Performed by the Lanier Consort:
Emily Nie, recorder
Gary Cox, cello
Peter Irvine, harpsichord

Canzona No. 4 by Frescobaldi (1583-1643)

Bass_Fire - Plagal Cadences

Duke - Anselm

Music for my friend NewtKing's typing-based videogame, Wordlock (art/sprites also done by yours truly). Look out for more tracks as the project grows!

Spelling Trouble!

Tabbed Out

Auftragswerk von Maja Mijatović 

In MÖGE DIE ÜBUNG GELINGEN beschreibe ich - nach dem gleichnamigen Buch von Peter Riedl - auf musikalische Weise die 7 Erleuchtungsglieder aus der Theravada-Tradition des Buddhismus. Achtsamkeit - Untersuchung - Anstrengung - Verzückung - Gelassenheit - Sammlung - Gleichmut.

MÖGE DIE ÜBUNG GELINGEN (2020) for solo harpsichord

Enjoy my interpretation of this beautiful (and pretty difficult) Transcription for Organ by Maurizio Machella of this moving piece composed by Johann Sebastian Bach! ❤️🎵

For donations: www.paypal.com/paypalme/carlocozzula

Bach-Machella - "Adagio" from Harpsichord Concerto Bwv1054 (organ)

A medieval-style cover of All I Want for Christmas is You by Mariah Carey and a vehicle of holiday cheer.

All I Crave For Christmas Be Thee - Medieval - Style Version Of Mariah Carey

A medieval-style cover of Wrecking Ball by Miley Cyrus and a reminder that we need more tools in our belt than a single battering ram.

Wrecking Ball by Miley Cyrus (medieval-style cover) - "BATT'RING RAM"

A medieval-style cover of Hello by Adele and a prayer for thy good health.

Hello by Adele (medieval-style cover) - "GOOD MORROW"

A medieval-style cover of Good Luck, Babe! by Chappell Roan and a reminder that peasant blood will always out.

Good Luck, Babe! by Chappell Roan (medieval-style cover) - "GOOD TIDINGS!"

August 30th, 12024th year of the Holocene Era.

Over the summer, I became quite interested in the sonatas of Arcangelo Corelli, this allegro is inspired by his Op. 5, the twelve violin sonatas, along with twelve the violin sonatas of Antonio Vivaldi, Op. 2, and the sonatas from Georg Philipp Telemann's Tafelmusik. I felt that the musesounds flute was clearer than the violin so I opted for flute, accompanied by harpsichord and violoncello with the continuo section. 

-79_Au

Allegro for Flute and Basso Continuo

Theme for the twitchy witch tea shop.

https://aquadictus.itch.io/twitchy-witch

Twitchy Witch Teahouse Theme

Kuru Kuru Steps (2014) 
for ensemble of japanese and period instruments

conductor Masakazu Natsuda, Ensemble Muromachi
composition Akiko Yamane

Kuru Kuru Steps

Basically a piano track kazzed up with some morning ambience, a harpsichord and a choir.

Reveille

In the mirror

Ya No Estoy Mas

Hand Bones
for harpsichord and electronics
performed by Arseniy Gusev and Aaron Israel Levin

I. Body Aria
II. Broken Hands
III. Body Language
IV. Broken Bone

Program Note:
When I was commissioned to write a piece for solo harpsichord, I was both excited and overwhelmed by the vast historical contexts associated with an instrument more than a few centuries old. Rather than choose only one of those contexts to engage with, I challenged myself to engage with all of them at once. The resulting piece is a four movement work where each movement is an etude that deals with a different performance and compositional technique, recalling the harpsichord's role as a pedagogical instrument. The piece also incorporates electronics derived from the manipulated voice of a friend reading a poem. The inclusion of this voice throughout the work evokes the harpsichord's capacity as an accompaniment for recitative in opera. Finally, each movement also becomes progressively more virtuosic, harkening back to the many concerti written for the instrument. This is how I thought of the title, "Hand Bones," which points to the physicality and endurance required by the performer, for this piece, as well as thousands of virtuosic pieces written for harpsichordists throughout history. "Hand Bones" was commissioned by the Historical Keyboard Society of North America.

Hand Bones – for harpsichord & electronics

●∵⃝●⍢⃝ ⍤⃝ ⍨⃝ ∵⃝●⍢⃝ ⍤⃝ ⍨⃝∵⃝●⍢⃝

Greetings fellow Homo Sapiens! I live on Earth, Solar System, Milky Way, Untitled Universe. I use Musescore 4 and Logic Pro X to make my musiks. 

Per the request of my friends, I aspire to become the dictator of earth.

Hey, I'm Will! I write music. Mostly for video games. Always looking for new projects!

Email: williamcarlson70@gmail.com
Website: willcarlsonmusic.com

https://www.stump-linshalm.com

All scores are available at:
http://shop.apoll-edition.work/index.php?route=common/home

Hi there! I'm a composer/musician/whatnot, currently New York adjacent, studying at the Yale School of Music. Contact: aaron.i.levin@gmail.com

If you want consistency, you've come to the wrong place. 
But seriously? Try my albums.
https://soundcloud.com/jon-jermey/albums

Carlo Cozzula was born  in Sassari in 1971.
In 1994 he obtained the Experimental Magistral Diploma with the highest grade; in 1996 - under the leading of Hedda Vignanelli Illy – he graduated, with the highest marks, in Organ at the Conservatory of his city and next year, he graduated in Harpsichord at the Conservatory "B. Marcello" of Venice. 
He has studied Choral Music and Choir Conducting and also studied piano at the concert levels since 1985.
He performed on all the instruments as a soloist in chamber ensemble also with vocal soloists, accompanying several polyphonic complexes, among which the "Cantori della Resurrezione" by A. Sanna, with whom, in 2000, he collaborated for a recording of music by G. B. Platti (Bongiovanni Records), and with whom he performed in a concert in July 2003 in the Basilica of the SS. Rosary of Lourdes (France).
He was the main organist at the Monumental Church of S. Maria di Betlem (Sassari) and at the Basilica of S. Gavino (Porto Torres). 
As an organist, in October 1997 he was invited for a tournée in Germany, performing in prestigious places, including Limburg, Wiesbaden, Lorch, Frankfurt, as soloist and chamber musician, in concert seasons including well-known soloists such as W. Stockmeier, R. Haas, M. Pirenne, U. Krupp, W. Rockel, J. Von Erdmann.
He was invited again for the October of 2003 to give a concert at the “Orgelsommer 2003” in St. Josef Church (Frankfurt), achieving great success, playing in a schedule with some of the most famous and acclaimed organists on the world scene, such as J. Parker-Smith, Th. Trotter, H. Vogel, P. Pincemaille, D. Zaretsky, P. Pietiläinen.
In 2007 he was called a part of the Jury of the 1st Art Competition "Il Filo di Arianna", at the Baja Hotel in Cannigione (Sardinia). 
He taught Music Theory and has been pianist accompanist of lyric singing classes at the Civic School of Nuoro, taught in State Schools.
Recently he has edited the Italian translation - in World Premiere - of the essay of 1846 written by the French F. Levacher D'Urclé: "Manual didactic problems in relation to the study of the anatomy of the hand" and also the thesis by M. Punt "The Straube Code-Deciphering the metronome marks in Max Reger's Organ Works".
As a composer, he is the author of music - original and not - dedicates to the international singer Teresa Salgueiro. He is also the author of a series of Concert Transcriptions for organ - even in World Premiere - from the piano and symphonic repertoire, and for pf. from the original organ repertoire, but also from accurate choices concerning the world of jazz, fusion, Brazilian music, French chansons and Soundtracks.
One of the piano transcriptions has already been recently included in a piano recital. These compositions are already available to the international artists such as: Philippe Raskin, Mariangela Vacatello, Irene Veneziano, Simone Pedroni, Igor Roma, Gloria Campaner, Antonio Pompa-Baldi, Alexei Volodin, Roberto Plano, Maurizio Baglini, Andrew Litton, Sandro Russo, Nicholas McCarthy, Ramin Bahrami, Thomas Ospital, Stephen Tharp, Thierry Mechler, Joseph Nolan, Danilo Rea, Enrico Pieranunzi, Carisa Marcelino and Clare Hammond.

All works (c)Per-Anders Edwards, I do not permit use of any content for training AI.

US based British guitarist, noodling, collaborating, eclectic tastes and always up for a new genre.

Elias Flint is an electronic artist who blends a dark-pop mentality with production influenced by 80s electronica. Writing and producing all his own work, his material draws on introspection and imagination, inspired by the likes of Kate Bush, Depeche Mode, Lady Gaga and Lana Del Rey. When not working on music production, Elias Flint can often be found performing in underground clubs and bars, or busking on the streets.

New tracks tagged #harpsichord