untiteld jamm with guitar solos

Bad Bologna

A combination of a Drummer backing, me on Keyboard Bass and Hammond Organ/Fender Rhodes, with a Steel Drum!

BLUEBOSSA

Just a Jam I call it "Number Two" is the title!

FunkJeffRhodes

A mellow Jazzy track with acoustic guitar, double bass, electric piano, flutes, strings and bongos. And also featuring a Trombone solo.

Woman to Man

To my Cortes Island friends, about an illusive midnight run-in with a cougar.

Cougar's Ravine

My Last Penny

I'm trying to put more out there this year.
if you like what you hear please reach out i'd love to hear from you.

Groove Rev 2

Kita

Walkatnight

The air hung heavy with unspoken truths, a palpable presence lurking just beneath the surface of normalcy.  We walk among it every day, secrets whispering on the wind, seeping from cracks in the pavement. Beneath the mundane rhythm of city life, a hidden world pulses, its energy both alluring and terrifying.  It's in the fleeting glances exchanged across crowded rooms, in the tremors that run down your spine when you catch someone's eye for too long. It's the truth we bury, the darkness we refuse to acknowledge, simmering just below our carefully constructed facades. 

Dive into a sonic tapestry woven with unseen threads!  Baritone Guitar's rich tones bloom like exotic flowers, harmonizing with the shimmering Fender Rhodes. Pedal Steel whispers secrets on the wind, while Bass and Percussion pulse like a vibrant heart beating beneath it all.

The music was recorded on Analogue Tape for its warmth, harmonic richness, and the way it captures the soul of a performance with all its human imperfections.

Recorded in the Lab

Underworld

Life is a symphony of unseen vibrations resonating through the fabric of being.  Colours bleed into form, light dances in ephemeral patterns and sound whispers stories on the wind.  A constant interplay of energies, a delicate balance of chaos and order, unfolded with each fleeting moment. To be is to participate in this grand dance, to feel the currents of creation flow through every atom, every cell, every thought.  It's a kaleidoscope of sensations, a tapestry woven from stardust and dreams, an endless exploration of the infinite. 

A mellow sax sighs, its tone warm and smooth like velvet as it weaves a melody that reflects the gentle ebb and flow of existence. Beneath it, the bass lays down a steady pulse, a heartbeat grounding the music in the physical world. Drums add subtle accents that shimmer like distant stars. And then there's the Fender Rhodes, its mellow chords painting washes of colour across this sonic landscape, evoking the vastness and wonder of the universe. 

Together, these instruments create a soundscape that's both contemplative and uplifting, a musical journey through the infinite possibilities of being. 

The music was recorded on Analogue Tape for its warmth, harmonic richness, and the way it captures the soul of a performance with all its human imperfections.

Recorded in the Lab

Wonder

Enjoy this very famous and charming film music of the American composer Angelo Badalamenti played by me! ❤️🎵

For donations: www.paypal.com/paypalme/carlocozzula

Badalamenti A. - Main Theme from "Twin Peaks" (Fender Rhodes Synth)

Archipel

Melody and all arrangment are work/composed by Floating Whales (NO).
All Cover art is made by Floating Whales (NO).

Parallel Earth (2.0)

Artisanal Canadian Music. SpaDogs passionately delves into a diverse spectrum of genres, crafting both instrumental and vocal soundscapes.

Kathrynn is a multi-instrumentalist who composes music for orchestra, theater and film.  Inspired by impressionism and improvisation, she finds juxtaposition and oddity at her creative core.
As a Seattle musician in the 1980s, Kathrynn led groups as a jazz pianist and performance artist.  After devoting many years to teaching instrumental music and performing in the Bay Area, she lives in Tacoma, WA and is enjoying producing electronic music for her extended virtual family.

All recordings via keyboard and garageband.

Piano/Hammond B3 Organ/Electric Piano (EP)/Keyboard Bass (KeyBass)/Vocals. Jazz/Blues/Latin/Standards/Pop/Easy Listening/Reggae/Classic Rock/Pop Rock/New Age/Smooth Jazz/Oldies and much much more :-)

Carlo Cozzula was born  in Sassari in 1971.
In 1994 he obtained the Experimental Magistral Diploma with the highest grade; in 1996 - under the leading of Hedda Vignanelli Illy – he graduated, with the highest marks, in Organ at the Conservatory of his city and next year, he graduated in Harpsichord at the Conservatory "B. Marcello" of Venice. 
He has studied Choral Music and Choir Conducting and also studied piano at the concert levels since 1985.
He performed on all the instruments as a soloist in chamber ensemble also with vocal soloists, accompanying several polyphonic complexes, among which the "Cantori della Resurrezione" by A. Sanna, with whom, in 2000, he collaborated for a recording of music by G. B. Platti (Bongiovanni Records), and with whom he performed in a concert in July 2003 in the Basilica of the SS. Rosary of Lourdes (France).
He was the main organist at the Monumental Church of S. Maria di Betlem (Sassari) and at the Basilica of S. Gavino (Porto Torres). 
As an organist, in October 1997 he was invited for a tournée in Germany, performing in prestigious places, including Limburg, Wiesbaden, Lorch, Frankfurt, as soloist and chamber musician, in concert seasons including well-known soloists such as W. Stockmeier, R. Haas, M. Pirenne, U. Krupp, W. Rockel, J. Von Erdmann.
He was invited again for the October of 2003 to give a concert at the “Orgelsommer 2003” in St. Josef Church (Frankfurt), achieving great success, playing in a schedule with some of the most famous and acclaimed organists on the world scene, such as J. Parker-Smith, Th. Trotter, H. Vogel, P. Pincemaille, D. Zaretsky, P. Pietiläinen.
In 2007 he was called a part of the Jury of the 1st Art Competition "Il Filo di Arianna", at the Baja Hotel in Cannigione (Sardinia). 
He taught Music Theory and has been pianist accompanist of lyric singing classes at the Civic School of Nuoro, taught in State Schools.
Recently he has edited the Italian translation - in World Premiere - of the essay of 1846 written by the French F. Levacher D'Urclé: "Manual didactic problems in relation to the study of the anatomy of the hand" and also the thesis by M. Punt "The Straube Code-Deciphering the metronome marks in Max Reger's Organ Works".
As a composer, he is the author of music - original and not - dedicates to the international singer Teresa Salgueiro. He is also the author of a series of Concert Transcriptions for organ - even in World Premiere - from the piano and symphonic repertoire, and for pf. from the original organ repertoire, but also from accurate choices concerning the world of jazz, fusion, Brazilian music, French chansons and Soundtracks.
One of the piano transcriptions has already been recently included in a piano recital. These compositions are already available to the international artists such as: Philippe Raskin, Mariangela Vacatello, Irene Veneziano, Simone Pedroni, Igor Roma, Gloria Campaner, Antonio Pompa-Baldi, Alexei Volodin, Roberto Plano, Maurizio Baglini, Andrew Litton, Sandro Russo, Nicholas McCarthy, Ramin Bahrami, Thomas Ospital, Stephen Tharp, Thierry Mechler, Joseph Nolan, Danilo Rea, Enrico Pieranunzi, Carisa Marcelino and Clare Hammond.

Norwegian designer and musician - composing melodic cinematic arrangements with sounds of synthesizers/Daws combined with classical instruments and a touch of Postrock energy

Independent music producer, sound designer, musician and sound engineer. My production is mostly based around old school type of boom bap hiphop and experimental sonic art. I come mainly from the influence of classical music, jazz, reggae and soul.

New tracks tagged #fender rhodes