Cuarta pieza de la Suite Canaria para violonchelo, clarinete y flauta. Obra contenida en mi álbum de música de cámara "El camino andado"


El camino andado

Arroró

Quinta y última pieza de la Suite Canaria para violonchelo, clarinete y flauta. Obra contenida en mi álbum de música de cámara "El camino andado"


Tanganillo

Flauta Envolvente

Entre Bosques (Parte 5)

handpan, piano e flauta transversal - cairu, salomé e marcos

🔥 BPM: 140
⭐Gmin
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[ FREE ] "Bad Kid" (prod. KidBoo's)

Flauta (BrettHit Techno Edit)

NB DE AREIA

Disquiet Junto Project 0703: That’s How You Got Killed Before

This one’s been sitting on my hard drive for 16 months. It came from a session with my friend and collaborator Bobby Rangell — we had recorded some flutes for a job, then took advantage of being in the studio to jam a bit: bass and flute, sometimes with a drum machine click.
It was a super productive day. I later revisited and shared many of those flute-based tracks… but this one?
Like the others, it was just two tracks: mono flute and stereo bass, with a 2-bar drum machine loop. But I made a patching mistake that day — the bass came out super thin and low, and mixed weirdly with Bobby’s long reverb. So I just… deleted my bass track. Why? No idea.
Months later, I went back to it — and found only Bobby’s flute and a 3-note Roland 707 kick pattern. No idea what I originally played. Worse: Bobby’s blowing was super abstract. I couldn’t even figure out the key. Still can’t.
Then I got Marc’s email this morning and thought, why not try something different?
Instead of trying to remember what we did, I improvised on top of Bobby and the 707 kick playing electric bass, just following my own ideas and added some drum loops that weren’t there when we played, then I played a Fender Rhodes and some synth textures following my new bass, trying to structure what was probably and abstract free impro.
instead of trying to figure out what key were we playing in (I recall in all our impros we just kept one steady key) I introduced chord changes, played around with modulations, and laid down harmonies that don’t necessarily match what Bobby was playing. So now you hear his flute moving freely over harmonies that were never there in the original — sometimes clashing, sometimes strangely aligning. I liked the tension it created.
I spent a full day in the studio doing this. Honestly, I don’t think it’s done, but I’m leaving it here for now.
Side note: if anyone asks “what’s the point of the Junto challenges?” — this is it.
Sure, I could have called Bobby back and spent the same 8 hours creating something much more polished and coherent from scratch. But we never would have ended up with something like this. And without this challenge, I never would’ve bothered digging into a broken, abandoned track like this.


Performed by Daniel DIaz (June 2025) and Bobby Rangell (March 2024)
Photo by DD, Carilo, Argentina. 2025

That’s How You Got Killed Before (disquiet0703)

Arranjo musical que eu fiz da música de J. S. Bach BWV 1038 nº 4. Utilizei o programa de notação musical Sibelius Ultimate. O som são os instrumentos virtuais do programa que estão a tocar.

Composition on BWV 1038_3

Composition on BWV 1038_4

oficialmente piranhao de alagoas
@rebolation
@piranhaodealagoas

Produzindo funk que detona fones, faz o quadril mexer e deixa os vizinhos loucos.🤧🎧

@oromulocr

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

started 2010
Genre: TECHNO / HARDTECHNO / INDUSTRIAL TECHNO
Booking Request: bretthit@icloud.com or PM

Played at: Tresor Berlin, U60311, Fusion Club, Butan, MTW Club, Elektroküche, M-Bia, Die Rakete, Domhof, AVA Club, Club Charlotte, MS-Connexion, Kantine Augsburg, Rheingold, Hans-Bunte, ToyClub, Gotec Club, Brunnen70 Berlin, Tiefgang, E-Feld, Favela Club, Haus33, Studio 56, Salt&Pepper, die ZWEI, Tor 3, Artheater, Tent Club, Bunker Rostock, Kunstpark, Roof175, Aratta Club, London Underground, Heinz Gaul, Mikroport, Gleis18, Cosmo Club, Club Charlotte, KumiKlub, Bellini, Schwarzer Adler, Clubhaus Schiersten, CHA-CHA, Halle-Luja, Opium Club, Loca71, Glyzerin, Kulturbunker Köln, Erdbeermund, Hype Club, Turbinenhalle Oberhausen, Bunker Minden, Zollamt, Club Live Arena, Touch Club, Inside Club Emmendingen, Disco Zwei, Club Help, Stockhaus, Kulturhaus Kili, Do-Bo Villa, Fabrik Limburg, Tiefgang, Speckdrum Ansbach, Club, Die Grube, Kabelwerk, Basement, Kulturschlachthof, J.O.Y.S, Widerhalle Netteren, Price Music Club, Quattro Club, X-Herford, Rock&Roll Bar, Melange Club, Ponyhof Darmstadt, KiTu Reloaded, Exact, Twenty Fourteen, Stinnes Areal, Y-Club, Underground Hagen, Planet, Art-The-Fact, Atomix Club, and many more...

International:
Borderline (Basel, Switzerland)
Tresor Club (Zürich, Switzerland)
Playground (Sofia, Bulgaria)
Fabrika 126 (Sofia, Bulgaria)
Bar ZAR (Sofia Bulgaria)
The Academy (Sofia, Bulgaria)

Festivals:
Ruhr in Love (Oberhausen) 
Docklands Festival (Münster)
SUNshine Music Fest (Italy) 
Balkan Station (Bulgaria), 
Farbgefühle Neuss Festival
Nature One Camping-Village
Summerdance In-Outdoor Festival (Ulm)

Label Releases on: Nachtstrom Schallplatten, De-Konstrukt, Elektrax, Beast Factory,Bass Assault Recordings, Sound Of Techno, We Call It Hard Records, Gobsmacked Records, DSR Digital, Rawhard Audio, ENDzeit, Naughty Pills, Herzschlag Recordings, AzTech Music, Tekx Records, Italo Business, HitMusik and more...

Professora de Filosofia; compositora e arranjadora de, preferencialmente, música clássica, mais precisamente, da obra de Johann Sebastian Bach.

New tracks tagged #flauta