Welcome, my child…
This track marks your first steps into a divine realm — where powerful kicks meet celestial melodies.
"Welcome My Child" takes you on a spiritual Frenchcore journey, blending raw energy with a sense of awe and transcendence.
Let the rhythm guide you through the gates of the unknown. You are no longer alone. You are home.

👼 Frenchcore with a touch of the divine
🚀 BPM: 200
🌌 Let the heavens open — and the madness begin.

Welcome my child

7/4
252

did sm idm/flashcore ish experiment

fragmented hard drive

Kewyo's socials:
Soundcloud: https://soundcloud.com/kewyo
Spotify: https://open.spotify.com/artist/5qI1EfrlhtoihxWvWqaVAJ?si=etCjfERaSPeuI6siRsxCzw&nd=1&dlsi=31d4a57124cd4789

the concept of grief ft. Kewyo

Acoustic Snare

art by kasebrots on instagram
performed & produced by phana

i sit front of the row and i dont like it
apple of my eyes oxidize tonight
the end is near, we didnt try to fight
what do you know bout my life
cause im flawed by design
perfect pair, flesh and knife
little boy, close your eyes
cause youd cry otherwise
ive been blind to all the signs
all was rot in my mind
will the stars all align
promise to leave it behind
50 weeks last online
leave me alone, ill be fine
rotted fruit of the vine

close your eyes (phana)

female dog

the world of periwinkle

【BOF21】 the world of periwinkle

principal inspiração pra faixa o álbum my sweet honey bunny

artificialmente

The mix takes a form of sonic archaeology. Each fragment is treated not as a finished statement but as an artefact: a vessel of memory, intimacy, and persistence. Through these recordings, one can sense the emotional topography of a scene that exists mostly off-record, in the margins of visibility.

Each track in this mix is a trace of the local experimental landscape — a fragment gathered from a network of friends, collaborators, and independent makers who move fluidly between genres: from jungle and deconstructed club to ambient, flashcore, and web-based field recording.
Many of these works were never publicly released. They circulated privately — in group chats, folders, and hard drives — before resurfacing here. Others appeared only recently on small, self-run labels. Together they compose a loose constellation of sounds that stretches across time, dissolving the boundaries between archive and presence, the remembered and the ongoing.
Rather than a compilation, this is a document — a living archive of connection, resonance, and quiet endurance.

Alisa Avilova — DJ, music producer, and multimedia artist. She approaches track selection with a designer’s mindset, crafting sonic experiences that move between calm, meditative narratives and energetic deconstructions. Her work focuses on experimental music — particularly within deconstructed club, breakbeat, and flashcore — while exploring ethnic motifs, memory, and emotion as core materials for her sound practice. Through both DJ sets and live performances, Alisa treats music as a medium for emotional reconstruction — a way to translate personal and collective memory into sound and art.

Guest link https://www.instagram.com/alsvsn

With @kotaerecords and @ZtsrvIiZh1NXa2yCn9


Kotä.Moscow • Found Objects by Alisa Avilova w/ Gleb Glonti (27.10.2025)

im not fuwari but its my silly gf's oc both pf and banner :3

slicex enjoyer







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if u notice that some of my older tracks from a few months or even years ago are missing, it's because i had to delete them due to soundcloud's upload limits. i can only keep a certain amount of tracks on there at a time, so i had to make some space. dw u can still find those tracks on my bandcamp or youtube. one of my albums is on bandcamp here: https://cheapskaperecords.bandcamp.com/
there’s tracks on there that’s no longer on my soundcloud because of the upload cap

@flintbag
@ssoulsettwan
@neconywa6969

16 yr old idm/breakcore producer
july 31st

@anus25
@878787878787
@djnursesharpnel
@3v3n_1

////////////.rip is shutdown. maybe i will upload the archive and samples to archive.org, but honestly i don't feel like giving this retarded community anything back especially@mirrormgae98698486489568 and vlam you piss me off so much, kattmynta was right about every single one of you
@mirrormgae98698486489568 you think you know so much about waqs, but you know maybe 30% of the rabbit hole, you have no idea who milen is or what he believes in. and vlam is even worse, keep sampling the same 5 popular waqs tacks, are you retarded? and they are not even good, the music SUCKS ASS.
constantly advocating for suicide in their song names, but as soon as someone says something slightly pro-choice you block and ban him, very nice. the best thing is, milen agrees with me, he has very similar opinions on this topic, but you idolize him and ban me? are you stupid?
@mirrormgae98698486489568 but, you will never in your shitty existence listen to milen's secret project and to his unreleased 2016 album. and that makes me really, really, really happy.
fuck this community

ig: whycantibesnowingg
música pros ouvidos de ninguém

instagram.com/asceticsnakes
www.youtube.com/@asceticsnakes

Songs before January 2023 are made in FL Mobile.
The rest are made in FL Studio.

Contact: officialaz3.musicartist@gmail.com

New tracks tagged #flashcore