PRESS YOUR LUCK RECORDS OFFICIAL SESSION 
PERSONNEL – FILE #PYL-1988-02
Artist: Barstool Benny Quartet 
Location: Boyle Heights, CA Date: Circa 1988 (night session, undocumented)

Personnel: 
Benny – Hammond Organ 
Lou Mercer – Electric Guitar 
Jimmy “Two Hands” DelVecchio – Upright Bass Frankie “Thumper” Morello – Drums
Len Tillerson – Mix & Mastering Captured live to reel. No edits. No fixes.

Full-length tape available at: ➡️ https://ko-fi.com/barstoolbennys/shop

Music for midnight philosophers and 3AM saints. No streaming. Just tape.

All tracks recorded by human hands on analog equipment. No algorithms were consulted, no artificial intelligence was employed. The mistakes you hear are ours. The soul you feel is real. – B.B., Press Your Luck Records

© 1981–2001 Press Your Luck Records & Tapes. All rights reserved.

Jukebox Funeral

PRESS YOUR LUCK RECORDS OFFICIAL SESSION 
PERSONNEL – FILE #PYL-1988-02
Artist: Barstool Benny Quartet
Location: Boyle Heights, CA Date: Circa 1988 (night session, undocumented)

Personnel: 
Benny – Hammond Organ 
Lou Mercer – Electric Guitar 
Jimmy “Two Hands” DelVecchio – Upright Bass Frankie “Thumper” Morello – Drums
Len Tillerson – Mix & Mastering Captured live to reel. No edits. No fixes.

Full-length tape available at: ➡️ https://ko-fi.com/barstoolbennys/shop

Music for midnight philosophers and 3AM saints. No streaming. Just tape.

All tracks recorded by human hands on analog equipment. No algorithms were consulted, no artificial intelligence was employed. The mistakes you hear are ours. The soul you feel is real. – B.B., Press Your Luck Records

© 1981–2001 Press Your Luck Records & Tapes. All rights reserved.

Hangover Hymn

En funkig trudelutt made in Abbekås

När jag viskar i ditt öra

Text &  Musik Henric Svensson 202502

Nu ska du få höra vad jag vill göra 
Jag vill spela på min orgel hela dan
Sitta och svänga på någon gammal dänga
Dur eller moll det spelar spelar faktiskt ingen roll

Nu ska du få höra när jag viskar i ditt öra
Jag vill spela på din lyra natten lång
Sitta och känna på strängarna klämma
Dur eller moll det spelar spelar faktiskt ingen roll

Det kan du glömma fortsätt drömma
Det kan du glömma fortsätt drömma

Nu ska du få höra vad jag vill göra 
Jag vill spela på min orgel hela dan
Sitta och svänga på någon gammal dänga
Dur eller moll det spelar spelar faktiskt ingen roll

Nu ska du få höra när jag viskar i ditt öra
Jag vill spela på din lyra natten lång
Sitta och känna på strängarna klämma
Dur eller moll det spelar spelar faktiskt ingen roll

Det kan du glömma fortsätt drömma
Det kan du glömma fortsätt drömma

Nu ska du få höra när jag viskar i ditt öra
Jag vill spela på din lyra natten lång
Sitta och känna på strängarna klämma
Dur eller moll det spelar spelar faktiskt ingen roll
Dur eller moll det spelar spelar faktiskt ingen roll

När jag viskar i ditt öra

“My Own Soul” explores inner battles and the burden of the self. With moody undertones, gritty lyrics, it delivers a deep, emotional soundscape for listeners who walk through fire and rise from dust.

My Own Soul

A bit of soul with organ and guitar as main ingredients. I'm going for a Dumble ODS vibe with the guitar.

Don't You Think

Mirando una pelicula ("Divina Influencer") descubri este temazo y sin saber su nombre y sus autores decidí hacer este cover y grabarlo en el Fernette Búnker Sound Studio.  Pero luego encontré el nombre y sus autores Los Cast of Characters. Este tema es del álbum "Strike, no spare" y la versión original a diferencia del de la pelicula tiene unos condimentos geniales, sobre todo en el final, pero bueno, ya habia hecho esta versión digamos.. más pochoclera. Enjoy !!!!

LUCKY ME - Cover by Ferchus & The Fernettes

misterG of greenarrowradio chats with Mr. Nathan East and his son, Noah about their debut recording toGether, Father Son.

Nathan and Noah East

Tony Monaco has the bragging rights of touring with jazz legends Jimmy Smith and Pat Martino. Smoothly re-branded as B3 Monaco,  the freshly produced “Love Charade” is a collab with double-Grammy winner Paul Brown! www.b3monaco.com

Commercial Written, Directed & Voiced by Sandy Shore; Produced by Dave DeAndrea for SmoothJazz.com Global, 2025.

B3 Monaco : Love Charade

For this episode we convene at Jungle, a Boulder rum bar and burger shack inspired by the Tiki tradition. Jeff, as you learned in our Season 7 premiere, is an avid tiki afficionado, and here he lets his passion for big fruity drinks and the culture and lore behind them stand out like the loudest aloha shirt.

Sadly, Brad was unable to join us at Jungle, but we’re fortunate to have Jeff’s good friend and colleague, Andrew Nelson, Professor of Management at the University of Oregon’s Lundquist School of Business, where he’s also the Academic Director of Lundquist’s Center for Entrepreneurship. This “battle of  entrepreneurship center directors” begins with Jeff and Andrew breaking down the flavor profile of Jungle’s signature (and rather strong) Mai Tai. 

Jeff brings up the importance of studying all aspects of entrepreneurship, not just the headline-grabbing, venture-funded endeavors. They agree that the bigger story of entrepreneurship is how one can turn their passion into a business, and use entrepreneurship as a tool for having a good life.

This segues into a discussion about Andrew’s latest published paper, which traces the competition between Hammond and Everett (maker of the Orgatron) to bring an electric organ to market back in 1935. While the Orgatron mimicked the pipe organ remarkably well, it was too close to the real thing, leaving little space for innovation, whereas the organ-like Hammond could be used to create innovative sounds. It eventually evolved into the Hammond B3, an instrument still ubiquitous to any keyboardist’s arsenal. 

Funny how the Orgatron never really caught on…

Enjoy and cheers! 
—

This episode of Creative Distillation was recorded at Jungle in downtown Boulder. Learn more at jungletiki.com.

Learn more about Andrew J. Nelson on his faculty page at the University of Oregon’s Lundquist School of Business. https://business.uoregon.edu/directory/faculty-staff/all/ajnelson)

Read Andrew’s paper, “Even Better Than the Real Thing: Electronic Organs and the Dilemma of Product Mimicry” in the June 2025 issue of Strategic Management Journal. https://sms.onlinelibrary.wiley.com/doi/10.1002/smj.3704)

--

Learn more about CU's Deming Center for Entrepreneurship: https://deming.colorado.edu

Comments/criticism/suggestions/feedback? We'd love to hear it. Drop us a note at CDpodcast@colorado.edu.

Thanks for listening.
- An Analog Digital Arts Production for the Deming Center for Entrepreneurship Produced, recorded and edited by Joel Davis

"Whiskey Before Breakfast" [Traditional] performed by Jeffrey York and Brad Werner. Recorded, mixed and mastered by George Figgs

___

CREATIVE DISTILLATION

University of Colorado-Boulder professors Jeff York and Brad Werner distill entrepreneurship research into actionable insights.

Jeff York | Associate Professor | Research Director jeffrey.york@colorado.edu

Brad Werner | Instructor | Teaching Director walter.werner@colorado.edu

Deming Center for Entrepreneurship | CU Leeds School of Business 303.492.9018 | deming@colorado.edu



CDEP 85: Andrew Nelson (OR): Jungle Mai Tais and the Optimal Distinctiveness of Electric Organs

Cast of Characters:
Cgmaness – @hiddenhands-760647700 – Chris – acoustic guitar, synth, and composition
Mistermark-- @user-432503709 -- Mark –- vocals, lyrics, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four string fretless Warwick bass
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
J.J. Terrell– @j-j-terrell – piano, B3 organ voice, synth sax, and JJ's angels (voice synth), Lucky Man style synth
TexMex Shaman– @texmex-shaman –Stephen– master and production
This song started as a project that was begun on his guitar and synth, then shelved by our master songwriter, Chris. He always gives us magic to work with, and as soon as he shared this one with the rest of Eclectic Collective, we all jumped on it.
Mark heard his part first, and set about writing some great lyrics to sing with his solid, inimitable voice. His lyrics are about a hypothetical future where we've turned to technology in search of human connection, only to realize that it has only isolated us more, and that we really already had that connection to begin with. The narration is from a future perspective, like all this has already happened, and its speaking to us from the future, almost like a warning.
The rhythm section was still absent, though, but not for long. Ken added his groovy, perfectly in the vibe drums to it next. Josh, of course followed soon after, now that he had drums to work with, by adding his fretless four string bass to the song. Now that it was sounding like a well rounded piece, Tez came through with some thrilling guitar solos that you hear throughout. JJ first added some piano, B3, and sax to the song, then later completed it with his psychedelic synth and divine voice synth that provides the "choir" you hear in there.
Now that it was all in the bag, Mark spent considerable time and effort mixing it, then turned it over to our resident pro Stephen for the mastering.
This is one of our favorite songs we've ever done, and it reminds us all of both Pink Floyd and King Crimson. This is a great example of what the team is able to do with a really solid, yet open musical seed, provided by a master composer. We hope you enjoy listening to it as much as we enjoyed making it.
Original lyrics by Mistermark:
The wind by the seashore, the wash of the waves
the sand on your skin and the glance that you gave
the sounds of the carnival we left it all behind
there were words left unsaid at the back of your mind
how could I have been so blind?
It was so long ago now it’s just you and me
it seems I've forgotten the way you like your tea
the house becomes quiet as the guests head for home
the garden’s been gathered and the kids are all grown
on their own
“The robots will help” they said “it’s better this way”
“there’s no need to work and there’s more time to play”
our leaders assured us we’d never go poor
and nobody questions the truth anymore
but what did we do it all for?
Our science sustains us like fine works of art
but are we closer together or farther apart?
we’re each on an island alone on the sea
the ocean between us expands rapidly
is this where we wanted to be?
It was so long ago now it’s just you and me
it seems we’ve forgotten the way it used to be
machines tried to help us but something went wrong
the future we wanted was here all along
The wind by the seashore, the wash of the waves
the sand on your skin and the glance that you gave
the sounds of the carnival we left it all behind
there were words left unsaid…





Faded Fortunes (Eclectic Collective)

Composer/Songwriter. Proficient performer of piano, bass guitar, double bass, cello, 6 string , 12 string , drums, triangle (shall I include tambourine too?🤣), vocals, lyrics. 99% of the tracks on this page are original songs. None of my performances on any of my tracks, whether solo work, or collaboration, have any editing whatsoever. Effects and equalization? Of course! But no editing, no software, etc. Quite a substantial amount of these tracks are with The Eclectic Collective. We are like family and have been playing together on a daily basis since approximately March of 2022 as the Eclectic Collective. Before the band bore it's name Eclectic Collective; Josh, Ken, Stephen, Tez, and  CG Maness were doing some occasional collabs. At any given time we are all simultaneously working on about 15 different songs. And when we feel they are done cooking in the oven we release them.  We release a song every week on Fridays at 4AM UTC

Members of The Eclectic Collective :
The Beautiful Dark 
Entheogenic Psychonaught (Josh Clary)
J.J. Terrell
Llanpsych
K2 and the Three [and the Four]
TexMex Shaman
Mistermark
CG Maness

Music for midnight philosophers and 3AM saints.

SmoothJazz.com is the World's #1 Destination for Smooth Jazz, Contemporary Jazz, Groove Jazz and Chillout dancy vibes on Smooth Lounge! Log on at SmoothJazz.com or download the Smooth Global App on Apple & GooglePlay! #smoothgloballiving

University of Colorado-Boulder professors Jeff York and Brad Werner distill  entrepreneurship research into actionable insights.

Kompositör och multiinstrumentalist från Abbekås med fötterna stadigt i den Skånska myllan.
Stort och brett musikintresse, varit verksam i ett antal populära dansband som keyboardist, turnerat flitigt i Sverige och våra grannländer Danmark, Norge samt Finland.
Nu för tiden jobbar jag i transportbranschen men tillbringar så mycket tid som möjligt i min projektstudio där jag jobbar med mina musikprojekt.

New tracks tagged #hammond b3