of ruin

[Bridge]
Which is the lie, and which is the truth?
A single crack appears in the lens
A voiceless whisper tells me
There’s no going back

[Outro]
Negative glasses…
Inversion… inversion…
Into the monochrome world
I sink…
Sinking…

Nyx Chromaでぃすとぴあ [Nyx Chroma Dystopia]

I don’t value AI music solely for how well it can “play or sing like a human.” Through noise rock, shoegaze, glitch noise and other experimental genres, I search for the moment where soul emerges from sound.
Generated with Suno AI.

JazzmasterとBIGMUFFが虚空に轟く。未来は豆腐、時は朧。
ノイズ・ガレージロックに、生々しく荒々しい女性ボーカルと掴みどころのない詩が絡み合います。

Jazzmaster未来は豆腐 | Jazzmaster The Future Is Tofu

虚構に酔う宴を、轟音とフィードバックで切り裂く。
混沌とした熱狂から光を奪う、破壊と解放のアンチテーゼロック。
A wall of distortion and feedback tearing through an intoxicating feast of illusions — a sonic antithesis of destruction and liberation, shining light through chaos.

言葉は音となり、意味を超えてノイズに溶ける。同じ周波数を持つ、あなたの脳へ。
Words become sound, transcending meaning to dissolve into the noise. To your brain, ノイズロック・シューゲイズ・実験音楽。 Suno AI creations.

#NoiseRock #Shoegaze #ExperimentalMusic #SunoAI #GHOSTINTHEGENERATOR

燈宴幻裂オーバーロード | Touen Genretsu Overlord

James en Marnus was op ‘n ‘life-changing mission’ in Mosambiek! Luister na hulle getuienis van die realiteit van die geveg tussen Lig en donker en hoe Jesus steeds mense vrykoop met Sy bloed en kosbare opoffering op die kruis!

3 Augustus 2025 - Mosambiek Uitreik Terugvoer - Marnus van der Walt

10 Augustus 2025 - Mosambiek Uitreik Terugvoer - James Stevens

It’s the sound of beauty buried beneath noise, of emotion trying to break through digital decay.

NONE OF THIS IS REAL

การให้ Feedback เป็นภารกิจสำคัญสำหรับผู้นำใหม่ ไม่ใช่แค่การสื่อสารสิ่งที่ต้องการปรับปรุง แต่เป็นการสร้างความไว้วางใจ วางรากฐานวัฒนธรรมทีม และขับเคลื่อนผลลัพธ์ทางธุรกิจ ที่สำคัญที่สุดคือ Feedback ที่ดีสามารถช่วยให้พนักงานเห็นโอกาสในการพัฒนา ปรับพฤติกรรม เสริมจุดแข็ง และยกระดับผลงานได้อย่างต่อเนื่อง หากใช้เป็นประจำอย่างสร้างสรรค์ จะช่วยลดความคลุมเครือในงาน ป้องกันความผิดพลาดสะสม และสร้างวัฒนธรรมการทำงานที่มุ่งเน้นผลลัพธ์และการเติบโตร่วมกัน

EP. 1354 4 กลยุทธ์สำหรับผู้นำ ในการให้ Feedback อย่างมั่นใจ สร้างทีมอย่างมีพลัง

หลายคนอาจมองว่าการให้ Feedback เป็นงานปราบเซียนของผู้จัดการ ยิ่งถ้าเป็นมือใหม่ที่ไม่เคยผ่านสนามนี้มาก่อน ความประหม่าและความกังวลยิ่งทวีคูณ แต่เชื่อเถอะครับว่า ไม่มีใครเกิดมาพร้อมพรสวรรค์ด้านนี้ มันคือทักษะที่ต้องเรียนรู้ ฝึกฝน และพัฒนาไปเรื่อย ๆ โดยเฉพาะอย่างยิ่งในยุคที่หลายองค์กรกำลังทิ้งการประเมินประจำปีแบบเก่า ๆ ไปสู่การพูดคุยแบบเรียลไทม์ การให้ Feedback จึงกลายเป็นส่วนหนึ่งของชีวิตประจำวันที่ผู้จัดการทุกคนต้องเจอ

EP. 1355   4 กับดักที่ต้องหลีกเลี่ยงให้ได้ ในการให้ Feedback แก่ลูกน้องอย่างได้ผล

performed by Yarn/Wire at Paine Hall, Harvard University on February 28, 2025

Laura Barger – piano
Julia Den Boer – sampler & MIDI controller
Russell Greenberg – percussion
Dennis Sullivan – percussion

recording: Anthony DiBartolo
mix: Isaac Roth Blumfield

Program note:

In English, the word "dream" has a positive connotation, but there is a thin
boundary between a dream and a nightmare, and our experience of dreaming
rarely fits neatly into either category. In dreaming, a fluidity emerges between
bliss and dread, and one's desire to escape reality can collapse at any moment.
Familiar places, people, objects, animals might emerge, and as we dream we
know that it is both really them and really not them at the same time. Something
both illusory and deeply real is happening. While you listen, try to fall asleep.

The electronics for this work were prepared at the Südwestrundfunk Experimentalstudio in Freiburg, Germany through their Workstay program with assistance from Thomas Hummel, sound designer, with recordings performed by James Morley, cello, and Rebecca Lawrence, double bass


Like a dream I can' t wake up from | for Yarn/Wire & electronics (2024-25)

improwizowane drony z altanki
gitara basowa + efekty

stars of the lid / tim hecker mirages / dlp / belong type beat

upał

Boujee

Complexity Crew - Induced Feedback [170BPM]

got a passive mixer to be able to control the volume of the feedback better. (shout out to MothHunterMods)

Pit of Ash

I think Andrew Tate is a few conscious decisions away from being loved worldwide. Unfortunately he decides to conduct himself in a really really abrasive / fucking cunty way.

Andrew is a good man, but he presents himself as a cunt, and that's something he can fix and then he would be much more supported however, he is so famous because he conducts himself so real, raw and cunty so that's probably why he continues, it's worked well for him so far.

FEEDBACK FOR ANDREW TATE - Lil Truth

Here is a dark cello loop with swelling distortions. Perhaps like the sound of a bird of prey phasing out of visual perception.

Bird of Prey

I recently picked up a new guitar for the Void Sinker project...before I drop-tune it to F and start poking holes in the surface of reality with it, I thought it was time to test it out with a nice psychedelic piece.

Salt Maker

I'm on a mad one atm. High T type shit. Greatest fighting series ever with my music continuing shortly on my platforms, click the links below...

Music producer from Italy.
Sound engineer 🎚️🎛️🎧
Guitarrist fro Void Sinker 💀
Guitarrist for Nightscape 🌙
Drummer for Hypervenom 🐍

GHOST IN THE GENERATOR / ex.Konchū to Suigin

Formerly known as "昆虫と水銀" (Insects and Mercury).
Now exploring AI-generated music in experimental forms — noise rock, shoegaze, glitch noise, and beyond.
I don’t judge AI music simply by how “human-like” it plays or sings. I strive to infuse it with soul through trial, error, and relentless experimentation.

My main work is now on YouTube — check out the latest creations here:
🎥 YouTube → https://www.youtube.com/@GITGR

GHOST IN THE GENERATOR / ex.昆虫と水銀

かつて「昆虫と水銀」として活動していました。
現在はAI生成音楽を軸に、ノイズロック、シューゲイズ、グリッチノイズなど実験的なサウンドを探求しています。
私はAI音楽を「人間のように演奏・歌える」ことだけで評価せず、そこに魂を宿すことが重要と考えます。

NEW EP OUT "LESBIAN BUBBLE WRAP"!!!!!!!!!!
these are basically instrumental garageband songs that sound like they were produced by a teenager in a their bedroom probably because they were

BXNKROLL, producer of Lud Foe - 187, has been working on more than just rap. Enjoy. https://rumble.com/user/Bxnkroll

https://www.instagram.com/radarselector?igsh=MWl2OTFsOXN0MG1neQ==

https://youtube.com/shorts/fBvJTrQTMjE?si=l7FZj2wuoPlQPFEm

We deliver HR knowledge directly to your place.

Die Akker is 'n Christelike Kerk, gebaseer in Linden, Johannesburg.

contact: isaac.blumfield@gmail.com

Isaac Roth Blumfield is a composer from Saint Paul, Minnesota, currently based in Cambridge, Massachusetts. He writes experimental music for acoustic and electronic instruments which explores resonance, materiality, and memory through expanded sonic approaches towards instruments and objects. His music looks for the strange spaces between subjective and unconscious experience, exploring uncanny places between beauty, pain, and strangeness.
His music has been influenced through  through work with performers such as ensemble sonic space basel alumni, Schallfeld Ensemble, violinists Austin Wulliman and Chris Otto, line upon line percussion trio, Ensemble Modern, Barcelona Modern Ensemble, guitarist Francesco Palmieri and Jamie Monck, and Quartetto Maurice at programs such as the Bludenzer Tage zeitgemäßer Musik, the Banff Centre for Creativity, Yellow Barn Young Artists Program, New Music on the Point, Valencia International Performance Academy, Ticino Musica Festival and Freie Universität Berlin im Sommer.  
His music has been broadcast on Swiss Public Radio and supported by the Ernst von Siemens Music Foundation, Fondation Nicati - De Luze, and the Hirschmann Stiftung. He graduated with his Bachelor's degree in composition at New England Conservatory in Boston and a Master's degree in composition at the Hochschule für Musik FHNW in Basel, Switzerland and is currently pursuing post graduate studies at the Universität für Musik und Darstellende Kunst in Vienna. His primary teachers have included Stratis Minakakis, Timothy McCormack, Caspar Johannes Walter, Svetlana Maras, and Clara Iannotta. He is currently a PhD candidate at Harvard University, studying with Chaya Czernowin and Hans Tutschku.

Seja bem-vindo ao canal do StandardsCast, iniciativa da Diretoria de Operações da Azul Linhas Aéreas, que utilizará Podcasts semanais para exercer a comunicação direta.

Os assuntos serão sempre aqueles relacionados à operação de nossas aeronaves e os episódios serão divididos por frota e ALL FLEET. A linguagem utilizada será informal, e nosso maior objetivo é desmistificar e tornar ainda mais claros os procedimentos do nosso dia-a-dia.

Em caso de dúvidas, críticas ou sugestões, envie um e-mail para standardscast@voeazul.com.br.

Este conteúdo foi produzido pela Diretoria de Operações da Azul Linhas Aéreas. Em caso de divergência entre qualquer assunto técnico abordado e os documentos oficiais, os documentos prevalecerão. 2025. Todos os direitos reservados.

New tracks tagged #feedback