Funky Music Free, Happenstance, Freestyle,Well, Gymhype, Irish Institute Of Sport, Futon, Pianobackground, Glasshouses, Instance, Fond D'atelier, Free Type Beat, Homesweethome, Insomniac Events, Grooveden, Glamour,, Folds,Louis, Mark Kendrick, Funkjoy, Lil B Pink Flame, Fuckd, Foghornrollers, Gal.5:1, Guide Me, Hemka, Hipp, Herec, Futurernb, Haole, Free Arranged By Myself,  Geogotbands, Kidcurry, Jaaniteranaa, Icecream, Free Sound Music, Klassiek, Gigawatt, Francisco, Lisette

Al-Saff background music lab 💫FREE DOWNLOAD

In this second episode of The Bridge Initiative's Unpacking Islamophobia, Bridge Initiative host Arsalan Iftikhar interviews Peter Beinart, Professor of Journalism and Political Science at the City University of New York and Contributing Opinion Writer at The New York Times. Peter is also a CNN Political Commentator, Editor-at-Large of Jewish Currents, and a Non-Resident Fellow at the Foundation for Middle East Peace

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Five Islamophobia Questions With Peter Beinart

I'd like President Bush to get a gun in his hands.

I'm busy painting my kitchen.

Phonesampling, Nick Park, Michaelserwa, Mario Odyssey, Lapd,, País, Lifedownload⚡️[Pdf]❤️, Marketingtips, Orqu?Dea, Market Research , Música Rock Grátis, Managements, Left In Detroit, Lawze, Medicine Man, Osa, Lndn Drgs, Michael Giacchino, Mahoota, Lesetips, Lilly Wood & Robin Schulz, Mymaingoalistoblowup, Sabrinacarpenter, Lacey:, Mayotлилия, Mrtrz, Niños,, Melhores,Trap, Latijnsamerikaanse Barokmuziek,  Lilhum, Pluggnbmkaash Paige Type Beat, Lane Johnson, Linx3, Naisettevõtja, Love Is The Message, Moheet, Master Class, Lnes

6star audio background process FREE DOWNLOAD

I really like to experiment.

- Beat: La leçon particulière composed by: Francis Lai · Christian Gaubert.
  From the 1968 French drama ‘La Leçon Particulière’ (‘The Private Lesson’).
- Skits pulled from 'Future Shock' (1972) Narrated by Orson Wells. 
- Mixed: SHAZ
- Written and performed by: SHAZ

In this freestyle, SHAZ explores the themes presented in a 1970 book by American futurist Alvin Toffler, entitled Future Shock. A critique of the Capitalism and the American dream, SHAZ links this to how we have got to where we are at, the meaning of freedom under capitalism. He questions although we are breathing, if we are unhappy with our place in the world, a world which remains rampant with wide spread suffering, are any of us really 'alive'. 

Are we really living or just slaves to our unfulfillable dreams under the elusion of freedom?

Dream Of Freedom

Love & War

The Great Potato Famine

The Great Potato Famine (Live Acoustic)- ft. George Bush

Adesso 
https://on.soundcloud.com/81PChgsq2XVSVWyLA

WE KILL POLICE! (Lil Office Chair X Adesso)

The start of World War I, the so-called "Great War" of 1914 to 1918, was triggered when a teenage Serbian revolutionary (Dennis) shot Archduke Franz Ferdinand, the presumptive heir to the Austro-Hungarian throne, and his wife Sophie on their visit to the Bosnian capital of Sarajevo.

George's Bush

The first upload got messed up somehow and sounded really awful and sort of demonic but lmk if you guys want that version 

bushisms beat

BUG RAP (Morgan & Morgan & Morgan possible sponsorship???????)

We out here doing god’s work
CHIEF QUEEF & DENNIS
Benjamin Spande 4 life

go stream 31 on soundcloud

Academy Award-winning actor F. Murray Abraham was born on October 24, 1939 in Pittsburgh, Pennsylvania and raised in El Paso, Texas. His father, Fred Abraham, was a Syrian (Antiochian Orthodox Christian) immigrant. His mother, Josephine (Stello) Abraham, was the daughter of Italian immigrants. Born with the first name "Murray", he added an "F." to distinguish his stage name.

Primarily a stage actor, Abraham made his screen debut as an usher in George C. Scott's comedy They Might Be Giants (1971). By the mid-1970s, Murray had steady employment as an actor, doing commercials and voice-over work. He can be seen as one of the undercover police officers along with Al Pacino in Sidney Lumet's Serpico (1973), and in television roles including the villain in one third-season episode of Kojak (1973). His film work of those years also included the roles of a cabdriver in The Prisoner of Second Avenue (1975), a mechanic in The Sunshine Boys (1975), and a police officer in All the President's Men (1976).

Beyond these small roles, Abraham continued to do commercials and voice-over work for income. But in 1978, he decided to give them up. Frustrated with the lack of substantial roles, Abraham said, "No one was taking my acting seriously. I figured if I didn't do it, then I'd have no right to the dreams I've always had". His wife, Kate Hannan, went to work as an assistant and Abraham became a "house husband". He described, "I cooked and cleaned and took care of the kids. It was very rough on my macho idea of life. But it was the best thing that ever happened to me". Abraham appeared as drug dealer Omar Suárez alongside Pacino again in the gangster film Scarface (1983). He also gained visibility voicing a talking bunch of grapes in a series of television commercials for Fruit of the Loom underwear.

In 1985, he was honored with as Academy Award for Best Performance by an Actor in a Leading Role for the acclaimed role of envious composer Antonio Salieri in Amadeus (1984), an award for which Tom Hulce, playing Mozart in that movie, had also been nominated. He was also honored with a Golden Globe for Best Performance by an Actor in a Motion Picture - Drama, among other awards, and his role in the film, is still considered to be his most iconic as the film's director Milos Forman inspired the work of the role with Abraham's wide range of qualities as a great stage and film actor.

After Amadeus, he next appeared in The Name of the Rose (1986), in which he played Bernardo Gui, nemesis to Sir Sean Connery as William of Baskerville. In the DVD audio commentary, his director on the film, Jean-Jacques Annaud, described Abraham as an "egomaniac" on the set, who considered himself more important than Sean Connery, since Connery did not have an Oscar. That said, the film was a critical success. Abraham had tired of appearing as villains and wanted to return to his background in comedy, as he also explained to People Weekly magazine in an interview he gave at the time of its release.

Hi, my name is Alex. Me and my friend )@%*( are the creators of our own genre, Pritcore.

We make terrible covers of songs and even some of our own original works.

Here are 2 things we will never cover/recreate:
Spirit in the Sky
Any ABBA song

New tracks tagged #georgebush