The piece is based on contrapuntal balancing of vocalisations and spectral multi phonics that create a kind of otherworldly chorale. 

The title A Long Lost refers to the elusiveness and unfamiliarity of the musical language - the singing voice that is almost always present yet not always perceptible, blurring the line between the clarinet sound and singing; the distortion of single pitches against the consonance of the spectral harmonics; the repeated reverting to air sound.

Recording by Heather Roche.

A Long Lost

Country is the heart of Rock n Roll

Composition, arrangements, production - Benjamin Gibert
Mixing and mastering engineer, additional production - Guillaume Saint Etienne

Taste of Sap is an immersive vocal experiment, born from a long improvisation session with a harmonizer. The title is sensual — it means “the taste of sap.” The track gradually thickens, like sap itself: fluid, viscous, enveloping. Conceived as an end-of-night chant around a fire, it searches, finds form, and eventually becomes a ceremonial anthem at dawn.

No language is used: only raw vocal material, spontaneous, organic phonemes that emerge viscerally. The voice is the main musical instrument.

A small vintage, portable Casio synthesizer punctuates the whole piece in playful dialogue with the vocal improvisations. Taste of Sap evokes a primal, ancestral imaginary and prepares the arrival of the sun at daybreak.

Taste of sap

Smooth chillout version of this amazing song from Blur. I did enjoy the result.

Song 2 (Blur)

(🚫AI) ...visuals are here https://youtu.be/KjNfy50OH44



˖⁺‧₊˚⚞{𖤅𖡧𖣍𖡨𖣍𖡧𖤅}⚟˚₊‧⁺˖

The Old Testament Prophets (a very psychedelic crew in some ways) interact with the present day (as they always have) in ways not conducive to a comfortable viewing of either. The following is, if you will, a sonic photomontage of some of my own encounters. E grazie mille a MB por la linea ultima!

Looked up this mornin', saw coming in from afar
Wheels within wheels, like Ezekiel saw by the river Chebar
By this was the prophet made sure he was getting a voicemail direct from on high
I said we needed a cure for whatever they'd put in the water supply.
The AI is dreaming, its nightmares are streaming Netflix and Hulu,
The cancers are scheming, the magpies all screaming at you

Looked up this mornin', to see what i could descry.
Pterosaur wings so huge they blotted out half of the sky
Flying dragons, fell beast with a crown, set up the Apocalypse vibe.
Mountain flaming with fire thrown into the sea was the end of that tribe.
I can't conceive any good coming from things you order me to,
I don't receive what I should from the red or the blue

A third of the stars are quite gone from the heavens, there's blood on the moon
The timelines are hazy, the guessers are crazy, but all sayin' soon
The earth lies polluted, what's been planted uprooted, is it time for the scroll to unroll,
Judgement be executed?

The man clothed in linen stood over the waters and raised high his hand.
Said a time, times, half a time; I heard but did not understand.
You said you'd wait for me, still love and adore me, you who preceded this end,
But if I don't find you there, I may just die again

visions

somewhere

watchers animosity, the sea above as below us all

...visuals are here! https://youtu.be/EhMHaAfcQvo

₊⊹(﹙˓˗ˏˋ★ˎˊ˗˒﹚)⊹₊ฅ≽(•⩊•マ≼
⭒₊⊹( NO AI🚫)⊹₊⭒
˖ ࣪☆⊹ ࣪   ˖ ࣪⊹ ࣪ ★ ⋆.˚ ⊹ ࣪
࣪ ˖⋆˚★ ₊ ⊹　 ࣪˖ ࣪ ₊ ࣪ ˖　
. ݁　⊹ ࣪ ˖　　　 ࣪ ˖
　　. ݁　　　 ݁
　　.

༄.ೃ࿔࿐໋✧˖°.⋆˙⟡ ⋆.˚ ⊹₊⟡ ⋆ᯓ★𐦯

hog 8 semitones down (2011)

This is the 3rd track for the album The King Of Space And His Courtyard Of Chaos
I hope you enjoy this track

Darkest Day, Brightest Night

My absolute favorite song I've made of mine. Enjoy!

Hidden Hearts [SYNTHWAVE]

And now for something completely different. 

Well, not completely, but it's done with a guitar instead of a synthesizer. Background Soundtrack / Ambient piece with some harmonics from my Telecaster knock-off, with a TC Electronic Flashback 2 delay pedal, plus a few notes added from Native Instruments Pro-53 as well. Looking through all the things I've recorded over the years shows quite a bit of variety, and sometimes it's just something very experimental like this.

The photo is of what might look like a piece of junk, but it's a broken and worn keychain that has meaning to me. On one side it says "Live", while on the other it says "Celebrate each day".

#SoundCloud ☁️

timeKeeper

timeKeeper ⩇⩇:⩇⩇ (Electric Guitar + TC Electronic Flashback 2 + Pro-53, Recorded March 2024)

Early take--more to come

Similar track https://soundcloud.com/greggyguitar/in-the-beginning-early

Grab swag https://gregblock.printify.me/product/22874738/rebellion-unisex-heavy-cotton-tee

Mercury

this is not an actual track just a chirish734 edit you will only find this on sc

lokye x terrellious aka realm da kid. ***fucking with a real artist*** prod. dj chirish734

884 - Harmonics ambiente

Harmonicus

A ritual born from madness and devotion. Epistle to the Queen of the Cull is an original track by FuckFace Whisperer, inspired by the psychological darkness explored in Monster: Season 3 (Netflix). The song reimagines obsession, control, and decay as a cyber-ritual — a letter whispered through distortion to a queen who rules over ruin. Chains for rhythm. A skull for a bell. Worship through chaos.

FuckFace Whisperer - EPISTLE TO THE QUEEN OF THE CULL

Featuring original music composed, performed and produced by Dennis Hitchcox. Sonic exploration, mostly instrumental

We pretty much started when we were kids, but we were really crap haha.. but we have been getting better and better so we thought why not just upload our music on the internet! We do all our recording in a little room in a shed which we call "The Dog Box".

Over the years the lineup has changed, at this stage M.U.S is a solo project that does collabs from time to time.

Its actually really hard to describe the soundscape of the music because it vary's so much.

The first three albums we recorded, (two of which are ancient made when we were just young lads :p), sound like murder haha.. But the stuff that's being uploaded now is recent, which should be a big YAY! For you cause you won't die from bleeding out your ears :)

Influences vary a lot too, some of my influences include: Steve Vai, Joe Satriani, Eric Clapton, Devin Townsend, Metallica, Tool, Joe Bonamassa, plus a whole bunch more!

There's probably a million chaps better out there but meh, I still love to make music, mistakes and all.

I hope you enjoy some of this music! Or all of it..

Been makin' music and uploading them for the past 2 years. Decided to upload my music here as well since it wasn't uploaded along with Spotify and all those platforms. Hope you enjoy! If you want my other songs visit my Spotify and YouTube Music channel! :) I make ALL kinds of music, I don't stick to one genre, I find that boring and yes I do label what genre of my music is to make it easier to find them!

Spotify: https://open.spotify.com/artist/0148V6ER1ECSM1Jly5pAB5?si=9mWqSxlPSCGN8wQ68i67_w

YouTube: https://youtube.com/@christophercappstopic?si=azGg3SlX5TqGGRhR

Tinkerer of many sounds, mostly just for fun. Player of many things, but a master of none.

***Announcement:  
All previously posted tracks on soundcloud.com/sonicboomsoundart are permanently archived at 

http://hearthis.at/sonicboomsoundart/

New tracks will be posted here for a limited duration or until free account time allotted is maxed out ***

o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0☻0o☻o0
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Original electronic sound compositions and improvisations

Analog and digital signal processing by effects feedback looping -
LMNG & mini LMNG: (proprietary real-time/live analog/digital stereo effects feedback looping schematic)

Cassette tape archives: live and 4-track recordings - 1980's - 1990's (see links below)

Digital synthesis compositions created entirely in Audacity digital audio workstation freeware - 2010 - present
 
Korg Monotribe/Monotron explorations - 2012 - present

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Thank you for listening,
Sonic Boom Sound Art

dj chirish734 is back mane, slowed n throwed dj,  ZION RAGGA SOLDIER beat maker junglist reggae lover, #ripdjscrew #ripdilla #ripnujabes graffiti love DNB PLAYA

Correlation ≅ Causation
Perception ≅ Reality

Music is a beautiful facet of a vast spatial-temporal construct.

Multi-Genera Experimental Musician & Artist | Music Producer/Songwriter for both Cyp888 & The Cult of the Manic Bongo's (I manage both accounts)

Benjamin Gibert ventures into mountains, forests and megacities in search of secret sounds and stray signals. He collects raw sonic material — using a microphone and a notebook — then plays with nesting, soldering, fragmenting and merging sounds. His sonic objects often flirt with acoustic or electronic instruments, forming abstract narratives and opening doors to invisible worlds. His work seeks to create immersive forms where reality and imagination, landscapes and fiction coexist.

Coming from a background in contemporary dance, he develops a physical and spatial approach to sound — conceived for deep listening and movement. Field recording is his main tool, which he combines with electronic textures, evolving rhythmic structures, and a singular use of the voice: without words or language, treated simply as raw, organic, vibrant material.

He has completed numerous residencies in France, New Zealand and Chile, and has performed in France, Spain and Japan.

He released Gemmes (2018), an EP composed for the Royal Abbey of Fontevraud; followed by Taihua (2019), an album created and produced in New Zealand. His upcoming EP, Nightingales, will be released in summer 2025. It is a musical fiction at the crossroads of IDM, organic house and ambient, imagining what a secret forest rave might sound like.

Benjamin Gibert’s work stands out for its way of connecting places, natural sounds and electronic textures. He is drawn to liminal spaces — between wakefulness and sleep, human and non-human, natural and synthetic. His sonic universe is shaped by influences ranging from Oneohtrix Point Never to A.G. Cook, as well as Steve Reich, Björk and D’Eon.

I am a Brazilian from Porto Alegre living in Chile. I record music at home and share it here. I'm not a professional musician—meaning I don't make a living from music—and I don't have professional recording equipment. However, music is an important part of my life, and I couldn't imagine existing without the creative process of making it. My hope is that a few of my recordings can reach people who appreciate them.

Sou brasileiro de Porto Alegre, atualmente morando no Chile. Gravo minhas músicas em casa e compartilho aqui. Não sou um músico profissional—ou seja, não faço da música minha fonte de renda—e não possuo equipamentos de gravação profissionais. Porém, a música é uma parte importante da minha vida, e não consigo imaginar minha existência sem o processo criativo de criá-la. Espero que algumas das minhas gravações possam chegar a pessoas que as apreciem.

The Artist is a former Road Scholar and graduate of the School of Hard Knox. He also studied at the now-defunct Liebessommer-Institut in San Francisco. His musical influences are many: among them J.S. Bach, Morton Subotnick, and Spike Jones! Not one to let stylistic grass grow under his feet, he has seen a lot of changes in his life but will never cancel his subscription to the Resurrection, surrender to the dark side, or look back once he has put his hand to the plow!

contact me here if u wanna work with me

@offhead-recordings 
@lascura
@murkult

New tracks tagged #harmonics