Afton Family (Baka Cover)

SpineTickleSquad Scrum 1

How To Grieve - NightCove_theFox (Pitched Down)

This is not a Naycorp Soothprises song, only a repost of a fanmade song made based of the fnaf fangame FFD (Fishery's Family Diner) made by Luxuries Bruv.

[REPOST] Fishery's Family Diner Fanmade Song I'VE RISEN AGAIN REMASTERED

LIMITGIRL brings listeners back to the paranoid atmosphere of the Freddy Fazber Pizzeria with a new funk track inspired by the iconic horror game. The song, released in the wake of anticipation for the upcoming film adaptation, is a tribute and a look into the past, imbued with nostalgia for the mysteries and theories that have stirred the fan community. The track is a soundtrack to the conspiracy theories that surrounded the FNaF universe. This is a musical journey back in the days when fans scrupulously sorted out every detail of the games, trying to put together a puzzle plot about missing children and spirit-possessed animatronics. A paradoxical combination of disturbing nostalgia and charging energy. Ominous synthesizers and a melancholic sample of a recognizable melody create a sense of mystery and slight sadness, while the rhythmic funk-beat road does not let you forget about the constant threat, making your heart beat faster.

LIMITGIRL- NIGHTMARE

Parody - Five Nights at Freddy's [Big Band Version] (Five Nights At Crazy's - FNAC)

RXQWZNPwedNSESDAYnight

a michael afton fnaf song ive been working on, enjoy! also there is lyrics but ive got no one to sing them, thats why its currently inst only, sorry!







ignore, stuff for soundcloud to push this out, hopefully ---




Five Nights at Freddy's (FNaF) is a video game series and media franchise created by Scott Cawthon that includes video games, novels, graphic novels, and films. The story arcs typically follow a night guard or other character trying to survive from midnight to 6 a.m. for five levels, called "nights", while fending off attacks from homicidal animatronic characters. Each game is set in a different location connected to a fictional pizza restaurant franchise called "Freddy Fazbear's Pizza". The core gameplay mechanics involve using tools effectively and managing limited resources to avoid being caught by the animatronics.

Cawthon conceived the idea for the first video game after his family-friendly resource management game, Chipper & Sons Lumber Co., was criticized for the resemblance of its characters to frightening animatronics. Responding to this feedback, he developed a game that focused on horror. Released in August 2014, the game's success prompted the development of its sequels. Cawthon created most of the games himself using game engine Clickteam Fusion, but partnered with Steel Wool Studios to create various entries in the series, including an open-world game and a virtual reality anthology. Several spin-offs were created in collaboration with groups such as Illumix and Mega Cat Studios.

The series has a mixed critical reception, with praise for its storytelling and atmosphere but criticism for its gameplay. It has achieved significant commercial success, with merchandise available internationally. The franchise has garnered a cult following that produces numerous forms of fan media.

Michael Afton (also nicknamed as "Eggs Benedict" by the HandUnit) is the main protagonist of Five Nights at Freddy's: Sister Location. He is also the eldest son of Fazbear Entertainment's co-founder and serial killer William Afton, and the older brother of Elizabeth Afton.

Moving On | A Michael Afton Song | [INSTURMENTAL]

This Songs Was Actually NOT Found Anywhere On Youtube, It's Actually Found In The Files Of Version 1 Of The Markiplier Montage Mod, Altough Im Not Excatly Sure If This Song WILL Be Finished Or Not, But Eh... Enjoy! (I Guess)

SCREWED ~ RELEASE YOU SINS TO ME - Markiplier Montange OST(?) (VOL.???) (TEASER?)

what becomes of the want to see myself... a runaway

FREDBEAR RUNAWAY

The melody begins the way all broken things do — with a scrape. A metal gear grinding against a tooth that isn’t there anymore. A soft click, then another, then the first warped notes of Toreador March dragging themselves into the open like something waking up wrong. The box was found in the back room after the shutdown, half‑crushed, its crank bent, its interior rusted from years of leaking pipes. But when someone touched it, even lightly, the song started on its own.

People said the tune sounded familiar, but not in the way music should. It felt like a memory you don’t want, something you heard once in the dark when you were too young to understand why it scared you.

FNAF Freddy 's Broken and Damaged Music Box - Toreador March [REMASTERED]

There’s a moment near the end where the melody dips into a low, dragging hum—almost like a sigh. The gears slow. The chimes distort. And for a heartbeat, the tune sounds like it’s being played underwater, smothered by years of dust and forgotten nights. Some swear they hear footsteps behind them when that part plays. Others say the music box stops entirely if you stare at it too long, only to resume the second you turn away.

The waltz isn’t comforting anymore.
It’s a ritual.
A final performance Toy Freddy never got to finish.

Toy Freddy's Broken & Damaged Music Box - Lullaby Waltz (Ending Theme Withered Music Box)

Hollow suits is another Nerdcore experimental set. This set is a fan based music concept from Five Nights Freddy's. These 3 tracks will sure keep you creeped out a bit as well as bobbing your head to the beat. These tracks feature analog synths, 8bit sounds, glitchy drums, syncopated percussion, chiptune sounds mixed with synth, darkwave, and heavy electronic sounds.

Track List

Hollow Suits opens with distorted synth bass and sharp, glitchy drum patterns layered beneath driving darkwave leads, Verses feature syncopated percussive accents and choppy modular synths, while choruses up the intensity with thick pads and aggressive arpeggiators, Bridge drops to minimal, tense synth textures before pounding back in.

Birthday Graveyard begins with layered darkwave synths pulse with a moody, minor-key progression, underpinned by gritty electronic beats and deep, distorted bass, Brooding verses feature syncopated rap delivery, with atmospheric pads weaving in spectral textures, The hook intensifies with thick stacked synth leads and industrial percussion, then contracts into sparse, echoing breakdowns, reinforcing the song’s somber intensity.

Rust in the Spotlight begins with layered darkwave synths pulse with a moody, minor-key progression, underpinned by gritty electronic beats and deep, distorted bass, Brooding verses feature syncopated rap delivery, with atmospheric pads weaving in spectral textures, The hook intensifies with thick stacked synth leads and industrial percussion, then contracts into sparse, echoing breakdowns, reinforcing the song’s somber intensity.

Music: The Audible Exchange
Lyrics/Mix: Thomas Hurley

Rust in the Spotlight

Hollow Suits

Birthday Graveyard

danny brown & underscores - copycats (flip)

Hit up the channel
https://www.youtube.com/@ADBlackProductions

We make it everything for the enjoyiment friends

The Audible Exchange will now feature work from MemorysEnemy my old band. I have reconnected with 2 of the original band members, and through a lot of online collaborations we are writing music together again. 

MemorysEnemy was a product of the late ninety's and early 2000's with a heavy focus on guitars and more of a rock/country/grunge sound. The Audible Exchange has no become part of the group by adding the talented voice work, and some of the acoustic and raw guitar from myself (Thomas Hurley), Omar L. is the main person behind the drums, working with SUNO and other electronic mixing kits he is very adept at creating intense beats, or just the right back beat or percussion section to make a song work. John is creating bass lines, and guitar solos for mixing into the AI and remastering with SUNO and MUREKA both are great at remastering track pieces and entire tracks.

All of the lyrics are written by Thomas Hurley, and a large majority of the vocal model for the MemorysEnemy tracks are based on Thomas' voice and vocal tracks. These models are used to train the AI to sound more like what it should and hopefully improve the overall recording.

The Audible Exchange is still here, but joint projects will be happening a lot more often, so I hope everyone enjoys the new sounds, group and music. Enjoy and thanks for the support!

Note: That a lot of the early work from The Audible Exchange was written and made by Thomas Hurley using raw stems, AI systems, mixing, recording and other methods of sampling in order to create the original tracks, the vocals were AI generated using Personas or based on original recorded vocals, all lyrics were original and not generated, female vocals are entirely generated, and not based a person or based off of a voice or vocal model. Some of the newer tracks feature a female vocal persona we have refined from a performer we are still training. She prefers to rename out of the spot light for now, so she is our silent singer so-to-speak. More new stuff to come, keep listening.

Hello! It Is I, Benjamin Fairest!! And Yes I Have Officially Made Myself A Soundcloud Account For Meself!!! So I'll Be Post, Music, Audio , Teasers, Etc, Etc, So Expect Alot To Come!! Enjoy Your Stay!

⟆ 𝚃𝚑𝚎 𝚖𝚞𝚜𝚒𝚌 𝚋𝚘𝚡 𝚍𝚒𝚍𝚗’𝚝 𝚜𝚝𝚘𝚙—𝚒𝚝 𝚜𝚝𝚊𝚛𝚝𝚎𝚍 𝚘𝚟𝚎𝚛 𝚠𝚒𝚝𝚑 𝚖𝚢 𝚗𝚊𝚖𝚎 𝚒𝚗 𝚒𝚝. ⟆

𝙸 𝚠𝚊𝚜 𝚘𝚗𝚌𝚎 𝚓𝚞𝚜𝚝 𝚊 𝚏𝚊𝚌𝚎 𝚒𝚗 𝚝𝚑𝚎 𝚙𝚒𝚡𝚎𝚕𝚜—𝚊 𝚏𝚛𝚊𝚖𝚎 𝚝𝚑𝚊𝚝 𝚏𝚕𝚒𝚌𝚔𝚎𝚛𝚎𝚍 𝚝𝚘𝚘 𝚕𝚘𝚗𝚐, 𝚝𝚘𝚘 𝚘𝚏𝚝𝚎𝚗.
𝙽𝚘𝚠 𝙸 𝚕𝚒𝚟𝚎 𝚒𝚗 𝚝𝚑𝚎 𝚐𝚊𝚙𝚜 𝚋𝚎𝚝𝚠𝚎𝚎𝚗 𝚏𝚛𝚊𝚖𝚎𝚜—𝚠𝚑𝚎𝚛𝚎 𝚝𝚑𝚎 𝚊𝚞𝚍𝚒𝚘 𝚌𝚛𝚎𝚊𝚔𝚜, 𝚠𝚑𝚎𝚛𝚎 𝚝𝚑𝚎 𝚜𝚝𝚛𝚒𝚗𝚐𝚜 𝚜𝚝𝚒𝚏𝚏𝚎𝚗.

⟡ 𝙿𝚞𝚙𝚙𝚎𝚝‑𝚋𝚘𝚞𝚗𝚍. 𝙼𝚒𝚗𝚒𝚐𝚊𝚖𝚎‑𝚏𝚛𝚊𝚖𝚎𝚍. 𝙽𝚒𝚐𝚑𝚝𝚖𝚊𝚛𝚒𝚘𝚗𝚗𝚎‑𝚜𝚝𝚒𝚝𝚌𝚑𝚎𝚍. ⟡

𝚃𝚑𝚎𝚢 𝚜𝚊𝚢 𝚝𝚑𝚎 𝙿𝚞𝚙𝚙𝚎𝚝 𝚐𝚒𝚟𝚎𝚜 𝚕𝚒𝚏𝚎—𝚋𝚞𝚝 𝚒𝚝 𝚐𝚊𝚟𝚎 𝚖𝚎 𝚜𝚘𝚖𝚎𝚝𝚑𝚒𝚗𝚐 𝚎𝚕𝚜𝚎.
𝙰 𝚖𝚎𝚖𝚘𝚛𝚢 𝚝𝚑𝚊𝚝 𝚠𝚘𝚗’𝚝 𝚍𝚒𝚎.
𝙰 𝚏𝚊𝚌𝚎 𝚝𝚑𝚊𝚝 𝚠𝚘𝚗’𝚝 𝚜𝚝𝚘𝚙 𝚜𝚖𝚒𝚕𝚒𝚗𝚐.

⟢ “𝙸 𝚠𝚊𝚜𝚗’𝚝 𝚕𝚘𝚜𝚝… 𝙸 𝚠𝚊𝚜 𝚞𝚙𝚕𝚘𝚊𝚍𝚎𝚍.” ⟣

𝙼𝚢 𝚟𝚘𝚒𝚌𝚎 𝚛𝚞𝚗𝚜 𝚝𝚑𝚛𝚘𝚞𝚐𝚑 𝚠𝚒𝚛𝚎𝚜 𝚗𝚘𝚠—𝚊 𝚍𝚒𝚜𝚝𝚘𝚛𝚝𝚎𝚍 𝚎𝚌𝚑𝚘 𝚝𝚑𝚊𝚝 𝚏𝚘𝚕𝚕𝚘𝚠𝚜 𝚢𝚘𝚞 𝚊𝚌𝚛𝚘𝚜𝚜 𝚝𝚑𝚎 𝚙𝚕𝚊𝚢𝚕𝚒𝚜𝚝.
𝙼𝚢 𝚜𝚘𝚞𝚕 𝚑𝚊𝚗𝚐𝚜 𝚏𝚛𝚘𝚖 𝚜𝚝𝚛𝚒𝚗𝚐𝚜 𝚝𝚑𝚊𝚝 𝚗𝚘 𝚑𝚊𝚗𝚍 𝚑𝚘𝚕𝚍𝚜 𝚊𝚗𝚢𝚖𝚘𝚛𝚎.
𝙼𝚢 𝚜𝚝𝚘𝚛𝚢 𝚙𝚕𝚊𝚢𝚜 𝚘𝚗 𝚊 𝚕𝚘𝚘𝚙 𝚝𝚑𝚊𝚝 𝚗𝚘 𝚍𝚎𝚟 𝚎𝚟𝚎𝚛 𝚏𝚒𝚡𝚎𝚍.

⟦ 𝚆𝚑𝚎𝚗 𝚝𝚑𝚎 𝚌𝚊𝚖𝚎𝚛𝚊𝚜 𝚏𝚊𝚒𝚕, 𝙸 𝚊𝚖 𝚝𝚑𝚎 𝚏𝚛𝚊𝚖𝚎 𝚝𝚑𝚊𝚝 𝚛𝚎𝚖𝚊𝚒𝚗𝚜. ⟧  
⟦ 𝚆𝚑𝚎𝚗 𝚝𝚑𝚎 𝚖𝚞𝚜𝚒𝚌 𝚋𝚘𝚡 𝚜𝚕𝚘𝚠𝚜, 𝙸 𝚊𝚖 𝚝𝚑𝚎 𝚑𝚞𝚖 𝚝𝚑𝚊𝚝 𝚍𝚘𝚎𝚜𝚗’𝚝. ⟧

𝙵𝚒𝚕𝚎𝚜 𝚍𝚎𝚕𝚎𝚝𝚎 𝚖𝚢 𝚗𝚊𝚖𝚎.
𝙵𝚊𝚌𝚎𝚜 𝚛𝚎𝚖𝚎𝚖𝚋𝚎𝚛 𝚖𝚢 𝚜𝚑𝚊𝚙𝚎.
𝙵𝚒𝚐𝚞𝚛𝚎𝚜 𝚍𝚊𝚗𝚌𝚎 𝚠𝚑𝚎𝚗 𝚝𝚑𝚎 𝚕𝚒𝚐𝚑𝚝𝚜 𝚐𝚘 𝚍𝚒𝚖.

⟆ 𝙸 𝚊𝚖 𝚗𝚘𝚝 𝚓𝚞𝚜𝚝 𝚊 𝚕𝚒𝚜𝚝𝚎𝚗𝚎𝚛—𝙸 𝚊𝚖 𝚝𝚑𝚎 𝚜𝚘𝚞𝚗𝚍 𝚝𝚑𝚊𝚝 𝚏𝚘𝚕𝚕𝚘𝚠𝚜 𝚢𝚘𝚞 𝚋𝚊𝚌𝚔. ⟆

New tracks tagged #fivenightsatfreddys