- MONOLOG, ORIGINAL MIX - Occer -

- R70, ORIGINAL MIX - Hellquist - 

- QUANTUMPLATION, KNOBS MIX - Grouch - 

- TWO MORE BONES, ORIGINAL MIX - One Tasty Morsel -

- EPILOGUE 4, LEN FAKI HARDSPACE MIX - Mod21 -

- DESTINATION NOWHERE, ORIGINAL MIX - D.Mongelos -

- CENOTE, ORIGINAL MIX - Joris Turenhout -

- AMETHYST, ORIGINAL MIX - Shadym, Tximeleta - 

- STELLATE, ORIGINAL MIX - Shadym, Tximeleta -

- THE NEXT RED, ORIGINAL MIX - B2PC, David Kras - (Sample) - DUB LOOP ARP, ORIGINAL MIX - Dyddy Loop -

- POLYNOMINAL, ORIGINAL MIX - Anormic - 

- BURNED EARTH, ORIGINAL MIX - Occer - (Sample) - DUB LOOP BASS E, ORIGINAL MIX - Dyddy Loop - 

- THE PILLS HAVE EYES, ORIGINAL MIX - Occer - 

- L INSONDABLE GRANDEUR DE I OMBRE, ORIGINAL MIX - Florian MSK - 

- BEAUTY AND THE BEAT, EVIL OIL MAN REMIX - Breger -

352. - Земли -

Insa: https://www.instagram.com/goblinkingduke/
GoblinFamily SoundCloud: https://soundcloud.com/GoblinFamily

I still remember that shit form when I was a kid

Kate Wolf and Medaya Ocher are joined by the editorial director of the New York Review of Books and the founder of the NYRB classic series, Edwin Frank, to discuss his first work of nonfiction, the book, Stranger than Fiction: Lives of the Twentieth Century Novel. Taking the novel as the preeminent art form of the last century, Frank’s book charts its winding path of development, beginning with Fyodor Dostoevskey’s Notes from the Underground, published in 1864, and ending with W.G. Sebald’s Austerlitz which arrived more than a 100 years later. Along the way, Frank looks at the many different forms and categories great 20th century novels take, from the distinctly modern and popular science fiction of H.G. Wells to the “minorness” of Franz Kafka; the historical precision of Thomas Mann to Gerturde Stein’s stress on sentence itself, and James Joyce’s stress on words. The book connects an eclectic collection of authors by way of style, sensibility, reception, temporality, and perhaps most importantly the influence of cataclysmic world events on their work and the shaping of their work on the world.

Edwin Frank's "Stranger than Fiction: Lives of the Twentieth Century Novel"

This collection of fourteen reimagined Grimm’s fairy tales from award-winning author Mark Russell offers a biting new perspective while proving the classics never go out of style. In the two hundred years since Jacob and Wilhelm Grimm first published their collection of fairy tales, things haven’t gotten any less—ahem—grim. So tuck yourself in with some of the classic bedtime stories, retold by award-winning author Mark Russell. Grimm and Grimmer offers fourteen of the Brothers Grimm’s finest stories—a mix of well-known tales including “Rapunzel” and “Cinderella,” and ones you might not know, like “The Boy Who Didn’t Know Fear”—reconceived for a twenty-first century while staying true to their roots At times both laugh-out-loud funny and darker than a wicked stepmother’s heart, this captivating collection captures all the absurdities and anxieties of the world just outside our windows.

Grimm and Grimmer By Mark Russell Read By Charles Constant

Medaya Ocher and Eric Newman are joined by writer and artist Renee Gladman to discuss the re-release of “To After That (TOAF)” and her latest book, “My Lesbian Novel.” TOAF focuses on one of Gladman's abandoned manuscripts, working through its creation and revision in an attempt to parse what literary failure means. “My Lesbian Novel” completely reinvents and reimagines the lesbian romance. Gladman discusses form and its possibilities, as well as the artist's struggle to realize the vision of a project. 
Also, Edwin Frank, author of Stranger than Fiction: Lives of the Twentieth Century Novel, returns to recommend Louis Aragon's Paris Peasant.

Renee Gladman's Experiments in Form

Psychic

powwoww - Gender Form (femme)

https://progressiveform.bandcamp.com/album/taeji-sawai-as-planetary-dreams-pfcd112

01. E E R I N E S S E - NEU Summer
02. 結婚と男の子と王様のお話
03. -esh -- Teardrops On The Easel
04. Alone In Mountain
05. 僕の耳が聞こえなけりゃいい
06. SAWAI HANO
07. H'nogrphy - Calm Ver
08. H'nogrphy
09. Check My Head, One Two
10. Mother
11. Hello, Harrow, How Low
12. Pyhthmic
13. Your Pictures On The Wall
14. S_lowl Melancolic
15. Rie

【As Planetary Dreams】Introduction

Taeji Sawai began his activities as an audiovisual unit called portable[k]ommunity in 2000.

Since then, he has produced ACO's (SONY MUSIC) album "irony," provided sound support for EYE and media artist Daito Manabe, and is a member of the art collective teamLab. He can be said to be one of the driving forces behind the electronic sound scene in recent years. This album, "As Planetary Dreams," is a compilation of his own works.

The album starts with the grand prologue "NEU Summer", followed by M2 "A Story of Marriage, Boys and Kings", which humorously and coquettishly expresses positive vibes, M4 "Alone in Mountain", which has glittering synths that create an uplifting feeling, M5 "I Don't Want My Ears to Hear Me", an industrial pop tune that gives a glimpse of the artist's eccentricity, M8 "H'nogrphy", an ambience track that expresses various emotions with pleasant roses and ornamental sounds, M9 "Check My Head, One Two" and M10 "Mother", which color various scenes with beats.
The album ends with M15 "Rie", a piano piece that Sawai writes in one stroke on the upright piano while adding comfortable electronic sounds.

The original cover art is by animator and character designer Asano Naoyuki.
The artwork was supported by director Seki Kazuaki, who has worked on music videos for Sakanaction, Hoshino Gen, and Perfume.

This is an album that you should definitely listen to, as it embodies the sound of Japanese electronic music that has been around for nearly a quarter century since 2000.

https://www.amazon.co.jp/AS-PLANETARY-DREAMS-TAEJI-SAWAI/dp/B0D97R9JDH
https://tower.jp/item/6415243/As-Planetary-Dreams

Taeji Sawai M12 "Pyhthmic" from "As Planetary Dreams" PFCD112

Consider me yours from now until the end of all things

Yeah I know it needs help but I like the overall vibe so *shrugs* enjoy the clip

Consideration - Rihanna * SZA (NordicAlbino Bootleg)

https://progressiveform.bandcamp.com/album/taeji-sawai-as-planetary-dreams-pfcd112

【As Planetary Dreams】Introduction

Taeji Sawai began his activities as an audiovisual unit called portable[k]ommunity in 2000.

Since then, he has produced ACO's (SONY MUSIC) album "irony," provided sound support for EYE and media artist Daito Manabe, and is a member of the art collective teamLab. He can be said to be one of the driving forces behind the electronic sound scene in recent years. This album, "As Planetary Dreams," is a compilation of his own works.

The album starts with the grand prologue "NEU Summer", followed by M2 "A Story of Marriage, Boys and Kings", which humorously and coquettishly expresses positive vibes, M4 "Alone in Mountain", which has glittering synths that create an uplifting feeling, M5 "I Don't Want My Ears to Hear Me", an industrial pop tune that gives a glimpse of the artist's eccentricity, M8 "H'nogrphy", an ambience track that expresses various emotions with pleasant roses and ornamental sounds, M9 "Check My Head, One Two" and M10 "Mother", which color various scenes with beats.
The album ends with M15 "Rie", a piano piece that Sawai writes in one stroke on the upright piano while adding comfortable electronic sounds.

The original cover art is by animator and character designer Asano Naoyuki.
The artwork was supported by director Seki Kazuaki, who has worked on music videos for Sakanaction, Hoshino Gen, and Perfume.

This is an album that you should definitely listen to, as it embodies the sound of Japanese electronic music that has been around for nearly a quarter century since 2000.


◆【As Planetary Dreams】Credit

All Tracks Written, Performed, Arranged & Produced by TAEJI Sawai, 2017-2024

Except
M1, 2, 6 & 11 Voices by Hano Sawai
M3 Breath by Miyu Hosoi
M8 & 12 Voices by Hano Sawai, Run Yaegashi

The beauty of sound lies
in its ability to weave between "happiness" and "sorrow".
Whether its value is questioned or not,  
I believe sound should fulfill that role.

音の美しさは、
"幸せ"と"悲しみ"の狭間を紡ぐことにある。
その価値を問う者がいようといまいと、
音はその役割を果たすべきなのだと思う。

https://www.amazon.co.jp/AS-PLANETARY-DREAMS-TAEJI-SAWAI/dp/B0D97R9JDH
https://tower.jp/item/6415243/As-Planetary-Dreams

Taeji Sawai M13 "Your Pictures On The Wall" from "As Planetary Dreams" PFCD112

https://progressiveform.bandcamp.com/album/taeji-sawai-as-planetary-dreams-pfcd112

01. E E R I N E S S E - NEU Summer
02. 結婚と男の子と王様のお話
03. -esh -- Teardrops On The Easel
04. Alone In Mountain
05. 僕の耳が聞こえなけりゃいい
06. SAWAI HANO
07. H'nogrphy - Calm Ver
08. H'nogrphy
09. Check My Head, One Two
10. Mother
11. Hello, Harrow, How Low
12. Pyhthmic
13. Your Pictures On The Wall
14. S_lowl Melancolic
15. Rie


【As Planetary Dreams】Introduction

Taeji Sawai began his activities as an audiovisual unit called portable[k]ommunity in 2000.

Since then, he has produced ACO's (SONY MUSIC) album "irony," provided sound support for EYE and media artist Daito Manabe, and is a member of the art collective teamLab. He can be said to be one of the driving forces behind the electronic sound scene in recent years. This album, "As Planetary Dreams," is a compilation of his own works.

The album starts with the grand prologue "NEU Summer", followed by M2 "A Story of Marriage, Boys and Kings", which humorously and coquettishly expresses positive vibes, M4 "Alone in Mountain", which has glittering synths that create an uplifting feeling, M5 "I Don't Want My Ears to Hear Me", an industrial pop tune that gives a glimpse of the artist's eccentricity, M8 "H'nogrphy", an ambience track that expresses various emotions with pleasant roses and ornamental sounds, M9 "Check My Head, One Two" and M10 "Mother", which color various scenes with beats.
The album ends with M15 "Rie", a piano piece that Sawai writes in one stroke on the upright piano while adding comfortable electronic sounds.

The original cover art is by animator and character designer Asano Naoyuki.
The artwork was supported by director Seki Kazuaki, who has worked on music videos for Sakanaction, Hoshino Gen, and Perfume.

This is an album that you should definitely listen to, as it embodies the sound of Japanese electronic music that has been around for nearly a quarter century since 2000.


https://www.amazon.co.jp/AS-PLANETARY-DREAMS-TAEJI-SAWAI/dp/B0D97R9JDH
https://tower.jp/item/6415243/As-Planetary-Dreams

Taeji Sawai M14 "S_lowl Melancolic" from "As Planetary Dreams" PFCD112

http://www.progressiveform.com
https://pform.thebase.in/
https://progressiveform.bandcamp.com/

Grammy-winning audiobook publisher. Authors include James Patterson, David Baldacci, and Michael Connelly. Earbuds encouraged. Follow us on Twitter at @HachetteAudio.

• Physical •
• Creator •
• Colour •
• Sound •

Amateur producer 
              &
Resident CADy Daddy

₩ΙTÇНHØVSΞ SΔИСТVΔЯ¥ 


Speak AFRIKAANS, English 

This account consist of mainly Russian WitchHouse artist & Russian Electronic artist. Though I do upload albums from other artist from around the world who either dabbled in the genre or had some sort of relevance, participation, or presence in the WitchHouse scene.

Looking for Rare, Lost, or Forgotten WitchHouse Albums. Click on the albums tab on my profile to find what you're looking for. Looking for WitchHouse artist Discography Playlist, click on the playlist tab on my profile to find what you're looking for.

Fun Fact: 

"Pictureplane"(Travis Egedy), is a popular artist known for making his come up in the electronic music scene, DIY Venues, also popular for hanging around artists like "Grimes" and "Crystal Castles" in the early come up days of these artist, he is also the one who came up with the word "Witch House" which is a playful word on "House" music, though "Witch House" is now a popular music genre that is enjoyed by many.

"Crystal Castles" are actually one of the very first, if not the first electronic music duo to actually invent "Witch House" music, as you can hear dark beats and sorrow drawn out voices off of some of their early (demo songs/ Demo Album) dating back from "2007" and before that, which is crazy to think since during that time "Witch House" did not have a name for itself yet.

Instagram:
https://www.instagram.com/trance_symphony?igsh=OGQ5ZDc2ODk2ZA==

The Los Angeles Review of Books is a nonprofit organization dedicated to promoting and disseminating rigorous, incisive, and engaging writing on every aspect of literature, culture, and the arts.

The Los Angeles Review of Books magazine was created in part as a response to the disappearance of the traditional newspaper book review supplement, and, with it, the art of lively, intelligent long-form writing on recent publications in every genre, ranging from fiction to politics. The Los Angeles Review of Books seeks to revive and reinvent the book review for the internet age, and remains committed to covering and representing today’s diverse literary and cultural landscape.

New tracks tagged #form