The original version of this song, 'No Worries' (2012), was featured in AMC's The Walking Dead (S10 Ep21, March 28 2021). This companion version was released in honor of that. Peter Brendler plays Bass; Paul Orbell plays Ebo Guitar in the first verse; J. Walter Hawkes plays Trombone; Ryan O'Toole, aka LIC RYNO, is on Drums, Vocals, Guitars and Mixing Effects.

No Worries II

LYRICS:

this time you'll fall for me / this time I'll make you see / we're corrupted on the whole, but this time I'm in control // this is how it all begins / the ultimate everything // we're going to commit the perfect crime / nobody's gonna see through / we're going to commit the perfect crime / but baby I can't do it without you // this time I lead the way / this time you're gonna stay / this time I won't look back / let's roll, commence attack // hell no I won't give in / watch out, I'm going in // we're going to commit the perfect crime / I saw it by the hole that's in your head / we're going to commit the perfect crime / 'cause baby we're about to wake the dead // this time you'll hear my call / this time I'll have it all / this time I don't give shit / 'cause baby I'm on top of it // no way I'm gonna fail / this ain't the ending of my tale / I shall prevail / the future's mine / and you'll be my concubine // we're going to commit the perfect crime / nobody's gonna see through / we're going to commit the perfect crime / but baby I can't do it without you // the perfect crime / the perfect crime / the perfect crime

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© Words & music written by Claus Trophobia

The Perfect Crime

FALLING SNOW, IT’S TIME FOR ME TO KNEEL
BUT I DON’T KNOW, HOW I REALLY FEEL
TELL ME WHY, DO YOU FEEL SO REAL
ALL IS QUIET, UNDER THIS WHITE SEAL

 A FLEETING DREAM, A VISION OUT OF TIME
THIS SILENT SCENE, REMINDS ME THAT I AM
IT SHINES A LIGHT, FOR THE ONE WHO KNOWS
ALL IS BRIGHT, AS THE COLD WIND BLOWS   

SO I DID IT ONCE AGAIN, HOPING FOR A BLAST
STILL FEEDING THE PAIN, WITH ECHOES FROM MY PAST

HANDS OF THE WIND, MAKE ME FEEL FINE
HANDS OF THE WIND, BURN THIS HEART OF MINE

IT’S SNOWING...

FALLING SNOW, IT’S TIME FOR US TO HEAL
NOTHING GROWS, ACCORDING TO THE WHEEL
I’M LIKE A KING, SITTING ON THAT HILL
ALL IS QUIET, UNDER THIS WHITE SEAL

SO I DID IT ONCE AGAIN, HOPING FOR A BLAST
DEALING WITH THE PAIN, SINCE SUMMER NEVER LAST

HANDS OF THE WIND, MAKE ME FEEL FINE
HANDS OF THE WIND, BURN THIS HEART OF MINE

IT’S SNOWING...

Hands of the wind

Occasional collaborators as a duo and as part of Aporia  - https://soundcloud.com/no-mates-ensemble/aporia-1
Softlands - Guitar/Ebow/Synth/Music Box
No Mates - Bass/Glicthy Noise/Piano

Late, Then Never - Softlands/No Mates Ensemble

Fingerprint Kit

This is an extensive instrumental track inspired by circumnavigation pioneers who started the Golden Globe Challenge, a single-handed, round-the-world yacht race that took place in 1968.
This track features two collaborations : Sundayer's guitarist Xavier, and bassist Louis. of Clermont-Ferrand's band Red Hill, and also a central part based on a butadeam improvisation (instrument on the picture)

Roaring Forties

take me to the party
bring me back to life
recharge my heart one more time
better do it right
don't need no surrogates (we want the real thing now)
no way I'm gonna wait (we want it all right now)

bring me back to life
take me to the party
bring me back to life
take me to the party

take me to your hidden leaders
and let us kick some ass
we are the shit consumers
we never had no class
sick of your zombie screens (we want the real thing now)
I wanna live my dreams (we want it all right now)

bring me back to life
take me to the party
bring me back to life
take me to the party

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© Words & music written by Claus Trophobia

No Love

Take me to the Party

Mystical transmission from the ElectroBorealis-2 - listen carefully next time you are looking towards the north side of the sky...

bass, synth drone: hieronymous (bass: 1968 Gibson EB-2 & Crowther Prunes & Custard; drone: Moog Rogue, CP-251 Moogerfooger splitting MF-103 LFO to simultaneously control frequency of MF-101 low pass filter & Frostwave Resonator)
drums: Greg DeGuglielmo

Spontaneously composed by Bridge/DeGuglielmo
Recorded at the original Oxbow Studios by Damon Burke

minus prolegomenon

a slower Stardust, recorded at casa de Sussex

Stadust - demo

Alright shithead, this is like the two hundredth time I'm calling and you not picking up! I'm starting to get fucking homicidal. Call me the fuck back, Ian! I'm worried about you. I love you. Call me back.

MILKOVICH FAMILY THERAPY (DEMO)

Music and things that might sound like music by Mat Ward. Noise Art/A  Piano and Bass Duet with Dani Kirby/A 50 plus member Art Ensemble called Then She Reaches The Gun/Deep Research Into Luigi Russolo and his Intonarumori .. thats just the stuff I post regularly : ) Thanks to everyone thats ever stopped by. Music is The Best!

Alternative music for people dying of middle age.
music@prettycitylights.com
(formerly Amateur Blonde Music)

I am a music composer and multi instrumentist based near Clermont-Ferrand, France. I play guitar, bass, drums, and keyboards, and sometimes, not very often, I must say, I also sing! I have been playing in several bands during the last 20 years in various places around Angoulême, France in the nineties, then Manchester around 2000-2002, Rodez (2003-2005), Rouen (2005-2009) and Clermont-Ferrand since 2009 .
My musical background is mainly 70's progressive rock, but I also like ambient music, post rock, cold wave and indie rock to name a few styles . 

hieronymous is an ongoing instrumental music project, centered on the bass guitar and drums - the music is mainly improvisational, following the "instant composition" style pioneered by Can, Miles Davis, the Grateful Dead, etc.


From deep space atmospheres to earth-shaking rock grooves, Claus Trophobia continues to push sonic frontiers. With his signature blend of solid rock, hypnotic rhythms, and retro-futuristic soundscapes, Claus Trophobia launched his solo journey in 2017 with No Love, diving into experimental territories. But it was Space Rock Voodoo that truly cemented his sound – where cosmic energy meets raw, primal force.

Coming spring 2025, Contact takes Claus Trophobia’s sound to raw new heights – elegiac, melodic, but as dirty and unrelenting as ever:

Gritty, overdriven guitars slash through pounding, old-school rock drums, laced with mellotron, theremin, and space-echoed psychedelia. A trip through a retro-futuristic dystopia, Contact swings between bittersweet hope and cold cynicism, hitting hard both sonically and emotionally.

First single Cosmic Reaper drops March 1, 2025 – a haunting anthem on humanity’s self-inflicted doom. Brace yourself.

//progressive retro //

demos
stuff we’re working on

Popular tracks tagged #fuzz bass