145_biometric damaged_mattuc plex_24HDM

150_brain gym_biosys3nse vs groovedrop_24HDM

148_neuve_alien destroyer ft biosys3nse_24HDM

180_la dimension desconocida_uranoscopic_24HDM

153_like darkness_xenarius_24HDM

150_neural phase_biosys3nse_24HDM

Plift, ploft, still - a porta se abriu 🏰

Hitech e nostalgia! Set inspirado no set da PVTzinha high bpm que rolou em março/2025.

Follow me for more content:
instagram.com/marielaa.wav
facebook.com/m4riela
mixcloud.com/mariel4
youtube.com/c/mariela444

Passarinho, que som é esse?

Cell phones, websites, software, megabytes
Upload, download, e-mail, please hold
Digicam, bit ram, net security

Satellite, desktop, hard drive, auto stop
DVD, mouse pads, online want adds
This ain’t how life’s supposed to be

   Before I lose my mind 
   I will hit that road
   And I’ll make good, my big escape
   I can’t take no more 
   High Tech Overload oooooooooooo

Tall trees, fresh air, green plants everywhere
Deer herds, wild streams, clear nights, moonbeams
You know that’s where I’m gonna go

Clean lungs, clear mind, fresh food, unrefined
Slow down, better life, good kids, fine wife
And I ain’t commin’ back you know

   Before I lose my mind 
   I will hit that road
   And I’ll make good, my big escape
   I can’t take no more 
   High Tech Overload oooooooooooo

   I cain’t take much more of this
   Gimme back, my ignorant bliss
   You can’t say I never tried
   Before my brain gets fried and

   Before I lose my mind 
   I will hit that road
   And I’ll make good, my big escape
   I can’t take no more 
   High Tech Overload yeah

   Before I lose my mind 
   I’m gonna hit that road
   And I’ll make good, my big escape
   I can’t take no more 
   High Tech Overload oooooooooooo

   Woooooooo


©  8/99   J. Michael Tracy   All Rights Reserved


High Tech Overload (s)

Black Soul Bass

That day, I had a really fun and euphoric time. I got home and wrote this track, which took me a few weeks to finish. A trip from NY to Mexico City filled with stress due to a radical change in my life, and I finally managed to complete it, hoping to dance to it with all of you soon.

That Day

"Cinematic Ambient" is a futuristic collection of atmospheric music snippets designed for modern cinematic use. Featuring spacious synths, evolving textures, and cosmic moods, this compilation suits sci-fi, documentaries, tech-based visuals, and abstract storytelling. Perfect for creators seeking ambient soundscapes

ambient cinematic snippet

https://egregormusic.bandcamp.com/album/theotrophos-emdep003

Theotrophos - Theotrophos (EMDEP003) - 04 Mycelial

Theotrophos - Theotrophos (EMDEP003) - 02 Necropolis

Theotrophos - Theotrophos (EMDEP003) - 01 Dark Tech

Theotrophos - Theotrophos (EMDEP003) - 03 AMSO

Buy the Full Album at Digital Natives Records BANDCAMP

https://digitalnativesrecords.bandcamp.com/album/mala-data

1.Moonki - Native Vibe (157)
2.Ydne - Enter The Mist (187)
3.Unknown Creatures - Earth Chant (200)
4.Grid Connector - 81 Stable Atoms (200)
5.Transdimensional Entities - The day it felt (204)
6.Coiron - Into Deep Waters (184)
7.Ars Goetia - Glitchy Rainy Monday (180)
8.Kunan Tripper - Abstrangel (180)
9.Crystalix - Sci Fi (200-220)
10.Scraf - Uncontrollable Thoughts (185)
11.Pewma - Natán (180)
12.Theotrophos - Presence (185)
13.Gloomenex & Love in Lab - Rogue Procedure Halt (120)

Presence (185 bpm) - Theotrophos - VA-Mala Data (2022) - Digital Natives Records

BUY SONG AT DIGITAL NATIVES RECORDS BANDCAMP

https://digitalnativesrecords.bandcamp.com/track/flirting-with-death-t-tara

“Flirting with death is walking the edge of the ephemeral, recognizing that life and death are two sides of the same coin. It is to love death not as an end, but as an extension of oneself, with the same passion with which one loves life. In that subtle game, death is not feared, but courted, like a shadowed lover accompanying every breath. Those who flirt with death understand that the fragility of existence enhances its beauty, and that only by embracing death can we truly savor the intensity of being alive.”
créditos
se lanzó el 13 de septiembre de 2024
Written Produced & Mixed by Lucas Martin Chaneton

Mastered by: Ignacio Jatib a.k.a Coiron

Artwork: Prompt & Design by Theotrophos

Digital Natives Records

Flirting with Death (((T))) TARA [213 bpm]- Theotrophos - (Digital Natives Records)

175 Killer Instincts (Home Digital Mastering)

The track is a blend of Psy-trance, ethnic & tribal, deep goa music. Eclectic mix of sounds that are all interconnected in some way. Emotional and deeply trippy vibes. Just relax and stay connected to the rhythm on this emotional journey through the song's various layers and rhythmic patterns. Enjoy ;3

Namaste

Nacimos y crecimos en una época donde se genera una conexión ser humano maquina, en base a esa convivencia la expresión y el lugar donde encontraras las herramientas y principalmente las ideas.

https://www.pond5.com/ru/artist/nikitagrapp
nikita.grapp@inbox.lv for contact

DJ and music producer also known as Bitch Pitcher
Based mainly in Mexico City. Book me at mixgtani@gmail.com or DM me at Insta. Merci :)

✇ INSANE MTHRFCKNG NOISES ✇

Mariela é ligada nos 220 e seu objetivo é simples: fazer o circo pegar fogo. O projeto foi idealizado pela dj Mari Molina que, desde 2017, comanda as mais diversas pistas buscando elevar o astral de quem estiver presente num passeio diferenciado pelas vertentes do darkpsy como hitech, psycore e experimental além de trazer influências de fora do psytrance para os sets. Fazendo sons com amor e barulho - nas mesmas proporções. 


|||DAMARU CREW|||
|||ENDLESS KNOT COLLECTIVE|||
|||SIMBIOSE SOUNDS|||
|||VALHALLA RECORDS|||

Theotrophos. Music & sound desing by Martin Chaneton
Digital Natives Records

My name is John Michael Tracy I write songs, jmtsongs.com , love photography, hunting, fishing and all of the outdoors. I was born on Jan. 11, 1957 in Elmira, NY.  I’m the oldest of six children, and my family lived, for most of my youth, in Athens, PA., which is right across the border from Upstate New York.   
	My parents had me take piano lessons when I was a kid, and when I was a teenager, I taught myself to play guitar.  Some friends and I had a country band, and we played local spots for a while.
	In my early twenties, I bought a 4-track recorder and enjoyed playing and recording songs that I liked from the Eagles, Jim Croce, Lobo, David Gates and Bread, Dan Fogelberg, etc.  I sent the recordings to my Grandfather, who had a band when he was young and performed all over upstate Pennsylvania and New York.  One day he asked me why I didn’t write my own songs.  The thought had never occurred to me, but once I’d considered it, it sounded like a great idea, and I told him that I bet I could do it.  
	After the first hundred songs or so, I called a few record companies to let them know that there was a new talent ready to take over the songwriting world, and they suggested I join NSAI first to help me hone my craft.  So I did.  In the mean time, I was sending quite a few of my songs to Washington to be copyrighted.
	A Publisher/Writer named Donn Hecht (most famous for co-writing Patsy Cline’s “Walkin’ After Midnight”) had someone working for him in Washington that noticed the number of songs I was copywriting.  Donn contacted me and asked me to send him some material. I did. He became my publisher, mentor and friend until his death in October 2002. He taught me more about songwriting and the business than anyone I’ve ever met.
	In the Spring of 2000, I wrote a song called “The South’ll Rise Again” and sent it to the nationally syndicated “The John Boy and Billy Big Show” as a gift, never imagining they’d ever do anything with it.  They were impressed enough to play it on the air, and it has been on their “Best Of” shows ever since.
	After the terrorist attacks of 9/11, I wrote a song called “Give’m Hell U.S.A.”  and  sent it to President George Bush and some of his staff.  Both President Bush and his Chief of Staff, Andrew Card, responded with really nice thank you notes. 
	I’m also a member of the local and National GTO clubs, own a 1970 Judge, and have written several “hot rod” songs that get regular play at many car shows and cruise-ins.
           My wife Kathy and I lived and worked in Nashville for a year and met many wonderful artists and songwriters who inspired and encouraged me.
	As the successful songwriter, friend and mentor, Jerry Vandiver says, “We write, because we have to”. The music needs to come out so we do what we love, and let it flow.

#House 
#Trance 
#Techno 
#EDM


I created my first tracks in the late 1990s in my bedroom using Fast Tracker 2 on a decidedly underpowered computer. 

Over two decades later, I produce music under the alias House Gods, a name inspired by Central Seven's seminal tracks, "God of House" and "The Making of House". 

My work draws heavily from the music that was the soundtrack to a mispent youth, spanning the mid-1990s through the 2000s.

New tracks tagged #high tech