A warm and romantic acoustic folk instrumental featuring expressive guitar melodies and a heartfelt, intimate mood. Slow and emotional, it captures the feeling of love at first sight and everlasting devotion — perfect for wedding videos, romantic films, storytelling, or heartfelt commercials.

From First Glance to Forever

A dramatic orchestral theme with sweeping strings and gentle piano accents that build slowly to an emotional, majestic climax. Perfect for romantic film scenes, emotional storytelling, or cinematic slow-motion moments.

Velvet Hour

A story of hearing purpose where nothing should be: old TV snow whispering like far letters, dust on a lens turning into a map, a kitchen clock and hallway hum echoing the night sky. Breath becomes a countdown without numbers, and in that hush a name returns from the dark. This is a love told in negative space—belonging found between pulses, a door in the quiet swinging open. “In the sound between stars, I hear where you are.”

Sound Between Stars

A song about identity when memory lets go. The verses sift through fading markers—photo bleaching on picture frames, names rubbed off brass, a street lamp that doesn’t wake—while the attic scene returns like a childhood reel: shadow puppets, a taped-up foil crown, dust drifting in a single beam. The chorus asks the core question: “When the light forgets my name, will the dark still know my shape?” The bridge stops time to name what remains: the hand that held a hand, the story carried in a scar. It ends with a vow spoken softly—say it slow, make it stay—because even if the labels fade, the bond answers back.

Light Forgets My Name

Soft, sentimental piano theme wrapped in gentle strings and emotional jazz-fusion undertones; intimate atmosphere that slowly builds with warmth and quiet nostalgia.

Velvet Echoes

A plain-speech worship song about belonging and becoming—small images, big mercy. Built on quiet verses and a chant-ready hook, it moves from confession to communion: hinges and doors, bread and a spare seat, storms folded and hearts made wide. Recorded with intimate vocals, acoustic spine, and a communal rise you can feel in your chest. This track is for rooms that need a gentle courage: recovery nights, communion Sundays, late drives home. If it meets you, share it with someone who needs a name stronger than shame. “Name us Yours; widen our small hearts.”

The House We Keep

A slow-burn piano ballad that grows into a soaring choir moment. Midnight pacing turns into a strength routine for the heart—setting down what harms and choosing what heals. Forgiveness is framed as form, breath, and reps. The bridge drops to solo keys as a carved stone slips into the river, then everything rises: drums, strings, voices, and a final vow. Empty hands weigh less; the future gets lighter with every release. Hook: “It’s heavy, this mercy I choose.”

Mercy I Choose

Welcome to a "Hometown Noel."

Chris Manning's new 10-track Christmas album, "Our Hometown King," brings the sacred, biblical story of the nativity from the hills of Bethlehem right to your front porch.

This is a 100% original collection of new Christmas songs, all written to feel as timeless as the classics. It blends the warmth of authentic country music; acoustic guitars, soaring pedal steel, and fiddle; with the joy of a hometown celebration.

From the upbeat, fiddle-driven joy of "Shepherds' Stomp" to the powerful male/female duet of the title track, and the intimate, peaceful worship of the closing "All Is Calm, All Is Bright," this album is the perfect soundtrack for your Christmas season.

If you're looking for music that celebrates the reason for the season with a heartfelt, country sound, you've found it.

Come on in and celebrate "Our Hometown King."

All Is Calm, All Is Bright

for the ones who feel before they speak.
Morgan Swims – “Feelings Are Weapons”
Warm Rhodes. Tape-soft drums. Quiet vulnerability.
A late-night soul moment for listeners who feel deeply.
“Feelings Are Weapons” is a tender, late-night soul confession from Morgan Swims. Built on warm Rhodes chords, soft tape-textured drums, and an intimate vocal performance, the track channels the emotional honesty of 70s R&B into a modern context. It’s quiet, vulnerable, and deeply human — the sound of trying to stay composed even when the heart is heavy. A slow-burning retro-soul mood piece that hits deeper with every listen.

Morgan Swims - Feelings Are Weapons

A love song that chooses quiet over flourish. Nylon-string, soft percussion, and a single inescapable hook: “Say less, love rings louder than any line I write.”

Say Less

Crafted for the glory of the Lord Jesus Christ.

CYBER CHORD writes songs the way a porch light holds a night: small, steady, and impossible to ignore. I work with AI as a true co-writer, then carve the lyric by hand and shape the track in Suno. The sound leans bare and human—country roots in the soil, a little rock grain in the teeth, and a faith-lit lift that chooses hope without preaching.

These are ordinary-room hymns: rings hidden in cotton, receipt-tape strings, a dress behind rain glass, a sink that cools while you find the words. Silence is an instrument here; sometimes there’s a full bar where the house gets to breathe. If a line can’t survive a campfire and a cracked mug, it doesn’t make the song.

If you’re new, start with the heartbreakers. They don’t shout. They stay. I believe in the holiness of the everyday, and in the quiet bravery of saying the thing before “later” takes it away.

No paid promo, no playlist buys, no cover-art pitches, no dance offers, no cold DMs. If it’s a pitch, the porch light’s off. If you’re a real listener, come in soft: pick one song, leave a genuine note (lyric or timestamp welcome), and hand it to one friend. That’s how this fire stays lit.

May your road stay open, your coffee stay warm, and your day be peaceful.

Ukrainian-Canadian composer (SOCAN) producing high-quality cinematic, electronic, and folk soundtracks that blend emotional storytelling with modern sound design. Each 24-bit studio master is crafted for film, trailers, and digital media — combining orchestral depth, electronic energy, and heartfelt atmosphere inspired by real stories and places.

Hani AlBader is a prolific Brooklyn-based DJ / Producer / Remixer who has maintained an appeal in both underground and commercial circles. 
A Strong work ethic & gutsy attitude earned this prolific artist worldwide recognition as a top producer & the remixer to stars like Justin Timberlake, Alicia Keys, Pink, Christina Aguilera & Michael Jackson to name a few. 
Hani started out in 1984 as a bedroom Dj recording mixed cassette tapes for himself & close friends.   By 1988 during his college years in Denver Hani became a professional Dj at several major clubs.  Saved enough money to buy used Synthesizers,  Drum Machines & 4 track tape decks from pawn shops. Hani learned on his own the art of making Electronic Dance Music & was able to release a few underground records just to put his name out there but,  that was not enough. In 1993 Hani got his start doing underground Acid House tracks for Carl Craig's Label Planet-e & Deep Dish's label Yoshitoshi.  
By 1994 Hani was enrolled in the Institute of Audio Research in New York City. There he gained a well-needed knowledge of the fundamentals of audio acoustics, electronic circuitry, engineering & mixing.  While attending the institute Hani also wasted no time. Hani started his remix career working on projects for Artists such as Deee-Lite, Repercussions & Urban Soul.  Upon graduating IAR, Hani started at Bass Hit Studios as an intern assistant engineer. He chose this particular studio only because it was the closest to his apartment.  Soon Hani learned that Bass Hit was a Mecca for House music producers & remixers. Call it destiny.
It was at  Bass Hit Studios that Hani acquired a deeper sense of Electronic Dance Music by working for such House music luminaries as Masters at Work (Little Louie Vega & Kenny Dope), Roger Sanchez, and Danny Tenaglia. 
Hani cleaned the studio after them, picked up the garbage, and delivered food however, he also learned the basics of House arrangements and mixing.
The competition in New York City was very high & Hani had to quickly make a name for himself therefore, he did not follow the rules. He did not wait for record labels to give him a chance at remixing songs he liked. He chose songs he gravitated to & went on to produce his own remixes in his simple little studio without being commissioned or paid to do it. Through his connections, Hani built a long list of Dj friends who admired his talent & consistently played his work around the globe. His 1995 unauthorized remix of Sade’s "I Never Thought I'd See the Day" under the given alias Musk Men got him the exposure he'd been working for. It got bootlegged by several distributors in US & Europe and gave Hani a Jump-start. Sade was not into remixes so the remix never got approved by(Epic / Sony). Then came Hani's unauthorized remix of Sting's  "Sister Moon" bootleg. This was a big Sound Factory Bar/ Ministry Of Sound records thanks to Louie Vega & friends like Roger Sanchez . Due to its success, this one got the official approval by Sting & got released on AM:PM by Simon Dunmor. This bootleg remix & many others are available on http://djhani.com/
This Biography continues on http://djhani.com/hani-biography/

New tracks tagged #intimate,