2025.02.28 Livid on AT Euphonia

Sara singt einen NDW Song in der Tradition der 1980er. Geschrieben und aufgenommen in Berlin.

Hier der Text:

[Verse]
In der Stadt bei Nacht
Rotlicht flackert sacht
Alle Augen auf uns
Die Straße voller Dunst

[Verse 2]
Er kommt ganz schnell
Im Blaulichttakt
Herr Kommissar so grell
Isst aber kompakt

[Chorus]
Der Herr Kommissar
Was will er hier
Der Herr Kommissar
Er jagt uns durch das Revier

[Verse 3]
Wir rennen durch die Gassen
Verstecken unsern Spaß
Das Herz pocht so wild
Adrenalin im Übermaß

[Bridge]
Licht und Schatten vorbei
Kein Entkommen wir zwei
Jeder Schritt so laut
Der Atem fängt Staub

[Verse 4]
Er kommt näher heran
Seine Augen brennen klar
Schatten tanzen an der Wand
Wir fliegen wie für wahr

Der Herr Kommissar

MEO CULPA: 

https://soundcloud.com/meoculpa
https://www.instagram.com/meo__culpa
https://www.facebook.com/meoculpaa
https://www.youtube.com/@MeoCulpaa

BALADI:

https://soundcloud.com/baladimusica
https://www.instagram.com/baladimusica/
https://www.facebook.com/baladimusica
https://open.spotify.com/artist/5xFU79pSKrEpSiTVysdTY3

MEO CULPA b2b BALADI | Ethnotech @ KASSA boat

Meet Sofya Abramchuk, Architect and multifaceted designer at the Gaudi World Foundation https://www.linkedin.com/in/sofyaabr/ in conversation with Ruud Janssen on this episode of the #DESIGNtoCHANGE PODcast. 

Sofya Abramchuk, a designer, creative director and founder, and event curator with over a decade of experience leading innovative projects at the intersection of architecture, culture, and transformation. She is the co-founder of the Originate Institute, a visionary spin‑off of the Gaudí World Foundation — where she spent eight years shaping Gaudí’s legacy before transitioning into her current role as advisor and collaborator.
 
Sofya has been deeply involved in curating and delivering international events including three editions of the Gaudí World Congress and a range of immersive challenges, workshops, and exhibitions. She now serves as a collaborator and advisor to the Foundation, and is currently working with AIM Group International on the upcoming Gaudí World Congress in Chile, which will be supporting the construction of the only Gaudí-designed building outside of Spain — the long-awaited Chapel in Rancagua.
 
Today, she’ll be giving a first glimpse into my new initiative: the Back to the Origins Summit, set to take place in Seoul in spring 2026 — the first event of its kind to unite thought leaders, creatives, and institutions around a shared mission: designing a future rooted in timeless wisdom and regenerative innovation.


Sofya Abramchuk #DESIGNtoCHANGE ONStage PODcast Gaudi World Foundation with Ruud Janssen

Sofya Abramchuk #DESIGNtoCHANGE BACKStage PODcast Gaudi World Foundation with Ruud Janssen

Pétrus

Gaudí

Вне Времени


Episode 49 of In The Basement is a genre-spanning journey through ambient, dub, Balearic, leftfield house, and experimental electronica. This weeks show blends soulful introspection from Afterlife and Paul Mahoux with heavyweight collaborations like Mark Pritchard & Thom Yorke and The Cure remixed by Four Tet. Expect everything from psychedelic downtempo and post-punk reinterpretations to bass-heavy club cuts and sun-soaked grooves.

In the Basement: 049 with Paul Inflyte

⫷ Where world music and electronics meet ⫸

A tribe of artists, where each creator approaches the concept of music from a different angle, yet they form a unified universe.


members:

@Baladimusica
@Cord_music
Diznaray
@EarthJam-music
@MeoCulpa 
@n_a_u_t_i_s
@novan_the_one
@Obadu 
@Organikasound
@Zakhorov

octave plateau – music by Gerhard Andreas Schreiber

Gerhard Andreas Schreiber. Since the 1980s,  composing and producing music under the name octave plateau. What began in the shadowed clubs of the post-punk era and the neon-lit pulse of the Neue Deutsche Welle has grown into a lifelong journey through diverse soundscapes and emotions.

Back then, working with artists like Markus, capturing the spirit of a generation in transition – between analog grit and melodic futurism. But the musical path didn’t stop there.

Today, octave plateau bridges four distinct yet emotionally intertwined genres:

Smooth Jazz – music like warm light on late-night streets; gentle grooves, atmospheric chords, and melodies that breathe and linger. It’s the sound of reflection and release, crafted with subtlety and soul.

New Wave – shimmering synths, melancholic harmonies, and rhythm-driven storytelling. A style rooted in the 80s, but constantly reinterpreted to reflect the tension and beauty of the now.

Deutscher Schlager – emotional, melodic, and lyrical. I approach this genre with both respect and reinvention – drawing from its traditions while reshaping its form for contemporary ears.

Neue Deutsche Welle (NDW) – raw, ironic, and rhythmic. NDW has always been the rebellious heart of octave plateau, combining German lyrics with electronic textures, punk aesthetics, and a dose of playful absurdity.

In 2024, these songs – some newly written, others rediscovered and reimagined – are being produced in the octave plateau studio in Berlin. Here, the past and the present meet in harmony and friction. Analog synthesizers hum alongside digital clarity. Stories unfold in every track – sometimes with a wink, sometimes with a sigh.

octave plateau is not just a musical alias. It’s a lifelong project, a personal archive, and a sonic playground. Welcome to a place where genres speak to one another – and where every note has a memory.

New tracks tagged #gaudi