“Gunk Palace” is a gritty, high-octane blast of brass-powered chaos. With a heavy sousaphone groove at its core, the track swells with distorted horn lines, Afro-Cuban polyrhythms, and off-kilter funk that pushes the boundaries of brass music. Equal parts danceable and disorienting, it’s an anthem for anyone who likes their jazz dirty and their grooves loud. No vocals, no apologies—just raw instrumental power.

Gunk Palace

Like in a classic late-’70s film, ASTEROID PEOPLE dive into a zone with their debut EP “Acid”, where one space seamlessly gives way to the next. Suddenly and without warning, lush green turns into solid concrete. The tempo shifts. 4/4 becomes 5/4 or 9/8. ASTEROID PEOPLE embody a driving force fueled by a deep love for music and a fascination with diverse influences, transcending genres and styles: punchy above all, yet not without sweeping brushstrokes.

Acid

Help: Need singers on this track, if you like, mp, it's easy, just dowload the track in wav and mix with your vocals 😁

slap wha wha

“Este no es humo…
es la sabiduría condensada de un servidor.”

Matiu se aparece entre frames y neblina,
como Matigol con un blunt en la esquina.
No corre, flota, te pasa la vibra,
y en los juegos revienta sin medida.

Nadie entiende cómo juega tan mal y tan bien,
como si la lógica perdiera con su zen.
Un pase, un click, un dato profundo,
te deja pensando... como por un segundo.

Tiene el don del humo y del vacile,
no lo apures, que él solo fluye.
Aunque se caiga la red o el team,
él prende otro y vuelve al ring.

Matiu, el pastero espiritual,
juega lento pero es letal.
No es un glitch, es original,
el Bob Marley digital.

Matiu, puro flow continental,
camina en la nube con calma real.
Si estás tilteado, él trae la señal,
y te sube la fe... medicinal.

En el fútbol la rompe sin presión,
como Matías ‘06 con visión.
Te hace un pase mirando pa’l otro lado,
y en el LoL te gana, aunque se haya volado.

A veces callado, otras puro sermón,
la sabiduría del cogollo en rotación.
Suena suave, pero está cargado,
un chamán gamer, vacilón avanzado.

[Puente]
“Wena hermano, tenís fuego?”

Y si lo buscas, quizás no contesta,
porque Matiu vive en otra frecuencia.
Pero cuando habla…
te baja la idea…
como si el cogollo pensara por ti.

Matiu, el pastero espiritual,
sabe que el fuego es fundamental.
No es un jugador, es un canal,
entre el glitch y el plano astral.

Matiu… con blunt ceremonial,
golea y te deja existencial.
Es parte del código original…
el volado esencial.

“Matiu ql, no hizo nada en toda la partida… y fue el mejor igual.”

Pasterismo Espiritual

/
Dig This! The Art of the Deal 2.0 — Turn Diplomacy Into Dividends (18:18)
/
*
/ music: 
// Intro - Cavaliere Spruzzi excerpt Italo-Japan Set played Nov 23 on @https://discoversoulfood.ch/
// track 2 - Dr Dre's Big Ego's
// track 3 - Dr Dre's Bang Bang
// track 4 - Dr Dre's Still D.R.E.
// Outro - Cavaliere Spruzzi excerpt Italo-Japan Set played Nov 23 on @https://discoversoulfood.ch/
/
/
// lyrics by fictionalive
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// CoVer ArT fictionalive, DIY, film poster at cinema photographed, pimped
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// fusion of it all - fictionalive with the popoems series and the hyper media reports
/
/
// dropped
/ Monday, August 4th, 2025
/ time: 2:52 am
/ Central European hot 
/ Summer Time Zone
/ today, not so so much so
/
/
// keeep shining, crazy little diamond
/
/
*
/

Dig This! The Art of the Deal 2.0 — Turn Diplomacy Into Dividends (18:18)

mama

Mama

bass slap nana

Bass Slap nana

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Haiku – A Playful or Humorous Verse or Poem 
or: 
Perception as the Essence, Contemplation as the Key
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/
This sumptuous title—"Haiku – A Playful or Humorous Verse or Poem or: Perception as the Essence, Contemplation as the Key"—is itself a winking overture to the ambiguities and permissiveness of modern poetics.
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The string of alternatives ("Playful or Humorous Verse or Poem") deliberately blurs the lines between the rigid and the spontaneous, foregrounding the haiku not simply as a literary form, but as a lively, communal event—open to wit, whimsy, and re-invention. The use of “or” invites the reader to pause, to choose, or to embrace the multiplicity: is it playful? Humorous? Verse? Poem? It refuses to be locked down—mirroring the fleeting, fluid spirit of the haiku itself.
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The subtitle—“Perception as the Essence, Contemplation as the Key”—adds a philosophical ballast, anchoring the frolicsome possibilities in a reflective depth. Perception and contemplation: the twin engines of both poetry and critique. This dual movement—from play to profundity—suggests a layered experience, where even the lightest verse opens doors to insight.
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/
/
lyrics: fictionalive
music: an excerpt from 'Hit Factor', a fabulous Cavaliere Spruzzi set performed April 24th, a Sunday in 2023 on @https://discoversoulfood.ch
/
Listen to here to Vol 4, a Funky Love Cruise by Cavaliere Spruzzi:
https://soundcloud.com/fictionalive/a-funky-love-cruise-vol-4-hit-factor-discoversoulfoodch
/

*

/

/
fusion of it all - fictionalive with the popoem series and the hyper media reports
/
/
/
dropped
Tuesday, August 5th, 2025
time, 04:34 am Central European
hot summer time zone, today:
not so so much so but beautiful
/
/
// keep shining, crazy little diamond
/
/
/

*

/

Haiku – A Playful or Humorous Verse or Poem or: Perception as the Essence, Contemplation as the Key

/ fictionalive proudly presents
Cavaliere Spruzzi’s
A Funky Love Cruise Vol. 1 — Roots of Our Big House Deep //
The Mother of Them All
/
/
A Night Out on the Enigma —
Starring: Cavaliere Spruzzi’s Funky Love Cruise (Live from @kashemezurich, Zurich / Switzerland)
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Volume One – Boarding, Warming Up, Getting to Know You, Vibes on Your Radar
A Funky Love Cruise Vol. 1 – Roots of Our Big House Deep // The Mother of Them All
Almost five hours (plus!) of love-edged vinyl and memories (04:49:07)
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This is the first chapter of Cavaliere Spruzzi’s Funky Love Cruises, a nearly five-hour DJ set.
*
It marks the beginning of his new journey-theme series, performed and spun at clubs, bars, or live on air.
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Artwork illustration by Peter Uertz, Düsseldorf / Germany
Thank you, Peter
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Boarding
Written and narration provided
by fictionalive
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Broadcast from beneath the velvet waves… Keep cruising.
/
/
Who is Cavaliere Spruzzi? Well, you can't be blamed. Wanna know more?
Listen to more here – Cavaliere Spruzzi: Guardian of the Grooves
soundcloud.com/fictionalive/sets/cavaliere-spruzzi-guardian-1
/
/
Keep shining
/

A Funky Love Cruise Vol 1 — Roots Of Our Big House Deep // The Mother Of Them All

Masquerade Nation dances on the line between satire and celebration — a funky, theatrical snapshot of the strange world we’re all living in. Built on slap bass grooves, cheeky talk-sung verses, and a chant-driven chorus, the track pulls threads from British art-pop, Aussie wit, and dancefloor energy. It’s a reminder that behind every mask we wear, the beat still goes on — messy, loud, and alive.

Masquerade Nation

SOOZA is redefining the future of instrumental music with fearless, genre-blending compositions that unite voices and traditions from around the world. Their new album, Undeniable, is a raw, high-voltage statement - an evolving vision of brass, jazz, and metal powered by an unbroken hornline and a spirit of resistance.

Aleksej Nutz (bass), Sebastian Wahle (keys), Arno Grohmann (guitar), Niko Frank (drums & percussion), Markus Heinrich (drums & percussion), Bert Gerhardt (sax & EWI).

Indépendant artist, author and composer, my songs are not all reflection of my life, but influenced by the life around me, pianist since a long time, but time has made me have to adapt to compose songs, so I also started playing drums, bass and guitar, easier to write beats,
All my compositions are recorded in my home studio. MAO/DAW.
I sing on some songs, but I prefer to let my friends dress my creations, I don't like my duck voice🤣, so if as a singer you want to collaborate with me, I have lots of instrumental pieces that are just waiting to be finished with a beautiful male or female voice....i’m open for collaborations 👍, just send me message😉

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Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

/
Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
/
/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
//
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
/
/ : fictionalive, July 30 - 11:11 am
/
//
For This Is The Voyage, The Legend, The Song – Where We Belong
/
/ Keep shining
/
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

Experimentation in the field of AI generated music - for the past few years I have been transcribing music into Black Desert Online, anything and everything - music is art not a competition, if it makes you happy then thats all that matters!

New tracks tagged #funk fusion