ProJectDS

really like this track so I thought id post it)
It does need some vocals tho, so if you wanna use this track for ur song then dm me :]

Bass played by- https://soundcloud.com/o-mcloughlin

Stuck on you

[In progress] Optik 128 F#m 211020

[release] Day 3 124 Em 21-10-24

Future project in progress...
Composed by Laurent Stuber and vocals by Felizardo Soares
© daroon5 music / FSM productions

Quel est son Nom ?

Quel Est Son Nom ? [demo]

Putita

Another pointless Jam

Messing around with syncopation and stereo separation....

Funky test

FANPAGE: https://www.facebook.com/hrystem.music

Hrystem - March Podcast 2022

Lost

The Day I Escaped

APR 1 - Swing 3 4

Exist

dark fly

MATT ESS AT MFTS - ANNIVERSARY 2022 //MELODIC TECHNO

Making stuff for your ear holes since 1964. I play guitar, various horns, drums and whatnot. I'd play more viola and double bass but, frankly, it's embarrassing.
Soundcloud is my junk drawer of musical sketches and ideas in progress.

Labels: Dolma Red, Finder Records, Avaken, Dope, Dear Deer Black, Universum, Free Spirit Records, Red Channel Records, Black Square Records, Mechanikal, Naked Lunch DSR Naughty Pills Records Contrast Records Movement Traxx Graviton Audio Industrial Philharmonics Battle Audio NPR Limittles Unaffected Records Carmarage Records LW Recordings Soul Fly Records Gastspiel Records Viral Outbreak Digital Business Class Records Brachial Kontakt Ex-tract Records Luma Records Ushuaia Records

J'étudie la pratique de l'orgue Jazz à l'âge de 14 ans à Paris avec Armand Motta (pianiste de Barbara , Brassens) et j'ai mon premier synthé en 1976. Des études musicales en section T1 Musique au Lycée de Sèvres, avec dans la classe : Louis Winsberg du groupe Sixun et  Ludovic de Preissac. Je fais à l'époque partie de différents groupes pop/rock/funk et fais des rencontres musicales enrichissantes à l'aube des années 80 au Studio Vitamines à Gentilly et au Studio Witas à Chaville. En 1988, je découvre la MAO et je m'enferme alors avec synthés et ordis pendant pas mal de temps pour explorer tout ça et commencer à composer sérieusement. Passionné par le Jazz, l'énergie du Funk, j'aime la fusion des styles (electro/acid jazz/drum & bass/musiques du Monde). Quelque temps en 2006 au sein de Atif and Soul People et de Notsos sur Versailles. Mes claviers préferés sont l'orgue Hammond, le Fender Rhodes, le Wurlitzer et bien sur les synthés analogiques au gros son bien funky. Les rencontres qui m'on marqué : Rhoda Scott en 1974 au Club St Germain, Bertrand Richard (p.) qui m'a montré mes premiers accords de Blues, Philippe Khalifa (gt.), Stephan Gibu (dr. & bs.) des groupes de funk/gospel "Ray Sidney Firm Soundation" et "Soul Activation", Loïc Bordas (sax & bs.), Bernard Le Bellego, Emmanuel Barrache (gt. harmo.) des groupes "Quai Ouest" et "Chicago Line Blues Gang" , Patrice Barreau (dr.), les musiciens de 'Atif and Soul People' et de 'Notsos'...

Différents métiers : webmaster, infographiste, vendeur de pianos/orgues (Hammond, Gem, Viscount, Oberheim, Promotion d'artiste... 

Influences :

George Duke, Bill Evans, Chick Corea, Wendy & Lisa, Prince, Sheila E., Joe Sample, Rodney Franklyn, Bob James, Ricky Peterson, Michel Petrucciani, Bill O'Connell, Horace Silver, Jean-Yves Thibaudet, Pierre-Alain Goualch, Ludovic De Preissac, Soulive, Isaac Hayes, Roy Ayers, Donny Hathaway, Till Brönner, Candy Dulfer, Maceo Parker, Don Braden, Sophie Alour, Meshell Ndegeocello, Marcus Miller, Rhonda Smith, Herbie Hancock, George Benson, Larry Carlton, Earl Klugh, Michael Sembello, Al Jarreau, Gino Vannelli, Steely Dan, Toto, Level 42, Weather Report, Barbara Denerlein, Lonnie Liston Smith, Joey DeFrancesco, Jimmy Smith, Take 6, Kurt Elling, Viktoria Tolstoy, Dee Dee Bridgewater, Robin McKelle, Eliane Elias, Bebel Gilberto, Gabriela Anders, Tania Maria, Ray Barretto, Natali René, Ani DiFranco, Randy Crawford, Rachelle Ferrell, Maxwell, Jill Scott, Angie Stone, The Brand New Heavies, Sarah McLachlan, Coldplay, The Beauty Room, Michel Colombier, The Cinematic Orchestra, [re:jazz], Ananda Project, Gaelle Adison, Everything But The Girl, Massive Attack, Morcheeba, Laurent De Wilde... 
Une admiration sans borne pour : George Duke, Prince et H.E.R.

Actuellement j'écoute :
https://soundcloud.com/you/likes

Hristo was born in Bulgaria - Gabrovo.

His interest in electronic music began at the young age of 13

Hristo is known by his artist name ''Hrystem" - primarily an avid music listener then a DJ.For him, the focus has always been music. Listening, playing and producing.

Hristem’s sets are full of powerful atmosphere with energy, following the crowd and bringing the sensation of curiosity to the crowd’s wonder of what is coming next.

His DJ-ing style is easiest to describe as driving repetitive dark progressive,melodic house & techno, and minimal sounds.

Multi instrumentalist exploring music that pushes limits with experimentation and intimacy of sound. Combining electronics, live instruments, and atmospheric dreamy soundscapes via experimental output, mixing in Ableton.

From Brighton UK now living in Melbourne Aus. Fresh to the scene and hit first festival stage this year. 

Escaping a dark world built a web development company in twenties, found freedom becoming a drummer and guitarist, later integrating into music production.

Also runs Pink Noise Relaxation, an experimental ambient YouTube relaxation channel https://www.youtube.com/channel/UCtLHjxIy9zyjTc-5s-obz0Q?sub_confirmation=1

Thank you to the countless producers and musicians who inspire me everyday. I have undying respect and admiration for your creativity and dedication. Endless gratitude for our community of growth, collaboration, openness and sharing, love connecting with people from all around the world ￼￼￼💛

Thank you to the people that interact, share thoughts and repost my music on Soundcloud, I really appreciate you

Kat

New tracks tagged #inprogress