Gnossienne No. 1; or, The Stranger (Spaghetti Western Version)

Gnossienne No. 4; or, A Pistol for Satie (Spaghetti Western Version)

Æ
Produced By $P4RK3R
https://youtu.be/8Afim5bwHBU

Satie Gnossienne N°1

Erik Satie's Gnossienne No.1 got stuck in my head. 
Played it on a guitar and added some stiyot
Mastering by Khimeîra

Satie Im Stiya

Virtual Jam Session John Coltrane Virtual Keith Jarrett - Erik Satie Interview Gnossienne No.2023  Reverb  Freek Banning Freestyle World

Reverb@Gnossienne

watch here

Gnossienne No.2023  Reverb@Gnossienne

Erik Satie belonged to a Parisian esoteric Rosicrucian Fellowship.
In homage to the doctrine of Gnosis, he composed six short pieces for piano: the "Gnossiennes" 😑🎵

For donations: www.paypal.com/paypalme/carlocozzula

Satie E. - Gnossienne n.5 (piano)

Erik Satie - Gnossienne No. 4 With Deep Things

1ere Gnossienne
Erik Satie 

Cialli-Zearott Duduk & Organ Duo
Orlando Cialli - Duduk
Morgan Zearott - Organ

Sound Engineer - Francesco Della Pelle

Evangelical Lutheran Church of Florence, IT
Kemper - Heberlein Organ
(Rest. in 2005)

https://orlandocialli93.wixsite.com/orlando-cialli/ciallizearottduo

1ere Gnossienne - Erik Satie - Cialli-Zearott Duduk & Organ Duo

Boom Bap Gnossienne no. 1-3 - Eric Satie - Freek Banning

video is here

Boom Bap Gnossienne no. 1-3

Piano Cover of Gnossienne no 2. by Eric Satie

Gnossienne No.2

Sampled the eerie piano piece Erik Satie. Made in GarageBand. Thanks for listening.

Gnossienne

Gnossienne 1

A folklore Turku entwined with Satie's genius, and the traces of a new voice

Merdo

Shadows Whisper

Instrumental artist blending classical, spaghetti western, and sci-fi sounds. Mostly just making spaghetti-western parodies of famous tunes.

And is his incredible flow with us in the room right now?

Hi, I’m Kelsey of King Kelsey. Thanks for giving my music your time <3

Yo, yo, Freek in de building 
full video here https://www.youtube.com/watch?v=n6ADCa462_o
Virtual Jam Sessions Freestyle World @freek-banning-freestyle
Geen filter, geen MTV-shit
Allemaal nep, bro, luister goed!

[Hook]
🎵
Ze willen bling, midgets in de clip, bro (clip, bro)
TikTok dansjes, money in de zip, yo (zip, yo)
Ik zeg: fuck dat, ik doe m’n eigen ding (ding)
Freek Banning, snackcorner, ik ben de King!
🎵

[Verse 1]
Yo, de label zei: “Freek, doe wat MTV wil”
Ik zei: “Fok die shit, ik maak beats in m’n chill”
Iedereen wil fame, drugs en groupies in leer
Ik wil kroketten bij het tankstation om de hoek hier
(Snackcorner Love, yeah, die hit!)

Ze vragen: “Wie is jouw invloed, Freek?”
Ik zeg: “Mijn oma, en de kassajuf bij de supermarkt naast de kerk”
Iedereen doet raar met sciencefiction-haar
Ik rock gewoon m’n hoodie, oldschool klaar

[Hook]
🎵
Ze willen bling, midgets in de clip, bro (clip, bro)
TikTok dansjes, money in de zip, yo (zip, yo)
Ik zeg: fuck dat, ik doe m’n eigen ding (ding)
Freek Banning, snackcorner, ik ben de King!
🎵

[Verse 2]
MTV is reclame, muziek is nu een product
Labels pushen zangers met de looks, niet met de hooks
Ik kom met Rutte in Uniform op een beat zo fel
Terwijl jij playbackt in je clip met nep Chanel

Ze willen girl in de Lambo, boy in de club
Ik wil bitterballen in de regen bij de snackbar-pub
Zij willen trends, ik wil gewoon wat echt is
Ik ben progressief: alles wat geen prefab hit is

[Bridge – Gesproken, maar ritmisch]
Ze zeiden: “Freek, je moet veranderen”
Ik zei: “Waarom?”
Ze: “Je moet midgets in je video”
Ik: “Bro, ik heb geen midgets, ik heb vrienden, en een microfoon”

[Hook]
🎵
Ze willen bling, midgets in de clip, bro (clip, bro)
TikTok dansjes, money in de zip, yo (zip, yo)
Ik zeg: fuck dat, ik doe m’n eigen ding (ding)
Freek Banning, snackcorner, ik ben de King!
🎵

[Verse 3]
Alles is fake, man, niemand speelt live
Iedereen dezelfde beat, dezelfde vibe
Maar ik improviseer, elke show uniek
Mijn solo’s zijn freestyle, net als mijn kritiek

Ik maak muziek voor die mensen die snappen
Niet voor de massa die gewoon wil klappen
Dus fuck je filters, fuck je algoritme
Freek doet oldschool, tot de laatste snik, man!

[Outro]
Ja, marketing is de nieuwe muziek
Maar ik ben nog steeds die guy met de rauwe kritiek
Geen bling, geen bullshit, geen label chain
Freek Banning forever, onthoud die name! my Reddit page is here https://www.reddit.com/user/freekbanning/

Carlo Cozzula was born  in Sassari in 1971.
In 1994 he obtained the Experimental Magistral Diploma with the highest grade; in 1996 - under the leading of Hedda Vignanelli Illy – he graduated, with the highest marks, in Organ at the Conservatory of his city and next year, he graduated in Harpsichord at the Conservatory "B. Marcello" of Venice. 
He has studied Choral Music and Choir Conducting and also studied piano at the concert levels since 1985.
He performed on all the instruments as a soloist in chamber ensemble also with vocal soloists, accompanying several polyphonic complexes, among which the "Cantori della Resurrezione" by A. Sanna, with whom, in 2000, he collaborated for a recording of music by G. B. Platti (Bongiovanni Records), and with whom he performed in a concert in July 2003 in the Basilica of the SS. Rosary of Lourdes (France).
He was the main organist at the Monumental Church of S. Maria di Betlem (Sassari) and at the Basilica of S. Gavino (Porto Torres). 
As an organist, in October 1997 he was invited for a tournée in Germany, performing in prestigious places, including Limburg, Wiesbaden, Lorch, Frankfurt, as soloist and chamber musician, in concert seasons including well-known soloists such as W. Stockmeier, R. Haas, M. Pirenne, U. Krupp, W. Rockel, J. Von Erdmann.
He was invited again for the October of 2003 to give a concert at the “Orgelsommer 2003” in St. Josef Church (Frankfurt), achieving great success, playing in a schedule with some of the most famous and acclaimed organists on the world scene, such as J. Parker-Smith, Th. Trotter, H. Vogel, P. Pincemaille, D. Zaretsky, P. Pietiläinen.
In 2007 he was called a part of the Jury of the 1st Art Competition "Il Filo di Arianna", at the Baja Hotel in Cannigione (Sardinia). 
He taught Music Theory and has been pianist accompanist of lyric singing classes at the Civic School of Nuoro, taught in State Schools.
Recently he has edited the Italian translation - in World Premiere - of the essay of 1846 written by the French F. Levacher D'Urclé: "Manual didactic problems in relation to the study of the anatomy of the hand" and also the thesis by M. Punt "The Straube Code-Deciphering the metronome marks in Max Reger's Organ Works".
As a composer, he is the author of music - original and not - dedicates to the international singer Teresa Salgueiro. He is also the author of a series of Concert Transcriptions for organ - even in World Premiere - from the piano and symphonic repertoire, and for pf. from the original organ repertoire, but also from accurate choices concerning the world of jazz, fusion, Brazilian music, French chansons and Soundtracks.
One of the piano transcriptions has already been recently included in a piano recital. These compositions are already available to the international artists such as: Philippe Raskin, Mariangela Vacatello, Irene Veneziano, Simone Pedroni, Igor Roma, Gloria Campaner, Antonio Pompa-Baldi, Alexei Volodin, Roberto Plano, Maurizio Baglini, Andrew Litton, Sandro Russo, Nicholas McCarthy, Ramin Bahrami, Thomas Ospital, Stephen Tharp, Thierry Mechler, Joseph Nolan, Danilo Rea, Enrico Pieranunzi, Carisa Marcelino and Clare Hammond.

My Website:
https://orlandocialli93.wixsite.com/orlando-cialli

Autodidacte & amoureux de ces notes qui nous caressent l'esprit et le cœur...

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