Write a piece of poetry inspired by this quote by Britt Wolfe "You are not just telling a Story.  You are carving a door in the walls of someone else's loneliness"

A Message in a Bottle

Overwhelmed

The Why’ dives into loyalty, pressure, and clarity in chaos. A fusion of sci-fi mystique, street wisdom, and cold ambition, Marvo raps like a commander in the Jedi chamber—unmoved while both sides pull at him. This is more than a track; it’s a statement for anyone who thrives in the middle of the storm.

The Why

Chopin - Prelude No. 4 in E Minor

jaymartyrr - no contact

lyrics: 

you acting oh so drastic
oh so drastic
you don't show no passion
heartless actions
won’t call me back
always end up headed for the hills then come running back
i don’t really fuck with that

i did it on my own
never should've let nobody get that close to my soul
heart in pieces ain't no cast for this
won't heal like broken bones
know it won't be no contact after this all this shit set in stone

you had my soul
you keep me whole
your face in all the pictures, woah
still in control
but i gotta let you go i know
no other way for me to grow

you never here when i need you
but i'm the one you call
i'm so anxious to see you
girl why you gotta stall?
if this ain't what you need truthfully why do this at all?
girl tell me why we still involved?

you had my soul
you kept me whole
i met your mom, you met my bros
said i complete your soul
then you changed your mind
you switched it up 
you don't need me no more
now i mind my business so-
gotta let go

you had my soul
you kept me whole
i met your mom, you met my bros
said i complete your soul
then you changed your mind
you switched it up 
you don't need me no more
now i mind my business so-
gotta let go

no contact

A melancholic synthpop track exploring the lingering emotions after a lost love. City lights feel dimmer, laughter turns into fading memories, and even moments of peace are haunted by echoes of the past. this track paints a sonic picture of emotional struggle, identity, and isolation in a world.  

Echo in the Night

The lyrics convey a sense of detachment and emotional numbness in the face of overwhelming external pressures. desire to disconnect from the chaos and drama surrounding them, opting for a state of ′sleep mode′ where they can escape the noise.

Sleep Mode Access Denied

This is the first song I've ever done, beginning to end, that someone else wrote.  We took it together from words on a paper, no bridge, and a ukulele to what it is now.  The artist and writer (Leila Pagano) wanted to go in a slightly different direction with this song.  Still pop-punk but more stripped.  Hopefully, she will be releasing that version soon under her own artist name and brand.  I heard this song go another way and one of the perks of being a producer and co-writer is that I can actually finish it in a different way and send it out into the world as a different version!  So here's the producer's cut of a song about feeling lonely, isolated, and the pain of all that.

Living Hell (Producer's Edit)

zaya! - how do some of yall genuinely enjoy life lmao

The lyrical matter of the song and the chords are supposed to be ironic of each other in a way. Such a happy Elliot Smith sounding progression with my feelings about my isolation. It isn't even a song, Its just a rant with instrumental. In my opinion, too experimental chord wise for what I want to accomplish.

House Of Dolls - Irony

I’m a hobbyist who loves to play piano.

Patrice Richmond : producer, singer/songwriter, piano, ukulele, audio engineer, sound design, session singer.

Born and raised in Chicago, Patrice Richmond now resides in China with her husband and children. This diverse background enriches her music, infusing it with a unique perspective. A talented vocalist and pianist, Richmond draws inspiration from the timeless sounds of legends like Carole King, and Sara Groves. Fans of upbeat pop and pop-folk will find a kindred spirit in Richmond's music, which resonates with the styles of contemporary artists such as Jess Ray, Sara Bareilles, Griff, and Ingrid Michaelson.
“Music has always been a personal journey for me,” says Richmond. “This album reflects the intimacy of my Christmas experiences and my desire to create meaningful songs. I hope it brings warmth and joy to everyone’s holiday season!”
The upcoming album promises to be a delightful addition to the holiday music landscape, bringing a fresh perspective while honoring beloved traditions. Patrice Richmond's passion for songwriting shines through as she crafts an album that celebrates the essence of Christmas.
For more information about the album and to listen to Patrice Richmond's music, contact Patrice at handles or email above and stream at all streaming platforms.

Brian L.H. Gunter is an experienced composer for media, and when in his element, Brian is blending classic scoring orchestras with modern synth and guitar. Approaching each score fresh with his own style while leaning into influences like Benjamin Wallfisch, Alan Silvestri, Nicholas Britel, Ludwig Göransson, or James Newton Howard, grounding each score with  his own twisted take on story immersive sound design.

A classically trained cellist and experienced multi-instrumentalist, Brian is proficient in guitar, bass, piano, and an assortment of other instruments and musical technology. He is an avid fan of both orchestral and popular music. Throughout college, Brian played in small ensembles, chamber groups, and symphonic orchestras, while also performing guitar and keyboards in top 40, rock, and metal bands.

Brian’s career took a significant leap with his first feature film score for "You Might Get Lost," directed by James Eaves and released in 2021 by Amber Pictures in the UK. This ambient hybrid score of synths and orchestra harkens back to Carpenter-esque genre classics, underpinning much of the film’s emotional current and gradually raising the intensity along with the protagonist's desperation. 

For Eaves' follow-up feature, "The Apocalypse Box," released in August 2024, Brian was tasked with creating a dramatically different score. Eaves requested a departure from the sparse ambience of "You Might Get Lost," aiming for a classic symphonic horror score. Drawing inspiration from Jerry Goldsmith’s "The Omen" (1976) and Fernando Velázquez’s score for "Devil" (2010), Brian crafted a
composition that is frenetic and bombastic at times yet somber and reflective at others, focusing on clear motifs that put the tension low in the viewer’s gut. All while maintaining his own flair and signature style.

In early 2024, Brian was brought on board by director Yvonne Williams of The UNcollective Productions to score her debut feature film, "White Vinegar." Yvonne chose Brian after bonding over their shared love and language for music and artists across the board. For "White Vinegar," Yvonne wanted Brian’s orchestral touch blended with elements of musical theater, inspired by Sondheim, and incorporating original songs Yvonne also wrote for the film. The blending of styles and interconnectedness of themes across Brian’s score and Yvonne’s songs created a cohesive and wildly distinctive sonic landscape. “White Vinegar” is slated for release in 2025. Just two months after wrapping “White Vinegar”, Yvonne enlisted Brian again to score a 10-minute proof of concept for her another scripts of Yvonne’s, “Rubber Room,” an intense thriller with a science fiction twist. And before Rubber Room begins production, Brian is joining Yvonne again for a third of her scripts, a holiday road-trip comedy that puts the trials of family relationships front and center.

Brian’s adaptability and creativity were put to the test with “Bloody Felt,” a horror/comedy/musical/Muppet parody by young filmmaker, Sam Torres. The project demanded a range of musical styles, from a classic children’s puppet show theme to EDM, Dubstep, and Argent Metal, alongside a classic horror score, and even a musical theater inspired piece. Brian managed to weave themes throughout each style to create chohesive musical support all within six minutes of screen time. After a public screening the film and music received overwhelmingly positive feedback, highlighting Brian’s ability to seamlessly blend disparate styles. 

While the goal is only ever to provide emotional support the film and characters demand as set by the filmmaker’s vision, Brian L.H. Gunter’s body of work exemplifies his ability to push musical boundaries and create unforgettable scores, cementing his reputation as a composer who brings a unique sonic identity to every project.

Welcome to my vault where u hear unreleased first. 
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wannabe indie artist, i rap sometimes too

New tracks tagged #isolation