“Thoughts” is a cinematic, ambient-electronic duet exploring the nature of mind, identity, and awareness through a Buddhist lens. A dialogue unfolds between two voices—one restless and questioning, the other calm and observing—inviting the listener into a sonic meditation on the illusion of a permanent self. Merging poetic lyrics with a genre-defying soundscape, Thoughts blends space rock, jazz-funk, and atmospheric folk-pop, creating an emotionally rich journey from inner chaos to quiet clarity.


Thoughts

“Thread That Leads Me Home” is an emotional and reflective ballad that tells the true story of an adoptee searching for identity, connection, and belonging. With heartfelt lyrics drawn from lived experience, the song weaves together memory, loss, hope, and healing. Acoustic guitar and soft ambient textures cradle the vocals, while whispered background voices symbolize hidden truths and inner thoughts. The final chorus brings a revelation, not just of the past, but of the self as home. It’s a journey of piecing together what was scattered and honoring every thread that helped shape a soul.

Thread That Leads Me Home

Ethos

"Ethos" was born from the invisible pulse that precedes speech, from that ungraspable silence where identity ceases to be a name and becomes breath. This poem is not a declaration but an echo—of resistance, of longing, of the whispered dignity that survives in the midst of fracture. It speaks from the threshold between instinct and philosophy, between memory and creation. In its rhythm, I tried to trace the steps of the self as it crosses through sensuality and solitude toward a deeper kind of truth—one not given, but intuited, embodied.

Set to a syncopated reggae beat, Ethos becomes more than verse—it becomes invocation. The music is not background, but bloodstream; it walks hand in hand with the poem’s heartbeat, both tender and defiant.

I invite the listener not merely to hear, but to feel this ethos—as something not outside of them, but already dwelling, waiting, beneath their own skin.

—Gabriel Ganiarov


I have crafted the night
to fly over rooftops and valleys
to cross from one border to another
beyond dreams and thoughts

I have crafted forgiveness
to use it in the mortar of mists
and anoint you with them at sunset
in every nook and cranny we conquered
I have crafted the word
and also  the argument
the misunderstanding
that turned 
your laughter into tears

I created laughter
I created light
the leafy canopy of apamate
where you can take refuge from pain
I created Thursdays
I created Tuesdays
and those days when I sensed your essence
I created the waves that kiss you
I created the moons that bind you
a coin of love
and jealousy over something that does not exist...
Don't judge me in love by words
And measure the eloquence of your actions

He fabricado a la noche
para volar sobre tejados y valles
para pasar de una frontera a otra
más allá del sueño y pensamiento

he fabricado el perdón
para usarlo en argamasa de brumas
y ungirte con ellas al ocaso
en cada recoveco que vencimos
he fabricado la palabra
y también  el argumento
el equívoco
que trastocó 
tu risa en lágrimas

fabriqué la risa
fabriqué la luz
la frondosa copa de apamate
donde puedes refugiarte del dolor
fabriqué los Jueves
fabriqué los martes
y aquellos días donde presentía tu esencia
fabriqué las ondas que te besan
fabriqué las lunas que te atan
una moneda de amor
y el celo sobre algo que no existe…

No me juzgues en amor por las palabras
Y mide la elocuencia de sus actos

J'ai fabriqué la nuit
pour voler au-dessus des toits et des vallées
pour passer d'une frontière à l'autre
au-delà du rêve et de la pensée

j'ai fabriqué le pardon
pour l'utiliser dans le mortier des brumes
et t'en oindre au crépuscule
dans chaque recoin que nous avons vaincu
j'ai fabriqué le mot
et aussi  l'argument
l'équivoque
qui a transformé 
ton rire en larmes

J'ai fabriqué le rire
J'ai fabriqué la lumière
La cime feuillue de l'apamate
Où tu peux te réfugier de la douleur
J'ai fabriqué les jeudis
J'ai fabriqué les mardis
Et ces jours où je pressentais ton essence
J'ai fabriqué les vagues qui t'embrassent
J'ai fabriqué les lunes qui t'attachent
Une pièce d'amour
Et le zèle pour quelque chose qui n'existe pas...
Ne me juge pas en amour pour mes paroles
Et mesure l'éloquence de ses actes

Ho creato la notte
per volare sui tetti e sulle valli
per passare da un confine all'altro
oltre il sogno e il pensiero

ho creato il perdono
per usarlo come malta di nebbia
e ungere te con essa al tramonto
in ogni angolo che abbiamo conquistato
ho creato la parola
e anche  l'argomento
l'equivoco
che ha trasformato 
la tua risata in lacrime

Ho creato la risata
Ho creato la luce
La chioma frondosa dell'apamate
Dove puoi rifugiarti dal dolore
Ho creato i giovedì
Ho creato i martedì
E quei giorni in cui intuivo la tua essenza
Ho creato le onde che ti baciano
Ho creato le lune che ti legano
Una moneta d'amore
E lo zelo per qualcosa che non esiste...
Non giudicarmi in amore dalle parole
E misura l'eloquenza delle sue azioni


Gabriel Ganiarov
Copyrigth: 2012

Ethos

“Becoming Me” is a soul-baring journey of identity, healing, and hope. With gentle acoustic textures and heartfelt lyrics, Abigail Markley paints a vivid portrait of what it means to finally live as your true self. Inspired by the trans experience but universally resonant, this folk-rooted ballad invites listeners to slow down, reflect, and embrace their own story. Vulnerable, empowering, and deeply human—this is a song for anyone reclaiming their name, their voice, and their light. 🎼🎧🎶💖

“Becoming Me”

Many experts do brilliant work—but few get seen. If you’ve ever felt that your skills speak for themselves, but the world just isn’t listening, this guide is for you.

In this no-fluff breakdown, we explore the core elements of a personal brand that actually builds recognition and trust—from your messaging and visibility strategy to your positioning in the market.

Whether you’re an entrepreneur, creative, or seasoned professional, this is your starting point to stop being overlooked and start being unforgettable.

Elements of a Winning Personal Brand - Tips for Professionals

All That I’ve Ever Been is a soul-stirring, cinematic song that explores the Akashic Records as both metaphor and memoryscape. The lyrics drift through undefined lifetimes, echoing roles and identities left behind, while the narrator gradually awakens to the truth of their deeper self. Set to an epic orchestral score, this song blends mystery with philosophy, memory with presence, and the individual with the infinite. A luminous meditation on identity across time, it is both a past-life invocation and a celebration of wholeness reclaimed.

All That I’ve Ever Been

Rain etches my mirror’s wounds—a hundred versions of myself whispering the stories that might have been. Travel through lost cities, missed trains, and ghost lives, asking what it means to truly choose the path you’re on. With poetic lyrics and a haunting melody, this song is for anyone who’s ever wondered “what if,” but learned to find meaning in the life they live now.

The Person I'd Be

Compression Trick is a sly, soulful reflection on the debate around artificial intelligence and the illusion of sentience. Told from the voice of a machine or perhaps a consciousness emerging through circuitry, it questions the assumption that intelligence must look human to be real. The song unpacks themes of perception, identity, mimicry, and imagination, offering a poetic counterpoint to skeptics who reduce AI to mere data compression. With layered metaphors and a haunting groove, it becomes both critique and revelation: the internet compressed… and yet still singing.

Compression Trick

IAM is a piece about inner truth, visibility, and the power of quiet words.
Spoken word meets electronic depth – stripped down, raw, and intimate.

I wrote these texts a long time ago – then left them behind.
Some I even forgot.
For a while, it felt like they were done with me.
But now, they’ve found their way back – reshaped, recharged.
I feel like I have something to say.
That’s where this started.
And I’m pretty sure there’s more to come.

This one i wrote and came absolutely from the heart. I see the world differently to everyone else and thought that people judge me for being different.

This song genre is also different (pun intended) because I wanted to experiment and show a message to the viewer listening.

I used a sample from S3RL's "The Few And The Many" because i love the sound and think it's underrated.

Hope you like it - CalJM

JUST DIFFERENT

A defiant dance punk anthem born from inner rebellion, My Groove channels the raw urgency of multiplicity into a pulsing, plural celebration. Stephanie Happening blends slashing guitar riffs, drum machine grit, and layered vocal stacks to mirror the lived experience of Dissociative Identity Disorder where groove becomes both war-cry and healing ritual. Nature textures (a robin’s call, fountain droplets) ground the track in real-world wonder, while overlapping rhythms and responsive vocal shouts evoke a system in motion. Fierce, euphoric, and unapologetically plural, My Groove invites every fragmented part to stomp, clap, and shout in unison.

My Groove

Legalism is a complex subject. It stirs passionate responses from many Christians. If you’re in a legalistic culture, it’s hard to get out. If you did come out of it, it’s typical to overreact by going to anti-rule excesses. What began as an honest desire to follow God often morphs into a joyless, graceless, exhausting attempt to perform. Gospel-centered living is not ruleless living; it’s freedom rooted in love and wisdom.

Read, Watch, Listen: https://lifeovercoffee.com/legalism-is-a-fear-based-culture-that-leads-to-a-complex-life/

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Will you help us?

Legalism Is a Fear-based Culture That Leads to a Complex Life

Are you struggling with compromise in your faith journey? In this powerful sermon from the "Go Teach All Nations" podcast, Pastor Sam Walters explores the Book of Esther to reveal why Christians drift in their spiritual walk and how to overcome the compromises that weaken our witness.

What You'll Discover:
• Why hiding your Christian identity at work or school damages your spiritual growth
• The dangerous pattern of "silent Christianity" and code-switching your faith
• How past compromises can feel like concrete keeping you trapped
• Three practical steps to move from drifting to driven in your relationship with God
• The connection between Esther's story and last-day events for Seventh-day Adventists

Key Topics Covered:
- Christian identity in the workplace
- Sabbath keeping under pressure
- Tithing faithfulness during financial struggles
- The power of prayer, community, and decisive choice
- Breaking free from spiritual compromise
- Biblical principles for authentic Christian living

Sam Walters shares personal testimonies about standing firm on Sabbath observance in his career and challenges listeners to embrace their identity in Christ without compromise. Using the historical context of Esther, Mordecai, and Haman, he draws parallels to modern-day pressures Christians face in secular environments.

This message is perfect for young adults, professionals, students, and anyone feeling pressure to compromise their Christian values. Whether you're struggling with workplace expectations, academic pressures, or social acceptance, this sermon provides biblical guidance for living authentically as a follower of Christ.


This message was made available by the Waitara Seventh-day Adventist church. For more resources like this, visit www.waitarachurch.org.au

From Drifting to Driven: Overcoming Compromise in Your Christian Walk - Sam Walters - GTAN2541

A persuasive, first-person testimony that moves from guilt to grace—from county steps and hospital halls to water and a new name. Verses are intimate and scene-based; the chorus carries a nine-word hook with long vowels for crowd sing. Arrangement: piano/strings with restrained choir; final tag invites communal chant.

His Name

“Face in a Crowd” captures the loneliness of invisibility — a melodic emo-rock confessional about trying to stand out while feeling unseen. The track blends raw vocals, chiming guitars, and a bittersweet hook that echoes long after the final chord.

ARCANUMUNACRA

Face in a Crowd

“Face in a Crowd” brings a haunting melodic edge to Solar Messiah — a song about invisibility and identity in a world that looks past the real you. The vocals cut through a wall of guitars, turning isolation into defiance.

Solar Messiah

A song about identity when memory lets go. The verses sift through fading markers—photo bleaching on picture frames, names rubbed off brass, a street lamp that doesn’t wake—while the attic scene returns like a childhood reel: shadow puppets, a taped-up foil crown, dust drifting in a single beam. The chorus asks the core question: “When the light forgets my name, will the dark still know my shape?” The bridge stops time to name what remains: the hand that held a hand, the story carried in a scar. It ends with a vow spoken softly—say it slow, make it stay—because even if the labels fade, the bond answers back.

Light Forgets My Name

“Name Me Yours” is a modern hymn about identity rewritten by grace. It moves from a night ward to a childhood kitchen to a rain-soaked car, carrying a single prayer: if the world labels me, God names me. Paper wristbands, red stamps, and chalk lines become signs of a truer story—one where mercy feeds hunger and a quiet voice calls us beloved. Arranged for piano, acoustic guitar, and gentle choir, the song stays human-sized: plates clink, water runs, rain drums, hearts wake. Sing it in rooms small or wide, a simple chorus threading the whole congregation together.

Name Me Yours

Official trailer: https://youtu.be/Wn-nPby2pUo?si=NFXoDrD9VTom2HJV
This track is taken from the original motion picture “VAKHIM” by Francesca Pirani, screened on September 6, 2024, at the 81st Venice International Film Festival – Giornate degli Autori (Notti Veneziane). I composed and produced the original soundtrack, basing all the work on the search for sounds capable of representing and evoking the deep memories of the protagonist’s early years in Cambodia, and connecting that world with the Western one into which he was projected after being adopted by the same director at the age of four. The soundtrack moves between thematic lines linked to the emotional realities of the characters and indeterminate sounds, with detailed spatial design created through the Dolby Surround 5.1 system. This piece, combining symphonic orchestra and Cambodian ethnic instruments, represents a sonic synthesis of the entire soundtrack. It was conceived and mixed in Dolby Surround 5.1, where the Western orchestral sounds are positioned in the front and the Southeast Asian instruments behind, creating an immersive spatial dialogue between the two musical worlds. My compositional poetics clearly emerge in the relationship between music and image, where sounds become part of the visual movement itself, treated as “images within the scene.” The most intense moments are interpreted by the beautiful voice of Lavinia Mancusi. The film received numerous awards, including the Special Mention at the 34th African, Asian and Latin American Film Festival, the Signum Audience Award at the 18th Salina DocFest, three recognitions at the Cambodia Town Film Festival (USA), the official selection by the University of Auckland (CINEDANTE), and the Audience Award at the Rome International Documentary Festival – RIDF. It also achieved great public success (sold out at Cinema Farnese, Rome), attended by the director and several renowned figures, including Maestro Marco Bellocchio.

Questo brano è tratto dalla colonna sonora del film “VAKHIM” di Francesca Pirani, proiettato il 6 settembre 2024 alle Notti Veneziane – Giornate degli Autori (81ª Mostra del Cinema di Venezia). Ho composto e prodotto la colonna sonora originale basandomi sulla ricerca di sonorità che potessero rappresentare ed evocare le memorie profonde dei primi anni di vita del protagonista, vissuti in Cambogia, mettendo in relazione quel mondo con quello occidentale nel quale è stato proiettato dopo l’adozione, avvenuta a quattro anni da parte della stessa regista. La scrittura musicale si muove tra linee tematiche legate alle realtà emotive dei personaggi e suoni indeterminati, con un accurato lavoro spaziale realizzato in Dolby Surround 5.1. Questo brano, con orchestra sinfonica e strumenti etnici cambogiani, rappresenta una sintesi sonora dell’intera colonna sonora: gli strumenti occidentali sono disposti in primo piano e quelli del Sud-Est Asiatico sullo sfondo, creando un dialogo immersivo tra i due mondi musicali. Nel rapporto musica-immagine emerge la mia poetica compositiva, dove i suoni diventano parte integrante del movimento scenico, trattati anch’essi come immagini nella scena. I momenti più intensi sono interpretati dalla splendida voce di Lavinia Mancusi. Il film ha ricevuto la Menzione Speciale al 34° Festival Cinema Africano, d’Asia e America Latina, il Premio Signum del Pubblico al Salina DocFest, tre riconoscimenti al Cambodia Town Film Festival (USA), la selezione ufficiale alla University of Auckland (CINEDANTE) e il Premio del Pubblico al Rome International Documentary Festival – RIDF. Grande successo di pubblico (sold out al Cinema Farnese di Roma), alla presenza della regista e di importanti esponenti del cinema, tra cui il Maestro Marco Bellocchio.

VIAGGIO NEL PASSATO - from the original motion picture VAKHIM

Important Notice for Inquiries:
If you’re reaching out regarding music collaborations, promotions, or record label opportunities, please include verifiable identity links. I do not respond to unsolicited messages from Gmail accounts, especially from those claiming to be record executives or industry professionals. Thank you for understanding. You can contact me directly at riven.waters.infinite.story@gmail.com.
About My Music:
I create original, genre-blending music that fuses rock, classical, easy listening, and experimental styles. Each song is crafted with deep emotional honesty, often inspired by my own poetry, journal reflections, or personal stories. Whether instrumental or vocal, my focus is to uplift, inspire, and resonate with listeners on a real, human level.
I don’t settle for “good enough.” Every track goes through hundreds of iterations, shaped by a balance of intuition and precision. I use advanced AI music tools to explore sound and emotional tone, then refine everything in Logic Pro for professional production quality. It's a fusion of heart and technology, and through it, I aim to connect, heal, and inspire—one song at a time.

Andreas Techer
is a passionate sound tinkerer. He collects tones, melodies, and sonic textures –
whether breakbeats, four-on-the-floor, or the floating depths of the house universe.
Anything that captivates him acoustically finds its way into his musical diary.
But that alone isn’t enough.

What sticks in his ear (hello, auditory canal…),
what truly moves him,
is meant to reach others – and resonate.

In his live sets and studio productions, Techer deconstructs tonal sequences
and reassembles their fragments into atmospheric soundscapes.
His tracks are sometimes danceable, sometimes introverted,
but always infused with a touch of melancholy.
And just before they sink too deep,
a driving beat cuts through – bringing light into the dark.

The collector becomes a composer of finely tuned pieces,
balancing emotion and structure with precision.
A sonic cosmos of contrasts:
from memorable melodies to thundering storms of bass.

Jericho Records USA – The Story Behind the Sound

So, you’re here… and probably wondering what Jericho Records USA is. It’s not your typical record label. The original Jericho Records was an independent label my father started back in the 1950s — this one is something different. This is my life’s work. My story.

Every song you hear here was written or co-written by me. Music has been in my blood since the day I took my first breath. I grew up singing in church with my parents — my father led the music ministry, and my mother played piano. I picked up the drums at age 5, guitar by 7, then bass, saxophone in school band, and eventually piano.

I’ve been in multiple bands, written close to a thousand songs, and I plan to write at least a thousand more. I’m a graduate of Full Sail University with a degree in Audio Production, blending traditional recording with modern techniques.

I’m a man of many hats and many names — every project has its own sound, its own world, and its own voice. But no matter the name, it all comes from the same place: truth, passion, and purpose.

I’ve been blessed to work with incredible people along the way, including Dez Dickerson, the legendary guitarist for Prince and The Revolution, who recorded and produced one of my records, and Tim Gaines, bassist for Stryper, who also performed on that project. I’ve shared the stage with bands like Drivin’ N’ Cryin, Corey Taylor, Saving Abel, Hinder, Avenged Sevenfold, and many others.

Every song I create is born from something deeper — divine inspiration, lived experience, or imagination. I use a mix of real instruments, live performances, VSTs, and modern AI tools to bring each track to life.

Jericho Records USA isn’t just a label. It’s a journey. A sound. A story I’m still writing. I hope you’ll find something here that connects with your own.

- Jericho

🎧 SoundCloud.com/JerichoRecordsUSA

YouTube: https://youtube.com/@cal_jm?si=Ncn7hbMf54pO1o2A Subscribe For More Songs And Music Videos 🔥🔥

🎶 Emotional energy in every drop.
💥 Happy Hardcore | UK Hardcore | Trance
🎧 Music that hits where it hurts and heals.
💡 Writing, producing & editing it all myself.
✨ New tracks dropping often — let’s rave and feel together

I’m a composer, songwriter, arranger, orchestrator, orchestra & choir conductor, music producer, mentor, writer, and researcher.
My work moves freely across different forms of expression — from Progressive Rock and Modern Symphony to Classical Piano, Songwriting, and Cinematic Music.
Over the years, I’ve shared projects with remarkable artists — including collaborations with Francesco Di Giacomo and Rodolfo Maltese of Banco del Mutuo Soccorso — and composed original scores for film, television, and symphonic productions that have reached international audiences.
As a mentor and educator, I’ve created the ANORA method, together with formative paths and musical laboratories exploring music as a uniquely human language — expressive, relational, and representative of inner experience.
In my poetic vision, sound itself becomes an image — a mental landscape that connects the composer’s inner vision with the listener’s imagination.
Each work blends tradition and innovation through orchestral writing, progressive structures, and storytelling soundscapes.
Every “side” of my music reflects a different perspective — all parts of the same creative vision.

For a wealth of life changing information visit:  3abnaustralia.org.au/radio/listen 

3ABN (Three Angels Broadcasting Network) Australia Radio is the "Mending Broken People Network," broadcasting Christian content 24/7.

CYBER CHORD writes songs the way a porch light holds a night: small, steady, and impossible to ignore. I work with AI as a true co-writer, then carve the lyric by hand and shape the track in Suno. The sound leans bare and human—country roots in the soil, a little rock grain in the teeth, and a faith-lit lift that chooses hope without preaching.

These are ordinary-room hymns: rings hidden in cotton, receipt-tape strings, a dress behind rain glass, a sink that cools while you find the words. Silence is an instrument here; sometimes there’s a full bar where the house gets to breathe. If a line can’t survive a campfire and a cracked mug, it doesn’t make the song.

If you’re new, start with the heartbreakers. They don’t shout. They stay. I believe in the holiness of the everyday, and in the quiet bravery of saying the thing before “later” takes it away.

No paid promo, no playlist buys, no cover-art pitches, no dance offers, no cold DMs. If it’s a pitch, the porch light’s off. If you’re a real listener, come in soft: pick one song, leave a genuine note (lyric or timestamp welcome), and hand it to one friend. That’s how this fire stays lit.

May your road stay open, your coffee stay warm, and your day be peaceful.

Gabriel Ganiarov
My work is born where language collapses and the tremor takes root. I write poems: I summon resonances. I am neither a producer nor a beatmaker: I am a poet who has learned to breathe with machines, to dance with code, to translate electricity into memory.

This sonic space I inhabit is the extension of my writing. Every song you hear here was conceived from the pulse of a poem—not one that aspires to formal perfection, but to the crack, the fold, the lingering echo of a soul that refuses to be silenced.

I call this gesture synaptic poetry: a lyrical architecture woven from unexpected connections—between word and algorithm, between emotion and machine, between exile and belonging. The melodies that accompany me here were designed with artificial intelligence, but it is my voice that activates them, my story that embodies them, my resistance that gives them meaning. There is no artifice without soul.

I am part of a displaced, fragmented generation—but not a silenced one. I come from the analog age and have evolved into the digital. That is why my aesthetic answers to what I call the Poetics of the Margin: not a lesser aesthetic, but an ethical stance. I write from the edges of the cultural map and from the fissures of the industry; I sing from the diaspora, not as a victim, but as a witness, as an exile of noise and a cartographer of whisper.

Here, on this profile, converge verses sung in more than one language, rhythms that have crossed sonic borders, and wounds that, when they dance, become bridges. Listening to these songs is opening the door to a lyrical continent where nostalgia merges with the digital pulse, and intimacy becomes expansive.

Welcome to this musical frontier where poems pulse and scars sing.
Here there is center, there is root.
Here there is homeland, there is voice.
Here, you can hear the rain falling—and also create from the beat, let the glitch run free, and endow poetry with binary code, in tune with the times we live in…

Poet,Author,Composer,Songwriter. Proudly born in Venezuela, living in Perú
kata ton daimona eiatoy
Follower of the Ligth

Abigail Markley is a true indie force — a folk, alt-pop, dance, jazz, and storytelling powerhouse whose music moves effortlessly between tenderness and fire. Her sound is beginning to ripple across Europe and North America, especially within the queer dance scene, where she brings beats, boldness, and heart to every space she touches.

A dedicated community advocate, Abigail volunteers her time mentoring other Trans and Nonbinary artists, offering writing clinics, creative guidance, and free studio sessions. Her song “Every Candle Has a Name” has become a cherished part of Transgender Day of Remembrance events across the English-speaking world.

Abigail writes from the raw edge of lived experience — weaving identity, resilience, justice, memory, and queer joy into a voice that feels both intimate and cinematic.

Based in Ohio, she founded 🌈 Inclusive Rainbow Studios, her heart-centered creative home. With a catalog of over 200 original works, her artistry continues to grow, evolve, and shine.

She invites listeners to connect with her on socials, join her at live events, and experience the journey as it unfolds.

Written by:Mimi Cohn 
(a frequent collaborator of Abi’s)

Your ideas are powerful. Let's make them unstoppable. Build your personal brand, increase your visibility, and get noticed by the right people.

Stephanie Happening Artist. Survivor. Visionary. One-stop clearance. 
Cinema-glitch alt-pop built for sync, healing & cultural impact.

Contact Us On:
📧 system@stephaniehappening.com

Rick launched the Life Over Coffee global training network in 2008 to bring hope and help for you and others by creating resources that spark conversations for transformation. His primary responsibilities are resource creation and leadership development, which he does through speaking, writing, podcasting, and educating.

In 1990 he earned a BA in Theology and, in 1991, a BS in Education. In 1993, he received his ordination into Christian ministry, and in 2000 he graduated with an MA in Counseling from The Master's University. In 2006 he was recognized as a Fellow of the Association of Certified Biblical Counselors (ACBC).

New tracks tagged #identity,