-Unlike Me (Remastered Album Version) Sample

Kate Havnevik - Micronation

P A R L A - 'I've Been a Mess'

Written by Mark Eitzel/American Music Club

https://www.facebook.com/parlamusic
https://twitter.com/parlasongs

e: parlasongs@gmail.com

PARLA - I've Been A Mess

Deal With It

"Oxen Hope" (Guy Sigsworth Remix)

WE GRIPPIN', WE AIN'T SLIPPIN'

1:38 A$AP Rocky
2:58 Gunplay
4:18 A$AP Ferg
5:39 Shyne
6:00 Pusha T
6:54 Shyne
7:11 Meek Mill
8:29 Tory Lanez
10:04 OnPointLikeOP
10:39 Jim Jones
11:42 DUSTY LOCANE

Ghetto Symphony · A$AP Rocky
LONG.LIVE.A$AP
2013
Featured Artist: Gunplay · A$AP Ferg
Producer: A$AP Rocky · MP Williams · V Don
Sample: Meyer Lanksy · Shyne · 2012

Psychobabble · Frou Frou
Details
2002
Producer: Guy Sigsworth · Imogen Heap

Meyer Lanksy · Shyne
Gangland
2012
Featured Artist: Pusha T
Producer: A$AP Rocky · MP Williams · V Don
Sample: Long Red (Live) · Mountain · 1972
Sample: Mary Jane · Rick James · 1978
Sample: Psychobabble · Frou Frou · 2002

Dreams Worth More Than Money · Meek Mill
2014
Producer: A$AP Rocky · MP Williams · V Don
Sample: Meyer Lanksy · Shyne · 2012

When It's Dark · Tory Lanez
When It's Dark
2021
Producer: A$AP Rocky · MP Williams · V Don
Sample: Meyer Lanksy · Shyne · 2012

Stickup · Jim Jones · DUSTY LOCANE · OnPointLikeOP
Gangsta Grillz: We Set the Trends
2022
Producer: DJ Drama · KinoDa1
Sample: Meyer Lanksy · Shyne · 2012

Ghetto Symphony (Megamix) [feat. Gunplay, Ferg, Frou Frou, Shyne, Push, Meek, Tory, Jim, DUSTY, OP]

this is a cover of frou frous a new kind of love


A New Kind Of Love (Frou Frou Cover) - AeroTek

Produced & Engineered by Dave Johnston 
Vocals by Dave Johnston 
Additional strings, synths & horns performed by Mal Smith

'Let Go' originally by Frou Frou
Written by Imogen Heap & Guy Sigsworth

n1ghtmar3cat is: Dave Johnston, Dom Mauger

Let Go

Another snippet of new music posted by Amy Lee! According to Rolling Stone, Amy plans to release a solo album soon, but it's still unknown what this piece of music is for.

Video taken from Amy's official Instagram post: https://www.instagram.com/p/BCReh2rEDox/?taken-by=amylee

Follow Amy Lee:
YouTube: https://www.youtube.com/channel/UCxdWaWTIj-AFycTmuAPm62A
Facebook: https://www.facebook.com/AmyLeeOfficial
Twitter: https://twitter.com/AmyLeeEV
Instagram: http://instagram.com/amylee
Website: http://amyleeofficial.com

More Evanescence Crew:
Website: http://evanescencecrew.wix.com/evanescencecrew
Twitter: https://twitter.com/EvanescenceCrew
Instagram: http://instagram.com/evanescencecrew
Soundcloud: https://soundcloud.com/evanescence-crew
Google +: https://plus.google.com/u/0/b/114411287396710256705/114411287396710256705/posts
Vine: https://vine.co/u/1183811035610980352
Ask.fm: http://ask.fm/evanescencecrew

AMY LEE - "Love Exists" (Teaser)

P A R L A - 'I Wish U Heaven'

Written by Prince Rogers Nelson

www.facebook.com/parlamusic
twitter.com/parlasongs

e: parlasongs@gmail.com

I Wish U Heaven

Kate Havnevik is a multi-instrumentalist artist composer from Norway. Her debut album, Melankton was crtitally acclaimed. She continues to release studio albums and writes scores for Film & TV.

FANPAGE providing the latest Evanescence & Amy Lee news. Pre-save "Wasted On You" by Evanescence out April 24th: http://evanescence.lnk.to/WastedOnYouTW

Self-produced, independent, engaged, she blurs the boundaries between pure art form and creative entrepreneurship. Heap has always communicated and collaborated with her loyal following (currently she has over 2.2m twitter followers alone) both on and offline in pioneering ways. This has included fans contributing sounds, words and ideas through her inventive Listening Chair project for example or taking on a whole city in China for her song Xizi She Knows.

Her graceful tunes such as signature track Hide & Seek populate movies and TV shows, accompany dance and theatre performances and more recently, have been sampled by a whole new generation of young rappers and producers. On the more commercial end and being an 'artistąs artist', Heap has penned songs for and with Taylor Swift, Britney Spears, Mika and Josh Groban among others.

Her Mimu Gloves project a cutting edge experimental gestural music ware developed initially for Imogen’s studio and stage work was premiered at TEDU Global 2011 and since has attracted worldwide interest from the New Scientist, BBC tv and radio, Wired, Dezeen, Mashable.. the list goes on. Now Heap can be found collaborating and supporting new Mimu glovers' who range from pop starlet Ariana Grande to the the leading UK charity working in music, disability and technology, Drake Music. Other technology projects have included a generative and reactive music jogging app, explorations in 3D sound with leading engineers and technologists and Arboreal Lightning, a sound and movement reactive LED tree spanning over 1.5km!

In August 2014 Imogen curated and headlined a 4 day festival of contemporary classical music with heavy leanings in technology, bursting with installations to inspire at London’s iconic Roundhouse Camden.

Heap’s albums have been nominated 4 times for Grammys winning her one for engineering, an Ivor Novello award, The Pioneer award in 2015 from the Artist and Manager awards and recently another Grammy for her contribution to Taylor Swift’s album 1989.

Imogen has now added to her roles. Mum, as her little girl Scout was born in November 2014 on her living room floor. True to form of Imogen’s creative character to draw from and experiment with whatever may be going on around her at the time, Scout is the percussionist on Tiny Human, the first song after her birth.

To release Tiny Human, Imogen started to think on how the music industry could be improved in the wake of blockchain technology and smart contracts. So in her spare time, Imogen’s been speaking and meeting up mostly about what she calls ‘Mycelia’ - A foundation from which to create, champion and maintain the ethical, technological and commercial standards required to run a fair trade music industry.

Heap has recently produced the music for the Harry Potter and The Cursed Child, theatre production. J.K Rowling's next story in the series has opened at the Palace Theatre in London’s West End, May 2016.

In 2017, you may see Imogen in a town near you as she’s planning her much awaited next World Tour!

In the last months of the 1990s, in the years after she graduated from Evergreen, Mirah would regularly walk from her apartment on 4th avenue in downtown Olympia five minutes up the block to her friends’ place, the Track House. On one such occasion, she holed up in their garage all night long with her four-track cassette recorder and their broken, out-of-tune piano. “It’s a small town,” she sang, over crackly, creeping keys. “I’ll see you around...I wish you’d move.” 

It’s sweet but sharp, like much of her expansive, decades-long catalog of beaming pop songs. And it’s apt intro to the songs she was writing around that time, all laced with snapshots from small-town Oly: the railroad tracks that run through town, transient friends who’d come and go on tour, the feeling of being a million miles from the city. 

“I didn’t know I was making a record,” recalls the singer, songwriter, recording artist and producer, twenty years later, on the brink of the reissue of her now classic debut full-length, You Think It’s Like This But Really It’s Like This, released in 2000 by K Records. It was just that freedom, following her first couple of EPs and tours, that made the record gleam with possibility: the excitement of beginnings, of unfiltered long-distance longings, the miniature everyday epiphanies of becoming yourself. 

When it was written, Mirah was in her early 20s, immersed in a life of cheap rent, constant art-making, “distracting [herself] with the guitar and microphones” (as she sings on the album) and helping to run DIY cafes like the Secret Cafe at the Track House and the Red Horse Cafe out of her own apartment. Some days, she’d be at home experimenting with four-track home-recording. Other days, she’d be over at Dub Narcotic’s giant warehouse space, in its wide open second floor studio, the Big Room, meeting up with friends like Phil Elverum (who she had collaborated with in The Microphones, and who co-produced the record), Khaela Maricich (of the Blow, who sings on some of the songs), and really, whichever cast of friends were around and wanted to play music. 

“Calvin had incredible equipment and was so generous and trusting,” Mirah reflects, mentioning vintage gear like an old Hammond B3 organ with a Leslie speaker used on “Of Pressure”. “He gave us all keys. Sometimes we’d go in there to record and Arrington [de Dionyso] would be asleep on a mattress on the floor because he had been recording all night. We didn’t even have a schedule. We were all involved with each other’s projects. If I needed a choir, we’d just call everybody up and they’d walk over. And a couple minutes later, 10 friends would be there.” 

Elsewhere, there’s also one of indie pop’s most sweeping and visceral crush songs, “Sweepstakes Prize,” a perfect encapsulation of Mirah and Elverum’s collaborative ability to build sparse minimalism into clattering noise, to make the tension of the lyrics utterly inescapable. For its hooky drumbeats, Elverum set up two kits on opposite ends of the room. “We both played drums at the same time,” Mirah remembers. “And had them mic-ed so that it gave a natural room delay. We just had a lot of fun.” (It was written about the same person as “Small Town,” she recounts, laughing, a testament to the album’s rollercoaster of emotions.)

Two decades later, You Think It’s Like This... brims with timelessly necessary feelings: of dreaming in the moment, of not having expectations, making art because it’s fun, unsupressable exuberance even when the songs are not joyful. “I just hope people can get there again,” Mirah says. “My biggest hope with making music is that the music I make can do for other people what all the music I’ve listened to in my life has done for me. It helps me be alive. It helps me be a person. It helps me feel things. It helps me connect to myself and to other people.”

Dave Johnston - Vocals, Composition, Instruments, Production



nightmare cat nightmarecat n1ghtmar3 cat n1ghtmarecat nightmar3cat

Popular tracks tagged #guy sigsworth