pulled from the wreckage
2025-06-01
remix done late

latestage//waves

A hauntcore confession in the voice of a poet with no place left to lie.
“meDIAS” unravels satire, memory, and the broadcast blues
TV as altar, mask, and mirror.
Spoken word for the post-truth generation.
For the ones still begging with birdshit hats and burnt tongues.
When to speak? When to stay silent? When the TV answers, it sounds like you.

Lyrics:

Orators of old
May I be bold 
Permit my tongue and foul breath 
I come to offer lies at your behest 

I am just a poet
My words are not worth much 
I have this old cap 
Stained by the bird shit of my trust 
You call it wit

Charm, grace, cultivated cat and chase 
If you would rather hear the squawking I can lead 
I bare before you in my hands 
A hat of little means 
I am a beggar in ways 
In more and more craze 
Some days I plead or seethe 
That I do not know, and fear never more, unless of course 
I have to be

If now is not the right time I pray 
Do say 
Just point which rage, wraith, strain, rains, or say
That I do not know, and fear never more, unless of course 
I have to be 

If now is not the right time I pray 
Do say 
Just point which rage, wraith, strain, rains, or say
That I do not know, and fear never more, unless of course 
I have to be 
Or which lying, blindness, or highness claims 
Time to see  

If you may allow me this one reprieve 
I ask just this one riddle of we
When should I speak
When should I stay quiet 
What if I get charged for instigating a riot 

What if when charged I lower my frame, pivot, and play the game
I speak songs with Alzheimer's 
I stay quiet for so long my gaze is the frame of a self portrait 
One I used to admire 

What if the game forgets the rules 
Acquires tools and land and fellow man 
When then would the breaking point one choose 
Is a dream and dream worth living if it always costs you 

Say what of a dream you can never forget, it forever haunts you 
Like speaking thrice in a mirror and the sound of flesh, it forever taunts you 
Nightmare or sleep
Life or peace 
Always wrong 
Nightly deceased 

TV TV sing to me 
Great wide blue cradle me 
You there on the tube tell me you see 
Just another man pretending to be

meDIAS

_ Ivybr1dge  ･✧♡ [snippet]

_!; . . ,.,.∿__~÷!; ,.,.>∿__!; ...::,∿__~!; ..' ,.,~∿_

::0x₿l33d

“Sussura Inferorum” blends haunting ambient textures, ghostlike vocals and ritualistic low-end into a cinematic, slow-building horror score. A sonic whisper from the underworld – ominous, immersive, and unnervingly beautiful.

This feels actually much more authentic than releasing any happy summer songs, see description "Deepression" and next songs will also address this, but I will try to still upload some other songs

Maybe some genre voting could also be something to consider in the future...^^

BUY / STREAM

Sussura Inferorum

the sound of wanting someone so bad you lose yourself. the sound of falling to your knees in a hazy fit of love. the sound of collapse.

collapse

Are you sure you want to enter this door?
If you are scared, don't come near.
My mirrors can sense your fear.
Am I too much for you to bear?

Let me bleed where shadows dwell,
Not to fix, but to compel.
This is my pain—do you dare to kneel?
Not for mercy… but to feel?
Inside this mirror cathedral—nothing heals.
Dare to look at the truth beneath the seal.
I won’t sell my name. I won’t serve your fantasy.
You walk in light… but do you really see me?

Let me bleed where shadows dwell,
Not to fix, but to compel.
This is my pain—do you dare to kneel?
Not for mercy… but to feel?
Inside this mirror cathedral—nothing heals.
Dare to look at the truth beneath the seal.
I won’t sell my name. I won’t serve your fantasy.
You walk in light… but do you really see me?

Do you dare to take a look?
At what many before you shook.
You call me difficult, too hexed—
Poor you… so limited. - I am complex.
You entered without care.
Am I too much for you to bear?

Am I too much for you to bear?
Show me that you truly care.
Inside this mirror cathedral—nothing heals.
Dare to look at the truth beneath the seal.
I won’t sell my name. I won’t serve your fantasy.
You walk in light… but do you really see me?
Am I too much for you to bear?

If you leave—you won’t be the first.
These mirrors shatter… never burst.
Am I too much for you to bear?

Too much to bear

Grafenberg unravels The Cure’s bittersweet tension into a velvet fog of pulses, whispers, and spectral longing.
The rhythm slows. The air thickens. Robert Smith’s words dissolve into reverb like breath on a mirror.

This is no longer flirtation — it’s phantom obsession.
Phantom Caress feels like love after the fall, a ghost that clings with elegance and ache.

Sensual. Hollow. Beautifully haunted.

The Cure - Close to me (Grafenberg's Phantom Caress Remix)

8-bit echoes drifting like snow outside a window. This is Pixel Parade.

Pixel Parade (demo)

Drift through the quiet with Lonely Ghost, a chill lo-fi track built on soft synths, gentle rhythms, and a calming melodic flow. This beat floats like a memory—perfect for late-night study sessions, introspective edits, or just zoning out in a cozy corner of your mind.
🔥 What to Expect:
✨ Dreamy synth layers with a mellow pulse
✨ Lo-fi textures that feel like faded memories
✨ A calming beat that soothes and lingers
✨ Ideal for ambient playlists, chill visuals, and emotional storytelling
🎧 Best paired with headphones and a quiet moment
📌 Subscribe for more lo-fi soundscapes, chillwave moods, and sonic daydreams
#LonelyGhost #LoFiBeats #ChillSynths #AmbientGroove #StudyMusic #EmotionalEdits #Ghostwave #LoFiAesthetic #ChillVibes


👻 Lonely Ghost – Lo-Fi Calm in a Haunted Echo 🌫️🎶

Rien à dire… mais tout à perdre.

이게 마지막이야, 너도 알잖아

Rien-à-Dire-아무-말도

_ i7ealm ･✧♡ [snippet]

crime$grime

bloody river

a vampire's fav tracks plays on the radio; a haunted signal from the internet's afterlife. 

mix / DIGITAL SÉANCE of synths & shadows

One-man project established in 2024.

If you like my music, great. 

If not, you’re also welcome.

Feel free to like and comment on my songs, and don’t forget to follow me for more music!

fr4c//t.3d_3chØs::l0st’n.st@tic///sig∿als_frµm≠now#re

music for the composed and chaotic. anyone who's ever had to copy and paste their feelings to make them more paletable. drown in the sound of piano, reverb and poetic lyrics.

Cassette-dream pop for neon nights and teenage memories.

info@theprozacmarios.com

The Prozac Marios is a forthcoming project from Hal Ritson (The Young Punx), the producer behind over 25 billion streams and credits with artists like Duke Dumont, Katy Perry, and The Chemical Brothers. Their sound blends New Romantic atmosphere, neon-lit synthwave, pixel-hued chiptune, and slowed+reverb melancholy into songs steeped in longing and memory, all delivered with a bold, vintage tape aesthetic that makes every track feel like it is playing from a half-worn mixtape cassette as the batteries run out.

The project builds on Hal’s work co-producing some of the most iconic 80s-influenced records of recent decades, from Duke Dumont’s Ocean Drive and Supermode’s Tell Me Why to Eric Prydz’s Call On Me, Kavinsky’s Nightcall era, and Casisdead’s Famous Last Words. With The Prozac Marios, Hal channels that legacy into something both cinematic and immediate: music that sounds instantly familiar yet unavoidably new.

Tracks posted to SC currently are just some sonic tests not the full releases!

This account here isnt for promotional purposes. Its just simple placeholder and a showcase for our internal group. Its not meant to be "marketed" in soundcloud. We also DO NOT SEEK ANYONE'S ACKNOWLEDGEMENTS HERE. If u like what u hear? Cool. Or else? Still cool =)

50% of the songs here have been AI aided in the production phase but one thing remain constant here, the chords used, the lyrics, the tune are all original. We record one Verse/PC/C, and then AI will "gacha". All inconsistencies are edited with DAW. None of the songs on this channel here are finished complete productions. By doing this, we can ready a sample in less 3~4 days. If u still do not understand how wonderful this is for busy people with day time job, then good for u. Which means u have already ascended to the level that u make a huge killing from producing music =) 

Our group have lawyers, engineers, doctors and even ecologist etc. So its pure hobby for now but we are planning for bigger things. Afterall, many of the music on this channel are pure nostalgia from the 80s to 2010s. We recreate songs that we crave since more than half the group are boomers. =[

So no. Dont have to like the songs. =) We aint here to hunt for likes. We have other motives in our own production circle for 2026.

✧ grunge ･ cloud ･ dub ･ acid ✧
 ･ paul creswick ~ uncharted uk ･

Upcoming
I NEVER CALL YOU MINE (20.12.2025)


Producer | Composer | Lyricist

DEEP / MELODIC / FUSION / EXPERIMENTAL 
No fix genres – creativity has no boundaries!

Music has been a part of me since my early years – shaped by diverse influences and a deep love for sound. I attended a music-focused high school and played piano as a child – but it wasn’t until years later that I truly began creating music myself. 

My musical journey started over 15 years ago with mixes and mashups. Later, I began with non-commercial compositions – before taking a long break due to personal and health-related reasons. After that time of silence and reflection, I’m now back – still creating and transforming experience into sound. 

I work across genres and approaches: from fully self-composed tracks to productions using samples and even songs generated with contemporary tools combined with the others – typically with own lyrics to tell personal or meaningful stories, influenced by years of illness and a deep longing for genuine justice.

Grafenberg is a sonic explorer whose path spans from the DJ booth to the edges of contemporary electronic storytelling.
After two decades of collecting and spinning techno, minimal and deep underground records, he transformed that passion into a personal language of textures, contrasts, and emotion.

His debut EP on Traumwelten marked the foundation of this identity — a bridge between analog warmth and cinematic melancholy.
In 2025, Grafenberg released his first full-length album, No Saints, No Proof, a conceptual work that blurred the line between the dancefloor and introspection, exploring faith, illusion, and human contradiction through sound.

A month later, he unveiled Circuits in Silence, a standalone single that expanded his universe into Cosmic Slow Techno — a meditative, hypnotic reflection on memory, loss, and the human pulse within the digital void.

Grafenberg is now preparing Erebion’s Dominion, a forthcoming album set for late 2025 or early 2026. Conceived as an immersive narrative between cosmic darkness and redemptive light, it continues his exploration of emotion beyond genre — where analog synthesis meets metaphysical storytelling.

Forever chasing innovation and raw emotion, Grafenberg bridges the legacy of techno with uncharted horizons, where every note carries a fragment of dream, decay, or transcendence.

New tracks tagged #ghostwave