BBC BREAKFAST TIME - REGIONAL NEWS HANDOVER IDENT & MAIN THEME - "PSEUDO STEREO" by gameswizard1969.

BBC BREAKFAST TIME - REGIONAL NEWS HANDOVER IDENT & MAIN THEME - "PSEUDO STEREO" by gameswizard1969

Cantopop, since the 1970s, has documented Hong Kong's social change and embodies its culture and identity. Following the 1989 Tiananmen Massacre and the subsequent anxiety and fear over the Handover of Sovereignty to China in 1997, Cantonese songs at the time expressed these emotions. Even 25 years later, Cantopop remains vital in recording social change and preserving Hong Kong's history. This article analyzes Cantonese songs from before and after the Handover to uncover the imprint of Hong Kong's history in Cantopop.

廣東歌一直紀錄香港社會變遷，亦係香港文化同身份認同嘅載體。1989年嘅六四事件，加添香港社會對中共管治嘅不安同恐懼，當時唔少嘅流行曲都用呢個題材。九七主權移交廿五年後嘅今日，呢份不安同恐懼都仲喺度，而廣東歌繼續肩負起記錄社會變化嘅重任。我吔一齊睇下廣東歌，點樣反映唔同時期嘅香港社會，對於主權移交同埋中港關係嘅睇法。

Narrated by Eunice Chan. Edited and produced by Ellan A. Lincoln-Hyde. Details of the music used and a transcript in Cantonese and English are available at: https://blogs.soas.ac.uk/soashistoryblog/2022/08/31/hong-kong-cantopop-and-protest/

Ep 8: 迷失與掙扎 Lost and Struggling - Hong Kong, Cantopop, and Protest

05 11 2023 Pastor Paul Interview with Michael Massive Shaking - New System Handover

The IABC EMENA Podcast enters an exciting new chapter! In this special handover episode, longtime host Monique Zytnik passes the mic to the new host, Chared Verschuur.

Tune in to hear:
✅ Chared’s inspiring journey from journalism in the Philippines to inclusive leadership & communication consultancy in Europe.
✅ Her insights on belonging at work, featuring the ACES framework (Authenticity, Care, Empowerment, Support).
✅ Monique’s reflections on her years as host, her proudest moments, and behind-the-scenes podcasting stories.
✅ Chared’s vision for the future of the podcast: amplifying underrepresented voices, tackling rapid change, and unlocking fresh ideas.

This episode is packed with inspiration, insights, and exciting plans for the podcast’s next chapter. Don’t miss it!

🌐 Learn more about IABC EMENA: https://iabcemena.com/
💡 Share your guest suggestions or feedback: chared@goodcomms.nl

On inclusive leadership, communication & transitioning the IABC EMENA podcast

 tracks for the handover of taipei jc chair man 

頒獎

Village (from hanDover)

In depth look at the things that happen just before and during the 6th Seal.  Their intention is to handover Israel.  Jordan - prickly pear cactus ? for the plant he mentions ??

06 14 2016  REVELATION STUDY - The Sixth Seal - Chapter 6

Gary Davies finishes his lunchtime (12:45-3pm) 'Bit In The Middle' programme, and hands over to Steve Wright In The Afternoon on Monday, 11th June, 1990 on BBC Radio 1 FM.

BBC Radio One - Gary Davies Hands Over To Steve Wright (11th June 1990)

Song made thinking of my daughter, my son, young people in general, thinking of the collective responsibility of my generation. Now, it's up to you to repair our damages. I did a bit, but sorry, not enough. 

Lyrics

What can I say of what I've done 
I have tried but I felt so alone 
Everyone on earth is homesick 
Human beings, fish or bees

Sugar, my future 
What about your life 
Secret melody 
What about your fight

Oh Popie Popie go on 
The way is long 
Oh Popie go on 
Don't let the world down

What can you say of what I've done 
That I lived as if I was alone 
Heat and water are coming up 
But you're not allowed to be fead up

Sugar, my future 
What about your life 
Secret melody 
What about your fight

Oh Popie Popie go on 
The way is long 
Oh Popie go on 
Don't let the world down
Oh Popie Popie go on 
The way is long 
Oh Popie go on 
Don't let the world down

What can I say of what I've done 
What can I say of what I've done 
What can you say of what I've done

Oh Popie go on, Don’t let the world down 
Oh Popie go on, The way is looooong 
Oh Popie go on, Don’t let the world down 
Oh Popie go on

Close to Robert

Oh Poppy go on

📀𝙎𝙊𝙉𝙂: Hand Over
🎙𝘼𝙍𝙏𝙄𝙎𝙏: Sadayex
𝙍𝙄𝘿𝘿𝙄𝙈 𝗖𝗢𝗠𝗣𝗢𝗦𝗘𝗥: Riddimbanger

🌐𝗪𝗪𝗪.𝗥𝗜𝗗𝗗𝗜𝗠𝗕𝗔𝗡𝗚𝗘𝗥.𝗖𝗢𝗠/𝗥𝗘𝗖𝗢𝗥𝗗𝗦

HAND OVER

Riddimbanger ft. Sadayex - Hand Over

Close to Robert is a French composer born in Scotland, pianist, producer and environmental activist, formerly elected to the town hall of Toulouse, France. 
His music mixes pop melodies, crooner voice, catchy bass lines, jazzy piano and synth solos. 
His compositions would be different without the Beatles, Bowie, Gainsbourg, Bashung, 80s Pop, the Roland JX3P synth... Close to Robert likes eclectic musicians, pop in the broad sense, like Chilly Gonzales, Jeanne Added, The Divine Comedy, Lana del Rey, Benjamin Biolay, Emilie Simon, Sébastien Tellier, Get Well Soon...
Ecology takes a major place in his lyrics, in a perspective that is both realistic and optimistic, because we have no other choice but to believe in humanity.

Check out my other soundcloud channels:

http://soundcloud.com/gameswizard
http://soundcloud.com/gameswizard2014

The IABC EMENA Podcast highlights the voices and stories of communication professionals shaping the future of our field across Europe, the Middle East, and North Africa. As part of the International Association of Business Communicators (IABC), we bring the region’s unique perspectives to the forefront, exploring how communication drives positive change in business and society.

With a network spanning industries, disciplines, and cultures, our podcast celebrates the diversity, innovation, and impact of communicators in the EMENA region. From navigating rapid change to amplifying underrepresented voices, we provide a platform for learning, sharing, and connection.

Join us for actionable insights, fresh ideas, and conversations that inspire progress—together, we are raising the standard of communication excellence across the EMENA region.

Skinny Puppy formed in 1982 from the partnership of cEvin Key (Kevin Crompton) and Nivek Ogre (Kevin Ogilvie) in Vancouver, British Columbia, Canada.

Key was dissatisfied with the pop direction of his then-current band Images in Vogue and began Skinny Puppy with the intention of doing something more raw and experimental. The duo recorded their first self-released cassette Back & Forth in 1984, with help from Dave "Rave" Ogilvie. This was the beginning of a long partnership between Skinny Puppy and Rave, who would serve as their producer until 1993, again in 1995, and was occasionally listed as a member of the band in album liner notes. Back & Forth drew the attention of Vancouver startup label Nettwerk, who signed the band later that year.

The dark electro-pop styles of the debut EP, Remission, and first album Bites the following year, earned the band a fervent fan base. This era saw the creation of such now-immortal underground hits as "Assimilate", "Smothered Hope", "The Choke", "Dead Lines", "Last Call", and "Far Too Frail".

Dwayne Goettel, who played synthesizers and samplers, joined Skinny Puppy in 1986. Classically trained as a pianist/keyboardist, Goettel had previously worked with the synth pop band Psyche, among others.

Their audience expanded with a distribution deal with Capitol Records/EMI, while Play It Again Sam issued a number of their releases in Europe. Their production values continued to improve with the addition of Goettel on Mind: The Perpetual Intercourse in 1986 and Cleanse Fold and Manipulate in the year that followed. "Dig It", "Addiction", "Chainsaw", "Stairs and Flowers", and "Deep Down Trauma Hounds" are prominent songs from this period.

Skinny Puppy toured for three years in North America and Europe; a live performance at Toronto's Concert Hall in 1987 was released on VHS in 1989 and CD in 1991 as Ain't It Dead Yet?

Over time, the band became outspoken advocates for animal rights, and used the European Head Trauma tour and North American VIVIsectVI tour to draw attention to the issue. The title of the album, VIVIsectVI, released in 1988, was a pun intended to associate vivisection with Satanism (i.e. the "666 sect"). The album's lyrics dealt with criticism of pollution, chemical warfare, deforestation, rape, cocaine addiction, and the promotion of sexual abstinence to stop the spread of AIDS/HIV. The lead track "Dogshit" was released as a single in 1988 under the name "Censor" (due to censorship issues, radio stations urged the band to change its name for radio airplay) while the single "Testure" (which denounced the vivisection of animals for research purposes) reached No. 19 on Billboard's Hot Dance Music/Club Play chart in 1989. A music video was produced for "Testure" featuring footage of a man being tortured by monstrous-looking surgeons, augmented with clips from The Plague Dogs and Unnecessary Fuss, and included a statement denouncing vivisection. Key and Ogre were arrested for "disorderly conduct" at a 1988 concert in Cincinnati, Ohio after an audience member, believing the stuffed animal Ogre was "vivisecting" to be a real dog, called the police.

During the late 1980s and early 1990s, the band members also worked on various side projects. Key and Goettel were involved with The Tear Garden (a collaboration with The Legendary Pink Dots), Doubting Thomas (an outlet for their non-Skinny Puppy instrumentals), and the rock band Hilt. Ogre struck up a friendship with Ministry's Al Jourgensen and joined Ministry and some of its side projects on their live tours. For Skinny Puppy's fifth album, Rabies, released in 1989, Jourgensen joined Rave as producer.

Their next album, Too Dark Park, was released in 1990. The album is built on the harsh electronic rock of previous albums, yielding the singles "Tormentor" and "Spasmolytic". Environmental degradation was a major theme on songs such as "Nature's Revenge" and "Shore Lined Poison" while layers of background noise grew to a crescendo on the album's closer "Reclamation".

The album that followed two years later, Last Rights, pushed the dark noise of Too Dark Park further into experimental territory. In 1992 the single "Inquisition" was released. Another single, "Love In Vein", was made but not released until some of the remix and b-side material intended for it appeared on Brap: Back and Forth Series 3 & 4 in 1996. The "Killing Game" video and tour backing film were directed by William Morrison.

Ogre, Key, and Goettel signed a contract with American Recordings and moved to Malibu, California in 1993 to record The Process, a concept album inspired by 1960s cult The Process Church of The Final Judgment, with Roli Mosimann producing. Artistic and personal differences caused Ogre to leave Skinny Puppy in June 1995. Goettel was found dead of a heroin overdose in his parents' home two months later. The Process was eventually completed with Rave, released in 1996, and dedicated to the memory of Goettel. It was an overall stylistic departure from their previous albums, prominently featuring untreated vocals, guitar, and more accessible song structures. The liner notes that accompanied the CD included thank-yous to "Electronic Music Lovers" and "Puppy People" followed by the words "The End" in bold type.

Several collections were released while Skinny Puppy was dormant, including Brap: Back and Forth Series 3 & 4 in 1996 and The Singles Collect and B-Sides Collect in 1999. Nettwerk commissioned a remix album in 1998; titled remix dystemper, it featured classic Skinny Puppy tracks re-worked by a diverse range of artists, including IDM pioneers Autechre, alt-metal band Deftones, rapper/hip hop producer Guru and Industrial mainstay KMFDM. Ogre and Mark Walk also took part, contributing a breakcore remix of "Dig It" and an updated version of Remission's "Smothered Hope" with new vocals by Ogre.

In 2000, Ogre and Key reunited and performed live as Skinny Puppy for the first time since 1992 at the Doomsday Festival in Dresden. The live album Doomsday: Back and Forth Series 5: Live in Dresden was released in 2001. Key joined ohGr on drums for its 2001 tour, while Ogre appeared on the track "Frozen Sky" on Key's 2001 album The Ghost of Each Room. The first new Skinny Puppy track in several years, "Optimissed", appeared on the Underworld soundtrack in 2003. Ogre, Key, Mark Walk and various guests, including Danny Carey of Tool and Wayne Static of Static-X, recorded the band's ninth studio album, The Greater Wrong of the Right, released in 2004 on Synthetic Symphony, a sub-label of SPV, their European distributor since the mid-1990s. The new Skinny Puppy sound was in a similar vein as The Process, with a somewhat more rock-oriented style. Skinny Puppy toured North America and Europe in support of the album in 2004. Skinny Puppy toured Europe again in 2005, and returned to the studio to complete their next album, Mythmaker, which was released in January 2007.

According to a news posting on the official Skinny Puppy website, the band's next studio album was originally slated for release in October 2009, but the release of this album was delayed due to insolvency issues with the SPV label (thus leading to Ogre naming the 2009 tour the "In Solvent See" tour). These issues were not expected to be resolved until the end of 2009. However, the "In Solvent See" Tour took place as planned.

In May 2011, Skinny Puppy announced that they finished recording a new album titled HanDover, which was released in October of 2011.

A live album, titled Bootlegged, Broke, and In Solvent Seas and recorded on the band's 2010 European tour, was released on June 12, 2012 by Metropolis Records.

Listen to groundbreaking research pushing the boundaries of what we call 'history'. The SOAS History Blog Podcast is hosted by the SOAS History Blog, an initiative of the History, Religions and Philosophies department of SOAS University of London.

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