Генеративный bytebeat-трек, написанный вручную через dollchan.net/bytebeat

Используемый код:

T=[13,8],l=[0,1],p=t* (("2222222#2222222#".charCodeAt((t>>T[ (t>>17)%2])%16)-35)/10),b=((t* (("0000000133333336=". charCodeAt ((t>>13)%16)-35)/10))%256/5),e=l[(t>>17) %2]*random()*(((-t>> [6,5,5,4,3,5,4,4,4,5,5,4,5,5,4,3] [(t>>11)%16]) %64)+64)/3,p%30.1/3+p%59.98/3+p%50.02/3+p %40.2/3+b+e+(t*("0402060=".charCodeAt ((t>>11)%8)-35)%256)/15

Звук порождён из побитовых сдвигов, символов, случайностей и математической боли.
Никаких сэмплов — только голая формула, периодичность, и то, что находится между. Кстати у меня ДР сегодня.

t>>17core

aural hymncast #084 (modular versions II)

Patch note – It’s a Mess

Arbhar in follow mode catches random samples, while a heavy bassline is filtered through the Raging Bull and driven into distortion by the Monotropa. A pure sine wave gets wavefolded by the Piston Honda, adding sharp harmonics.

Everything is in constant motion: the Ochd modulates itself through a matrix mixer, creating evolving LFO chaos, while Peaks injects random voltages to push the whole patch further into unpredictability.

FX : mimeophon, monsoon & EMT250

The result: granular textures, distorted low-end, and folding sine tones — all wrapped in self-modulated randomness.

Untitled Feedback Process (eurorack)

Field recording from the Bolivian Amazon, routed through a modular synthesizer to generate a musical echo of the ecosystem.

--> totemphonia.com/GEMS

mono II [GEMS version]

7H3-3N61N33R 🔴 detachment & transition (EMDS004) OUT NOW ‼️‼️

7H3-3N61N33R is one of the alter egos of musician, composer, producer, and audio engineer MBVR, also known as “‪Ñutram Kalku” For a decade and a half, he has been exploring the facets of ambient, IDM, dub, and downtempo, participating in composition, production, keyboards, synthesis, and sound design for metal bands and remixing songs. One of his projects was the opening of an important radio program in Argentina on “Vorterix Radio",“detachment & transition” is the single from his official debut on Egregor Music.

Who said you need high bpms and a beat to create an intense and dizzying experience? This piece, developed with the benefits of historic hardware synthesizers from the 1990s, was created using multi-layer processing of generative modular digital synthesis. Our sonic baquiano breaks new ground by mapping what is known as the psychonaut's holy grail, the dissolution of identity and ego: “astral death,” which empirically offers the possibility of reducing the fear of death, increasing personal well-being and sense of purpose, as a psycho-spiritual tool and transition of consciousness around the mystery that surrounds the end of our days on the physical plane and the consummation of the biological cycle.

“Death is an archetype, it is the archetype that gives meaning to life, and a meaningless life is not worth living.”

SUPPORT & GRAB YOUR COPY HERE:
https://egregormusic.bandcamp.com/album/detachment-transition-emds003

Written & Composed by 7H3-3N61N33R 
Produced, Mixed & Mastered by MBVR at ‪https://soundcloud.com/aurea-lab-studio
Cover Art & Art in Motion by Omnis
Released by https://soundcloud.com/egregormusic

Egregor Music 2025, 12 Years Making Psychedelic Trance Great Again

detachment & transition (EMDS004)

Dark generative ambient drone crafted on a compact portable modular rig (Arturia 6U).

Layers of sound emerge from Piston Honda MK3, Error Instrument Sound Scaper, Klavis Twin Waves, and Instruō Arbhar, all sculpted through the Wasp and Mutable Ripples filters.

Expect evolving sequences, unpredictable cross-modulations, and textures ranging from Clank Chaos to  Acid Rain Maestro, with Ornament and Crime, shaped through VCAs.

The sound is washed in immersive delay and feedback via Mimeophon, then drenched in the rich, haunting reverb of Desmodus Versio.

Recorded entirely without additional processing using a Disting MK4

REC00010 - Fractured Frequencies

Tracks with descriptions tend to get more plays and engagements by the way. You should really have a great description to go with your music. I don't know why you wouldn't do that, you're just missing out if you don't. You should definitely put a backstory for each track you make, even if you don't have one. Just manufacture one okay? Make one up. Because engagement and plays is what matters! Be real twin.

To Play

Something

At Home

On Nice Speakers

In this new era we have been given the mission to provide a place of sonic comfort, building a sonic temple where we act in order to align souls and calibrate your senses. Feeding your
imagination we will show how to setup reality.

We will take you through a wide range of audible ecosystems, built by a special selection of magickal beings, who have been gathered and prepared to take on this task.

Spawned by the rhythms of the future and visionary art, we develop creativity to design intelligent music, surfing fractals and making a way in the universe: Breaking the duality, we play both as creators and destroyers; germinating, growing and destroying frequencies.

Merged in this entity, we will try to be your compass between dimensions, while the particles vibrate in the air over our tracks or by getting the visual art of this Magick Egregor printed in your eyes.

🔴7H3-3N61N33R - DETACHMENT & TRANSITION (SINGLE) 
https://egregormusic.bandcamp.com/album/detachment-transition-emds003

ÑUTRAM KALKU - ANCESTRAL VORTEX 👽
[REMASTER 10 YEARS ANNIVERSARY] 
https://egregormusic.bandcamp.com/album/ancestral-vortex-remaster-2025-emdep006

enby ARTIST
I make MUSIC for PERSONAL stimulation
NOTHING I have made is to meet EXTERNAL conventions
I DO NOT wish to be included in the MUSIC binary

New tracks tagged #generative music