Stream

Our Secret

Inspiring soundscape & textures, 2023
Musiques originales composées et interprétées par Alice Guerlot-Kourouklis.
Tirées du travail sur les films : Ruines, les blessures de la guerre, Juste Charity.
Éditée par Frédéric Lebovitz Editeur

Alice Guerlot-Kourouklis : orgue, accordéon, clavier, piano, kalimba,
guitare électrique et électronique, programmation.

Mixées par Alice Guerlot-Kourouklis
Mastering : Benjamin Joubert / Biduloscope Mastering
Photographie : Clara Chichin

Crystal thinking

Inspiring soundscape & textures, 2023
Musiques originales composées et interprétées par Alice Guerlot-Kourouklis.
Tirées du travail sur les films : Ruines, les blessures de la guerre, Juste Charity, La révolte des femmes de chambre.
Éditée par Frédéric Lebovitz Editeur

Alice Guerlot-Kourouklis : orgue, accordéon, clavier, piano, kalimba,
guitare électrique et électronique, programmation.

Mixées par Alice Guerlot-Kourouklis
Mastering : Benjamin Joubert / Biduloscope Mastering
Photographie : Clara Chichin

Granular loop

Inspiring soundscape & textures, 2023
Musiques originales composées et interprétées par Alice Guerlot-Kourouklis.
Tirées du travail sur les films : Ruines, les blessures de la guerre, Juste Charity, La révolte des femmes de chambre
Éditée par Frédéric Lebovitz Editeur

Alice Guerlot-Kourouklis : orgue, accordéon, clavier, piano, kalimba,
guitare électrique et électronique, programmation.

Mixées par Alice Guerlot-Kourouklis
Mastering : Benjamin Joubert / Biduloscope Mastering
Photographie : Clara Chichin

Granularity

Dreamcatcher

Floating in space

Glowing in the dark

ransom notes

Recorded, mixed & mastered 31 Mar 2018, 12 Jul 2008, 10 Oct 2024 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa. 

©2024 Jim Lemanowicz

Process notes -
I started in Reason, using a xylophone sound and two arpeggiated synths. I did two different versions. I brought the entirety of the second longer version plus some of the first into Ableton Live 12.1. Here, I added some alto sax from 2018 and a bit of a manipulated guitar recording from 2008.

Tools used - 
Reason, NN-XT, Europa, Ableton Live, Granulator III, alto sax, Cort Zenox, native Live & Reason effects, iZotope Nectar & Ozone. 

Artwork/Photography -
Manhattan, NYC, NY 21 Oct 2020

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This original version of “Mister, Have You Seen My Dog?” was submitted as part of Disquiet Junto Project 0667: Neighbor of the Beast. The Assignment: What’s it sound like when the devil lives across the street?

More on the Disquiet Junto at: disquiet.com/junto/

More on the 667th weekly Disquiet Junto project, Neighbor of the Beast — The Assignment: What’s it sound like when the devil lives across the street? — at https://disquiet.com/0667/

Mister, Have You Seen My Dog?  (disquiet0667)

Poznań, Scena Robocza 26.10.24
Poznań Design Fest 2024.

Timeline:
0:00 Paweł Opalczewski (acoustic guitar, live electronics)
10:50 Adam Knychaus (djembe, live electronics)
20:04 Jan Juszczak (beats, live act)
29:05 Julia Bartczak (synthesizer, voice, live electronics)
41:15 Previous performers join gradually.

Coordinator: Rafał Zapała

Link to the video of the performance: https://youtu.be/Ls2mN3jobvI?si=WhmNp2M0fOrCHHif

[LEP LAPTOP] Restful set 26.10.24

En approchant la fin - Étude midi

Body Consciousness

Making music is about being surprised.
https://www.patreon.com/blisterpop
Linktree for more - https://linktr.ee/blisterpop

FKA Tezra

making things with my computer
sometimes i dj

Based in NY

I play fingerstyle acoustic guitar and produce electronic music.
My adventure with music started in my childhood, but recently I've been working on music quite a lot and more seriously.
My tunes are mostly inspired by nature.

documenting since 2020

new record out now! link below (free to listen, support welcome)

all tracks were living performances, usually with acoustic bass and electronics, sometimes other things like guitar, synthesizers, voice, piano, mixers, fx, field recordings; usually single takes, no overdubs.

please dm or email (asdbmusic@gmail.com) for collaborations, commissions, booking, compliments, complaints, etc. etc.

Acoustic and electroacoustic composer, field recordist

algk.music@gmail.com
Alice Guerlot-Kourouklis is a sound artist and composer based in France.
With a degree in sociology, she worked as a musician (accordion and piano) before devoting herself to composition.  
Composition, which emerged from her instrumental practices (self-taught, unorthodox use of instruments, sound as a material to be sculpted, modification of the timbre of the instrument with the use of effects pedals and real-time sound processing, play on the ambiguity between natural sound and synthetic sound) is approached as an empirical process. Through encounters with other artistic fields, she has freely navigated between several aesthetics, exploring the concept of translation and the notion of conversation between media: field recording, the broadcasting of interviews, the abstraction of sound in encounters with image or dance, the search for singularity through the meticulous work of textures as a privileged mode of musical expression for films.
Inspired by the human sciences, and committed to a more experimental approach, for some years now she has been interested in the musical translation of sociological and philosophical concepts. In 2019, she co-founded the collective IAKERI and co-signed the installation Murs Invisibles, presented in numerous art centres and festivals. For her, this work inaugurates a new approach to musical creation through the use of digital data derived from a social event, which will determine the spatialisation, dynamics, timbre and texture of the music, in the form of deterioration, frequency sculpting and the appearance of silences.
She then introduced herself to free improvisation and polyrhythm, which also led her to reflect on the impregnations of the ear and its perceptions.
In 2020, the Festival Image Sonore commissioned a work of mixed music for "Agriconium", which she performed accompanied by cellist Eric-Maria Couturier (Ensemble Intercontemporain) and violinist Antoine Maisonhaute (Quatuor Tana).
In 2021, the Quatuor TANA commissioned her to create Through The Looking | Glass, a work of mixed music based on the quartets of Philip Glass.

New tracks tagged #granulation