shinsei kamattechan - eiga cover

(reupload since the last mix was shit)

8gatsu32nichihe

eiga

神聖かまってちゃん - 映画 / shinsei kamattechan - eiga cover

TRACKLIST:

Fen - Porya Hatami
Fertile Ground - Evan Fraser, Vir McCoy, Rising Appalachia, Chloe Smith
Sem Você (feat. Copenema & DJ Pippi) - islandman
Remembering - MŎNɅDɅ
Gold Town - Stavroz
Sound Of Freedom (Extended Mix) - THEMBA, Thakzin
En Su Lugar (Original Mix) - Malone, The Kimonos
Dunaj feat. Tatyana Kalmykova - Marat Taturas, Cafe De Anatolia, Tatyana Kalmykova
Power feat. Mario Reyes - AMÉMÉ
WTF (Extended Mix) - HI-LO, Sander van Doorn
Sixes (Extended Mix) - D.O.D
Out Of My Mind (ft. inkwill) - gyrofield
Don't Panik (CloZee Remix) - La Fine Equipe
DJ Turn It Up - Dimension
Turbojeans (The Cube Guys mix) - Andrea Laddo
La Baie - Clara Luciani
Opus - Eric Prydz
Energy - Buju
Cancion de Cuna - Coro Qom Chelaalapi, Lagartijeando
Remember - Beautiful Chorus & Alexandra Love
Fen - Porya Hatami

Conscious Dance #1 @ Buddhafield 13/07/2023

Hosts Josh and Jamie and special returning guest Spencer Rider (of Those Good Old Fashioned Values + Get Cynical) discuss two impeccably crafted, process-based French thriller classics with a double feature of Henri-Georges Clouzot's white knuckle depiction of precarious, expendable labor in THE WAGES OF FEAR (1953) and Jacques Becker's authentic, biographical prison break movie LE TROU (1960). Next week's episode is a patron-exclusive bonus episode on more prison escape films: A MAN ESCAPED (1956) and ESCAPE FROM ALCATRAZ (1979), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast

Intro // 00:00-18:27
WAGES OF FEAR // 18:27-1:42:03
LE TROU //1:42:03-2:45:45
Outro // 2:45:45-2:50:38

MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667
WEBSITE: www.sleazoidspodcast.com/

Pod Twitter: twitter.com/sleazoidspod
Pod Letterboxd: letterboxd.com/SLEAZOIDS/

Josh's Twitter: twitter.com/thejoshl
Josh's Letterboxd: letterboxd.com/thejoshl

Jamie's Twitter: twitter.com/jamiemilleracas
Jamie's Letterboxd: letterboxd.com/jamiemiller

291 - THE WAGES OF FEAR (1953) + LE TROU (1960) ft. Spencer Rider

All 22+ tracks recorded with the Mellotron M4000D.  Inspired by French New Wave cinema and children's films like The Red Balloon and Zazie dans le Metro.

Chihiro's Home For the Summer

I wanted reissue this one from edit vault. This track is inspired by the french new wave movement and Wes Anderson’s Moonrise Kingdom.

Original Release: Françoise Hardy
Label: Disques Vogue - V 10
Format: Vinyl 7", 45 RPM, SIngle
Country: Greece
Released: 1963
Genre: Rock, Pop
Style: Chanson, Yé-Yé

Françoise Hardy x Kerkez - Le Temps De Hot Hot (Griffin Camper Edit)

Originally broadcast on www.intergalactic.fm on 3rd December 2023. Presented by Casio/James live from Dresden, DE.

Magic Waves Live Show 03 - 12 - 23

We followed Bernard Fresson to 1959's Hiroshima Mon Amour (Alain Resnais) and though if you blink you'll miss him, we are thrilled that we ended up here.

Chain Reaction: Open Season

Hiroshima Mon Amour (Bernard Fresson)

Renowned Australian-born film critic Adrian Martin joins Amy to discuss the brilliance of Jean-Luc Godard’s cinematic masterpiece, LE MÉPRIS (Contempt, 1963), starring Brigitte Bardot, Michel Piccoli, Jack Palance, Giorgia Moll, and Fritz Lang. Filmed in Capri, Italy, LE MÉPRIS depicts the breakdown of a marriage, but it is also about much more than that as you'll hear. It has been newly restored in 4k and is having its Australian premiere at Europa Europa Film Festival in Melbourne on the 6th and 11th March 2024 (Hawthorn and Elsternwick). The screenings are co-presented by Melbourne Cinémathèque.

This is the extended full version of the interview. In the original interview that aired, we heard some of the iconic music by Georges Delerue who composed the epic and sweeping soundtrack to LE MÉPRIS, including Générique: https://youtu.be/N_QiBDGJ__4?si=7wNYLiERT0AbaGDp and Camille: https://youtu.be/ZPtQWm2QmXI?si=k5J639911cysfrVY

To view Godard's films from home, they can be found at your local library, university library, Picture Search Video & Vinyl in Richmond, on Kanopy (often via your library's subscription: https://www.kanopy.com/video/contempt), and Apple Movies and Google Movies. His films are distributed in Australia by Madman Entertainment and Umbrella Entertainment.

Read Adrian Martin's film essays and criticism on his website: https://adrianmartinfilmcritic.com
Broadcast on 5 March 2024.

Interview with Adrian Martin, Jean-Luc Godard's Cinematic Masterpiece LE MÉPRIS (Contempt, 1963)

For Chris Marker, writing came before filmmaking. A decade after Marker’s death, critics continue to rediscover his remarkable oeuvre, which comprised writing, photography, film, video, radio, and digital media. Associated with the Left Bank subset of the French New Wave, Marker is perhaps best recognized for directing La Jetée (1962). To celebrate the publication of the first English translation of Marker’s early writings (published between 1948 and 1955), Steven Ungar, the editor of Chris Marker: Early Film Writings, with translator Sally Shafto, have joined Jean-Michel Frodo and Sam di Iorio in conversation.


“The French Cinema has its dramatists and its poets, its technicians, and its autobiographers, but only has one true essayist: Chris Marker.”
—film theorist Roy Armes



Chris Marker (born Christian Hippolyte François Georges Bouche-Villeneuve, 1921–2012) was a French writer, artist, and director. His time-travel film La Jetée (1962) is one of the most celebrated shorts ever made. A true polymath, his later creations ranged from videos and the interactive CD-ROM Immemory to the multimedia digital platform Second Life.


Steven Ungar is professor emeritus of cinematic arts, French, and comparative literature at the University of Iowa. He is author of several books including Critical Mass: Social Documentary in France from the Silent Era to the New Wave.


Sally Shafto is a French film scholar and translator and assistant professor of English at Framingham State University. She is author of The Zanzibar Films and the Dandies of May 1968, and her translations include Jean-Marie Staub and Danièle Huillet’s Writings. She teaches at Framingham State University.


Jean-Michel Frodon is a journalist and one of the most influential film critics and film historians in the world. He is author or contributor of several books including The World of Jia Zhangke and Le Cinéma Français de la Nouvelle Vague a Nos Jours, and wrote the foreword to “Night and Fog”: A Film in History by Sylvie Lindeperg. Frodon blogs at Projection Publique.


Sam Di Iorio is Associate Professor of French at Hunter College and Deputy Executive Officer of the Ph.D. Program in French at the CUNY Graduate Center. He has written about postwar films and filmmakers, political theory, and cultural history for Screen, Trafic, Film Comment and the Criterion Collection. His essay “Comolli’s Detours: Free Jazz, Film Theory, Cinéma Direct” is forthcoming with Amsterdam University Press. 



EPISODE REFERENCES AND RECOMMENDED READING:
-André Bazin
-Robert Cannon’s Gerald McBoing-Boing
-Alain Resnais
-Agnès Varda
-Jean Rouch
-René Leibowitz
-Joseph Rovan (born Joseph Adolph Rosenthal)
-Nicole Védrès
-Eternal Current Events (translated by Jackson B. Smith)
-Le Dépays / Chris Marker
-Camera Obscura piece by Ivan Cerecina translating Nicole Védrès’s “Les feuilles bougent” (“The Leaves Are Stirring”) and an accompanying essay
-Republic of Images / Alan Williams
-Le Cinéma Français de la Nouvelle Vague a Nos Jours / Jean-Michel Frodon
-The Fragile Present: Statues Also Die with Night and Fog by Sam Di Iorio; article in South Central Review.
-Trafic N°105 (Printemps 2018), with article by Sam Di Iorio


MORE CHRIS MARKER:
chrismarker.ch
Gorgomancy.net
The Criterion Channel



Chris Marker: Early Film Writings is available from University of Minnesota Press.

"One of the pleasures of Chris Marker’s films is the singular literary voice of his inimitable commentaries, in all its wit and quicksilver intelligence. That voice is present here, being honed through contact with others’ images and before Marker moved from the page to the screen himself. This groundbreaking collection introduces aficionados old and new to work likely unknown to them and allows us all to discover another dimension of this prodigious artist: Marker the film critic."
—Chris Darke, author of La Jetée (BFI Film Classics)

The early film writings of Chris Marker

GROUCHO REVIEWS film critic PETER CANAVESE reviews the KINO LORBER STUDIO CLASSICS 4K release of ALPHAVILLE (1965) on CELLULOID DREAMS THE MOVIE SHOW (8-15-24) SCREEN SCENE with program host TIM SIKA. Produced by LARRY JAKUBECZ for #KSJS (90.5 FM) and #RadioSausalito (1610 AM).

ALPHAVILLE (1965) 4K (PETER CANAVESE) CELLULOID DREAMS THE MOVIE SHOW (SCREEN SCENE) 8-15-24

"If all great filmmakers would make a documentary about their lives right before they died, wouldn't that be so handy?" Couldn't put it better than Jennifer Jones does in this episode. She and Laura Glazer are the co-founders of the Agnes Varda Forever project, and they're here to talk about "Varda by Agnes" (2019), the final film from world cinema icon Agnes Varda. We dig into Varda's one-of-a-kind career, suggest starting points for newcomers, and assess what sets Varda's final film apart of the towering epics that seem to typify this series.

Check out the Agnes Varda Forever website for free posters, cool merch, info on a forthcoming postcard project, and news of their return to Clinton Street Theater in March:
AgnesVardaForever.com

'Varda by Agnès' with Jennifer Jones and Laura Glazer | Grand Finales & Follies

Tôt ou Tard 

Je suis pas parti
Je suis toujours là parmi tous tes autres amis
C’est sûr, faut s’y faire
Rien n'est sûr, mais j’ai du flair
Si tu veux mon avis

Tôt ou tard
Il va falloir te retrouver
Au revoir
Mon amour, notre amitié

Faudra bien s’y faire
De la distance, un jour ou l’autre
On peut rien y faire
Si loin l’un de l’autre
On y cherche les goûts d’hier
Au lieu de le faire

Tôt ou tard
Il va falloir te retrouver
Oh, à bientôt
Mon amour, notre amitié


Composed, produced and mixed by Thibaut Stepczynski
Mastered by Simon Lancelot
Artwork by Kreaem

Tôt ou Tard

˚ ༘ ೀ⋆｡˚(⁄ ⁄•⁄ω⁄•⁄ ⁄)⁄ ˚ ༘ ೀ⋆｡˚⋆˚✿˖° ikareta neet.

MUSIC FIRST, since 2006.

Radio, Label, Parties, Festivals, TV, Mixes, Life...

Check out our other more ambient and cosmic activities at:
www.soundcloud.com/permusicaadastra

And the station where the music never sleeps:
www.intergalactic.fm

Go on a themed movie kick with host Chance Solem-Pfeifer. We're currently on Kick #4 ... "Grand Finales & Follies" about major filmmakers' last big swings.

For Booking / Remixes: griffinpromos@gmail.com

03/16/25 @ Nike - The Motoring Club Event, Los Angeles CA
04/05/25 @ The Hornblower, San Francisco CA

10/25/24 @ Intro LA - Small Office, Los Angeles CA
09/28/24 @ Plaza Hotel w/ LP Giobbi, Las Vegas NV
09/07/24 @ Casal Santa Eulàlia , Mallorca ES
08/02/24 @ Fiesta - Private Event, Santa Barbara CA
07/25/24 @ Funke - LA Rams, Beverley Hills CA
07/13/24 @ The Motoring Club, San Francisco CA
05/15/24 @ Estudio Persona, Los Angeles CA
05/11/24 @ The Motoring Club, Los Angeles CA
03/22/24 @ La Playita Beach Club, San Miguel De Allende MX
01/01/24 @ Private Event, Savannah GA

Supported Artists:

Rufus DU Sol
Richie Hawtin
Bob Moses
Andhim
Tycho
LP Giobbi
Jacques Renault
Walker & Royce
Anna Lunoe
Classixx
Baio
The Knocks
Tourist
Kidnap
Ela Minus
Le Youth
Jex Opolis
Fundido

Notable festivals include:

Outside Lands
SnowGlobe 
Burning Man
Northern Nights
Governor's Ball
Life is Beautiful
Mysteryland
Cannes

Tibo Step, born Thibaut Stepcyznski, is a Swiss artist, composer, and producer based in London since 2022. Mentored by Lionel Loueke at Jazzcampus in Basel, Tibo has performed at renowned events like Montreux Jazz Festival and Cully Jazz. Active in the RnB and Jazz scene in London, he has shared the stage with artists such as Jay Verma, Hugo Piper, and Jack Robson. Inspired by Mk.gee, Puma Blue, Cleo Sol, and Nick Hakim, Tibo released his debut album, "Cross The River," in 2021, and his latest EP, "Found You," with Aron Talas in November 2023. Currently, he is working on his upcoming album set to release soon.

Long-form conversations about politics and current events, international affairs, history, art, books, and the natural world – presented by Amy Mullins, Tuesdays 9am-noon on Triple R 102.7FM.

Welcome fellow SLEAZOIDS!!! Come along as hosts Josh Lewis and Jamie Miller (and, occasionally, guests) go down the rabbit hole of 20th century genre fare from the most influential canon classics to the the trashiest exploitation films we can get our hands on. Each week is a double feature—grindhouse style—where we discuss two films loosely related by subject, genre, actor, filmmaker or franchise and at the end of each episode, along with our HONORARY SLEAZOIDS (click on over to our patreon to become one), we decide on ratings and rankings for each film that's covered. Join us as together we work to uncover the best genre films of 20th century.

Three friends agree to watch every episode and movie of the television hit Hart to Hart to determine once and for all if Hart to Hart is a good show. Join Ellen Ito (the devoted lover) Erik Blood (the nostalgic acquaintance) and Joe Garber (the dubious virgin) on a journey filled with fabulous fashions, furious fistfights, and of course MURDER!

LEXX whips the finest cross-genre music into sets that sweat and reset. Their dance floor is a sxy somatics-infused space where gender gets bent and all beings are held in love. A space where you can dance freely to meet your struggle and release it all.

You can find LEXX on the decks in the UK and beyond, in clubs, cafés and bars, at festivals, and in sober dance spaces. Expect the finest house of all flavours, afrobeat and amapiano, reggaeton and latinx tracks, drum n bass, and much more.

LEXX is also the creator and master DJ of Soft Butch, a somatics-infused night celebrating all butchness, for women, NB and Trans people to dance freely together. The event is a repeat sell-out, gathering crowds of over 400 people on the regs.

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Profile photo © Sophia Stefellé / Cover photo © Charley Williams

New tracks tagged #french new wave