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                                           What if we stopped avoiding the difficult people in our lives and committed to simply loving everybody? What happens when we give away love like we're made of it? In Everybody, Always, Bob Goff's joyful New York Times bestselling follow-up to Love Does, you'll discover the secret to living without fear, constraint, or worry. Bob teaches us that the path toward the o


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Returning to the pod is director Susanna Fogel to talk to Anna Smith about her riveting new feature Cat Person starring the brilliant Emilia Jones, best known for her lead role in Oscar-winning film CODA. Emilia plays Margot - a young, single, and seemingly self-possessed woman who meets Robert, played by Succession’s Nicholas Braun. The film, inspired by Kristen Roupenian’s viral New Yorker short story of the same name, explores issues around dating and consent as we follow Margot in her fledgling relationship with Robert. Susanna Fogel shares how the team brought the story to the big screen, and how she hopes it will provoke discussion around issues such as consent and dating.

Also returning to the pod in this episode is Ellen E Jones, film critic, broadcaster and writer who offers her insight into Cat Person and the cinematic language used in the film. Anna and Ellen delve into the representation and perspectives of both Margot and Robert, but also Margot’s mother Kelly (Hope Davis) and Margot’s lecturer and mentor played by Isabella Rossellini. Ellen’s new book 'Screen Deep: How film and TV can solve racism and save the world' is out in February 2024. 

CAT PERSON is in UK & Ireland cinemas from Friday 27th October 2023

Other films mentioned in this episode include: 
Brainwashed: Sex-Camera-Power, Nina Menkes 2022
Blade Runner, Ridley Scott 1982
Winner, Susanna Fogel tbc
Star Wars, 1977–2019
Barbie, Greta Gerwig 2023
Spirited Away, Hayao Miyazaki 2001
Zola, Janicza Bravo 2020
How to Have Sex, Molly Manning Walker 2023
Booksmart, Olivia Wilde 2019

Television mentioned in this episode include: 
Succession, 2018–2023

You can hear Emilia Jones on CODA in Girls On Film episodes 90 and 108, and Susanna Fogel on her film A Small Light in Girls On Film episode 154.

Become a patron of Girls On Film on Patreon here: 
www.patreon.com/girlsonfilmpodcast 

Follow us on socials: 
www.instagram.com/girlsonfilm_podcast/ 
www.facebook.com/girlsonfilmpodcast 
www.twitter.com/GirlsOnFilm_Pod 
www.twitter.com/annasmithjourno

Watch Girls On Film on the BFI’s YouTube channel:
www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z

Girls On Film is an HLA production. 

Host: Anna Smith
Executive Producer: Hedda Archbold
Producer: Lydia Scott
Audio editor: Emma Butt
Intern: Charlotte Matheson
House band: MX Tyrants

This episode is in partnership with STUDIOCANAL.

© HLA Agency

Ep 160: Talking modern romance, consent and character with Susanna Fogel, director of Cat Person

Today Anna Smith talks to Oscar-nominated director Maite Alberdi about her new documentary The Eternal Memory, which follows a Chilean couple as they navigate the challenges of Alzheimer’s disease together. She then talks to Ella Glendining about her BIFA-nominated documentary, Is There Anybody Out There? which charts her search for individuals with the same rare disability as herself.

Journalist Augusto Góngora and actor Paulina Urrutia are the subject of The Eternal Memory, a touching testimony of the couple’s bond in the face of Augusto’s worsening dementia. ‘La Pauli,’ as Augosto referred to his partner, took care of him after he was diagnosed with Alzheimer’s at 62. Maite recalls how the couple had a unique approach to the disease where they saw ‘Alzeimher’s as a challenge, not a tragedy’. The film uses a mix of archive footage from Augusto’s broadcast days and new material as the couple go about their daily lives, noticing the sensory experience of the everyday and how it interacts with Augosto’s condition. The Eternal Memory offers a unique and refreshing perspective on dementia, ageing and coupledom. 

Next, Anna Smith talks to Ella Glendining about the making of and motivation behind her documentary Is There Anybody Out There?. The film is personal, one woman’s search to find someone else born with no hip joints and short femurs, but it is also deeply political, laying bare the ethics of  medical intervention, exploring the impacts of ableism and documenting disabled joy. Ella talks about the inspiration behind the film, the challenges and surprises she faced while making it, and she reveals the projects she is most looking forward to seeing next!

You can watch The Eternal Memory in select cinemas from the 10th November 2023. Visit www.theeternalmemory.film to find out more and book tickets

Is There Anybody Out There? is in cinemas and on demand 17th November 2023. Screenings and information at conic.film/anybody
 
Other films mentioned in this episode include: 
The Mole Agent, Maite Alberdi, 2020
Dick Johnson Is Dead, Kirsten Johnson 2020
Smoke Sauna Sisterhood (Original title: Savvusanna sõsarad), Anna Hints, 2023

Television mentioned in this episode include: 
We Might Regret This, Kyla Harris

Reviews mentioned in this episode: 
https://www.timeout.com/movies/smoke-sauna-sisterhood-2023 

Become a patron of Girls On Film on Patreon here: 
www.patreon.com/girlsonfilmpodcast 

Follow us on socials: 
www.instagram.com/girlsonfilm_podcast/ 
www.facebook.com/girlsonfilmpodcast 
www.twitter.com/GirlsOnFilm_Pod 
www.twitter.com/annasmithjourno

Watch Girls On Film on the BFI’s YouTube channel:
www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z

Girls On Film is an HLA production. 

Host: Anna Smith
Executive Producer: Hedda Archbold
Producer: Lydia Scott
Audio editor: Emma Butt
Intern: Charlotte Matheson

House band: MX Tyrants

This episode is in partnership with Dogwoof and Conic Films.

© HLA Agency

Ep 161: Docs and disability with the directors of The Eternal Memory & Is There Anybody Out There?

In this episode of Girls On Film, Anna Smith talks to Director Paul Sng and Producer Jen Corcoran about their new feature documentary Tish, which tells the story of working-class photographer Patricia ‘Tish’ Murtha who worked to document life in Northeast England in the 1970s and 1980s. Anna then talks to Production Designer Sarah Greenwood and Set Decorator Katie Spencer, who worked together to create the distinctive world of Greta Gerwig’s Barbie. 

Tish was the Opening Night Film of Sheffield Doc Fest 2023 and it is a celebration of a life devoted to exposing social inequality through art. The feature documentary is told from the perspective of Ella Murtha, both as daughter and custodian of the Tish Murtha archive. She retraces her mother’s relationship with the photographic medium, from finding her first camera in a local skip, to earning a reputation as the ‘demon snapper’ and beyond. Anna talks to Paul and Jen about the inspiration behind the project, the power of having working-class stories told from the inside, and asks about their favourite photographs in the Tish archive. 

Next on Girls On Film, Anna has a lively conversation with Sarah Greenwood and Katie Spencer, whose long time collaboration has resulted in multiple Academy Award and BAFTA nominations, and, most recently, the weird, wonderful and instantly recognisable world of Barbie. Sarah and Katie talk about working with Greta Gerwig in the early design stages of the project, following visual prompts like ‘think Gaudí in a blender’ when creating Weird Barbie’s house, and the film’s many and varied visual inspirations. 

Tish by Paul Sng is being released by Modern Films in UK and Irish cinemas on 17 November 2023. On demand information: Virtual cinema 22 Dec, TVOD 5 Feb (iTunes, Amazon, Google Play). 

Barbie is available on 4K, Blu-Ray™, DVD & Digital Download now

Other films mentioned in this episode include: 
Singin’ in the Rain, Gene Kelly, Stanley Donen, 1952
Grease, Randal Kleiser, 1978
Playtime, Jacques Tati, 1967
The Wizard of Oz, Victor Fleming, 1939
Psycho, Alfred Hitchock, 1960
Jaws, Steven Spielberg, 1975

Books mentioned; 
To Kill A Mockingbird, Harper Lee, 1960

Become a patron of Girls On Film on Patreon here: 
www.patreon.com/girlsonfilmpodcast 

Follow us on socials: 
www.instagram.com/girlsonfilm_podcast/ 
www.facebook.com/girlsonfilmpodcast 
www.twitter.com/GirlsOnFilm_Pod 
www.twitter.com/annasmithjourno

Watch Girls On Film on the BFI’s YouTube channel:
www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z

Girls On Film is an HLA production. 

Host: Anna Smith
Executive Producer: Hedda Archbold
Producer: Lydia Scott
Audio editor: Elliana Jay Hamer
Intern: Charlotte Matheson

House band: MX Tyrants

This episode is in partnership with Margaret London and Women in Film and TV (UK) with huge thanks to our principal partners Peter Brewer and Vanessa Smith. 

With thanks to Sophia Hammond and Kate Riddell.

© HLA Agency

Ep 162: From the streets of Newcastle to the set of Barbie Land: the craft behind Tish & Barbie

Today on Girls On Film Anna Smith has a fascinating discussion about Todd Haynes’ May December with its screenwriter, Samy Burch. Samy talks to Anna about the journey she went on with this screenplay from writing it as a spec script to hopefully gain representation, to it catching the attention of one of the film’s stars Natalie Portman as a producer, and so meeting the legendary director Todd Haynes (Carol, Far from Heaven). Samy talks about the real-life story that inspired the screenplay, the layers of ‘power and manipulation’ in both Moore and Portman’s performances, and the role that gender plays in media coverage of these kinds of stories. 

May December tells the story of Gracie, played by Julianne Moore, and Joe, played by Riverdale’s Charles Melton, as they live family life in the shadow of their infamous first encounter: the couple’s 20-year relationship began when Gracie was 36 and Joe was just 13-years-old. Now, two decades later, Natalie Portman plays actress Elizabeth who travels to Georgia to study the couple for a role in an upcoming film. Gracie and Joe are forced to revisit their past from new perspectives, as they question the love story they've told themselves and the world. 

You can watch May December now in cinemas in the UK, and on Sky Cinema on the 8 December 2023.

Other films mentioned in this episode include: 
Persona, Ingmar Bergman, 1966
3 Women, Robert Altman, 1977
Coyote vs. Acme, Dave Green

Become a patron of Girls On Film on Patreon here: 
www.patreon.com/girlsonfilmpodcast 

Follow us on socials: 
www.instagram.com/girlsonfilm_podcast/ 
www.facebook.com/girlsonfilmpodcast 
www.twitter.com/GirlsOnFilm_Pod 
www.twitter.com/annasmithjourno

Watch Girls On Film on the BFI’s YouTube channel:
www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. 

Host: Anna Smith
Executive Producer: Hedda Archbold
Producer: Lydia Scott
Audio editor: Nic Wassell
Intern: Charlotte Matheson

House band: MX Tyrants

This episode is in partnership with Sky Cinema.

With thanks to AmyLouise Godby.

© HLA Agency

Ep 163: May December’s Samy Burch on screenwriting & working with Natalie Portman & Julianne Moore

On today’s episode of Girls On Film, Anna Smith talks to four of the women Heads of Department who helped create Oppenheimer. 

Anna speaks to its editor Jennifer Lame (Midsommar, Don’t Worry Darling) about her career, which led her to edit one of the biggest films of 2023. Jennifer shares her instinct-driven approach to her work and reflects on her position as a woman editor.

Next up Anna has a conversation with legendary costume designer Ellen Mirojnick, whose credits include Basic Instinct, Showgirls and Bridgerton. Ellen speaks about her first foray into costume design, hunting for the perfect hat for Oppenheimer, and the joys of putting together costumes for the film’s women characters. 

Finally, Anna speaks with Head of Hair Jaime Leigh McIntosh (Blonde, Babylon) and Head of Makeup and Prosthetics Luisa Abel (Knives Out, Interstellar) about the extraordinary attention to detail required when working in IMAX format, and about the role of the women characters in the Oppenheimer story. 

Oppenheimer is based on the 2006 Pulitzer Prize-winning book 'American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer' by Kai Bird and Martin J. Sherwin. It stars Cillian Murphy with an all star supporting cast including Emily Blunt, Florence Pugh and Robert Downey Jr.  

At the time of writing it was announced that Oppenheimer, written and directed by Christopher Nolan, is up for eight Golden Globes at the 2024 awards. 

Oppenheimer is available on demand now. 

Other films mentioned in this episode include: 
Before the Devil Knows You’re Dead (Sidney Lumet, 2007) 
Fatal Attraction (Adrian Lyne, 1988) 
Basic Instinct (Paul Verhoeven, 1992) 
The Wiz (Sidney Lumet, 1978)

Become a patron of Girls On Film on Patreon here: 
www.patreon.com/girlsonfilmpodcast 

Follow us on socials: 
www.instagram.com/girlsonfilm_podcast/ 
www.facebook.com/girlsonfilmpodcast 
www.twitter.com/GirlsOnFilm_Pod 
www.twitter.com/annasmithjourno

Watch Girls On Film on the BFI’s YouTube channel:
www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. 

Host: Anna Smith
Executive Producer: Hedda Archbold
Producer: Lydia Scott 
Assistant Producer: Charlotte Matheson
Audio editor: Jack Howard
House band: MX Tyrants
This episode is in partnership with Universal Pictures.

© HLA Agency

Ep 164: Oppenheimer: Behind Every Great Film About a Man There Are Great Women

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This week, Anna Smith welcomes Nicole Newnham back to Girls On Film to discuss her documentary The Disappearance of Shere Hite. The film sheds light on the groundbreaking sexologist and former Playboy model Shere Hite, who in 1976 published The Hite Report, dubbed ‘a sexual revolution in 600 pages’. Taking the intimate experiences of thousands of women across the world as its basis, Hite and a small team of grassroots feminists exposed some of the harmful ideas around female sexuality that were prevalent at the time.

In this episode, Nicole describes how she first got involved in the project, about the contemporary relevance of Shere Hite, and how Dakota Johnson became the voice of Shere Hite. With Anna, Nicole discusses some of the tragedy as well as triumph in the story of Shere Hite and the desire to explore what she calls the ‘the architecture of silence’ that attempted to remove Hite from the history books.

Other films mentioned in this episode:
Crip Camp, Nicole Newnham and James Lebrecht, 2020

You can watch The Disappearance of Shere Hite from the 12th January in UK cinemas.

Become a patron of Girls On Film on Patreon here: 
www.patreon.com/girlsonfilmpodcast 

Follow us on socials: 
www.instagram.com/girlsonfilm_podcast/ 
www.facebook.com/girlsonfilmpodcast 
www.twitter.com/GirlsOnFilm_Pod 
www.twitter.com/annasmithjourno

Watch Girls On Film on the BFI’s YouTube channel:
www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. 

Host: Anna Smith
Executive Producer: Hedda Archbold
Producer: Charlotte Matheson
Audio editor: Alex Jones
House band: MX Tyrants

This episode is in partnership with Dogwoof and NBC Universal 

© HLA Agency

Ep 166: Director Nicole Newnham talks about sexologist Shere Hite & her doc featuring Dakota Johnson

Oscar and BAFTA nominee Carey Mulligan returns to Girls On Film for a very special episode celebrating her performance in the towering epic Maestro, currently on Netflix. Carey plays Felicia Montealegre Cohn Bernstein, opposite director Bradley Cooper as composer Leonard Bernstein, and her performance is spellbinding. She joined host Anna Smith after a screening of Maestro in London on 23rd January 2024 - the very day she was announced as a nominee for the Oscar for Actress in a Leading Role. This exclusive recording sees Carey sharing her thoughts on preparing for this complex role, working with Bradley Cooper and the incredible craft departments such as Hair and Make-Up. Recalling Carey’s first appearance on episode 3 of Girls On Film, Anna and Carey spoke frankly about how things have progressed for women in film, and how much has changed since we launched the podcast. You can also hear Carey answering questions from our audience of Girls On Film listeners.
						 				
			
Other films mentioned in this episode: 

Promising Young Woman (dir. Emerald Fennell)
She Said (dir. Maria Schrader)


Subscribe to our newsletter and invitation list to hear about future screenings by emailing: 
girlsonfilmsocial@gmail.com

Become a patron of Girls On Film on Patreon here: 
www.patreon.com/girlsonfilmpodcast 

Follow us on socials: 
www.instagram.com/girlsonfilm_podcast/ 
www.facebook.com/girlsonfilmpodcast 
www.twitter.com/GirlsOnFilm_Pod 
www.twitter.com/annasmithjourno

Watch Girls On Film on the BFI’s YouTube channel:
www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z

Girls On Film is an HLA production. 

Host: Anna Smith
Executive Producer: Hedda Archbold
Assistant Producer: Charlotte Matheson
Audio editor: Jack Howard
Live sound recordist: Cam Griffiths

House band: MX Tyrants
This episode is in partnership with Netflix

Photo: Julie Edwards Photography

© HLA Agency

Ep 167: Carey Mulligan talks about Maestro at a special screening on Oscar nominations day 2024

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Best actress Oscar nominee Lily Gladstone joins Anna to discuss her powerful performance in Martin Scorsese’s American chronicle crime thriller Killers of the Flower Moon, now streaming globally on Apple TV+. 

Gladstone’s Mollie Kyle is an Osage Native American, and heir to the oil-rich, Osage-owned land in 1920s Oklahoma that white settlers are desperate to get their hands on. By turns richly emotional and crackling with humour, her nuanced portrayal foregrounds the story of Mollie and her fellow women in the community as an integral part of the film. Making history as the first Native American woman to receive a best actress nomination, Lily’s performance is a powerful testament to the suffering of the Osage women, and their incredible strength in the face of it. 

She joined Anna after a screening of the film in Soho’s Ham Yard Hotel, where she shared the depth of her preparation for the role, from spending time with the real Mollie’s family to wearing a 100-year-old Osage blanket as part of her costume. She talks working with Leonardo DiCaprio and Martin Scorsese – now the most nominated living director in Oscars history. Praising his skill and sensitivity in telling the story of Killers of the Flower Moon, she also makes a call to support Native American filmmakers bringing their own narratives to the screen – and answers questions from our audience.

—--------------------------------------------------------------------------

Become a patron of Girls On Film on Patreon here: 
www.patreon.com/girlsonfilmpodcast 

Subscribe to our newsletter and invitation list to hear about future screenings by emailing:
girlsonfilmsocial@gmail.com

Follow us on socials: 
www.instagram.com/girlsonfilm_podcast/ 
www.facebook.com/girlsonfilmpodcast 
www.twitter.com/GirlsOnFilm_Pod 
www.twitter.com/annasmithjourno

Watch Girls On Film on the BFI’s YouTube channel:
www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. 

Host: Anna Smith
Executive Producer: Hedda Archbold
Producer: Heather Dempsey
Assistant Producer: Charlotte Matheson
Audio editor: Jack Howard
House band: MX Tyrants
Photographer: Julie Edwards 
This episode is in partnership with Apple Original Films and Killers of the Flower Moon

Ep 168: Lily Gladstone talks about her Oscar-nominated performance in Killers of the Flower Moon

As we post this episode, we’re coming up to the  third annual Girls On Film Awards 2024. They take place on Tuesday 20 February 2024 at Regent Street Cinema in London. We’ll celebrate the brilliant work made by women in film and will be joined by nominees, industry supporters and listeners.


We give awards in 12 categories, and the undisputed climax of the night will be the award for the category 'Female Orgasm on Screen, sponsored by Intimacy On Set' for the second year running.  In this episode, Intimacy On Set founder Ita O’Brien talks with Hedda Lornie Archbold, Girls On Film co-founder, about the four nominated films in this category: Fair Play, Joy Ride, Poor Things and Saltburn, as well as about some of the other notable films of the past year.

Ita O'Brien is an Intimacy Coordinator and Movement Director for film, television, and theatre. Since 2014, she has been developing best practice when working with intimacy, scenes with sexual content, and nudity in film, TV, and theatre. Ita pioneered the role of Intimacy Coordinator, which is being adopted in leading production houses, including HBO, Netflix, and the BBC.  Ita founded Intimacy on Set to provide trained, professional Intimacy Coordinators to the industry.

Also in this episode, Anna Smith recommends some great films by women filmmakers in the run up to International Women’s Day 2024.

Films mentioned in this episode:
Men Up
Saltburn 
Poor Things
Fair Play
Joy Ride
How To Have Sex
Barbie
Oppenheimer
Memory
Four Daughters
Copa 71
Origin

Operas mentioned in this episode:
Anthony and Cleopatra

Television series mentioned in this episode:
Bridgerton
Brave New World 

Men Up is on BBC iPlayer
Fair Play is on Netflix
Joy Ride is streaming platforms including Apple TV. 
Saltburn is on Prime Video 
Poor Things is on streaming platforms including Prime Video and Apple TV from 27 February 2024.


Become a patron of Girls On Film on Patreon here: 
www.patreon.com/girlsonfilmpodcast 

Follow us on socials: 
www.instagram.com/girlsonfilm_podcast/ 
www.facebook.com/girlsonfilmpodcast 
www.twitter.com/GirlsOnFilm_Pod 
www.twitter.com/annasmithjourno

Watch Girls On Film on the BFI’s YouTube channel:
www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z
Girls On Film is an HLA production. 

Host: Anna Smith
Producer: Hedda Lornie Archbold
Audio editor: Emma Butt
House band: MX Tyrants
This episode is in partnership with Intimacy On Set

© HLA Agency

Ep 171:  Intimacy Coordinator Ita O’Brien talks about sex in Saltburn, Poor Things, Fair Play & more

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whats up. im exdrumi. that one 14 years old guy who cook bangers in fl studio mobile
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my alt account:@wannondubz

'exdrumi is a guy who loves to be away from the world because he doesn't want to cause harm to anyone and from so much time being alone in his "euroverse" universe that his mental darkness destroyed him and he passed his mental darkness into his music because he wanted to be safe mentally and now he is a normal guy'

Girls On Film is a film review podcast from a female perspective, hosted by film critic and broadcaster Anna Smith and produced by co-founder Hedda Archbold at HLA Agency

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