This lecture discusses key ideas from the 20th century philosophical short story writer, essayist, and poet Jorge Luis Borges's story "Tlön, Uqbar, Orbis Tertius" which can be found in Collected Fictions. It focuses on how the fictional world of Tlön, in the space of a decade, captivates the people of Earth and begins to disintegrate the reality of our own world, replacing Earth and its cultures with those of Tlön

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Jorge Luis Borges, Tlon, Uqbar, Orbis Tertius - Tlön's Disintegration Of Our World

The doors of the disbelievers

Two simple drones, pitched the same, one evolving out of the other. The first is made from my own recording of a thunderclap during a Sydney rainstorm, the second from a recording of the ambience of my house when we are out and the animals are asleep..

Minimal and mercifully short. Headphones recommended.
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The Assignment: Make the quiet part loud, and vice-versa.

Just one step this week: Record a piece of music in which you make loud that which is usually quiet and quiet that which is usually loud.

More at https://disquiet.com/0673/

More on the Disquiet Junto at: https://disquiet.com/junto /

Thunderhouse [disquiet0673]

The ancient and languid waters of the sea of death

If a person spends their entire life seeing only in black and white, is it possible for them to truly know what it would be like to experience color? Philosophers have debated this for decades, but one thing they have often overlooked is the power of the imagination. It is a skill, and like any other skill it can be honed, perhaps enough to allow one to achieve deep knowledge of an experience they’ve never had.

Episode guest is Amy Kind, professor of philosophy at Claremont McKenna College. Produced with the Gould Center for Humanistic Studies and the Salvatori Center at Claremont McKenna College.


The Imaginary: The Knowledge Argument

‧₊˚🕷‧₊˚DIVA // audio + slowed + reverb

IMAGINARY!

Its name engraved in iron letters

Over an existing drone I had made from the “quiet” ambience of my house I added three slightly different versions of a stretched treatment of an electronic version of the opening bars of the theme from Star Trek: Voyager.

Also added was a long stretch made from the tonic chord of the theme, pitched an octave down, for a bit of gravitas.

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The Assignment: Bury a slow melody deep inside a drone.

Step 1: We did a drone project last week and it went well, so let’s do another one. You needn’t have done last week’s to do this week, as is always the case. Again, you may, yourself, be experienced recording drone music, or you may never have recorded any. You may not even be sure what drone music is, in which case read up a bit. Not matter your experience and familiarity, please give some thought as to what constitutes drone music.

Step 2: Think about what makes a melody, even a very slow and simple melody, different from a drone.

Step 3: Now record a piece of music that is, objectively, a deep drone, but somehow within it, somewhere well below the surface, include a slow-moving melody.

More at https://disquiet.com/0676/


More on the Disquiet Junto at: https://disquiet.com/junto /

Subvoyager [disquiet0676]

Adam & Chris discuss Jeff Wadlow's horror film, "Imaginary" co-produced by Blumhouse studios. **SPOILER ALERT** entire film is discussed.

Episode 33- Imaginary

Chris O'Neil & Adam Perry love cinema! Especially Horror and B-movie/Cult cinema! Podcasts are posted on YouTube every Tuesday!

New ways of thinking about the world, brought to you by the humanities and The World According to Sound. 

We’re working with universities to translate academic research into sound. Each season has a radically different format and topic. You’ll never hear the same kind of thing twice.

We’re independent and ad free. Patreon is the best way to support our work. https://www.patreon.com/theworldaccordingtosound

I'm that YouTube Philosophy Guy! Find more than 3,000 videos in my main channel.  Support my video and podcast work!  https://www.patreon.com/sadler or https://www.buymeacoffee.com/A4quYdWoM

Learn more about this podcast channel - https://youtu.be/qRvL0gqlyrw and https://gregorybsadler.substack.com/p/the-sadlers-lectures-podcast

Due to popular demand - and with the work underwritten by my Patreon supporters - I have been converting my videos into MP3 files listeners can listen to anywhere they want!

I have a second podcast, Mind & Desire, publishing original episodes on a variety of topics in philosophy, which you can find here - https://gregorybsadler.substack.com/podcast

You must hear this: https://vimeo.com/52766051

*****

Ed Brunsden was kind and patient enough to interview me for  his blog Desert... Mountain... Dust...  - you can read it at https://desertmountaindust.blogspot.com.au/2017/02/tuonela-primitive-progressive.html

After silence, that which comes nearest to expressing the inexpressible is music. ~ Aldous Huxley

All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it. ~ Jean Cocteau

All music is beautiful. ~ Billy Strayhorn
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I've become addicted to drone. Again. I was the kid with his head on the piano, listening to the overtones die away, or pressing his ear to the steel hull of the ferry, enthralled by the sounds it created. I was the kid who formed wordless songs to accompany the sound of train wheels on a long journey, or hummed along with the fan on a hot day.

In the 60s I used to play my 45s on 16, or backwards, or by hand using razor blades as stylii.

I made cut-up tapes on a cheap cassette recorder in the 70s and experimented with reel-to-reel in the 80s. 

Thank you Subotnick, Lygeti, Coltrane, Jimi, Mimaroglu, Eno, Cluster, Tangerine Dream, Klaus Schulze, Frank Zappa, Pink Floyd, Kraftwerk, Throbbing Gristle...

I am not a musician. I am a scavenger of sounds. I use the most basic software to process those sounds, stretching and filtering until something emerges that makes a joyful noise. Or not...

time to start making big boy moves....

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New tracks tagged #imaginary