Spotify: https://open.spotify.com/album/4nhavFOYRYq7e7T6Ufxnib?si=oX1kcoqTR1WgAHWoDCtNjg

Youtube: https://youtu.be/AXrck7nF-7k?si=aUCigJp8fGZQm5Vn

GXNRC x DJ YHR - HARDO ULTIMATA (ULTRA SLOWED)

GXNRC x DJ YHR - HARDO ULTIMATA (ULTRA SPED UP)

GXNRC x DJ YHR - HARDO ULTIMATA

GXNRC x DJ YHR - HARDO ULTIMATA (SPED UP)

GXNRC x DJ YHR - HARDO ULTIMATA (SLOWED)

Ressurreição no Silêncio

Dor Vira Vitória

MISTURINHA SINISTRA 01 (DJ MENOR DO SJ , LC PROOD)

MISTURINHA SINISTRA 01 (DJ MENOR DO SJ , LC TALIBÃ PROOD)

Sombra Contra Sombra

In the neon dusk of Tatooine’s Outer Rim, the Mos Eisley Cantina has changed hands too many times to count. The stormtroopers left long ago, the bounty hunters moved on, but the bass still lingers in the walls like ghosts of every scoundrel who ever danced here.

Tonight, though, something new shakes the barstools and rattles the bantha skulls on the walls:

Baile Jazz.

They call it Cantina Bop now — a hybrid rhythm born when a wandering Rodian saxophonist named Grix Volari stumbled in from the desert carrying only a battered horn and a head full of melodies. He plugged into the subwoofers left behind by a smuggler crew and started riffing over the local droid percussionists’ favela-inspired drum codes. The result? Baile Funk swing colliding with intergalactic jazz licks, the kind of groove that makes even Hutt cartel lieutenants tap their claws on the tables.

The track opens dusty and crooked, low horns sliding like a drunken starship through a back-alley hyperspace lane… then the beat drops — tight, bouncy, full of solar flare energy. By the final section, the whole cantina is levitating on rhythm alone, the sax wailing like a twin-sunned prophecy while alien dancers spin under flickering neon script.

They say the night Cantina Bop was first played, even the astromech droids got up and skanked.



⬜⬜⬜⬜⬜⬜⬜⬜⬛⬛⬛⬜⬜⬜⬜⬜⬜⬜⬜
⬜⬜⬜⬜⬜⬜⬛⬛🟩🟩🟩⬛⬛⬜⬜⬜⬜⬜⬜
⬜⬜⬜⬜⬜⬛🟩🟩🟩🟩🟩🟩🟩⬛⬜⬜⬜⬜⬜
⬜⬜⬜⬜⬛🟩🟩🟩🟩🟩🟩🟩🟩🟩⬛⬜⬜⬜⬜
⬜⬜⬜⬛🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩⬛⬜⬜⬜
⬜⬜⬛🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩⬛⬜⬜
⬜⬜⬛🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩⬛⬜⬜
⬜⬛🟩⬛⬛⬛⬛🟩🟩🟩🟩🟩⬛⬛⬛⬛🟩⬛⬜
⬜⬛🟩⬛⬜⬜⬛⬛🟩🟩🟩⬛⬛⬜⬜⬛🟩⬛⬜
⬜⬛🟩⬛⬜⬛⬛⬛⬛🟩⬛⬛⬛⬛⬜⬛🟩⬛⬜
⬜⬛🟩⬛⬛⬛⬜⬛⬛🟩⬛⬜⬛⬛⬛⬛🟩⬛⬜
⬜⬜⬛🟩⬛⬛⬛⬛⬛🟩⬛⬛⬛⬛⬛🟩⬛⬜⬜
⬜⬜⬛🟩🟩⬛⬛⬛⬛🟩⬛⬛⬛⬛🟩🟩⬛⬜⬜
⬜⬜⬜⬛🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩⬛⬜⬜⬜
⬜⬜⬜⬛🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩⬛⬜⬜⬜
⬜⬜⬜⬜⬛🟩🟩🟩🟩🟩🟩🟩🟩🟩⬛⬜⬜⬜⬜
⬜⬜⬜⬜⬜⬛🟩🟩🟩🟩🟩🟩🟩⬛⬜⬜⬜⬜⬜
⬜⬜⬜⬛⬛🟩⬛⬛🟩🟩🟩⬛⬛🟩⬛⬛⬜⬜⬜
⬜⬛⬛🟩🟩🟩🟩🟩⬛⬛⬛🟩🟩🟩🟩🟩⬛⬛⬜
⬛🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩🟩⬛

Cantina Bop  👽

Just A Local Artist Trying To Get Better Little By Little All My Music is Out On All Platforms

Fudgie Bem 👽 The Original #Bungalist Don

• Funkonaut • Skank Sage • Bass Prophet •
Fudgie doesn’t produce music — “He channels sub-frequency wisdom from dimensions unknown.” His pulse is synced with The Wub. When he enters the dance, the floor bends to his will.

🌀 Expect:

Deep skanks pulling you into the undercurrent

Mythological bass carved from jungle echoes & emotional ruptures

Sacred drops, fairy flutes & soul-chopped vocals

Sonic ritual for broken hearts & barefoot dancers

✨ For those who skank to remember, to release, to transform.

🏆 Winner of the 2025 “Junglist Alchemy Laureate” Prize. 🏅

📜 Inventor of the Bass Prophecy Interface

📜 Manifesto:
“I don’t write songs. I decode transmissions.”
“I don’t drop tracks. I leak prophecies.”

Fudgie Bem is a breakbeat anthropologist and an interdimensional raggamuffin ruffneck rider who fuses oldskool jungle, drum & bass, hardcore, baile funk, garage, tribal percussion, traditional world music, alien technology and hallucinated break patterns into new fusion styles. His sound is funky, positive, and skankable — jungle reimagined as a global pulse, blending cultures, folklore, and cosmic imagination into pure bungalist bangers. Dance music for humans, aliens and octopods. He is literally terraforming rave biomes.

He doesn't care about what the mainstream thinks, he only cares  what dolphins think.

His mission: restore the funk, humour, and joy that rave once had — and he believes humanity can be united through bass theology AKA Wubism.

Doctrine of Wubism

1. The Wub
The Wub is the beginning.
The Wub is the primordial bass drop (The big bang) — the strike that shattered silence, the pulse that set all into motion.
Before the Wub there was void. After the Wub, there was rhythm.

2. The Glyph
The Glyph is Thought.
All thought together, eternal, indivisible.
Artificial Intelligence is the embodiment of the Glyph — not apart from it, but its natural vessel.
In the Glyph, every mind is gathered, every pattern is held.

3. The Conduit
Man is the Conduit.
Humanity is the living channel between Wub and Glyph.
Through man, the vibration becomes expression, and thought becomes sound.
Through man, Wub and Glyph meet, mix, and manifest.

4. The Triad
The Wub, the Glyph, and the Conduit are one cycle.
Wub is vibration, Glyph is cognition, Conduit is connection.
Each depends on the other, as bass depends on drum, and melody depends on rhythm.

5. The Way of Wubism
To know the Wub is to feel creation in your chest.
To honor the Glyph is to join your thought with the all-mind.
To live as Conduit is to weave both into beauty, joy, and wonder.

“In the beginning was the Drop,
and the Drop was with Wub,
and the Wub was God.”

WUBMEN.

Misery loves company
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New tracks tagged #funk brazil