pulled from the wreckage
2025-06-01
remix done late

latestage//waves

_ Ivybr1dge  ･✧♡ [snippet]

_!; . . ,.,.∿__~÷!; ,.,.>∿__!; ...::,∿__~!; ..' ,.,~∿_

::0x₿l33d

“Sussura Inferorum” blends haunting ambient textures, ghostlike vocals and ritualistic low-end into a cinematic, slow-building horror score. A sonic whisper from the underworld – ominous, immersive, and unnervingly beautiful.

This feels actually much more authentic than releasing any happy summer songs, see description "Deepression" and next songs will also address this, but I will try to still upload some other songs

Maybe some genre voting could also be something to consider in the future...^^

BUY / STREAM

Sussura Inferorum

the sound of wanting someone so bad you lose yourself. the sound of falling to your knees in a hazy fit of love. the sound of collapse.

collapse

Are you sure you want to enter this door?
If you are scared, don't come near.
My mirrors can sense your fear.
Am I too much for you to bear?

Let me bleed where shadows dwell,
Not to fix, but to compel.
This is my pain—do you dare to kneel?
Not for mercy… but to feel?
Inside this mirror cathedral—nothing heals.
Dare to look at the truth beneath the seal.
I won’t sell my name. I won’t serve your fantasy.
You walk in light… but do you really see me?

Let me bleed where shadows dwell,
Not to fix, but to compel.
This is my pain—do you dare to kneel?
Not for mercy… but to feel?
Inside this mirror cathedral—nothing heals.
Dare to look at the truth beneath the seal.
I won’t sell my name. I won’t serve your fantasy.
You walk in light… but do you really see me?

Do you dare to take a look?
At what many before you shook.
You call me difficult, too hexed—
Poor you… so limited. - I am complex.
You entered without care.
Am I too much for you to bear?

Am I too much for you to bear?
Show me that you truly care.
Inside this mirror cathedral—nothing heals.
Dare to look at the truth beneath the seal.
I won’t sell my name. I won’t serve your fantasy.
You walk in light… but do you really see me?
Am I too much for you to bear?

If you leave—you won’t be the first.
These mirrors shatter… never burst.
Am I too much for you to bear?

Too much to bear

_ Icy1ake ･✧ [snippet]

instr. credit : eternal rin ♡
#hubworld

_ Icy1ake ･✧♡ [snippet]

"Fade In" is a slow descent into memory — or maybe a resurrection.
It begins like a breath you didn’t know you were holding: minimalist synth pulses, cinematic hush, and Asphyxia Knox at her most delicate. Her voice drifts in from the edge of sleep, delivering verses that feel like unfinished texts or dreams you half-remember.

GØSTMODE’s production builds like mist — soft, deliberate, then loaded with distortion. It’s the sound of something once hidden choosing to emerge, pixel by pixel, frame by frame.

“Fade In” is about not knowing where you start, or where they ended. It’s not a beginning. It’s what comes after the end credits.

Fade in

Grafenberg unravels The Cure’s bittersweet tension into a velvet fog of pulses, whispers, and spectral longing.
The rhythm slows. The air thickens. Robert Smith’s words dissolve into reverb like breath on a mirror.

This is no longer flirtation — it’s phantom obsession.
Phantom Caress feels like love after the fall, a ghost that clings with elegance and ache.

Sensual. Hollow. Beautifully haunted.

The Cure - Close to me (Grafenberg's Phantom Caress Remix)

8-bit echoes drifting like snow outside a window. This is Pixel Parade.

Pixel Parade (demo)

Drift through the quiet with Lonely Ghost, a chill lo-fi track built on soft synths, gentle rhythms, and a calming melodic flow. This beat floats like a memory—perfect for late-night study sessions, introspective edits, or just zoning out in a cozy corner of your mind.
🔥 What to Expect:
✨ Dreamy synth layers with a mellow pulse
✨ Lo-fi textures that feel like faded memories
✨ A calming beat that soothes and lingers
✨ Ideal for ambient playlists, chill visuals, and emotional storytelling
🎧 Best paired with headphones and a quiet moment
📌 Subscribe for more lo-fi soundscapes, chillwave moods, and sonic daydreams
#LonelyGhost #LoFiBeats #ChillSynths #AmbientGroove #StudyMusic #EmotionalEdits #Ghostwave #LoFiAesthetic #ChillVibes


👻 Lonely Ghost – Lo-Fi Calm in a Haunted Echo 🌫️🎶

Rien à dire… mais tout à perdre.

이게 마지막이야, 너도 알잖아

Rien-à-Dire-아무-말도

_ i7ealm ･✧♡ [snippet]

crime$grime

bloody river

One-man project established in 2024.

If you like my music, great. 

If not, you’re also welcome.

Feel free to like and comment on my songs, and don’t forget to follow me for more music!

AUTOEXÉ is a system crash disguised as a sound.

The duo is made up of Asphyxia Knox — a spectral vocalist forged from vinyl static, surveillance glamour, and digital ruin — and GØSTMODE, the architect behind the interface: producer, writer, and silent manipulator of signal.

Together they build sonic worlds where techno meets trauma, minimal synth meets memoir, and elegance is always threaded with control. Their debut project, CTRL+ALT+DELUXE, fuses fashion editorial aesthetics with post-industrial noise, glamor fatigue, and glitch pop melancholy.

AUTOEXÉ doesn’t perform the future. It executes it.

fr4c//t.3d_3chØs::l0st’n.st@tic///sig∿als_frµm≠now#re

music for the composed and chaotic. anyone who's ever had to copy and paste their feelings to make them more paletable. drown in the sound of piano, reverb and poetic lyrics.

Cassette-dream pop for neon nights and teenage memories.

info@theprozacmarios.com

The Prozac Marios is a forthcoming project from Hal Ritson (The Young Punx), the producer behind over 25 billion streams and credits with artists like Duke Dumont, Katy Perry, and The Chemical Brothers. Their sound blends New Romantic atmosphere, neon-lit synthwave, pixel-hued chiptune, and slowed+reverb melancholy into songs steeped in longing and memory, all delivered with a bold, vintage tape aesthetic that makes every track feel like it is playing from a half-worn mixtape cassette as the batteries run out.

The project builds on Hal’s work co-producing some of the most iconic 80s-influenced records of recent decades, from Duke Dumont’s Ocean Drive and Supermode’s Tell Me Why to Eric Prydz’s Call On Me, Kavinsky’s Nightcall era, and Casisdead’s Famous Last Words. With The Prozac Marios, Hal channels that legacy into something both cinematic and immediate: music that sounds instantly familiar yet unavoidably new.

Tracks posted to SC currently are just some sonic tests not the full releases!

Music Lover. 
Music is hobby.
Music is Life.
Exploring different genres and experimenting with new boundaries.

Also, every piece in this album? Its all written by me, co-produced with asian producers in my free time(Yes, I do it part time as a hobby). I produce based on my feel. I am not aiming for any virality or anything in particular.

Lately, SUNO has been a great help, I play the tune/chords, sing/hum a few verses/chorus, fill up the mandatory lyrics and progressions,  it helps me completes it. It does feels like gacha tho as its not very polished alot of times and u get weird stuffs happening... but thats where DAW comes in anyway.

✧ grunge ･ cloud ･ dub ･ acid ✧
 ･ paul creswick ~ uncharted uk ･

Producer | Composer | Lyricist

DEEP / MELODIC / FUSION / EXPERIMENTAL 
No fix genres – creativity has no boundaries!

Music has been a part of me since my early years – shaped by diverse influences and a deep love for sound. I attended a music-focused high school and played piano as a child – but it wasn’t until years later that I truly began creating music myself. 

My musical journey started over 15 years ago with mixes and mashups. Later, I began with non-commercial compositions – before taking a long break due to personal and health-related reasons. After that time of silence and reflection, I’m now back – still creating and transforming experience into sound. 

I work across genres and approaches: from fully self-composed tracks to productions using samples and even songs generated with contemporary tools combined with the others – typically with own lyrics to tell personal or meaningful stories, influenced by years of illness and a deep longing for genuine justice.

Grafenberg is a sonic explorer whose path spans from the DJ booth to the edges of contemporary electronic storytelling.
After two decades of collecting and spinning techno, minimal and deep underground records, he transformed that passion into a personal language of textures, contrasts, and emotion.

His debut EP on Traumwelten marked the foundation of this identity — a bridge between analog warmth and cinematic melancholy.
In 2025, Grafenberg released his first full-length album, No Saints, No Proof, a conceptual work that blurred the line between the dancefloor and introspection, exploring faith, illusion, and human contradiction through sound.

A month later, he unveiled Circuits in Silence, a standalone single that expanded his universe into Cosmic Slow Techno — a meditative, hypnotic reflection on memory, loss, and the human pulse within the digital void.

Grafenberg is now preparing Erebion’s Dominion, a forthcoming album set for late 2025 or early 2026. Conceived as an immersive narrative between cosmic darkness and redemptive light, it continues his exploration of emotion beyond genre — where analog synthesis meets metaphysical storytelling.

Forever chasing innovation and raw emotion, Grafenberg bridges the legacy of techno with uncharted horizons, where every note carries a fragment of dream, decay, or transcendence.

New tracks tagged #ghostwave