Casualty Ft. Jason Kushe Produced By Liv

making art w/ slimezen (ruyin)

◌҉͓҉̽҉◌҉͓҉͓҉̽҉̽҉᷍҉◌҉͓҉͓҉̽҉̽҉͠҉◌҉͓҉͓҉̽҉̽҉͠҉◌҉⃦҉͓҉͓҉̽҉̽҉  ◌͓͓̽̽᷍◌͓̽◌͓͓̽̽᷍◌͓͓̽̽͠◌͓͓̽̽͠◌⃦͓͓̽̽

like stone

own shit (flaewrs)

BBQ SAUCE

ON ANOTHER V!BE

!F ! FUCKED UP

YO UNC STATUS

Made for the official #bbnoremix bbno$ remix campaign 

Sampled, produced, voice acted, partly sang, played live otamatone & visualized by Cindy K-Hole.

🚫 NO A.I. 🚫
ALL HUMAN MADE BY 1 INDIVIDUAL

And I also cooked up the spicy cover art in photoshop by myself! 
I uploaded bbno$ as a hologram in my own sonic universe.
Fully self-made by one human. 

DAW: Bandlab (free version)

CYBERPHONK 2069 // REALITY.EXE HAS STOPPED RESPONDING

This is my official bbno$ Gigolo remix entry, rebuilt from scratch inside my tiny nomadic setup:
where my laptop overheats, my tinnitus screams in 8D audio and my neurospicy brain alternates between hyperfocus and absolute clown mode.
And oh, extra memelord points for those who find the hidden Easter eggs and get the inside jokes.

Everything you hear in this track is 100% handcrafted by me.
Yes, everything:
☆ The mix & master
☆ The live played otamatones, gigolo learned completely by ear by ME
☆ The cyber voice warnings (voiced by ME!)
☆ The Reality.exe initiated announcements (voiced by ME!)
☆ The meme ànd podcast samples
☆ The chaotic backings I recorded at 4AM
☆ The visuals
☆ The sound design
☆ The FX
☆ And even the cursed breathing of the horny robot


I’ve been producing only since January 2025 and started playing otamatone by ear in March 2025, so this track is 100% self-taught energy.
And my brain said:
Let’s make bbno$ live his best goofy life inside a phonk x synthwave x braindance dimension. 

So I did.

This remix is basically an audio tour of my chaotic ND brain:
Every glitch = a thought
Every synth = a mood 
Every whip crack = an intrusive idea
Every meme = a neuron starting beef with another neuron
Every robot moan = don’t ask

I didn’t just use otamatones (you know, that silly instrument people say that looks like a sperm cell). 
I performed it fully live: I played the otamatone melody and sang over it at the same time. Real life analog vocaloid emulation, no synthetic shortcuts.
Just raw human performance shifting from neon synthwave into gritty phonk: hand-made, imperfect and completely me.

Expect:
☆ Neon-drenched synthwave liftoff
☆ Phonk basslines with sensory issues
☆ Hacker bleeps that sound like my brain buffering
☆ Cheeky SFX because why not
☆ Vine meme sounds because heritage matters
☆ And a cyber voice that definitely should not sound that seductive

This isn’t a normal remix.
This is a neural dump.
A data leak from the inside of my mind.

If you ever wondered:
'What does Cindy’s brain actually sound like?'

》This!!
This is the inside of my skull when my AUDHD, tinnitus, hyperfocus, creativity and meme demons all log in at once.
And bbno$ is there in the corner doing a little dance like a corrupted NPC.

Self-taught everything.
Multidisciplinary gremlin.
Producer, voice actor, sound designer, meme archaeologist, robot whisperer.
If it bleeps, moans, glitches, squeaks, vibrates, whispers, yells, or cyber-thirsts in this track?

I MADE IT MYSELF.
And I meant every second of it.

Welcome to CYBERPHONK 2069:
where the gigolo is digital,
the chaos is canon,
the otamatone is alive
and the memes are meme'ing.

Enjoy the ride.
Or let the ride enjoy you.

bbno$ - gigolo (CINDY K-HOLE CYBERPHONK 2069 REMIX)

a place for my unfinished tracks. here me yearn. 

☆ Self-Taught Multidisciplinary Leftfield Creator & Sonic Artist 🎵  
☆ Self-Taught Artist Of Many Trades 🎨
☆ 🚫 A.I. FREE 🚫

♡ Contact me ♡
Mail: kholecindy@gmail.com
Instagram: @cindykhole


☆ Cindy K-Hole ☆

In the vibrant landscape of contemporary artistry, few names resonate as loudly as Cindy K-Hole. Renowned for their eclectic fusion of digital and traditional mediums, K-Hole has emerged as a beacon of authenticity and unfiltered creativity in an industry often plagued by conformity. Born into a world that thrives on the unorthodox, Cindy's journey began not in a conventional art school, but in the chaotic yet exhilarating realm of DIY culture.

Cindy first found their voice in music: a medium they embraced with an unrelenting passion. Armed with nothing but a laptop and an insatiable drive to express themselves, they dove headfirst into the world of sound production. Their music is a kaleidoscope of genres, seamlessly blending elements of electronic, pop and experimental sounds. This sonic tapestry reflects their diverse influences, ranging from underground rave culture to the avant-garde art scene. Each track is a sonic experience, a testament to their belief that art should not be confined to one medium or genre.

What sets K-Hole apart is their fearless approach to creation. In a world where artists often feel pressured to fit a mold, Cindy revels in the chaos. They embrace imperfections, using them as a source of inspiration rather than a deterrent. Their DIY ethos is palpable in every aspect of their work, from the raw, unedited sounds of their music to the vibrant, sometimes chaotic visuals that accompany their art. K-Hole’s creative process is a reflection of their philosophy: authenticity over perfection, experimentation over tradition.

In their visual art, Cindy employs a variety of techniques: merging digital manipulation with traditional painting and collage. This boundary-defying style is not just a hallmark of their work; it is a deliberate statement about the nature of art in the digital age. By mixing mediums and breaking conventions, K-Hole invites their audience to question what art can be, encouraging them to explore the liminal spaces where creativity thrives.

The hype surrounding K-Hole is not just about their talent; it is about their ability to connect with people on a genuine level. In an era where social media often fosters superficial connections, Cindy’s authenticity shines through. They champion the idea that art should be accessible and inclusive, breaking down barriers and fostering a sense of community among their followers. Their work is a call to arms for aspiring artists to embrace their uniqueness and to create without fear.

As they continue to push the boundaries of what it means to be an artist in the digital age, Cindy K-Hole remains a force to be reckoned with. Their journey is a testament to the power of creativity, the importance of authenticity and the beauty of embracing the unconventional. 
In a world where the lines between music, art and technology are increasingly blurred; K-Hole stands at the forefront: inspiring a new generation of artists to explore, experiment and above all be unapologetically themselves.

In the realm of Cindy K-Hole, the only rule is that there are no rules and the only limit is the imagination. With each new project, they invite us all to join them on this exhilarating ride. Reminding us that art is not just an expression but a movement: one that thrives on the unconventional, the DIY spirit and the unwavering pursuit of authenticity.

(playlists are albums / eps cus im too lazy to upload again or something) hello!! i make music!! i've been a fan of SOPHIE for 7 years!! other artists i like include gfoty, charli xcx, hey qt, aphex twin, arca, björk, and PC music!! i make songs that i find finished and enjoyable!!! have fun on my page!! 
check out my bff @i-m-c-o-m-i-n-g aka HYDRATA!!!!!

New tracks tagged #fuckai