Talking Bout Chimp Tales Ahee Hoo

Chimp Love

Union Tables

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The Human Condition

Dying Flame - Henri Grünbauer ©2025

“Spokes, Portals, Rings and Spheres” is a genre-bending odyssey that begins in a dream beneath a tree and unfolds into a surreal journey through a moonbase of glowing geometry and ancient watchers. With funk-infused jazz drumming, bluesy vocals, and punk guitar riffs meeting ambient synth pads and folk instrumentation, this track fuses storytelling with cosmic rhythm. The arrangement flows from atmospheric stillness to interstellar groove, echoing themes of memory, mystery, and multidimensional reality. A hypnotic fusion of funk, swing-punk, electro-folk, and sci-fi soul—this is a track that grooves while it awakens.

Spokes, Portals, Rings and Spheres

Cobalt Regent – (2025) Starbound Fever – Ride the Comet Tail [S01]

Copper Stylus – (1990) Rhythm Moths – Forge Ahead [S01]

I really didn't know how to name this track. But I'm sure that it can wake up anyone...

Alexey Kostin And Someone Else - Alarm Clock

I've always liked raga rock. And funk. And... And I wrote this...

Alexey Kostin And Someone Else - Too Much Gold

My Vocation is Love!

Hard funkin' rock music in the classic rock / funk rock style of Lenny Kravitz and Red Hot Chili Peppers.

For licensing, contact
https://www.LynnePublishing.com


Buy/License

Marchese - Rock Life

What is it?

There were some disagreements, that’s common now for sure
Are you angling for leverage or scraping shit off of the floor?
Negotiations risky, even when you’re in the know
You roll the dice once or twice, all eyes are on the dough

Now you might start to wonder why it all turns out the same
My eyes are glazing over, I’ve seen this picture frame
When I think I’ve had enough, the soda’s lost its fizz
No matter what you wish for, surely, it is what it is

Subterfuge and bullying, complaints of great expense
Seducing the outspoken, suppressing discontents
Summon up the guts, comrade, show a little spine
When it goes wrong, where we belong, is on the picket line

I wish I had the answer and could transfer it to song
There’s always some fine reason, why we can’t all sing along
I don’t play the trumpet, anything like Diz        
But when the music stops, surely, it is what it is

And when you dream alone all night        
Despite so what and because
The table may have turned all right         
Now it ain’t ever like it was

The facts may be disputed, then battle lines are drawn
Rook and bishop always try to dominate the pawn
In the final showdown, while the smoke begins to clear 
We will begin to claim a win, if we’re still standing here

There are always disagreements over what it is about
Open up your mind, but, don’t let your brains start falling out
Now if it seems the acid test was more a little quiz
But when the deal is tallied up, surely… it is what it is

It is what it is… Better luck next time
It is what it is… and no matter how you spin it
It is what it is

It Is What It Is

A reimagining of Mad World through the lens of Fauhn. It's angrier, heavier, and more electric. This version leans into distorted guitars, tense rhythms, and flashes of funk and rock, channelling frustration and emotional overload rather than resignation. It’s the sound of school corridors echoing with chaos, of quiet kids screaming inside, of a world that never quite made sense and still doesn’t.

Originally written by Tears for Fears, this cover transforms the melancholy into something raw and volatile. Not just sad, but furious.

Mad World

If you don't believe in a bright tomorrow - you could lose your meaning of life...

Alexey Kostin And Someone Else - To A Bright Tomorrow

Bigger Sky

Edgy, groovy, punchy Big Beat with influences from Hip Hop, Funk and Rock. Energetic, confident, with swagger. Available with or without the Scratching FX and the Voice samples. (Stem files available.)

For licensing, contact
https://www.LynnePublishing.com


Boots

Gritty and funky Hip-Hop/Big Beat with Funk influence. A driving, live bass guitar riff with edgy, mangled voices, brass stabs and turntable scratching. Available with or without the vocal samples. (Stem files available.)

For licensing, contact
https://www.LynnePublishing.com


The Virus

Important Notice for Inquiries:
If you’re reaching out regarding music collaborations, promotions, or record label opportunities, please include verifiable identity links. I do not respond to unsolicited messages from Gmail accounts, especially from those claiming to be record executives or industry professionals. Thank you for understanding. You can contact me directly at riven.waters.infinite.story@gmail.com.
About My Music:
I create original, genre-blending music that fuses rock, classical, easy listening, and experimental styles. Each song is crafted with deep emotional honesty, often inspired by my own poetry, journal reflections, or personal stories. Whether instrumental or vocal, my focus is to uplift, inspire, and resonate with listeners on a real, human level.
I don’t settle for “good enough.” Every track goes through hundreds of iterations, shaped by a balance of intuition and precision. I use advanced AI music tools to explore sound and emotional tone, then refine everything in Logic Pro for professional production quality. It's a fusion of heart and technology, and through it, I aim to connect, heal, and inspire—one song at a time.

Everything is free to download on : https://blacklsdmedusa.bandcamp.com/
I make this for fun, it will always be free! 

Black LSD Medusa is now Wings of a Medusa!

On the Surreal Plane : 
Queen of Splorch : Vocals & percussions 
Yer Basple : Bass & Vocals 
Oloaf Donutson : Guitar & Vocals
Ayamu Hunuguri : Drums & Percussions 
Koyr Ensemble : Choirs
The Rroktches : Wind Instruments 
Uhn Hindj : Keyboards & Machines. 

In real-life : 
K.M.L.N : Lyrics and music. 

They're all a fixture of your imagination. Everything's gonna be alright...

Formed in the Surreal Plane in 1972 (2025 in real time), Black LSD Medusa is a band that started the "Surreal Musick" craze on this weird dimension. Lizard-goats were dancing, Treems were trimming trees, and everybody had a fantasterrifying time. 
Queen of Splorch said "splorch" as is her habit. 

What a thrill.

Made with Udio and FL Studio.

Atmospheric, angular, and emotionally raw. Fauhn crafts fractured soundscapes shaped by divergence, dissonance, and the drive to feel.

Lynne Publishing is a music label representing a library of high-quality, carefully developed and curated production music, available to license for use in your own media.We develop our own music with contracted professional composers, both young and exciting talents and experienced film- and TV composers.

All our music is available for easy licensing for use in media creations, such as videos, films, games, TV, online, social media, corporate use, etc. To obtain a Master Synchronization license for any of music, contact us via www.LynnePublishing.com

Henri Grünbauer (1958) is a Guitarist / composer playing in a rich tradition of musical styles including Rock, Funk, Jazz and Classical. 
Biography 
2017 onwards Solocareer, 2008~2016 Band of Victas (Rock&soul 60s onwards) (Guitar), 1999~2009 Kerozinekikkers (Rock/Funk/Jazz) (Guitar), 2002~2005 Orchestra "de Noordooster" Utrecht (Guitar), 1997~2005 Schoolorchestra P.S. "De Koekkoek" Utrecht (conductor), 1994~1999 Sound Advice (Rock+Soul) (Guitar, Vocals), 1993~present Classical Guitar on special request 1991~1993 Rockband "Poppenkast" (Bassguitar), 1990~1992 Court of Session (Jazz) (Bassguitar), 1989~1992 Blue Jeans & Black (Top 40, Guitar), 1988 Blaaskinkels (Boerenkapel, Guitar, Bassguitar), 1987~1988 The Soul System (Soul/Funk) (Guitar, Bass, production), 1985 Doeofjethuisband (Latin Rock) and Backfire (Hardrock) (Guitar), 1983~1986 and 1990~1992 Jezuz Kriziz (reli-punk)(Bassguitar, Guitar), 1980~1984 Ska/Funk/Rock band Saint Vitus (Guitar), 1977~1979 Feedback (Hard-Rock) (Guitar), 1972-1976 Contemporary (Jazz/Blues/Pop), (Guitar), 1964~1974 musical education: recorder/keyboard.

New tracks tagged #funk-rock