Live from Fav Hotel Hiroshima Stadium, Hiroshima, Japan - 12th July 2025

Track-List:

01: Vincenzo - Memory Lane (Be Adult Music)
02: Volen Sentir - Moment Of Peace (Shanti Mansion)
03: Volen Sentir Feat. Cinecile - You Will Never Know (Shanti Mansion)
04: Davide Ferrario - End Of An Era (Doyeq Mix) (Particles)
05: Deividas Bagdanov - Serenita (Seven Villas Music)
06: Gai Barone - Juste Un De Plus (Barra UNO)
07: Lee Burridge - A Hymn For Your Dreams (All Day I Dream)
08: Nhar - Deltavox (Crossfrontier Audio)
09: Phonique Feat. Erlend Øye - Causalities (GRIFE & Albuquerque Remix) (Zatar Music)
10: Chasing Kurt - From The Inside (Henrik Schwarz Remix) (Defected Records)
11:  Volen Sentir/ & Marsh Feat. Xira - Different (Shanti Mansion)
12: Booka Shade & Jono McCleery - Save Me (Club Mix) (Blaufield Music)
13: Javi Viana Feat. Mayari - She Is Like The Wind (Afro Remix) (Be Adult Roots)
 
Enjoy !

Live from Fav Hotel Hiroshima Stadium, Hiroshima, Japan - 12th July 2025

Gaza: La cancelación israelí del registro de las ONG impediría su labor humanitaria. Más de un millón de desplazados han regresado a sus hogares en Sudán. Guterres recuerda a las víctimas de Hiroshima y pide un mundo libre de armas nucleares. Países sin litoral: Avaza ONU busca convertir la geografía en una oportunidad.

La ONU en Minutos 6 de agosto de 2025

August Silence is a meditation on absence, aftermath, and remembrance. Marking the 80th anniversary of the bombings of Hiroshima and Nagasaki, this piece does not aim to retell history, but rather to sit quietly within its long shadow. It draws upon the stillness of the moment after impact—when sound fades, smoke rises, and time seems to stop.

The string writing is sparse and suspended, often teetering on the edge of silence. Layered synth textures drift in and out like memory, while bowed percussion and soft, fragmented rhythms mimic the distant toll of bells or the fractured heartbeat of a wounded world. The atmospheric elements are meant to feel almost ghostlike—present, yet barely there—mirroring the lingering echoes of August 1945.

Rather than dramatize destruction, August Silence seeks to honor those lost by listening deeply into the silence that followed. It is a space for reflection, mourning, and a quiet plea for peace that still reverberates eight decades on.



August Silence

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Los Titulares de Hoy - 6 de agosto de 2025

LE SILENCE DU MONDE
(Hiroshima, Nagasaki, Gaza, Ukraine: ils n'ont rien dit, ils ne disent rien...))

PREMIER TEXTE:
Le ciel s'embrase sous des cendres muettes
Les rues hurlent
Mais personne n’écoute
Un cri étouffé dans l’ombre des fusils

[Refrain]
Hiroshima
Nagasaki
Silence glacé
Gaza
Ukraine
L’écho s’est brisé
Le monde regarde
Le monde se tait

Les murs pleurent des histoires effacées
Des vies écrasées sous les bottes du néant
Les étoiles s’éteignent dans un ciel indifférent

Pourquoi ce vide
Pourquoi ce froid
Pourquoi ces chaînes qu’on ne brise pas

[Refrain]
Hiroshima
Nagasaki
Silence glacé
Gaza
Ukraine
L’écho s’est brisé
Le monde regarde
Le monde se tait

Des fantômes dansent sur des champs brûlés
Les cendres parlent
Mais qui veut entendre
Les peuples saignent
Mais rien ne change

DEUXIÈME TEXTE:
Hiroshima brûlait dans la nuit
Les ombres dansaient sur des murs sans vie
Le vent portait des cris qu'on n'a pas entendus

[Refrain]
Le Monde n'a rien dit
Rien fait
Silence comme un cri étouffé
Encore et encore
On regarde tomber
Des cendres sur l'humanité

À Gaza
Des larmes coulent comme des rivières
Des enfants cherchent des rêves dans la poussière
Le ciel
Une toile trouée par la guerre

On parle
On oublie
On regarde
Mais qui agit

[Refrain]
Le Monde n'a rien dit
Rien fait
Silence comme un cri étouffé
Encore et encore
On regarde tomber
Des cendres sur l'humanité

Ukraine en flammes
Le sol saigne sous les pas
Les prières montent mais se perdent là-bas
Un écho vide
Personne ne répondra

TROISIÈME TEXTE:
Hiroshima
Nagasaki
Ombres brûlées sur les murs
Personne n'a crié
Personne n'a juré
Juste le vent qui murmure
Gaza
Ukraine
Des cendres dans les rues
Tout le monde regarde
Tout le monde salue

Et toi
Le Monde
Pourquoi tu détournes les yeux
Où est ton cœur
Où est ton feu

[Refrain]
Dis-moi
Le Monde
Où est ta dignité
Sous les bombes
Les vies
Tu les as oubliées
Dis-moi
Le Monde
Pourquoi tu restes muet
Un cri perdu dans l’éternité

Les enfants rêvent encore
Mais de quoi
Je ne sais
Des étoiles qui s’éteignent
Des soleils qui jamais ne renaissent
Les sirènes hurlent
Elles chantent l’effroi
Mais le silence les étouffe
Et toi tu fais quoi

Les ombres dansent
Elles s’agrippent au néant
Les silences pleurent
Mais toi tu fais semblant
Chaque pierre qui tombe
Chaque larme effacée
C'est une promesse trahie
Un monde abandonné

[Refrain]
Dis-moi
Le Monde
Où est ta dignité
Sous les bombes
Les vies
Tu les as oubliées
Dis-moi
Le Monde
Pourquoi tu restes muet
Un cri perdu dans l’éternité

(Textes/orchestration/mixage: Thierry LAMIREAU)
-5 logiciels utilisés + l'IA-

LE SILENCE DU MONDE

August 2025 marks 80 years since Japan surrendered in World War II, ending the Pacific War. In this episode of Japan Today Spotlight, we look at how Japan is commemorating the anniversary — from the Hiroshima and Nagasaki memorials to the emperor’s visits, the comfort women issue, and the controversy around Yasukuni Shrine. We also explore how Japan’s relationships with its neighbors are shaped by wartime history, and the questions that still remain about remembrance and responsibility.

📺 Watch the video with presenter Jeff Richards on YouTube:
https://youtu.be/c9DnVw573aM

💬 80 years after the Pacific War ended, how should Japan — and the world — remember that history? Let us know in the comments. 👇



Aug. 8, 2025 | 80 years after the Pacific War Japan’s reckoning with history

Hailing from Hiroshima's local music scene, SATOSHI curates a two-hour sonic experience unbounded by genres. As the esteemed owner of "音楽食堂ONDO" (Ondo Music Cafe), SATOSHI has long been a driving force in Hiroshima's cultural landscape, and has cultivated a vital space for music lovers to connect. Also the visionary mind behind the renowned "ONDO MUSIC" label, SATOSHI is dedicated to showcasing cutting-edge sounds through a series of releases which include mix CDs and vinyl records. Live from Hiroshima to the world, every 5th Wednesday 20:00-22:00 (JST).

TSUBAKI fm Hiroshima: ALIPACINO - 30.07.25

TSUBAKI fm Hiroshima: SATOSHI - 30.07.25

"Hiroshima"

Bro, Watch how you talkin to me
Quit actin so stupid ‘round me 
You just bothering me

Don’t want no vvs that’s fine
I been stankin’ on cheese
When you haters cross my mind
I run to the bank just to piss

Can someone tell me the time?
I ain’t got no clock on my wrist
Just a Glock on my dick 
Soda pop with my chips
She a BOP for the clip
Fuck these ops; suck my dick
Yeah keep talking that shit 
But don’t threaten my kids

Or I’ll flatten you like Hiroshima, Nagasaki, 
Radiation give you emphysema
Kawasaki riding around in Argentina 
Keep you up on your toes like ballerina 
On a yacht at the marina with my mamasita 
Mixing sprite with purple liters 

Bite me like mosquitoes (mosquiteers)
She might be a keeper
And we don’t fear the reaper 
Or knocking heads with leaders 
Pull up in a sleeper
The road to hell is cheaper 
You lil lip reader (Fuck You)

nothing less than a P & O
play em like a piano 
cap, rap, bag em {Baggins} call em zak
like he seeing ghost 

Childish like a 3 year old
I don’t got no more hero’s
My temper below zero
Tonight with Kimmel & Guillermo

Am I famous yet?
Did I get a check?
I wanna be drippin wet with tatts on my head
Tatts on my face, hickeys on my neck 
Please just give me space
Cause I need drugs to rest

HIROSHIMA

GoopAlarm R Word Ultra Luxe 10 Trillion (Feat. KirbLaGoop)

PEACE IN PIECES
80 Years after Hiroshima and Nagasaki:
Art, living left archives and new peace movements

Sydney Trades Hall Atrium, 2 to 29 August 2025
Opening: Thursday 7 August at 6 pm. Hosted by Hiroshima Day Committee (Sydney).
Artists in Conversation: Thursday 28 August, 11am
Hosted by The Cross Art Projects. Enter Sydney Trades Hall atrium via 377 Sussex St

Artists: Safdar Ahmed, Lux Eterna, Fitri DK, Alex Gawronski, Dodi Irwandi, Thee Oo, Raquel Ormella, Wok the Rock
Prints: Hiroshima-Nagasaki print set (c.1974) and Hiroshima Day archive, International Campaign Against Nuclear Weapons, Lyn Hovey, Toni Robertson and Chips Mackinolty, Ralf Sawyer, Tin Sheds Workshop (c.1984), and more.
Partners: Jo Holder (The Cross Arts Projects), Neale Towart (Trades Hall Collection, Unions NSW) with Hiroshima Day Committee (Sydney)

https://www.crossart.com.au/current-show/peace-in-pieces-80-years-after-hiroshima-nagasaki/

PEACE IN PIECES, Artists in Conversation: Safdar Ahmed, Lux Eterna, Alex Gawronski & Neale Towart

SWAG ENT. GOES 2 JAPAN. #VACATIONTIME #METIME #BEACHEPISODE6

日本の暗号 (JAPAN CYPHER) FT. SHADOWSWAGGER, YNWSWAGGY, BIGSWAGGERGAMMA & SWAGMANE

Hiroshima

Hiroshima - Nakata

わるいくせ

In 1946 the New Yorker published "Hiroshima," an article by John Hersey that told the stories of six people who were in Hiroshima when the atomic bomb dropped. Host Gwenyth Fahrney talks about the Manhattan Project and the impact of the article on the American Public. 

John Hersey: The Impact of Hiroshima

TSUBAKI fm Hiroshima: YAN - 29.10.25

TSUBAKI fm Hiroshima: KAHO - 29.10.25

Hamburg and Belfast based DJ & producer (DJ Joma) and German vocalist & songwriter (Moon Aton) blend their two worlds together to form a unique dreamy mix of deep, organic, electronic sounds. 
-------------------------------
Bookings:- joseph@lenz-musik.com

Working together since 2020, they have enjoyed several successful releases to date on labels such as Be Adult Music, Colour & Pitch, Personal Belongings, RYNTH, Where The Shadows Ends, Best Next Thing Recordings, 3Bridge Records, Nordic Voyage Recordings, M-Sol Records, Suprematic Sounds, Equilibrio Records, 3-4-1 Cuts and Nicksher Music. With a string of releases already scheduled for 2025, it promises to be a bright future for Lenz.
 
Their weekly 'Night Whisper' podcast show seemed like the natural progression of what they have been doing and has been running since 2020, and thanks to the help of radio stations like Pure Ibiza Radio, Cafe Mambo Ibiza Radio, Ibiza Global Radio, Bloop Radio London, Beach Radio, Organic Deep House Radio, Boogie Bunker Radio (Tenerife), Estacion Ibiza Radio, Data Transmission Radio, Radio Zoom (Berlin), Graffiti Kings (London) and Like That Underground (Germany), it has developed brilliantly, and helped bring the Lenz sound to all corners of the world. 
 
Atmospheric, raw, and cinematic, Lenz is comfortable taking you on an exciting journey and making you sweat on the dance floor. Never afraid to go too deep, their emotional, dreamy melodies and poetic words will invigorate your mind and soothe your soul.

Having grown up on their individual eclectic combinations of European electronica and synth-infused 80s music … all which became infused with their own love for electronic music, Lenz have ended up with quite a mixed spectrum of musical influence. 

Today, after working together closely these last four years, this translates into DJ sets and production releases where they pick apart and infuse together all the pieces of this music that they love best: beautiful synth work, lush backdrops, brooding basslines combined with Moon Aton’s haunting ethereal vocals… all on top of pronounced foot-shuffling house beats and chilled ambient tones. Together they create the very essence of their signature sound, an emotional and organic contrast of dark and bright, deep, cinematic, genre bending styles, rich in melody and emotion.
 
In their own words… 
 
“This is the story of Lenz. 
A strange story full of coincidences. 
Of dreams and reality. 
Of beauty and passion. 
Of longing and desire.
Of laughter and tears.
A German girl … an Irish boy.
In search of the perfect beat and the right words.
A story full of dreams and hope.
Driven by the desire to bring beauty into the world.
And even if their music reaches few at the beginning …
It was worth it all if it made just one heart dance with joy.
A story within a story.
A dream within a dream.
This is the end of this story … but the beginning of the next …”
 
Lenz

Amateur de sons ayant parfois travaillé à RADIO FRANCE dans les années 1990 notamment à l'Atelier de Création Radiophonique de FRANCE CULTURE et dans deux locales de Radio France.

You’ll probably listen when I’m dead.

広島尾道発。ドラムボーカルとピアノの２ピースバンド。
ロマンスポップ！ときどき切なさ。
最小限で無限大な音楽をお届けします。

city lights are a piano, drum and vocal trio from Onomichi, Japan.
Their sound blends minimal arrangements and raw emotion into cinematic pop moments.

A weekly roundup of the week's biggest — and smallest — national news, crime, politics and entertainment stories from Japan Today with a dash of opinionated commentary and a sprinkling of readers' comments. Ready for you every Friday evening (JST).

MEMBERS:

SWAGMANE
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BIGSWAGGERGAMMA
YNWSWAGGY
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Somos un servicio de noticias multimedia de las Naciones Unidas. El material producido por Noticias ONU en español puede ser utilizado gratuitamente citando la procedencia.

Democracy Now! es un programa independiente de noticias internacionales y de difusión diaria  que se transmite a través de más de 1300 emisoras de radio y televisión en todo el mundo. Esta es la cuenta de nuestra programación en español.

A bulgarian text writer and song maker. Try to show my point of view of the world with songs i made. The music is very important part of my life, remember when i was a kid, has a dream to make a music that is nice to me and now I have a chance to made it! 🤞

TSUBAKI fm is a brand new platform for independent music, straight from the heart of Tokyo. We aim to bring new life to the underground music scene in Japan while also helping better connect artists and listeners worldwide. Get fresh tracks from diverse genres, music culture information, live broadcasts, and more.

Joe Galuszka is a British composer, conductor, and performer who began his musical journey as a self-taught pianist from a young age before joining a brass band at 14. As a tuba player, timpanist, and percussionist, he has performed with some of the UK’s finest brass bands including Tredegar, Flowers, Aldbourne, Filton Concert Brass, and Rothwell Temperance, and was timpanist with the Bristol Symphony Orchestra for a number of years. He has performed at some of the leading concert halls in England, including the Royal Albert Hall, Canterbury Cathedral, Symphony Hall Birmingham, and Leeds Town Hall. He conducts seven ensembles, including the Bristol Military Wives Choir, Bristol Hippodrome Community Choir, and Westbury Park Orchestra, and has worked as an arranger and tutor for the National Children’s Orchestra of Great Britain. He recently became Musical Director for the Gloucestershire Music Service and Youth Orchestras, and is training with the Association of Brass Band Adjudicators.

His compositions span brass, wind, chamber, and media music, scoring over 15 films and documentaries. He won Bronze at the Global Music Awards and Gold at the London Independent Film Awards for his debut wildlife documentary soundtrack, Firekeepers of Kakadu, which was broadcast on SBS Australia. His works have been shortlisted for the European Brass Band Composition Championship (2020) and the A4 Brass Quartet Competition (2022), with his tuba quartet Pandemic being awarded 1st place in the When Tuba Come One International Composition Competition. In Nov 2025 his first commission for orchestra, A Symphony of Centuries, will receive its world premiere by the Longwell Green Orchestra , with his debut album 'Fractures', recorded by the Bristol Ensemble being released in Dec 2025.

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